Pluractional Demonstrations∗
Pluractional Demonstrations∗ Robert Henderson | The University of Arizona Abstract This paper develops a novel formal semantics for ideophones that can account for their meaning and compositional properties. The proposal ex- tends recent work on iconicity in sign languages by Davidson (2015), whose demonstration-based framework provides a formal foundation for the seman- tics of ideophones that captures the difference between descriptive meaning and depictive meaning, the kind of meaning ideophones traffic in. After pro- viding a demonstration-based account of the basic ideophone construction in the Mayan language Tseltal, the paper then shows how the demonstration- based account can be used to analyze pluractionality in the ideophone do- main. In particular, through case studies on Tseltal and Upper Necaxa Toto- nanc (Totonacan), I show that there are two previously unrecognized types of ideophonic pluractionality, and that their properties support the demonstration- based account. The first, which I call “demonstration-external pluraction- ality”, involves a speaker using an ideophone to do a plurality of demon- strations that characterize a plurality of events. The second kind of ideo- phonic pluractionality, which I call a “demonstration-internal pluractional- ity”, is much more similar to pluractionality in the verbal domain, and in- volves special morphology that derives ideophone stems that can only be used to demonstrate plural events. Finally, I use the contrast between these two types of pluractionality in the ideophone domain to clarify the line be- tween the iconic and non-iconic aspects of the semantics of ideophones. Keywords: ideophones, pluractionality, iconicity, demonstrations, Mayan, Totonacan ∗I would like to thank Scott AnderBois, Diana Archangeli, Nicolas Asher, Rebekah Baglini, Dy- lan Bumford, Simon Charlow, Lucas Champollion, Kathryn Davidson, Jeremy Kuhn, Heidi Harley, Serge Minor, Jaime Pérez González, and Philippe Schlenker for extremely helpful discussions about ideophones and iconicity.
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