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Etiquette Inside the Jingu Precinct How to Worship Kami Naiku Is The
Kodenchi (Site of the previous sanctuary) 古殿地 Main sanctuary A divine palace of Amaterasu-Omikami stands here. The Holy Mirror (a symbol of Amaterasu-Omikami) is enshrined inside the main sacred palace at the innermost courtyard of the main sanctuary and the main palace is enclosed with four rows of Naiku is the most venerable sanctuary in Japan. Here is a jinja (Shinto shrine) wooden fences. Pilgrims usually worship the enshrined kami in dedicated to Amaterasu-Omikami, the ancestral kami (Shinto deity) of the Imperial front of the gate of the third row of the fence. family. She was enshrined in Naiku about 2,000 years ago and has been revered as a guardian of Japan. Aramatsuri-no-miya There are 14 superior affiliated jinja which are revered next to the main sanctuaries of Naiku and Geku in Jingu. This jinja occupies the highest rank among them and is dedicated to a vigorous spirit of Geheiden Amaterasu-Omikami. (outer treasury) One of the auxiliary jinja of Naiku to store harvested rice for 外幣殿 offering to kami in rituals. An architectural style of this jinja is similar to that of the main palace of the main sanctuary but smaller in size. It is said that the style of jinja in Jingu derived from rice granary Jingu is a sanctuary to pray for public of ancient Japan. happiness. If someone have personal wish, he or she can dedicate a prayer by offering kagura (ceremonial music Kazahinomi-no-miya Rest house for Pilgrims. and dance) to kami of Jingu. Amulets Souvenirs and drink vending One of the superior affiliated jinja dedicated to a couple of Jingu can be obtained here. -
Odaigahara, Yoshino-Kumano National Park
Odaigahara, Yoshino-Kumano National Park ▲ Moss colony in Nishi-Odai Seed of Ilex geniculata Autumn foliage in Nishi-Odai Masaki pass Daijagura What is the Nishi-Odai Regulated Utilization Area? Odaigahara Driveway Precious nature remains in Odaigahara. Among them is ▲ Nishi-Odai, one of the most beautiful natural beech forests in western Japan, where you can experience the calm and Nishi-Odai Regulated ▲ Odaigahara Parking Lot and Utilization Area Odaigahara Visitor Center pristine nature. (lecture location) In order to preserve this beautiful natural environment and Mt.Hidegatake take over it in the future, Nishi-Odai has been designated as Kaitaku junction ▲ Japan's first "Regulated Utilization Area". To maintain a favorable natural environment and provide a Sakasa Pass Higashi-Odai high-quality nature experience, the number of users is (Out of regulation) Regulated Utilization Area restricted in the “Regulated Utilization Area”. Trail Masakigahara Drive way Field In order to enter the Nishi-Odai Regulated Utilization Area, it Gate Daijagura is necessary to carry out procedures in advance and follow "Regulated Utilization Area" designated area This map is based on the Digital Topographic Map 25000 published by Geospatial Information Authority of Japan established rules. （About 450ha） * You can enter the Higashi-Odai, such as Mt. Hidegatake or Daijagura, without Kinki Regional Environment Office any procedures. Ministry of the Environment Natural environment of Nishi-Odai Nishi-Odai is surrounded by natural forests mainly composed of beech, and you can experience the calm and pristine nature. Beech forests are home to many wildlife, such as Japanese deer, Wrens, Japanese robins, and Odaigahara salamanders. -
Wakayama and Sakurai Line
1 / 32 Contents 1. Route information.................................................................................................... 3 1.1 Background information .............................................................................................. 3 1.2 The Route map .............................................................................................................. 4 1.3 ATS Safety system ......................................................................................................... 5 1.4 Route signs and train stop position ........................................................................... 6 1.5 Kitauchi station operation ........................................................................................... 9 2. 103 series EMU ....................................................................................................... 10 2.1 Basic information ........................................................................................................ 10 2.2 External models ........................................................................................................... 11 2.3 The consist ................................................................................................................... 12 2.4 The cab ......................................................................................................................... 13 2.5 Cabin view .................................................................................................................... 16 -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
Essentials for Living in Osaka （English）
～Guidebook for Foreign Residents～ Essentials for Living in Osaka （English） Osaka Foundation of International Exchange October 2018 Revised Edition Essentials for Living in Osaka Table of Contents Index by Category ⅠEmergency Measures ・・・1 1. Emergency Telephone Numbers 2. In Case of Emergency (Fire, Sudden Sickness and Crime) Fire; Sudden Illness & Injury etc.; Crime Victim, Phoning for Assistance; Body Parts 3. Precautions against Natural Disasters Typhoons, Earthquakes, Collecting Information on Natural Disasters; Evacuation Areas ⅡHealth and Medical Care ・・・8 1. Medical Care (Use of medical institutions) Medical Care in Japan; Medical Institutions; Hospital Admission; Hospitals with Foreign Language Speaking Staff; Injury or Sickness at Night or during Holidays 2. Medical Insurance (National Health Insurance, Nursing Care Insurance and others) Medical Insurance in Japan; National Health Insurance; Latter-Stage Elderly Healthcare Insurance System; Nursing Care Insurance (Kaigo Hoken) 3. Health Management Public Health Center (Hokenjo); Municipal Medical Health Center (Medical Care and Health) Ⅲ Daily Life and Housing ・・・16 1. Looking for Housing Applying for Prefectural Housing; Other Public Housing; Looking for Private Housing 2. Moving Out and Leaving Japan Procedures at Your Old Residence Before Moving; After Moving into a New Residence; When You Leave Japan 3. Water Service Application; Water Rates; Points of Concern in Winter 4. Electricity Electricity in Japan; Application for Electrical Service; Payment; Notice of the Amount of Electricity Used 5. Gas Types of Gas; Gas Leakage; Gas Usage Notice and Payment Receipt 6. Garbage Garbage Disposal; How to Dispose of Other Types of Garbage 7. Daily Life Manners for Living in Japan; Consumer Affairs 8. When You Face Problems in Life Ⅳ Residency Management System・Basic Resident Registration System for Foreign Nationals・Marriage・Divorce ・・・27 1. -
Examining Japan's Kagura Dance Form
International Journal of Cultural and Digital Tourism Volume 5, Spring 2018 Copyright © IACUDIT ISSN (Online): 2241-9705 ISSN (Print): 2241-973X Traditional Performing Arts as a Regional Resource: Examining Japan’s Kagura Dance Form Kenta Yamamoto 1* 1* Kokugakuin University, Japan Abstract This article focuses on Kagura, a traditional Japanese dance form mainly practiced in rural Japan. This article throws light on how each community in the peripheral regions of Japan views this dance form. By doing so, we also focus on how regional cultural resources contribute to regional sustainability in these areas. Regional cultural resources are often viewed as tourism resources—that is, they are used to boost tourism. However, some of the cases considered in this paper show that regional cultural resources can be used in other manners. In other words, these cases show that tourism is not the only way to sustain regional cultures. The findings presented in this article pertain to the broader question of how to properly implement a culture- based sustainable regional development plan. The findings and suggestions presented in this article can be applied to other contexts also. Keywords: tradition, the tourists’ gaze, Japan, rural areas, cultural resources, community JEL Classification: P25, R11 1. Introduction This article throws light on the ways in which Japan’s declining birth rate and growing elderly population impact the cultural resources of its peripheral regions. This article also focuses on the broader question of how to properly implement a culture-based sustainable regional development plan to develop regional resources and revitalize and preserve traditional communities. Following the Second World War, Japan experienced a steady wave of urbanization. -
World Heritage Tour Express Bus Will Run. St (Sat.) Nd (Sun.) Rd (Mon
Good Access to the World Heritage Sites！ will run. World Heritage Tour Express Bus st (Sat.) nd (Sun.) rd (Mon. /holiday) Limited On Sept. 21 , 22 , and 23 , 2019 to 3 days! Runs every hour between 9 am – 4 pm No need to transfer！ The bus travels from Todaiji-Daibutsuden /Kokuritsu-Hakubutsukan /Kasugataisha-mae) to Horyuji-mae within 1 hour Kintetsu Nara Line Heijyo Palace Site Routes Kyuseki-teien Kencho-mae Todaiji Temple Suzakumon-hiroba-mae JR Nara sta. Kintetsu-Nara sta. Kintetsu-Nara Kasugataisha Shrine Nara-shicho-mae Temple Kohfukuji Todaiji-Daibutsuden / Kokuritsu-Hakubutsukan / Todaiji-Daibutsuden Kasugataisha-mae / Todaiji-Daibutsuden The area around the World Heritage Tour Express Bus Routes Toshodaiji Temple Toshodaiji-higashiguchi “Historic Monuments of Yakushiji-higashiguchi 754 Ancient Nara” Yakushiji Temple Yakushiji-chushajo 24 Jikoin Temple The area around the “Buddhist Monuments Courtesy of : Katagiri-nishi-shogakko The Nara City Tourism Association Jikoin in the Horyu-ji Area” Kashihara Line Kintetsu Photographer: Tatehiko Yano Hokiji-mae Hokiji JR Kansai Main25 Line (Yamatoji Line) Legend Temple ●：Bus Stop Horyuji Temple Horyuji-mae ：Bus Stop name Horyuji-mae Nishi-Meihan Expressway JR Sakurai Line(Man-yo¯ Mahoroba Line) Timetables Todaiji-Daibutsuden / Kokuritsu-Hakubutsukan ⇒ Horyuji-mae ※ Buses may be subject to delay due to bad weather or heavy traffic. Todaiji-Daibutsuden/ Kintetsu-Nara JR Nara sta. Nara-shicho- Suzakumon- Toshodaiji- Yakushiji- Yakushiji- Katagiri-nishi- Kokuritsu- Kencho-mae sta. Bus Stop -
Tokyo National Museum
Ⅱ Outline of the National Institutes for Cultural Heritage The Independent Administrative Institution (IAI), National Institutes for Cultural Heritage, was formed in April 2007 through the merging of the IAI National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and the IAI National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties and Nara National Research Institute for Cultural Properties), all of which share the same mission: the conservation and utilization of cultural properties. With the addition of the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region, which was established in October 2011, the National Institutes for Cultural Heritage now comprise a total of seven separate institutions. Japan’s cultural properties are the precious assets of the Japanese people. In order to preserve and utilize these properties more effectively and efficiently under unified management, each ofthe seven existing institutions plays the following roles: Tokyo National Museum Kyoto National Museum Nara National Museum As Japan’s foremost museum in the The Kyoto National Museum collects, Nara National Museum collects, pre- humanities field, Tokyo National Mu- preserves, manages, and exhibits serves, manages, and displays cultural seum collects, preserves, manages, cultural properties, while also properties, while also conducting re- and displays cultural properties from conducting research and providing search and providing educational pro- across Japan and other Asian regions, educational programs. The focus is gramming. The focus is Buddhist art while also conducting research and pro- on works from the Heian period to and the cultural properties of Nara. viding educational programs. -
Music of the Lion Dance in Japanese Tradition*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Music of the Lion Dance in Japanese Tradition* János KÁRPÁTI Budapest The lion dance is one of the most popular momentum of kagura ceremonies and folk feasts, the matsuris, which can be performed inside the shrines just as much as on nearby stages or in the area in front of the shrines. The word shishi itself means “lion”, people do not recall the real animal, but rather the image of the mythical creature. Lions have never lived in Japan, and they used to exist only in the southern regions of China. Besides the zoomorphic mythical creatures of the dragon and the phoenix, it was the tiger that first be- came the subject of cultic respect in China: it was worshipped as the king of the animals and the enemy of demons. According to the records of the Cere- monies (Li-ch’i), the classical book of Confucianists, separate offering was given to the honour of the tiger during the autumn feasts. The cult of the lion spread in China quite late along with Buddhism and it must have reached Korea and Japan by the transmission of Buddhist mythology. It was not only religion that had an intermediary role in that, but the practice of court music. Since the Japanese imperial court adopted the praxis of the Chinese Tang-court to its own environment, it also emulated the mo- ments that are especially important now as the proofs of the lion cult. -
An Otogizdshi in Context Saru No Soshi and the Hie-Enryaku-Ji Religious Multiplex in the Late Sixteenth Century
Japanese Journal of Religious Studies 1996 23/1-2 An Otogizdshi in Context Saru no soshi and the Hie-Enryaku-ji Religious Multiplex in the Late Sixteenth Century Lone T a k e u c h i This article presents a multiple reading of Saru no soshi; as a piece of lighthearted entertainment describing the marriage of the daughter of the monkey head~priest of Hiyoshi Shrine to a monkey from Yokawa; as an exposition of religious beliefs symbolizing the union of buddhas and Kami in the Sanno deity; and as a ritual representing a sequence of ceremonies belonging to the contemporary Yayoi sairei. It is suggested that the pro duction o/Saru no soshi reflects and may indeed have been directly occa sioned by the vigorous reconstruction efforts at Hiyoshi Shrine, led by the head priest Hafuribe Yukimaru，following the shrine’s destruction by Oda Nobunaga in 1571. Saru no 猿の早卞1 [Opusculum about monkeys] is one of several hundred fourteenth- to seventeenth-century short narratives, often illustrated, that are known as otogizdshi 御伽早子 (companion tales), Nam ehon 奈 良 絵 本 (illustrated books from Nara), Muromachi mono- 室 町 物 語 （Muromachi [period] tales), or chusei shosetsu 中世小説 (medieval short stories). The multiple designations reflect past ten- dences either to reduce the narratives to rairy tales for women and children (thus the Edo-period connotation of otogizdshi) or to focus on only their text or their pictures (e.e., chusei shosetsu) . Recent research, however, generally aerees that most otogizdshi were situated at the interface of entertainment and religious ritual, that they were 1 Unless specified otherwise, references to Saru no soshi are to the annotated edition by Sawai Taizo (1987) in the SNKBT edition. -
Talismans and Amulets in the Japanese Collection1
ANNALS OF THE NÁPRSTEK MUSEUM 35/1 • 2014 • (p. 39–68) TALISMANS AND AMULETS IN THE JAPANESE COLLECTION1 Alice Kraemerová2 ABSTRACT: This article describes all types of amulets and talismans present in the Náprstek Museum Japanese collection and uncovers their symbolic meaning. These are mostly talismans from shrines and temples dating to the beginning of the 20th century, traditional hand-crafted items from famous places of pilgrimage and toys used as talismans. KEY WORDS: Japan – Buddhist temple – Shintǀ shrine – shamanism – talisman – amulet– ofuda – ema – omamori – collecting – Náprstek Museum of Asian, African and American Cultures (Prague) 1. Defining terminology Amulet is considered to have protective or otherwise salutary effects while talisman primarily attracts fortune. Various authors describe different classifications of amulets and talismans according to their functional principles: homeopathic principle, contact principle, the principle of the magic of the written word, principle of colour magic, the principle of magic substances, the principle of the personifies higher power and the combinatorial principle (Nuska 2012). In this article we shall not use this division as for such a detailed analysis it would be necessary to acknowledge all types of amulets and talismans, not just those collected by the Czech travellers and brought into the NpM collections. Most of the available literature deals with the European view on amulets and talismans; the furthest it gets is the Near East. The Far East is usually not that well mapped due to the geographical distance and the language barrier. For the Japanese talismans, there are several often used terms: mayoke (㨱 㝖ࡅ) or yakuyoke (གྷ㝖ࡅ), omamori (࠾Ᏺࡾ) and ofuda (ᚚᮐ) or gofu (ㆤ➢).