DOCSLIB.ORG

Bach Academy Bruges

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bach Academy Bruges Tue 15 Jan – Sun 20 Jan 2019 BACH ACADEMY BRUGES Heaven on earth © Rune Guneriussen Rune © Dear music lover Festival summary TUE 15 JAN 2019 SAT 19 JAN 2019 SUN 20 JAN 2019 20.00 Chamber music hall 11.00 and 14.00 11.00 Chamber music hall In this New Year’s month, I’m Idiosyncratic OLV-van-Blindekenskapel Sponte Sua exceptionally happy to welcome you homage to Bach Catalina Vicens Bach, Hotteterre & once again to the Bach Academy, Lecture-performance (Ammer)Bach on organ Telemann in Bruges’ Concertgebouw! For me by ECCE p. 10 p. 18 starting the year with some light- p. 4 hearted comedy and a dip into Cole 14.00 Concert hall 14.30 Concert hall Porter’s Great American Songbook WED 16 JAN 2019 Hildebrandt Consort & Ensemble Marsyas was both a delightful challenge and a WORLD PREMIERE Ignace Bossuyt Heavenly dialogues fascinating discovery. But returning Bach Close-up (in Dutch) COMMISSIONED BY CONCERTGEBOUW p. 19 to Bach and delving into his inner p. 11 world, which I do two or three times a 20.30 KAAP | De Werf 16.30 Chamber music hall season, is always a balm for the soul Ernst Reijseger & 16.30 Chamber music hall © Michiel Hendryckx Cecilia Bernardini and an immense musical pleasure. Erik Bosgraaf Andreas Brantelid Biber. Rosary Sonatas We all know that Bach’s heaven Bach from both sides Bach. Cello Suites p. 21 did not lie on earth, but his art did Berlin’s performance on Saturday evening i.c.w. KAAP p. 12 make that much-sung yearning for of Bach’s concertos for three and four 19.15 Chamber music hall the hereafter almost superfluous. harpsichords. They are without doubt one of THU 17 JAN 2019 19.15 Chamber music hall Introduction by Ignace the best Baroque orchestras of the moment. WORLD PREMIERE Introduction by Ignace Bossuyt (in Dutch) CO-PRODUCTION Bossuyt (in Dutch) In this edition, the persuasiveness of As curator, it is my honour and pleasure – 20.00 Concert hall Bach’s cantatas has once again inspired 19.15 Magdalenazaal SUMMARY FOREWORD together of course with Jeroen Vanacker 20.00 Concert hall Introduction by Steven Collegium us and challenged us to wander unfamiliar and his enthusiastic team – to present Akademie für Alte Vocale Gent paths alongside traditional concert De Belder (in Dutch) you with all of this beauty! Nothing is Musik Berlin O ewiges Feuer performances. Collegium Vocale Gent, as vital as that scintillating interaction Bach. Harpsichord p. 22 for instance, opens the weekend with the 20.00 Magdalenazaal between music, performers and a concertos world premiere of Lebenslicht, a silent film genuinely interested audience! And in Flowers (we are) p. 14 by young director Clara Pons: a poignant those magical moments in which heaven Claire Croizé / ECCE family drama, in which Bach’s live music and earth come together lies perhaps i.c.w. Cultuurcentrum Brugge 22.30 Chamber music hall plays the unmistakable leading role. Bach’s the ineffable essence that connects us. p. 6 Your applause is given librettos thus acquire a deeper, more CONTINUUM Bach. Riddle canons additional colour by the universal character and a relevance that FRI 18 JAN 2019 p. 17 flowers of Bloemblad. transcends their original religious basis. Your devoted cantor, WORLD PREMIERE In cooperation with our Two important aims of the Academy are CO-PRODUCTION — Philippe Herreweghe festival partner to offer context and to provide young 20.00 Concert hall talent(s) with a platform. Ensembles such Collegium Vocale Gent as Scotland’s Marsyas Ensemble and our & Clara Pons own Hildebrandt Consort delve deeper into Lebenslicht The programme and the organisation of Bach Academy the vocal works. Top talents such as Danish p. 7 Bruges are the result of a close collaboration between cellist Andreas Brantelid, violinist Cecilia Collegium Vocale Gent and Concertgebouw Brugge, Bernardini and organist Catalina Vicens 22.00 Chamber music hall under the curatorshop of Philippe Herreweghe. bring us pure instrumental work, by Bach Winter guests and his contemporaries. Another highlight is A heart full of music (in Dutch) Concertgebouw Brugge is part of REMA-EEMN, most definitely the Akademie für Alte Musik p. 4 European Early Music Network. — 2 — — 3 — Context summary TUE 15 JAN 2019 FRI 18 JAN 2019 SAT 19 & SUN 20 JAN 2019 20.00 Chamber music hall 10.30-17.00 11.00 Belfry Idiosyncratic Chamber music hall Bach on carillon homage to Bach Heaven on earth Wim Berteloot Lecture-performance Listening course (in Dutch) Bruges carillonneur plays by ECCE By way of introduction to works by Bach and others ECCE choreographer Claire the concerts of the Bach on the 18th-century Croizé and her artistic Academy, Ignace Bossuyt carillon. team give us a glimpse into takes us through Bach’s Willem Créman (1895-1970) the creative kitchen of their oeuvre. Special attention Reminiscing J.S. Bach latest production: is paid to the relationship Flowers (we are). between heaven and earth Johann Sebastian Bach i.c.w. Cultuurcentrum in Bach’s cantatas. (1685-1750) Cello Suite nr.1, BWV1010 Brugge i.c.w. Davidsfonds (arr. Peter Bremer) Academie Preludium from Lute Suite, Free with a ticket for BWV997 (arr. Bernard Flowers (we are) LECTURE & DISCUSSION Winsemius) Prelude for lute, BWV998 (arr. Frank Deleu) LECTURE & DISCUSSION FRI 18 JAN 2019 Siciliano from Flute Sonata, BWV1031 (arr. Peter Bremer) 22.00 Chamber music hall WED 16 JAN 2019 Winter guests Wim Berteloot (1967) 16.00-19.00 Miniatures on B.A.C.H. (selection) A heart full of music Toccata / Menuetto / Inventio / (in Dutch) Preludium / Fugato HEAVEN ON EARTH THU 17 JAN 2019 After the premiere Johann Sebastian Bach of the unique film 10.30-13.30 Sinfonia/Arioso from Concert hall project Lebenslicht, Harpsichord Concerto, Open rehearsals conductor Philippe BWV1056 (arr. Brecht Berteloot) Herreweghe joins filmmaker Allegro from Violin Concerto, Collegium Vocale Gent BWV1041 (Koen Cosaert) During their open Clara Pons and interviewer Air from Suite, BWV1068 rehearsals, Collegium Olav Grondelaers on the (arr. Leen ‘t Hart) Vocale Gent and Philippe interview couch for a cosy Herreweghe give us a peek chat about the relationship PERMANENT EXHIBITION behind the scenes. We get between man and music. Foyer parterre to witness what is often Eyes on Bach Free with a Bach Academy a very personal artistic Exhibition by Johan Huys Bruges 2019 concert ticket growth process. In a number of richly LECTURE & DISCUSSION illustrated panels, you’ll Free with a Bach Academy learn more about the life, Bruges 2019 concert ticket career and work of the celebrated Thomaskantor. VOCAL The majority of the keyboards played during Free with a Bach Academy this festival comes from Bruges 2019 concert ticket the collection of François Translation: Stephen Smith Ryelandt-Chembaleros. — 4 — — 5 — THU 17 JAN 2019 FRI 18 JAN 2019 Flowers (we are) Collegium Vocale Gent Claire Croizé / ECCE & Clara Pons Lebenslicht 19.15 introduction by Steven De Belder Bach, flowers and bridges 20.00 Concert hall Bernd Seliger: trainee (in Dutch) Flowers (we are) is Claire Croizé’s first — Paul Millot: editor 20.00 Magdalenazaal (see p. 31) collaboration with a contemporary Collegium Vocale Gent: choir & orchestra Lucien Keller: VFX — composer: Matteo Fargion. For this dance see p. 26 Lionel Devuyst: colorist Claire Croizé: concept performance to live music, they draw their Philippe Herreweghe: conductor Loup Brenta: postproduction Emmi Väisänen, Claire Godsmark & inspiration from the great master of the Dorothee Mields: soprano Cobalt Films: facility Gorka Gurrutxaga: dance Baroque: Johann Sebastian Bach. Excerpts Alex Potter: alto Sabrina Terrin: executive producer Johann Sebastian Bach & Matteo from the preludes of his Wohltemperirtes Thomas Hobbs: tenor Bert Schreurs - Collegium Vocale Gent; Fargion: music Clavier, transcriptions of his chorales Peter Kooij: bass Tomas Leyers - Minds Meet: producer Matteo Fargion & Francesca Fargion: for four hands, and new compositions Special thanks to Tinne Embrechts, Dimitri piano provide the musical fabric. Fargion and Actors: Van der Vieren, Antoinette Schraepen, Etienne Guilloteau: dramaturgy his daughter Francesca perform the Sara De Bosschere: mother Hermine Verbiest, Johan Heleven, Maria Anne-Catherine Kunz: costume design music and three dancers bring it to life. Josse De Pauw: grandfather Maurissen, Marleen Elbers Hans Meijer: light design As in her earlier performances EVOL and Valentijn Dhaenens: father — HERO, Croizé adds a poetic touch to this Dexter Van der Vieren: son Johann Sebastian Bach (1685-1750) ECCE vzw: production playful Bach homage with excerpts from • Sinfonia, BWV21/1 Concertgebouw Brugge, wpZimmer, the poems of Rainer Maria Rilke. This Clara Pons: film director • Aria Ich wünsche mir den Tod, BWV57/3 17 JAN 2019 18 JAN 2019 Kunstencentrum BUDA, Kaaitheater: contemporary tribute is simultaneously Jens Van Durme: music dramaturgy • Aria Vergib mir Jesus meine coproduction a heartfelt call to build bridges between Collegium Vocale Gent: production Sünden, BWV48/6 In cooperation with Workspacebrussels different personalities, between different Concertgebouw Brugge: coproduction • Chorale Ich elender Mensch, BWV48/1 and STUK generations, between old and new music With the support of the Belgian National • Duet Den Tod niemand Special thanks to Herman Sorgeloos and between text, music and dance. Lottery zwingen könnt, BWV4/3 — • Recitative Siehe, ich stehe Johann Sebastian Bach (1685-1750) Film crew: vor der Tür, BWV61/4 Selection from Das wohltemperirte Clara Pons: director • Chorale Ich bitte dich, Herr Clavier, BWV846-869
Load more

Recommended publications
  • Handel's Tea Time
    Handel’s Tea Time Dorothee Mields Die Freitagsakademie George Frideric Handel (1685–1759) “Venus & Adonis” Cantata for soprano, oboe and basso continuo, HWV 85 Kantate für Sopran, Oboe und Basso continuo, HWV 85 � I. Recitative “Behold, where weeping Venus stands” �:�� � II. Aria “Dear Adonis, beauty’s treasure” �:�� � III. Recitative “Thus, queen of beauty” �:�� � IV. Aria “Transporting joy, tormenting fears” �:�� Concerto à quattro in D Minor for oboe, violin, cello and basso continuo* Concerto à quattro in d-moll für Oboe, Violine, Violoncello und Basso continuo � I. Adagio �:�� � II. Allegro �:�� � III. Largo �:�� � IV. Allegro �:�� From 24 English Songs for soprano, oboe, violin and basso continuo, HWV 228 Aus „24 English Songs“ für Sopran, Oboe, Violine und Basso continuo, HWV 228 � Bacchus �:�� �� The Rapture �:�� Trio Sonata in G Major From 9 German Arias for oboe, violin and basso continuo, HWV 384 for soprano, obligatory instrument and basso continuo Triosonate in G-Dur Aus „9 Deutsche Arien“ für Oboe, Violine und Basso continuo, HWV 384 für Sopran, obligates Instrument und Basso continuo �� I. Adagio �:�� �� “Flammende Rose, Zierde der Erden”, HWV 210 �:�� �� II. Allegro �:�� �� “Süßer Blumen Ambraflocken”, HWV 204 �:�� �� III. Grave �:�� �� “Meine Seele hört im Sehen”, HWV 207 �:�� �� IV. Allegro �:�� “Mi palpita il cor” Henry Purcell (1659–1695) Cantata for soprano, oboe and basso continuo, HWV 132 b Kantate für Sopran, Oboe und Basso continuo, HWV 132 b From the semi-opera “The Fairy Queen”, Z 629 Aus der Semi-Opera „Fairy Queen“, Z 629 �� I. Recitative “Mi palpita il cor” �:�� �� II. Aria “Ho tanti affanni in petto” �:�� �� “O let me weep” (Aria) �:�� �� III.
    [Show full text]
  • Bach Notes No. 4 (Fall 2005)
    No. 4 Fall 2005 BACH NOTES THE NEWSLETTER OF THE AMERICAN BACH SOCIETY FRANZ LISZT AND HIS EARLY RECEPTION OF BACH’S ORGAN WORKS* RUSSELL STINSON In the fall of 1857, some fifteen months after the death of her husband, Clara Schumann embarked on a lengthy concert tour of Germany and Switzerland. She performed first in Dresden and Leipzig, sharing the bill with the violinist Joseph Joachim. At some point during their stay in Dresden, the two artists were treated to a performance by Johann Gottlob Schneider on the sumptuous Silbermann organ at the court church, the same instrument on which Schneider had often played for Robert Schumann. Also present was arguably the era’s most famous musical personality, who had traveled to the Saxon capital to conduct the premiere performance of his Dante Symphony. We have no idea who invited Liszt to this with Liszt and Joachim firing salvos on gathering, but it seems unlikely that either the subject of Bach’s organ works. Our IN THIS ISSUE Clara or Joachim did. Clara had by this source is a letter written by Clara a week time developed a great animosity toward or two after Schneider’s performance and P. 1. Franz Liszt and His Early the man as well as his music, and in one addressed to her half brother, the com- Reception of Bach’s Organ Works of her letters to Joachim she went so far poser Woldemar Bargiel: by Russell Stinson as to say that she detested Liszt from the 1 depths of her soul. Joachim had likewise I had a pleasant time in Dresden 7.
    [Show full text]
  • Masaaki Suzuki Programme EDITED
    19 JANUARY | THURSDAY Bach Cantatas with Masaaki Suzuki MASAAKI SUZUKI conductor / organ RYO TERAKADO concertmaster ZHANG YUCHEN (B.Mus1) violin MASAMITSU SAN’NOMIYA oboe YST VOICE STUDENTS CONSERVATORY CHAMBER ENSEMBLE J.S. BACH (1685 – 1750) Violin Concerto in A minor, BWV1041 I. Allegro moderato II. Andante III. Allegro Assai J.S. BACH Cantata “Ach Gott, wie manches Herzeleid”, BWV3 I. Chorus (“Ach Gott, wie manches Herzeleid”) II. Recitative and Chorale (“Wie schwerlich läßt sich Fleisch und Blut”) III. Aria (“Empfind ich Höllenangst und Pein”) IV. Recitative (“Es mag mir Leib und Geist verschmachten”) V. Aria Duetto (“Wenn Sorgen auf mich dringen”) VI. Chorale (“Erhalt mein Herz im Glauben rein”) INTERMISSION 15 mins J.S. BACH Organ Concerto in D minor (from Cantata BWV35) arr. Masaaki Suzuki I. Sinfonia IV. Aria V. Sinfonia J.S. BACH Cantata “Alles nur nach Gottes Willen”, BWV72 I. Chorus (“Alles nur nach Gottes Willen”) II. Recitative and Arioso (“O selger Christ, der allzeit seinen Willen”) III. Recitative (“So glaube nun”) IV. Aria (“Mein Jesus will es tun, er will dein Kreuz versüßen”) V. Chorale (“Was mein Gott will, das g'scheh allzeit”) MASAAKI SUZUKI conductor / organ Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances. In addition to working with renowned period ensembles, such as Collegium Vocale Gent and Philharmonia Baroque, he is invited to conduct repertoire as diverse as Britten, Beethoven, Fauré, Mahler, Mendelssohn, Mozart and Stravinsky, with orchestras such as the Baltimore Symphony, Danish National Radio Symphony, Deutsches Symphonie Orchester Berlin, Leipzig Gewandhausorchester, New York Philharmonic and the San Francisco Symphony Orchestra, amongst others.
    [Show full text]
  • Schütz Edition Has Been Published Containing Choral Collection, Loreley, Which Is Published As Part of the Various Individual Works
    X | 201X CHCHORCHORALCHORMUSIKOR MUMUSIK MUSICSIK HEUTE HEUTHEUTETODAYE 2 | 2017 CARUSCARUS MagazinMagazine MOZART UNVOLLEN- DET Fragment c-Moll-Messe BACH COMPLETE EDITION GOUNOD GEISTLICH INTEGRATION MUSIKALISCH ChorwerkeThe Complete für die KircheSacred VocalKinderlieder Works für alle MUSICAL CAPITAL PARIS CULTURAL TREASURE Following Rossini and Gounod German folk songs in new arrangements C Carus Gioachino Rossini 1792–1868 150th anniversary of death 2018 Although first and foremost considered an opera composer, the Italian Gioachino Rossini composed an extensive range of sacred and secular vocal music. Well-known are the Stabat Mater and the Petite Messe solennelle. It is also worth discovering his many smaller choral works. Gioachino Rossini ROSSINI Petite Messe solennelle Stabat Mater Nach seinem frühen Abschied von der Opernbühne im Jahre 1829 Stabat Mater komponierte Gioachino Rossini neben Kammermusik nur noch Carus 40.650 größer besetzte Kirchenmusik. Zu dieser gehört das Stabat Mater, das in zwei Arbeitsphasen zwischen 1831 und 1841 entstand und 1842 in Paris uraufgeführt worden ist. Der Text fasst die Schmerzen Marias angesichts des Gekreuzigten in ein Gebet. Immer wieder hat Rossini die bildreiche Sprache der vermutlich aus dem 13. Jahrhundert stam- menden latenischen Dichtung Komponisten zu Vertonungen inspi- riert, darunter große Namen wie Pergolesi, Joseph Haydn und Verdi. In 10 Nummern vereinigt Rossini unterschiedliche Formen wie Arie, CHOIR Chor- und E AP Duett, Quartett und Chor, opernhaft ariose Schreibweise und stren- TH P Stabat Mater gen A-cappella-Stil zu einem der Höhepunkte dieser Gattung. Ensemblemusik Following his early departure from the opera stage in 1829, besides chamber music Gioachino Rossini composed only larger scored works Carus 70.089 of church music.
    [Show full text]
  • Abendprogrammheft Accattone Als
    ARBEIT STINKT ACCATTONE Nach dem gleichnamigen Film von Pier Paolo Pasolini in einer Fassung von Koen Tachelet Musikalische Leitung: Philippe Herreweghe (14., 15., 19., 20. 08.), Christoph Siebert (22., 23. 08.) Regie: Johan Simons Bühne: Muriel Gerstner Kostüm: Anja Rabes Licht: Wolfgang Göbbel Soundscapes: Steven Prengels Sounddesign: Will-Jan Pielage Dramaturgie: Koen Tachelet, Tobias Staab Musikdramaturgie: Jan Vandenhouwe Mitarbeit Musikdramaturgie: Jens Van Durme Aufnahmeleitung: Marc Swaenen Regieassistenz: Katelijne Laevens Bühnenbildassistenz: Luc Goedertier Sprachcoach: Roswitha Dierck Kostümassistenz: Christina Hillinger Regiepraktikum: Julie Peters, Clara-Lilian Risa Berger Inspizienz: Stefan Jansen Übertitelinspizienz: Erik Borgmann, Dirk Dehooghe Beratung Klangkonzept: Barak Koren Kinderbetreuung: Chris Nietvelt Künstlerische Produktionsleitung: Marieke Cardinaels, Caitlin van der Maas Technische Projektleitung: Andreas Dietmann Produktionsleitung Kostüm: Monika Frenz Garderobe: Sandra Gabrovec, Stefanie Klein Maske: Sabine Heuser, Laura Nahberger ACCATTONE Darsteller: Accattone: Steven Scharf Maddalena: Sandra Hüller Amore: Elsie de Brauw Das Gesetz: Benny Claessens Stella: Anna Drexler Pio: Mandela Wee Wee Balilla: Steven van Watermeulen Cartagine: Jeff Wilbusch Renato: Lukas von der Lühe Nannina / Ascensa: Laura Mentink Io: Pien Westendorp Solisten: Dorothee Mields (Sopran) Alex Potter (Alt) Thomas Hobbs (Tenor) Peter Kooij (Bass) Christine Busch (Solo Violine) Chor Collegium Vocale Gent Sopran: Dorothee Mields, Griet
    [Show full text]
  • 03 November 2020
    03 November 2020 12:01 AM Antonio Salieri (1750-1825) Sinfonia in D major 'Veneziana' Stavanger Symphony Orchestra, Fabio Biondi (conductor) NONRK 12:11 AM Fryderyk Chopin (1810-1849) Ballade for piano no 4 (Op 52) in F minor Zbigniew Raubo (piano) PLPR 12:23 AM Lorenzo Allegri (1567-1648) Primo Ballo della notte d'amore & Sinfonica (Spirito del ciel) Suzie Le Blanc (soprano), Barbara Borden (soprano), Dorothee Mields (soprano), Tragicomedia, Stephen Stubbs (director) DEWDR 12:33 AM Franz Schubert (1797-1828) Overture in D major, D590, 'in the Italian style' Stavanger Symphony Orchestra, Paul McCreesh (conductor) NONRK 12:41 AM Ludwig van Beethoven (1770-1827) Duet for viola and cello in E flat major, WoO.32 Milan Telecky (viola), Juraj Alexander (cello) SKSR 12:51 AM Georg Philipp Telemann (1681-1767) Trio No.8 from Essercizii Musici Camerata Koln, Michael Schneider (recorder), Rainer Zipperling (cello), Yasunori Imamura (theorbo), Sabine Bauer (harpsichord), Harald Hoeren (organ) DEWDR 12:59 AM Heino Kaski (1885-1957) Symphony in B minor (Op.16) (1918/19) Finnish Radio Symphony Orchestra, Ilpo Mansnerus (conductor) FIYLE 01:25 AM George Frideric Handel (1685-1759) Violin Sonata in A minor (Op.1 No.4) (HWV.362) Tomaz Lorenz (violin), Jerko Novak (guitar) SIRTVS 01:35 AM Wolfgang Amadeus Mozart (1756-1791) Quintet in E flat major for piano, oboe, clarinet, horn and bassoon (K.452) Anton Kuerti (piano), James Mason (oboe), James Campbell (clarinet), James Sommerville (horn), James McKay (bassoon) CACBC 02:01 AM Samuel Barber (1910-1981) Adagio for Strings Shanghai Symphony Orchestra, Zhang Jiemin (conductor) CNSMG 02:09 AM Bela Bartok (1881-1945) Music for Strings, Percussion and Celesta Shanghai Symphony Orchestra, Zhang Jiemin (conductor) CNSMG 02:42 AM Astor Piazzolla (1921-1992) The Four Seasons of Buenos Aires Li Pei (violin), Shanghai Symphony Orchestra, Zhang Jiemin (conductor) CNSMG 03:10 AM Joseph Haydn (1732-1809) Divertimento in C, Hob.
    [Show full text]
  • Bach́s Family Choral Motets Kammerchor Stuttgart FRIEDER BERNIUS HC18014.Booklet.Chorales.Qxp PH????? Booklet Gamben/Handel 20.03.19 15:24 Seite 2
    HC18014.Booklet.Chorales.qxp_PH?????_Booklet_Gamben/Handel 20.03.19 15:24 Seite 1 Johann Christoph ALTNICKOL Johann Christoph Friedrich BACH Bach́s Family Choral Motets Kammerchor Stuttgart FRIEDER BERNIUS HC18014.Booklet.Chorales.qxp_PH?????_Booklet_Gamben/Handel 20.03.19 15:24 Seite 2 Bachs Familie · Choral‐Motetten DEUTSCH Kein Komponist der Musikgeschichte hat „seines Vaters Claviercompositionen am so viele hochbegabte Schüler hervor ge- fertigsten vorgetragen“ habe. Anfang bracht wie Johann Sebastian Bach. Da er Januar 1750 erhielt er auf dessen Em- etliche von ihnen in seiner Wohnung pfehlung eine Anstellung als Kammermu- beherbergte, konnten sie tiefe Einblicke in siker am Hofe des Grafen Wilhelm von sein Schaffen gewinnen. Unter seinen Schaumburg-Lippe in Bückeburg, einem komponierenden Söhnen stand Johann der Aufklärung verpflichteten, sozial enga- Christoph Friedrich, der sogenannte „Bücke- gierten, charismatischen Adligen, dessen burger Bach“, am wenigsten im Rampen- Neigungen viel eher den schönen Künsten licht der Öffentlichkeit. Als „Externus“ be- als höfischem Repräsentationsbedürfnis suchte der zweitjüngste Sohn zunächst die galten. Mitunter dirigierte er die Kapelle Thomasschule, erhielt musikalischen Unter- seiner Residenz selbst. Seine Gattin ließ richt vom Vater und wurde darüber hinaus sich von Johann Christoph Friedrich Bach durch seinen entfernten Meininger Cousin unterrichten und beschenkte ihn reichlich. Johann Elias Bach in außermusikalischen Dessen Jahresgehalt belief sich zeitweise Fächern unterwiesen. An der Leipziger auf stolze 1.000 Reichstaler. Er blieb – ab- Universität immatrikulierte er sich für das gesehen von einer Reise nach London zum Fach der Jurisprudenz, doch brach er sein jüngeren Bruder Johann Christian – Zeit Studium schon vorzeitig wieder ab. Bereits seines Lebens in Bückeburg. Dort heiratete seit Mitte der 1740er Jahre zählte er zu er die Sopranistin Lucia Münchhausen.
    [Show full text]
  • Handel BROCKES-PASSION Academy of Ancient Music
    haNdEL BROCKES-PASSION AcAdemy of Ancient music RichaRd EgaRR Choir of AAM ElizAbEth W Atts robErt MurrAy Cody QuAttlEbAuM GWilyM boWEn tiM MEAd ruby huGhEs niCky spEnCE rAChAEl lloyd MorGAn pEArsE georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion , Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. Capellmeisters hendels Music, dienstags aber des Capellmeisters hrn. telemanns Composition auffführen. Next week a magnificent sacred oratorio will be performed in the Cathedral refectory at 4 o’clock in the afternoon precisely, on Monday 3 April [23 March os] with music by Herr Capellmeister Hendel, but on Tuesday 4 April [24 March os)] in the composition by Herr Capellmeister Telemann. detail of a performance announcement (text and translation opposite on p.7) in the Hamburg
    [Show full text]
  • Bachthe Secular Cantatas Masaaki Suzuki Collegium Japan
    the secular cantatas BACH masaaki suzuki collegium japan Masaaki Suzuki Photo: © Marco Borggreve 2 Johann Sebastian Bach (1685—1750) The Complete Secular Cantatas Bach Collegium Japan Masaaki Suzuki Total playing time: 12h 0m 21s For the booklets that accompanied the original release of these recordings including detailed work commentaries and production notes, please visit www.eclassical.com 3 Disc 1 BWV 210 & 211 O holder Tag, erwünschte Zeit, BWV 210 35'39 Hochzeitskantate / Wedding Cantata For the Berlin court physician Dr Georg Ernst Stahl the younger (19th September 1741) Text: anon. Soprano, Flauto traverso, Oboe d’amore, Violino I, II, Viola, Continuo 1 1. Recitativo. O holder Tag, erwünschte Zeit … 1'04 2 2. Aria. Spielet, ihr beseelten Lieder … 7'00 3 3. Recitativo. Doch, haltet ein … 1'03 4 4. Aria. Ruhet hie, matte Töne … 8'10 5 5. Recitativo. So glaubt man denn, dass die Musik verführe … 1'50 6 6. Aria. Schweigt, ihr Flöten, schweigt, ihr Töne … 4'43 7 7. Recitativo. Was Luft? was Grab? … 1'29 8 8. Aria. Großer Gönner, dein Vergnügen … 2'43 9 9. Recitativo. Hochteurer Mann, so fahre ferner fort … 1'35 10 10. Aria. Seid beglückt, edle beide … 5'23 4 TT: 62'05 Schweigt stille, plaudert nicht, BWV 211 25'46 Kaffee-kantate / Coffee Cantata (c. 1734) Text: Christian Friedrich Henrici (Picander) Soprano (Liesgen), Tenore, Basso (Schlendrian), Flauto traverso, Violino I, II, Viola, Continuo 11 1. Recitativo (Tenore). Schweigt stille, plaudert nicht … 0'34 12 2. Aria (Basso). Hat man nicht mit seinen Kindern … 2'54 13 3. Recitativo (Basso, Soprano).
    [Show full text]
  • Cpo 555 057–2 Booklet.Indd 1 15.01.2020 10:45:20 Florian Leopold Gassmann
    Florian Gassmann Ah, ingrato amor Opera Arias Ania Vegry NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 1 15.01.2020 10:45:20 Florian Leopold Gassmann cpo 555 057–2 Booklet.indd 2 15.01.2020 10:45:21 Florian Leopold Gassmann (1729–1774) Opera Arias 1 Involarmi, from: Achille in Sciro (Pietro Metastasio) 4'40 2 Se in campo armato, from: Catone in Utica (Pietro Metastasio) 3'26 3 Dovea svenarti allora, from: Catone in Utica (Pietro Metastasio) 2'58 4 Per darvi alcun pegno, from: Catone in Utica (Pietro Metastasio) 5'30 5 Ah, ingrato, amor, from: Achille in Sciro (Pietro Metastasio) 7'39 6 Nessuno consola un povero core, from: L’egiziana bzw. La Zingara 3'39 (Franceso Ronzi) 7 Ah, che son fuor di me, from: L’amore artigiano (Carlo Goldoni) 2'14 8 Che vuoi dir con questi palpiti, from: L’amore artigiano (Carlo Goldoni) 4'53 9 Come mi sprezza ancora (unknown) 2'50 10 Cogli amanti, from: Le serve rivali (Pietro Chiari) 3'33 11 Barbara e non rammenti, from: L’opera seria (Ranieri de‘ Calzabigi) 5'29 12 Delfin che al laccio infido, from: L’opera seria (Ranieri de‘ Calzabigi 4'01 cpo 555 057–2 Booklet.indd 3 15.01.2020 10:45:21 13 Dove son, from: L’opera seria (Ranieri de‘ Calzabigi) 4'36 14 Pallid´ombra, from: L’opera seria (Ranieri de‘ Calzabigi) 6'01 15 Saprei costante e ardita, from: L’opera seria (Ranieri de‘ Calzabigi) 3'20 T.T.: 64'59 Ania Vegry, Soprano NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 4 15.01.2020 10:45:21 Ania Vegry (© Simon Pauly) cpo 555 057–2 Booklet.indd 5 15.01.2020 10:45:21 Florian Leopold
    [Show full text]
  • Bach's Christmas Oratorio
    Bach’s Christmas Oratorio Bach Collegium Japan Masaaki Suzuki Director Sherezade Panthaki / Soprano Jay Carter / Countertenor Zachary Wilder / Tenor Dominik Wörner / Bass Friday Evening, December 8, 2017 at 8:00 Hill Auditorium Ann Arbor 27th Performance of the 139th Annual Season 139th Annual Choral Union Series Choral Music Series Media partnership provided by WGTE 91.3 FM. Bach Collegium Japan records for BIS. Bach Collegium Japan appears by arrangement with International Arts Foundation, Inc. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Johann Sebastian Bach Christmas Oratorio, BWV 248 (excerpts) Part I Jauchzet, frohlocket, auf, preiset die Tage Part II Und es waren Hirten in derselben Gegend Intermission Part III Herrscher des Himmels, erhöre das Lallen Part VI Herr, wenn die stolzen Feinde schnauben 3 CHRISTMAS ORATORIO, BWV 248 (EXCERPTS) (1734) Johann Sebastian Bach Born March 31, 1685 in Eisenach, Germany Died July 28, 1750 in Leipzig UMS premiere: J.S. Bach’s Christmas Oratorio, nor any of the cantatas which make up the work, has ever been performed as part of a full concert program at UMS. However, arias from the oratorio have shown up on various recital programs over the past century: “Bereite dich, Zion” (Prepare thyself, Zion) on a Marian Anderson recital in Hill Auditorium (1954); “Was will der Hölle Schreken nun” (What will the terrors of Hell now) with the Bach Aria Group featuring soprano Eileen Farrell, tenor Jan Peerce, and cellist Bernard Greenhouse in Hill Auditorium (1960); and “Nur ein Wink von seinen Händen” (Only a wave of His hands) on an Anne Sofie von Otter recital in the Lydia Mendelssohn Theatre (2004).
    [Show full text]
  • 2007-2008 Blauwe Zaal Do 8 Mei 2008 Koor & Orkest Collegium Vocale Gent Olv
    2007-2008 BLAUWE ZAAL DO 8 MEI 2008 Koor & Orkest Collegium Vocale Gent olv. Philippe Herreweghe 2007-2008 Hoogdagen wo 19 december 2007 AKADEMIE FÜR ALTE MUSIK BERLIN & RIAS KaMMERCHOR OLV. HANS-ChRISTOPH RaDEMANN wo 13 februari 2008 KOOR & ORKEST VAN DE NEDERLANDSE BACHVERENIGING OLV. JOS VAN VELDHOVEN do 28 februari 2008 AKADEMIE FÜR ALTE MUSIK BERLIN & COLLEGIUM VOCALE GENT OLV. MaRCUS CREED do 8 mei 2008 KOOR & ORKEST COLLEGIUM VOCALE GENT OLV. PHILIppE HERREWEghE Hoogdagen KOOR & ORKEST COLLEGIUM VOCALE GENT PHILIppE HERREWEghE muzikale leiding DOROTHÉE MIELDS sopraan DAMIEN GUILLON altus JAN KOBOW tenor STEphAN MAcLEOD bas JOHANN SEBASTIAN BAch (1685-1750) Osteroratorium ‘Kommet, eilet und laufet ihr flüchtigen Füße’, BWV249 42’ Pictogrammen DeSingel AUDIO gelieve uw GSM uit te schakelen pauze De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Cantate ‘Also hat Gott die Welt geliebt’, BWV68 15’ REAGEER & WIN Himmelfahrtsoratorium ‘Lobet Gott in seinen Reichen’, BWV11 32’ Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … betreffende het programma van deSingel met andere toeschouwers delen. Selecteer hiervoor voorstelling/ concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be foyer deSingel enkel open bij avondvoorstellingen in rode en/of blauwe zaal
    [Show full text]