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Tue 15 Jan – Sun 20 Jan 2019 BACH ACADEMY BRUGES Heaven on earth © Rune Guneriussen Rune © Dear music lover Festival summary TUE 15 JAN 2019 SAT 19 JAN 2019 SUN 20 JAN 2019 20.00 Chamber music hall 11.00 and 14.00 11.00 Chamber music hall In this New Year’s month, I’m Idiosyncratic OLV-van-Blindekenskapel Sponte Sua exceptionally happy to welcome you homage to Bach Catalina Vicens Bach, Hotteterre & once again to the Bach Academy, Lecture-performance (Ammer)Bach on organ Telemann in Bruges’ Concertgebouw! For me by ECCE p. 10 p. 18 starting the year with some light- p. 4 hearted comedy and a dip into Cole 14.00 Concert hall 14.30 Concert hall Porter’s Great American Songbook WED 16 JAN 2019 Hildebrandt Consort & Ensemble Marsyas was both a delightful challenge and a WORLD PREMIERE Ignace Bossuyt Heavenly dialogues fascinating discovery. But returning Bach Close-up (in Dutch) COMMISSIONED BY CONCERTGEBOUW p. 19 to Bach and delving into his inner p. 11 world, which I do two or three times a 20.30 KAAP | De Werf 16.30 Chamber music hall season, is always a balm for the soul Ernst Reijseger & 16.30 Chamber music hall © Michiel Hendryckx Cecilia Bernardini and an immense musical pleasure. Erik Bosgraaf Andreas Brantelid Biber. Rosary Sonatas We all know that Bach’s heaven Bach from both sides Bach. Cello Suites p. 21 did not lie on earth, but his art did Berlin’s performance on Saturday evening i.c.w. KAAP p. 12 make that much-sung yearning for of Bach’s concertos for three and four 19.15 Chamber music hall the hereafter almost superfluous. harpsichords. They are without doubt one of THU 17 JAN 2019 19.15 Chamber music hall Introduction by Ignace the best Baroque orchestras of the moment. WORLD PREMIERE Introduction by Ignace Bossuyt (in Dutch) CO-PRODUCTION Bossuyt (in Dutch) In this edition, the persuasiveness of As curator, it is my honour and pleasure – 20.00 Concert hall Bach’s cantatas has once again inspired 19.15 Magdalenazaal SUMMARY FOREWORD together of course with Jeroen Vanacker 20.00 Concert hall Introduction by Steven Collegium us and challenged us to wander unfamiliar and his enthusiastic team – to present Akademie für Alte Vocale Gent paths alongside traditional concert De Belder (in Dutch) you with all of this beauty! Nothing is Musik Berlin O ewiges Feuer performances. Collegium Vocale Gent, as vital as that scintillating interaction Bach. Harpsichord p. 22 for instance, opens the weekend with the 20.00 Magdalenazaal between music, performers and a concertos world premiere of Lebenslicht, a silent film genuinely interested audience! And in Flowers (we are) p. 14 by young director Clara Pons: a poignant those magical moments in which heaven Claire Croizé / ECCE family drama, in which Bach’s live music and earth come together lies perhaps i.c.w. Cultuurcentrum Brugge 22.30 Chamber music hall plays the unmistakable leading role. Bach’s the ineffable essence that connects us. p. 6 Your applause is given librettos thus acquire a deeper, more CONTINUUM Bach. Riddle canons additional colour by the universal character and a relevance that FRI 18 JAN 2019 p. 17 flowers of Bloemblad. transcends their original religious basis. Your devoted cantor, WORLD PREMIERE In cooperation with our Two important aims of the Academy are CO-PRODUCTION — Philippe Herreweghe festival partner to offer context and to provide young 20.00 Concert hall talent(s) with a platform. Ensembles such Collegium Vocale Gent as Scotland’s Marsyas Ensemble and our & Clara Pons own Hildebrandt Consort delve deeper into Lebenslicht The programme and the organisation of Bach Academy the vocal works. Top talents such as Danish p. 7 Bruges are the result of a close collaboration between cellist Andreas Brantelid, violinist Cecilia Collegium Vocale Gent and Concertgebouw Brugge, Bernardini and organist Catalina Vicens 22.00 Chamber music hall under the curatorshop of Philippe Herreweghe. bring us pure instrumental work, by Bach Winter guests and his contemporaries. Another highlight is A heart full of music (in Dutch) Concertgebouw Brugge is part of REMA-EEMN, most definitely the Akademie für Alte Musik p. 4 European Early Music Network. — 2 — — 3 — Context summary TUE 15 JAN 2019 FRI 18 JAN 2019 SAT 19 & SUN 20 JAN 2019 20.00 Chamber music hall 10.30-17.00 11.00 Belfry Idiosyncratic Chamber music hall Bach on carillon homage to Bach Heaven on earth Wim Berteloot Lecture-performance Listening course (in Dutch) Bruges carillonneur plays by ECCE By way of introduction to works by Bach and others ECCE choreographer Claire the concerts of the Bach on the 18th-century Croizé and her artistic Academy, Ignace Bossuyt carillon. team give us a glimpse into takes us through Bach’s Willem Créman (1895-1970) the creative kitchen of their oeuvre. Special attention Reminiscing J.S. Bach latest production: is paid to the relationship Flowers (we are). between heaven and earth Johann Sebastian Bach i.c.w. Cultuurcentrum in Bach’s cantatas. (1685-1750) Cello Suite nr.1, BWV1010 Brugge i.c.w. Davidsfonds (arr. Peter Bremer) Academie Preludium from Lute Suite, Free with a ticket for BWV997 (arr. Bernard Flowers (we are) LECTURE & DISCUSSION Winsemius) Prelude for lute, BWV998 (arr. Frank Deleu) LECTURE & DISCUSSION FRI 18 JAN 2019 Siciliano from Flute Sonata, BWV1031 (arr. Peter Bremer) 22.00 Chamber music hall WED 16 JAN 2019 Winter guests Wim Berteloot (1967) 16.00-19.00 Miniatures on B.A.C.H. (selection) A heart full of music Toccata / Menuetto / Inventio / (in Dutch) Preludium / Fugato HEAVEN ON EARTH THU 17 JAN 2019 After the premiere Johann Sebastian Bach of the unique film 10.30-13.30 Sinfonia/Arioso from Concert hall project Lebenslicht, Harpsichord Concerto, Open rehearsals conductor Philippe BWV1056 (arr. Brecht Berteloot) Herreweghe joins filmmaker Allegro from Violin Concerto, Collegium Vocale Gent BWV1041 (Koen Cosaert) During their open Clara Pons and interviewer Air from Suite, BWV1068 rehearsals, Collegium Olav Grondelaers on the (arr. Leen ‘t Hart) Vocale Gent and Philippe interview couch for a cosy Herreweghe give us a peek chat about the relationship PERMANENT EXHIBITION behind the scenes. We get between man and music. Foyer parterre to witness what is often Eyes on Bach Free with a Bach Academy a very personal artistic Exhibition by Johan Huys Bruges 2019 concert ticket growth process. In a number of richly LECTURE & DISCUSSION illustrated panels, you’ll Free with a Bach Academy learn more about the life, Bruges 2019 concert ticket career and work of the celebrated Thomaskantor. VOCAL The majority of the keyboards played during Free with a Bach Academy this festival comes from Bruges 2019 concert ticket the collection of François Translation: Stephen Smith Ryelandt-Chembaleros. — 4 — — 5 — THU 17 JAN 2019 FRI 18 JAN 2019 Flowers (we are) Collegium Vocale Gent Claire Croizé / ECCE & Clara Pons Lebenslicht 19.15 introduction by Steven De Belder Bach, flowers and bridges 20.00 Concert hall Bernd Seliger: trainee (in Dutch) Flowers (we are) is Claire Croizé’s first — Paul Millot: editor 20.00 Magdalenazaal (see p. 31) collaboration with a contemporary Collegium Vocale Gent: choir & orchestra Lucien Keller: VFX — composer: Matteo Fargion. For this dance see p. 26 Lionel Devuyst: colorist Claire Croizé: concept performance to live music, they draw their Philippe Herreweghe: conductor Loup Brenta: postproduction Emmi Väisänen, Claire Godsmark & inspiration from the great master of the Dorothee Mields: soprano Cobalt Films: facility Gorka Gurrutxaga: dance Baroque: Johann Sebastian Bach. Excerpts Alex Potter: alto Sabrina Terrin: executive producer Johann Sebastian Bach & Matteo from the preludes of his Wohltemperirtes Thomas Hobbs: tenor Bert Schreurs - Collegium Vocale Gent; Fargion: music Clavier, transcriptions of his chorales Peter Kooij: bass Tomas Leyers - Minds Meet: producer Matteo Fargion & Francesca Fargion: for four hands, and new compositions Special thanks to Tinne Embrechts, Dimitri piano provide the musical fabric. Fargion and Actors: Van der Vieren, Antoinette Schraepen, Etienne Guilloteau: dramaturgy his daughter Francesca perform the Sara De Bosschere: mother Hermine Verbiest, Johan Heleven, Maria Anne-Catherine Kunz: costume design music and three dancers bring it to life. Josse De Pauw: grandfather Maurissen, Marleen Elbers Hans Meijer: light design As in her earlier performances EVOL and Valentijn Dhaenens: father — HERO, Croizé adds a poetic touch to this Dexter Van der Vieren: son Johann Sebastian Bach (1685-1750) ECCE vzw: production playful Bach homage with excerpts from • Sinfonia, BWV21/1 Concertgebouw Brugge, wpZimmer, the poems of Rainer Maria Rilke. This Clara Pons: film director • Aria Ich wünsche mir den Tod, BWV57/3 17 JAN 2019 18 JAN 2019 Kunstencentrum BUDA, Kaaitheater: contemporary tribute is simultaneously Jens Van Durme: music dramaturgy • Aria Vergib mir Jesus meine coproduction a heartfelt call to build bridges between Collegium Vocale Gent: production Sünden, BWV48/6 In cooperation with Workspacebrussels different personalities, between different Concertgebouw Brugge: coproduction • Chorale Ich elender Mensch, BWV48/1 and STUK generations, between old and new music With the support of the Belgian National • Duet Den Tod niemand Special thanks to Herman Sorgeloos and between text, music and dance. Lottery zwingen könnt, BWV4/3 — • Recitative Siehe, ich stehe Johann Sebastian Bach (1685-1750) Film crew: vor der Tür, BWV61/4 Selection from Das wohltemperirte Clara Pons: director • Chorale Ich bitte dich, Herr Clavier, BWV846-869
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    Florian Gassmann Ah, ingrato amor Opera Arias Ania Vegry NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 1 15.01.2020 10:45:20 Florian Leopold Gassmann cpo 555 057–2 Booklet.indd 2 15.01.2020 10:45:21 Florian Leopold Gassmann (1729–1774) Opera Arias 1 Involarmi, from: Achille in Sciro (Pietro Metastasio) 4'40 2 Se in campo armato, from: Catone in Utica (Pietro Metastasio) 3'26 3 Dovea svenarti allora, from: Catone in Utica (Pietro Metastasio) 2'58 4 Per darvi alcun pegno, from: Catone in Utica (Pietro Metastasio) 5'30 5 Ah, ingrato, amor, from: Achille in Sciro (Pietro Metastasio) 7'39 6 Nessuno consola un povero core, from: L’egiziana bzw. La Zingara 3'39 (Franceso Ronzi) 7 Ah, che son fuor di me, from: L’amore artigiano (Carlo Goldoni) 2'14 8 Che vuoi dir con questi palpiti, from: L’amore artigiano (Carlo Goldoni) 4'53 9 Come mi sprezza ancora (unknown) 2'50 10 Cogli amanti, from: Le serve rivali (Pietro Chiari) 3'33 11 Barbara e non rammenti, from: L’opera seria (Ranieri de‘ Calzabigi) 5'29 12 Delfin che al laccio infido, from: L’opera seria (Ranieri de‘ Calzabigi 4'01 cpo 555 057–2 Booklet.indd 3 15.01.2020 10:45:21 13 Dove son, from: L’opera seria (Ranieri de‘ Calzabigi) 4'36 14 Pallid´ombra, from: L’opera seria (Ranieri de‘ Calzabigi) 6'01 15 Saprei costante e ardita, from: L’opera seria (Ranieri de‘ Calzabigi) 3'20 T.T.: 64'59 Ania Vegry, Soprano NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 4 15.01.2020 10:45:21 Ania Vegry (© Simon Pauly) cpo 555 057–2 Booklet.indd 5 15.01.2020 10:45:21 Florian Leopold
  • Bach's Christmas Oratorio

    Bach's Christmas Oratorio

    Bach’s Christmas Oratorio Bach Collegium Japan Masaaki Suzuki Director Sherezade Panthaki / Soprano Jay Carter / Countertenor Zachary Wilder / Tenor Dominik Wörner / Bass Friday Evening, December 8, 2017 at 8:00 Hill Auditorium Ann Arbor 27th Performance of the 139th Annual Season 139th Annual Choral Union Series Choral Music Series Media partnership provided by WGTE 91.3 FM. Bach Collegium Japan records for BIS. Bach Collegium Japan appears by arrangement with International Arts Foundation, Inc. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Johann Sebastian Bach Christmas Oratorio, BWV 248 (excerpts) Part I Jauchzet, frohlocket, auf, preiset die Tage Part II Und es waren Hirten in derselben Gegend Intermission Part III Herrscher des Himmels, erhöre das Lallen Part VI Herr, wenn die stolzen Feinde schnauben 3 CHRISTMAS ORATORIO, BWV 248 (EXCERPTS) (1734) Johann Sebastian Bach Born March 31, 1685 in Eisenach, Germany Died July 28, 1750 in Leipzig UMS premiere: J.S. Bach’s Christmas Oratorio, nor any of the cantatas which make up the work, has ever been performed as part of a full concert program at UMS. However, arias from the oratorio have shown up on various recital programs over the past century: “Bereite dich, Zion” (Prepare thyself, Zion) on a Marian Anderson recital in Hill Auditorium (1954); “Was will der Hölle Schreken nun” (What will the terrors of Hell now) with the Bach Aria Group featuring soprano Eileen Farrell, tenor Jan Peerce, and cellist Bernard Greenhouse in Hill Auditorium (1960); and “Nur ein Wink von seinen Händen” (Only a wave of His hands) on an Anne Sofie von Otter recital in the Lydia Mendelssohn Theatre (2004).
  • 2007-2008 Blauwe Zaal Do 8 Mei 2008 Koor & Orkest Collegium Vocale Gent Olv

    2007-2008 Blauwe Zaal Do 8 Mei 2008 Koor & Orkest Collegium Vocale Gent Olv

    2007-2008 BLAUWE ZAAL DO 8 MEI 2008 Koor & Orkest Collegium Vocale Gent olv. Philippe Herreweghe 2007-2008 Hoogdagen wo 19 december 2007 AKADEMIE FÜR ALTE MUSIK BERLIN & RIAS KaMMERCHOR OLV. HANS-ChRISTOPH RaDEMANN wo 13 februari 2008 KOOR & ORKEST VAN DE NEDERLANDSE BACHVERENIGING OLV. JOS VAN VELDHOVEN do 28 februari 2008 AKADEMIE FÜR ALTE MUSIK BERLIN & COLLEGIUM VOCALE GENT OLV. MaRCUS CREED do 8 mei 2008 KOOR & ORKEST COLLEGIUM VOCALE GENT OLV. PHILIppE HERREWEghE Hoogdagen KOOR & ORKEST COLLEGIUM VOCALE GENT PHILIppE HERREWEghE muzikale leiding DOROTHÉE MIELDS sopraan DAMIEN GUILLON altus JAN KOBOW tenor STEphAN MAcLEOD bas JOHANN SEBASTIAN BAch (1685-1750) Osteroratorium ‘Kommet, eilet und laufet ihr flüchtigen Füße’, BWV249 42’ Pictogrammen DeSingel AUDIO gelieve uw GSM uit te schakelen pauze De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Cantate ‘Also hat Gott die Welt geliebt’, BWV68 15’ REAGEER & WIN Himmelfahrtsoratorium ‘Lobet Gott in seinen Reichen’, BWV11 32’ Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … betreffende het programma van deSingel met andere toeschouwers delen. Selecteer hiervoor voorstelling/ concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be foyer deSingel enkel open bij avondvoorstellingen in rode en/of blauwe zaal