The Love Window

Total Page:16

File Type:pdf, Size:1020Kb

The Love Window The Love Window (2003) Liner Notes Shantala Music www.shantalamusic.com About The Love Window The sacred songs in this album echo inside each one of us, a whisper from past millennia resonating into the eternal present. Sacred chanting is a love window into the heart. Chanting these ancient names opens the window. We are unspeakably grateful to the source of all song. If you are new to chanting, we invite you to listen to the sound of your voice and notice what happens. Give your heart fully to whatever you love. We wish to dedicate this album to our mothers, Karla Klinger and Nancy Wertheimer, and to all mothers. Know that you are dearly loved, always! Tracks 1. Amba Parameshwari 2. Hare Krishna 3. Durge 4. Shiva Invocation 5. Jaya Shambho 6. Nataraja 7. Om Mata Kali 8. Purnamadah All translations by Douglas Brooks. Om Purnamadah chant provided by Manorama. Track 1 “Amba Parameshwari” Amba Parameshwari Akhilandeshwari Adi Parashakti Palayamam Shri Bhuvaneshwari Raja Maheshwari Ananda Rupini Palayamam Sachidananda Rupini Palayamam Ma Ma Ma Ma Ananda Mayi Ma Palayamam Sachidananda Mayi Ma Palayamam Sweet Mother, You are the Supreme Divine, Empowering All, you are the Whole, Everything! Primordial One, Creativity Supreme, protect me! Auspicious One, Goddess of the Earth, Great Goddess of the Sovereign Whose Form is Being, Consciousness, and Bliss, protect me! O Mother, O Ma! O Mother made of Bliss! O Mother, protect me! O Form of Being, Consciousness, and Bliss, protect me! Track 2 “Hare Krishna” Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare Rama, Hare Rama, Rama Rama, Hare O Sustainer, O Dark One! O Krishna, O Krishna! O Sustainer, O Joyous One! O Rama, O Rama! Track 3 “Durga” Durge Durge Durge Jai Jai Ma Jagatambe Jai Jai Ma Kalikapalanima O Durga, Remover of What is Before, Difficult Going! Victory! Celebration, O Mother of the Universe! Victory and Celebration, O Mother! Black One, Protectress of Time, Dark as the Rain Cloud! Track 5 “Jaya Shambho” Jaya Jaya Jaya Shambho Hara Hara Hara Shambho Mahadeva Shambho, Mahadeva Shambho Victory, joy, and celebration! Remover of Darkness! Dissolver of the Universe! Conveyer of Truth! Great God, Great Light! Track 6 “Nataraja” Nataraja Nataraja, Nartana Sundara Nataraja Shivaraja Shivaraja, Shiva Kami Priya Shivaraja Chidambaresha Nataraja Parthi Purishwara Nataraja Lord of the Dance, Sovereign of Dance, Beautiful Dancer! Beloved One who is Shiva's Desire! Auspicious Lord! Lord Clothed in Consciousness! Sovereign of the Dance, Earthen Ruler, Lord of the Universe! Track 7 “Om Mata Kali” Om Mata Kali, Kali Durge Ma Shri Ma, Shri Ma, Shri Ma, Shri Ma Eternal Mother of Time! Mistress of Death, Remover of Time, O Mother, O Dark One! Auspicious One, Auspicious Mother, Life Giving, Life Affirming, Celebratory Mother! Track 8 “Purnamadah” Om Purnamadah Purnamidam Purnata Purnamudacyate Purnasaya Purna Ma Daya Purnamevava Sheshyate Om, the Eternal! The Perfect, Fullfillment! This is the Perfect/Fulfillment! The Perfect emerges from Perfect! When the Perfect is separated from the Perfect only the Perfect remains! The Artists Benjy Wertheimer: vocals, esraj, tabla, djembe, keyboards, guitar, percussion Heather Wertheimer: vocals, guitar Ty Burhoe: frame drum, shaker Tim Ellis: guitar on Om Mata Kali, Jaya Shambho, Hare Krishna, and Nataraja Steve Gorn: bansuri bamboo flute, clarinet Leraine Horstmanshoff: didgeridoo Amy Ippoliti: backing vocals on Purnamadah, Durge, and Hare Krishna Jeff Leonard: bass Michael Mandrell: guitar on Jaya Shambho, Durge Matthew Montfort: lead guitar on Nataraja Beth Noelle: backing vocals on Purnamadah, Amba Parameshwari Willow Noelle: laughter Michael Stirling: tamboura David Trasoff: sarod Chorus: Karen Berg-Smith, Ty Burhoe, Arthur Cornell, Jarmila Darby, Leslie Ellis, Amy Gasskill, Jim and Lynea Gillen, Tasha Harmon, Leraine Horstmanshoff, Amy Ippoliti, Thomas Lifschutz, Beth Noelle, Georgia Peterson, Annapurna Sarada, Michael Stirling, Jim Walker, Lauren Worsh .
Recommended publications
  • In a New and Calm Nepal, the Famed Annapurna Circuit May Soon
    LAST RIDE ON THE ANNAPURNA In a new and calm Nepal, the famed Annapurna stone, cold and beautiful. We hang our We’re riding the Annapurna Circuit, prayer flags with the others — symbols of a famous trekking route circling the Circuit may soon become the most incredible desires, dreams, wishes. Then we point our Annapurna Massif in Nepal. It’s normally a mountain-bike touring route in the Himalayas — front wheels downhill. tough 18-day hike that starts in the jungles but at what cost? Nathan Ward rides the fine line And it’s a long downhill, sharp and tech- of the middle hills of Nepal, climbs toward nical, and we ride it all with the befuddled the Tibetan plateau, crosses the high between tradition, legend, and change. brain waves of thin air – jolting through Thorung La, and plummets back to the boulder gardens, slicing into snowdrifts, jungles again. Even though it’s currently t 4:30 a.m., 16,000 feet high in the the sun, the alpine world unfolds before us rolling along perfect sections of singletrack, better suited for feet, we’ve decided to ride Himalayas, the stars shimmer blue in magically like an icy bouquet of high peaks A or just holding on and praying through sec- it on bikes — me, my wife Andrea, and our the cold alpine air. Moon-glow bounces from fanned out across the horizon. We get tions so steep they’re more of a controlled fearless local guide Chandra — to explore a glaciers, wavering, otherworldly, ghostly. on our bikes and pedal shakily up the last slide than a ride.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • 2013 Festivals and Events from Devi Mandir
    2013 Festivals and Events from Devi Mandir Margshirsh Krishna: 01/04 Ashthami Pupashthaka Shraddha 01/07 Ekadashi Upavas Paush Shukla: 01/15 Pancami Shri Lakshmi Puja, Sat Pancami Vrat 01/16 Shashthi Annarupa Shashthi 01/17 Saptami Shri Vastu Puja 01/18 Ashthami Shri Lakshmi Puja 01/22 Ekadashi Trailinga Swami Birthday, Upavas 01/23 Dwadashi Kurmma Dwadashi Vrat Paush Krishna: 02/06 Ekadashi Upavas 02/08 Chaturdashi Shri Ratantikalika Puja Magh Shukla: 02/10 Pratipad Durga Devi Magh Navaratri Vrat begins 02/13 Chaturthi Swami Vivekananda Birthday, Shri Ganesha Puja 02/14 Pancami Saraswati Puja & Lakshmi Puja, Shri Pancami, Sat Pancami Vrat 02/15 Shashthi Sital Shashthi 02/16 Saptami Arogya Saptami Vrat, Makari Saptami 02/17 Ashthami Bhishmashtami Vrat and Tarpan 02/21 Ekadashi Upavas 02/23 Trayodashi Shri Nityananda Trayodashi Vrat 02/25 Purnima Maghi Purnima Magh Krishna: 03/01 Chaturthi Sankat Chaturthi Vrat 03/04 Ashthami Sakasthaka Shraddha 03/07 Ekadashi Upavas 03/09 Trayodasi Trayodasi nishi yukta, Shri Maha Shivaratri Vrat Phalgun Shukla: 03/16 Pancami Sat Pancami Vrat 03/17 Shashthi Gorupini Shashthi 03/22 Ekadashi Shri Ramakrishna’s Birthday 03/26 Purnima Shri Krishna Dol Yatra, Holi, Gauranga Mahaprabhu Avirbhav Phalgun Krishna: 03/31 Pancami Shri Krishna Pancama Dol Yatra 04/01 Shashthi Skanda Shashthi 04/03 Ashthami Shri Sitalashtami 04/05 Ekadashi Upavas 04/07 Trayodashi Madhu Krishna Trayodashi Caitra Shukla: 04/10 Pratipad Vasanti Durga Devi Navaratri Vrat 04/15 Pancami Sat Pancami Vrat 04/16 Shashthi Shri Vasanti Durga
    [Show full text]
  • Kali Stotram Herself
    “The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship.
    [Show full text]
  • Panchamukhahanumankavacha
    Pancha Mukha Hanumath Kavacham Om Shree Ganeshaya Namaha | Shree panchamukha hanuman kavacham Om shree panchavadanaaya aanjaneyaaya namaha Om asya shree panchamukha hanumat mantrasya Brahmaa rushihi | Gaayatree Chandaha | Panchamukha viraaT hanumaana devata | Hreem beejam | Shreem shaktihi | Kraum keelakam | Kroom kavacham | Kraim astraaya phat iti digbandhah Shree Garuda uvaacha Atha dhyaanam Pravakshyaami shruNu Sarvaanga sundari | Yat krutam devedevana dhyaanam Hanumatah priyam || 1 || Panchavaktram mahaabheemam | Tripancha nayanairyutam | Baahubhih dashabhih yuktam | Sarvakaamaartha siddhidam || 2 || Poorvam tu vaanaram vaktram | KoTisoorya samaprabham | DamshTraa karaala vadanam | BhrukuTi kuTilekshaNam || 3 || Asyaiva dakshiNam vaktram | Naarasimham mahaadbhutam | Atyugra tejovapusham | BheeshaNam bhayanaashanam || 4 || Pashchimam gaaruDam vaktram | VakratunDam mahaabalam | Sarvanaaga prashamanam | Vishabhootaadi kruntanam || 5 || Uttaram soukaram vaktram | KrushNam deeptam nabhopamam | Paataala simha vetaala | Jvara rogaadi kruntanam || 6 || Oordhvam hayaananam ghoram | Daanava antakaram param | Yena vaktreNa viprendra | Taarakaakhyam mahaasuram || 7 || Jaghaana sharaNam tatsyaat | Sarvashatru haram param | Dhyaatvaa panchamukham rudram | Hanumantam dayaanidhim || 8 || KhaDgam trishoolam khaTvaangam | Paasham ankusha parvatam | MushTim kaumodakeem vruksham | Dhaarayantam kamanDalum || 9 Bhindipaalam gyaanamudraam | Dashabhih muni pungavam | Etaani aayudha jaalaani | Dhaarayantam bhajaamyaham || 10 Pretaasana upavishTam tam | SarvaabharaNa
    [Show full text]
  • Sri Aurobindo's Formulations of the Integral Yoga Debashish Banerji California Institute of Integral Studies, San Francisco, CA, USA
    International Journal of Transpersonal Studies Volume 37 | Issue 1 Article 6 9-1-2018 Sri Aurobindo's Formulations of the Integral Yoga Debashish Banerji California Institute of Integral Studies, San Francisco, CA, USA Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Banerji, D. (2018). Sri Aurobindo's formulations of the integral yoga. International Journal of Transpersonal Studies, 37 (1). http://dx.doi.org/https://doi.org/10.24972/ijts.2018.37.1.38 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Special Topic Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Sri Aurobindo's Formulations of the Integral Yoga Debashish Banerji California Institute of Integral Studies San Francisco, CA, USA Sri Aurobindo Ghose (1872–1950) developed, practiced and taught a form of yoga, which he named integral yoga. If one peruses the texts he has written pertaining to his teaching, one finds a variety of models, goals, and practices which may be termed formulations or versions of the integral yoga. This article compares three such formulations, aiming to determine whether these are the same, but in different words, as meant for different audiences, or whether they represent different understandings of the yoga based on changing perceptions.
    [Show full text]
  • Finding Zen on the Himalayas After a Nightmare Ride to the Top by Munir Virani
    Features Munir (left) against the backdrop of the stunning Himalayas Finding Zen on the Himalayas after a nightmare ride to the top By Munir Virani n Hindu mythology, Kali is the Goddess That is what I felt when I rode up the Himalayas and its enormous hydroelectric of Death. In Sanskrit, the translation is Kali Gandaki Valley in Nepal’s Annapurna potential. It has a total catchment area of “She who is black or she who is death”. Conservation Area in May of 2013. The Kali 46,300 square kilometers (17,900sq.mi), IKali’s iconography, cult, and mythology Gandaki River is one of the major rivers most of it in Nepal. This blog is about commonly associate her with death, of Nepal and a left bank tributary of the my journey up the Kali Gandaki from sexuality, violence, and, paradoxically in sacred Ganges in India. In Nepal the river where we began our survey of Himalayan some later traditions, with motherly love. is notable for its deep gorge through the Vultures and other raptors of the region. My last visit to Nepal was in February 2004 when The Peregrine Fund organized a Kathmandu Summit Meeting. The goal of that meeting was to disseminate results of our discovery of veterinary diclofenac as the primary cause of the catastrophic collapse of Gyps vultures in South Asia. Last month, I returned to Nepal after nine years and could not help but feel a tremendous surge of nostalgia when our plane touched down at Kathmandu’s Tribhuvan International Airport. I was overwhelmed by emotion as I had very fond memories of this wonderful Himalayan country.
    [Show full text]
  • GENDER Discrimination Discriminate Positively
    SHOBHA’S PAT ON MIND 6699 DR SHOBHA RAJU GENDER DiSCRimiNATiON Discriminate positively eople fight against gender dis - itary napkins every month to claim quantum of wellness. Woman crimination. I say there should your equality with women then? In should never loose their sensitivity bPe gender discrimination...a very a balance, a quarter kg iron block to get their quota in the parliament positive discrimination. Take a hen is on one side and four tomatoes or anything else. They can ask their and cock. Hen needs a certain cozy are on the other side. It required legitimate quota maintaining their place to lay its eggs and to hatch four tomatoes to weigh one block sensitivity and sobriety. Loosing them. Does a cock need? No. of quarter kg. That’s called equal - sensitivity and sobriety to mean - Nature has a gender discrimina - ity. We cannot call it inequality inglessly equal the men means tion? No. Nature has different because the tomatoes are four and loosing the very dignity and natural moulds for different genders. the quarter kg block is just one. texture, nature has so graciously That’s where the beauty lies in Please don’t ask for maternity and creatively endowed us with. nature. It’s called Diversity! leave because women are sanc - In a thorough soul-search, man To ask for equality doesn’t tioned. Ladies! Let’s not madly should understand as to how much mean that the fish should be brou demand meaningless equality with a woman is shouldering the burden ght to the ground and be treated as men.
    [Show full text]
  • Handbook of Hinduism Ancient to Contemporary Books on the Related Theme by the Same Author
    Handbook of Hinduism Ancient to Contemporary Books on the related theme by the Same Author ● Hinduism: A Gandhian Perspective (2nd Edition) ● Ethics for Our Times: Essays in Gandhian Perspective Handbook of Hinduism Ancient to Contemporary M.V. NADKARNI Ane Books Pvt. Ltd. New Delhi ♦ Chennai ♦ Mumbai Kolkata ♦ Thiruvananthapuram ♦ Pune ♦ Bengaluru Handbook of Hinduism: Ancient to Contemporary M.V. Nadkarni © Author, 2013 Published by Ane Books Pvt. Ltd. 4821, Parwana Bhawan, 1st Floor, 24 Ansari Road, Darya Ganj, New Delhi - 110 002 Tel.: +91(011) 23276843-44, Fax: +91(011) 23276863 e-mail: [email protected], Website: www.anebooks.com Branches Avantika Niwas, 1st Floor, 19 Doraiswamy Road, T. Nagar, Chennai - 600 017, Tel.: +91(044) 28141554, 28141209 e-mail: [email protected], [email protected] Gold Cornet, 1st Floor, 90 Mody Street, Chana Lane, (Mohd. Shakoor Marg), Opp. Masjid, Fort Mumbai - 400 001, Tel.: +91(022) 22622440, 22622441 e-mail: [email protected], [email protected] Flat No. 16A, 220 Vivekananda Road, Maniktala, Kolkata - 700 006, Tel.: +91(033) 23547119, 23523639 e-mail: [email protected] # 6, TC 25/2710, Kohinoor Flats, Lukes Lane, Ambujavilasam Road, Thiruvananthapuram - 01, Kerala, Tel.: +91(0471) 4068777, 4068333 e-mail: [email protected] Resident Representative No. 43, 8th ‘‘A’’ Cross, Ittumadhu, Banashankari 3rd Stage Bengaluru - 560 085, Tel.: +91 9739933889 e-mail: [email protected] 687, Narayan Peth, Appa Balwant Chowk Pune - 411 030, Mobile: 08623099279 e-mail: [email protected] Please be informed that the author and the publisher have put in their best efforts in producing this book. Every care has been taken to ensure the accuracy of the contents.
    [Show full text]
  • Shakta and Shakti by Usha Chatterji
    Shakta and Shakti By Usha Chatterji Source: Studies in Comparative Religion, Vol. 2, No.4. (Autumn 1968) © World Wisdom, Inc. www.studiesincomparativereligion.com THE cult of the Mother Goddess is as old as humanity. It is believed that in antiquity the cult extended to all the countries and thrived in all the civilizations from the Nile and Euphrates to the Aegean Sea; "Looking to the east of the Euphrates we see the Dusk Divinity of India, the Adya-Shakti and Maha-Shakti, or Supreme Power of many names as Gagadamba, Mother of the World, which is the Play of Her who is named Lalita," (Sir John Woodroffe). In India, the Great Mother has been worshipped from the Himalayan mountains in the north to Cape Comorin in the extreme south; the word Cape Comorin is a corrupted form of Kanya Kumari or Kumari Devi, the Virgin Daughter, as the goddess is often called. The Vedas speak much of the goddesses. Their images are radiant with beauty, power and intelligence. From the Vedas themselves the Shakta Tantras, cult-books of the Goddess, derive their inspiration. In the Rig-Veda the goddess Sarasvati receives much homage: "Pure, Sarasvati, with all her bounties, rich in thoughts, inspires us towards truth, causes in us the required virtues, Sarasvati by her divinity awakens in us consciousness, illumines us in our thoughts." She is intelligence, science, arts, and all knowledge. The word shakti comes from the root "shak," "to be able, to have power". Any thing, any activity, has power; if the power be not visible, it is latent.
    [Show full text]
  • Shakti and Shkta
    Shakti and Shâkta Essays and Addresses on the Shâkta tantrashâstra by Arthur Avalon (Sir John Woodroffe), London: Luzac & Co., [1918] Table of Contents Chapter One Indian Religion As Bharata Dharma ........................................................... 3 Chapter Two Shakti: The World as Power ..................................................................... 18 Chapter Three What Are the Tantras and Their Significance? ...................................... 32 Chapter Four Tantra Shastra and Veda .......................................................................... 40 Chapter Five The Tantras and Religion of the Shaktas................................................... 63 Chapter Six Shakti and Shakta ........................................................................................ 77 Chapter Seven Is Shakti Force? .................................................................................... 104 Chapter Eight Cinacara (Vashishtha and Buddha) ....................................................... 106 Chapter Nine the Tantra Shastras in China................................................................... 113 Chapter Ten A Tibetan Tantra ...................................................................................... 118 Chapter Eleven Shakti in Taoism ................................................................................. 125 Chapter Twelve Alleged Conflict of Shastras............................................................... 130 Chapter Thirteen Sarvanandanatha .............................................................................
    [Show full text]
  • Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
    Monumentalizing Tantra: The Multiple Identities of the Hamses'varl Devi Temple and the Bansberia Zamlndari Mohini Datta-Ray Faculty of Religious Studies McGill University, Montreal February 16, 2008 A thesis submitted to McGill University in Partial fulfillment of the requirements of the degree of Master of Arts © Mohini Datta-Ray 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-51369-9 Our file Notre reference ISBN: 978-0-494-51369-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]