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Películas Realizadas Por Fans:¿ Una Categoría Incómoda?
Películas realizadas por fans: ¿una categoría incómoda? Antoni Roig1 Recibido: 2017-01-16 Aprobado por pares: 2017-03-06 Enviado a pares: 2017-03-01 Aceptado: 2017-05-05 DOI: 10.5294/pacla.2017.20.4.6 Para citar este artículo / to reference this article / para citar este artigo Roig, A. 2017. Películas realizadas por fans: ¿una categoría incómoda?. Palabra Clave 20(4), 979-1007. DOI: 10.5294/pacla.2017.20.4.6 Resumen A pesar de su notable popularidad, las películas realizadas por fans, o fanfilms, han recibido poca atención académica en comparación con los fanworks es- critos, gráficos, performativos o incluso audiovisuales, hasta poderse afir- mar que resultan en cierta forma una categoría incómoda. Mientras que prácticas fan audiovisuales como el vidding, el remix, el recut o el machini- ma se ajustan bien a la teorización sobre el fandom, los fanfilms tienden a recrear un canon narrativo y también unos valores de producción, jugan- do con idénticos códigos formales que los textos fuente. Las complejidades técnicas de sus exponentes más ambiciosos suponen, además, una mayor barrera de entrada, que conlleva una especialización y una organización je- rárquica de equipos que se sitúa en los límites de la actividad industrial. El objetivo principal de este artículo es profundizar en el conocimiento sobre los films realizados por fans en su diversidad, atendiendo a continuidades y también diferencias en relación con algunos atributos —también “canóni- cos”— de las creaciones de fans, así como a la autoproducción audiovisual, para efectuar una contribución a una todavía escasa literatura científica so- bre el tema. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
2015 Kevin & Bean Clips Listed by Date from the Kevin and Bean Archive (Kevinandbeanarchive.Com)
All 2015 Kevin & Bean clips listed by date from The Kevin And Bean Archive (kevinandbeanarchive.com) January 02 Friday-Best Of Kevin And Bean 01 Top 10 Moments With Of The Year-2014-12-16.mp3 02 Ass Injuries-2014-08-26-Listener Call-in.mp3 03 Kevin And Bean Voice Idol-2014-02-14-Audition Others To Do Voice Bits When Ralph Is Out.mp3 04 Instant Request-2010-01-27-Rudy-Victor Fuentes 911 Caller.mp3 05 What You Smoked To Get High-2014-04-02-Listener Call-in.mp3 06 Breakfast With Jack White-2014-06-12.mp3 07 Thanks For That Info Bean-2014-03-14.mp3 08 Britches The Clown-2014-10-01-Oldest Clown In The World.mp3 09 Kevin Went To Movies-Movie-goer Has Dont Worry Be Happy As A Ringtone-2014-09-22.mp3 January 05 Monday 01 Opening Segment-2015-01-05.mp3 02 Show Biz Beat-2015-01-05-6 am.mp3 03 and 14 Discussing The Death Of Stuart Scott from ESPN-2015-01-05.mp3 04 Harvey Levin-TMZ-2015-01-05.mp3 05 Paul McCartney-2015-01-05-On Working With Kanye West.mp3 06 Show Biz Beat-2015-01-05-7 am.mp3 07 Brad Williams-2015-01-05-Controversy Over His Joke No Means About FSU Football.mp3 08 Broken New Years Resolutions-2015-01-05-Listener Call-in.mp3 09 Show Biz Beat-2015-01-05-8 am.mp3 10 Ben McKenzie-2015-01-05-TV Show-Gotham.mp3 11 Andrew Siciliano-2015-01-05-On The NFL Wild Card Weekend.mp3 12 Show Biz Beat-2015-01-05-9 am.mp3 13 Drunk Bird-2015-01-05-On Being Studied At The Oregon Health And Science University.mp3 15 Show Biz Beat-2015-01-05-10 am.mp3 January 06 Tuesday 01 Opening Segment-2015-01-06.mp3 02 Show Biz Beat-2015-01-06-6 am.mp3 03 Drunk Bird-from -
Ed. Dia Dos Pais. Produção Sobre Games E Fraldas Ed
Ed. Dia dos Pais. Produção Sobre Games e Fraldas Ed. #03 Castlevania A Saga Castlevania: é uma série de jogos eletrônico criada e desenvolvida pela empresa japo- nesa Kanami baseado no maior (na minha opinião) monstro da historia. A série foi criada no Japão e seu título de estreia foi lançado em 26 de setembro de 1986, com o titulo de Akumajõ Dracula numa tradução ("Castelo Demoníaco do Drácula"). Mas na Europa teve como título Vampire Killer, como foi lançado primeiro fora do Japão, a série não recebeu Nesta edição grande atenção fora do país até a versão para Famicom Disk System ter sido convertida A Saga ............................... 1 para o formato de cartucho para os consoles da Nintendo, assim o lançamentos Sands of Time ................... 3 de Castlevania na América do Norte e na Europa um ano depois de seu lançamento no O Filme ............................. 3 Japão. Logo em seguida, a série se tornou um ponto de referência na criação de jogos de Warrior Within ................. 4 plataforma e de ação. O Livro .............................. 4 Nessa terceira edição de nossa revista digital vamos pegar alguns jogos da saga e va- Rival Swords ..................... .6 mos dedicar também a todos os papais e mamães gamer já que nesse domingo come- The Shadow and the Flame 6 moramos o dia dos pais, mas hoje em dia a família nem sempre tem uma representação masculina na vida dos pequenos padawans, hoje, muitos lares são chefiadas por mães que representam também a parte masculina na vida dos pequenos gamers. Feliz dia dos pais a todos e ótimo domingo para todos. -
Power Ranger Movie 2015
Power ranger movie 2015 click here to download Short · A dark and gritty re-imagining of the classic franchise. Power Rangers (). Not Rated . Also Known As: Power/Ranger Fan Film See more». Action · A group of high-school students, who are infused with unique superpowers, harness .. So NO they did not copy Transformers and the first Power Ranger movie was actually done before any of the Transformers movies. Unfortunately. Published on Feb 23, Adi Shankar Presents a Mighty Morphin' Power Rangers Bootleg Film By. Power/Rangers is a science-fiction action fan film directed and co-written by Joseph Kahn, produced by Adi Shankar and Jil Hardin, and co-written by James Van Der Beek and Dutch Southern. It was released on YouTube and Vimeo on 24 February Plot · Cast · Release · Removal by Saban and. Producer Adi Shankar brings morphing power to his Bootleg Universe with help from James Van Der Beek. Deboot of the Power Rangers. My take on the FAN FILM. Not a pilot, not a series, not for profit, strictly for. James Van Der Beek star in a fan-made, short film version of "Power Rangers" set in a bloody, bleak future. February 24, PM PT. KPCC | February 26, Update 2/ The "POWER/RANGERS" film is back on YouTube and Vimeo. Watch the censored YouTube version with a new viewer. Posted on Saturday, February 28th, by Germain Lussier The Power Rangers short film was first taken off Vimeo, but the real blow was when it was taken. PM PST 3/4/ by Chris Gardner For James Van Der Beek, the short film Power/Rangers — a gritty, viral hit directed by Joseph Kahn that caused a. -
The Rise of Marvel and DC's Transmedia Superheroes: Comic Book Adaptations, Fanboy Auteurs, and Guiding Fan Reception
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2015 12:00 AM The Rise of Marvel and DC's Transmedia Superheroes: Comic Book Adaptations, Fanboy Auteurs, and Guiding Fan Reception Alex Brundige The University of Western Ontario Supervisor Dr. Michael Raine The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Alex Brundige 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Brundige, Alex, "The Rise of Marvel and DC's Transmedia Superheroes: Comic Book Adaptations, Fanboy Auteurs, and Guiding Fan Reception" (2015). Electronic Thesis and Dissertation Repository. 3104. https://ir.lib.uwo.ca/etd/3104 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE RISE OF MARVEL AND DC'S TRANSMEDIA SUPERHEROES: COMIC BOOK ADAPTATIONS, FANBOY AUTEURS, AND GUIDING FAN RECEPTION MONOGRAPH by Alex Brundige Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Alex Brundige 2015 Abstract This thesis highlights the industrial strategy of Marvel Studios and DC Entertainment in adapting their comic book properties to the screen, engaging in an analysis of how these studios appeal to a mainstream audience by harnessing the enthusiasm of comic book fans. -
Seth Pierce: Spectralvania
2021 Volume 29 The JRC would like to acknowledge the support of sponsors from within the Concordia University community: Concordia Council on Student Life Concordia University Institute for Canadian Jewish Studies Department of Religions and Cultures Faculty of Arts and Science Graduate Community Building Fund Graduate Student Association Material Religion Initiative Small Grants Program We would also like to ofer our special thanks to: Dr. Carly Daniel-Hughes, our very supportive Department Chair, Dr. Hillary Kaell for all her help and guidance in planning Dr. Sarah Imhof’s visit to Concordia in September 2019, Tina Montandon and Munit Merid, administrators extraordinaire, and all our referees, readers, and everyone else who ofered their help in the publication of this edition of the journal. APeer-ReviewedAcademicJournal 2021 Volume 29 The Journal of Religion and Culture (JRC) is proudly Journal Committee produced by the Graduate Students of the Department of Religions and Cultures at Concordia University. Executive Committee Lindsey Jackson – Editor-in-Chief ©2021JournalofReligionandCulture Concordia University, Montreal, Quebec. Veronica Isabella D’Orsa – Article Editor Jordan C. Molot – Article Editor ISSN 1198-6395 Ali Smears – Article Editor Journal of Religion and Culture Volume 29 (2021) Laurel Andrew – Book Review Editor All rights reserved. No part of this journal may be used T. Scarlet Jory – Graphic Designer or reproduced in any matter without the express written permission of the editors except in the case of brief quotations embedded in critical articles and reviews. Editorial Board For more information: Philip Auclair Journal of Religion and Culture Lucas Cober Department of Religions and Cultures (FA-101) Concordia University Colby Gaudet 1455 de Maisonneuve O., Montreal, Quebec Cimminnee Holt H3G 1M8 Gisoo Kim Elliot Mason JRC logo design: Christopher Burkart Book Design: T. -
Adaptacion De Los Videojuegos.Pdf (216.3Kb)
UNIVERSIDAD DE CIENCIAS Y ARTE DE AMÉRICA LATINA Carrera profesional de Comunicaciones Adaptación de los videojuegos a series televisivas y películas Trabajo final de Técnicas de investigación Presentado por Aarón Enrique Herrera Baños Docente asesor Jesús Martín Crisólogo Galván 2020 La definición de este tema a estudiar vendría ser la evolución de adaptaciones de videojuegos llevadas al cine y a series de televisión en los Estados Unidos. Es decir, de cómo estas han ido cambiando en el ámbito de producción desde los años 90 hasta febrero de 2020. Debido a que en ese mes salió la última adaptación fílmica que tuvo reacciones positivas por parte del público y crítica, Sonic the Hedgehog. Este trabajo se enfocará en los Estados Unidos porque de ahí salen las adaptaciones más populares, y también las más criticadas, de los videojuegos; que posteriormente se distribuyen al resto del mundo. Muchos han intentado descifrar por qué en años como los 90 las adaptaciones de los videojuegos a películas y series eran pésimas en calidad de producción. Un ejemplo de esto plantea el escritor y youtuber Revilla(2011): “No puedes jugar una pieza cinematográfica”. Quiere decir que son medios completamente diferentes por la manera de interacción, una es pasiva y la otra es activa. Por eso es que no se disfruta de esas adaptaciones de igual manera. Sin embargo, los tiempos han cambiado y ahora existen series y películas de muy buena calidad como Castlevania de Netflix, Sonic the Hedgehog y Detective Pikachu. En un artículo de opinión por el usuario Alpha 3 (2020) de la página Sonic Paradise; afirma que: “La película de Sonic, a pesar de tener una trama simple, es una buena película porque no cae en la repetición de la historia de diferentes versiones del personaje”. -
Titles Ordered December 14 - 21, 2018
Titles ordered December 14 - 21, 2018 Book Adult Biography Release Date: Brandeis, Gayle, author. The art of misdiagnosis : a memoir / Gayle Brandeis. http://catalog.waukeganpl.org/record=b1589414 10/16/2018 Brown, Robert J, author. You can't go wrong doing right : how a child of http://catalog.waukeganpl.org/record=b1589428 1/15/2019 poverty rose to the White House and helped change the world / Robert J. Brown. Gerald, Casey, author. There will be no miracles here / Casey Gerald. http://catalog.waukeganpl.org/record=b1589499 10/2/2018 Harris, Kamala D, author. The truths we hold : an American journey / Kamala http://catalog.waukeganpl.org/record=b1589487 1/8/2019 Harris. Ishikawa, Masaji, author. A river in darkness : one man's escape from North http://catalog.waukeganpl.org/record=b1589411 1/1/2018 Korea / Masaji Ishikawa ; translated by Risa Kobayashi and Martin Brown. Jin, Ha, 1956- author. The banished immortal : a life of Li Bai (Li Po) / Ha http://catalog.waukeganpl.org/record=b1589482 1/15/2019 Jin. Montgomery, Sarah Fawn, author. Quite mad : an American pharma memoir / Sarah http://catalog.waukeganpl.org/record=b1589468 9/21/2018 Fawn Montgomery. Smith, Jeremy N, author. Breaking and entering : the extraordinary story of a http://catalog.waukeganpl.org/record=b1589456 1/8/2019 hacker called "Alien" / Jeremy N. Smith. Stern, Amanda, author. Little panic : dispatches from an anxious life / http://catalog.waukeganpl.org/record=b1589445 6/19/2018 Amanda Stern. Warner, Ana/ Warner, Curt/ Boling, Dave The Warner Boys : Our Family's Story of Autism and http://catalog.waukeganpl.org/record=b1589463 12/1/2018 (CON) Hope Wilson, Chris, 1978- author. -
Judge Dredd: Uma Distopia Contemporânea
1 9 8 4 - PerCursos 7 2 4 6 A propósito de Judge Dredd: uma distopia contemporânea Resumo José Duarte Passada num ambiente distópico, Judge Dredd é uma obra de HQ que centra Professor na Faculdade de a sua atenção em temas como o totalitarismo, autoritarismo, a violência ou Letras, CEAUL - Universidade de os perigos da tecnologia. O estudo aqui apresentado procura olhar para a Lisboa. obra de Wagner e Ezquerra explorando, em primeiro lugar, o universo da Portugal personagem Dredd, para depois analisar as duas adaptações [email protected] cinematográficas (1995, 2012) que se lhe seguiram e a forma como estas refletem as ansiedades do seu tempo. Desse modo, o objetivo deste estudo é perceber como Dredd, mas também Mega-City One (local onde se passa a narrativa), têm sido usados enquanto reflexo da contemporaneidade e como forma de denunciar os potenciais perigos de um (futuro) mundo distópico. Palavras-chave: Juiz Dredd. Distopia. Totalitarismo. Histórias em quadrinhos. Cinema. Para citar este artigo: DUARTE, José. A propósito de Judge Dredd: uma distopia contemporânea. PerCursos, Florianópolis, v. 21, n.47, p. 108 - 129, set./dez. 2020. DOI: 10.5965/1984724621472020108 http://dx.doi.org/10.5965/1984724621472020108 PerCursos, Florianópolis, v. 21, n. 47, p. 108 - 129, set./dez. 2020. p.108 Per A propósito de Judge Dredd: uma distopia contemporânea José Duarte Cursos On Judge Dredd: a contemporary dystopia Abstract Set in a dystopian environment, Judge Dredd is a comic book that focuses on totalitarianism, authoritarianism, violence, or the dangers of technology. The study presented here seeks to look at the work of Wagner and Ezquerra, exploring, first, the universe of the character Dredd, and then analyzing the two subsequent cinematographic adaptations (1995, 2012) and the way they reflect the anxieties of the time. -
Cómo Citar El Artículo Número Completo Más Información Del
Palabra Clave ISSN: 0122-8285 Universidad de La Sabana Roig, Antoni Películas realizadas por fans: ¿una categoría incómoda? Palabra Clave, vol. 20, núm. 4, 2017, Octubre-Diciembre, pp. 979-1007 Universidad de La Sabana DOI: https://doi.org/10.5294/pacla.2017.20.4.6 Disponible en: https://www.redalyc.org/articulo.oa?id=64956712006 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Películas realizadas por fans: ¿una categoría incómoda? Antoni Roig1 Recibido: 2017-01-16 Aprobado por pares: 2017-03-06 Enviado a pares: 2017-03-01 Aceptado: 2017-05-05 DOI: 10.5294/pacla.2017.20.4.6 Para citar este artículo / to reference this article / para citar este artigo Roig, A. 2017. Películas realizadas por fans: ¿una categoría incómoda?. Palabra Clave 20(4), 979-1007. DOI: 10.5294/pacla.2017.20.4.6 Resumen A pesar de su notable popularidad, las películas realizadas por fans, o fanfilms, han recibido poca atención académica en comparación con los fanworks es- critos, gráficos, performativos o incluso audiovisuales, hasta poderse afir- mar que resultan en cierta forma una categoría incómoda. Mientras que prácticas fan audiovisuales como el vidding, el remix, el recut o el machini- ma se ajustan bien a la teorización sobre el fandom, los fanfilms tienden a recrear un canon narrativo y también unos valores de producción, jugan- do con idénticos códigos formales que los textos fuente. -
Dragon Tales Live!
ALUMNI WEEKEND DRAGON TALES LIVE! MAY 4-5, 2018 Join fellow alumni as they discuss with students their career experiences, share industry expertise, and talk about their paths since leaving the Hilltop. OUR PRESENTERS Charles Barzun ’93 Chris McNally ’93 Professor of Law, University of Virginia Maritime Lawyer Jeff Simpson’s American Literature class Cory Cramer’s Maritime Literature class Saturday, 10:20-11:10 a.m. Saturday, 8:30-9:20 a.m. Memorial Schoolhouse, Room 26 Hill Library Andy Buckingham ’98 Anissa Roberts ’00 Independent Oil Explorer Cultivare LLC / Investment Professional Jake Westermann’s Global Studies class Caitie Cotton’s Modern World History class Saturday, 9:25-10:15 a.m. Saturday, 10:20-11:10 a.m. Hill Library, Davenport Room Academic Center, Room 120 Rohan Gopaldas ’98 Theresa Salud ’13 Technology, Hospitality, and Real Estate Technology Analyst, Credit Suisse Executive / Entrepreneur Doug Lewis’ Precalculus class Amy Dorrien Traisci’s Spanish II class Saturday, 8:30-9:20 a.m. Saturday, 10:20-11:10 a.m. Academic Center, Room 117 Memorial Schoolhouse, Room 4 Adi Shankar ’03 Brooks Hagan ’93 Film Producer Textile Designer, Artist and Researcher Sarah Ploskina’s Acting Craft class Associate Professor, RISD Saturday, 10:20-11:10 a.m. Ray Woishek’s Fine Art Photography class Art Center Dance Studio Saturday, 8:30-9:20 a.m. Art Center Computer Lab Susanne Leath Wright ’98 Dealer / Business Manager at Steelcase, Inc. Rob Larkin ’98 Allison de Horsey’s French V class Senior Business Operations Analyst at Piton Friday, 11:05 a.m.-12 p.m.