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Conor Mcpherson's Girl from the North Country
Xavier University Exhibit Faculty Scholarship English Winter 2018 The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country Graley Herren Xavier University Follow this and additional works at: https://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Herren, Graley, "The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country" (2018). Faculty Scholarship. 584. https://www.exhibit.xavier.edu/english_faculty/584 This Article is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. Graley Herren • The Marriage of Heaven and Hell: Death and Rebirth in Conor McPherson’s Girl from the North Country In February 2015, the Irish American playwright John Patrick Shanley con- ducted a revealing interview with his Dublin counterpart Conor McPherson for American Theatre magazine. Asked about his preoccupation with the supernat- ural, McPherson intimated, “I remember when I was a little kid, I was always interested in ghosts and scary things. If I want to rationalize it, it’s probably a search for God.” This quest led him to theater. “There’s something so religious about the theatre,” he stated. We’re all sitting there in the dark, and there’s some- thing about how the stage glows in the darkness, which is such a beautiful pic- ture of human existence. What’s really interesting is the darkness that surrounds the picture. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Judas 9 Text
Judas! from Inside A Prune Welcome to issue nine of Judas! As I write this Dylan has begun another year’s touring and although the set-lists may look predictable the arrangements are refresh - ingly, dramatically altered in many cases. Good for him. You will notice a New Morning theme through this issue, with no less than three articles looking at that intriguing period. In issue 10 there will be another theme running through the general articles and reviews; in this case it will be early acoustic Dylan, so if you have anything you want to say on that please send it in. I am not saying that we are doing theme issues as such, it is more a case of giving a recurrent flavour to certain editions. If you have resubscribed you will soon notice additions to the subscribers’ area of the Judas! website. Steve Lescure is generously giving us his 'Dylan Commentaries'. In his own words, he is ‘…bringing together information from a wide variety of sources - numerous books, magazine articles, and the Internet - condensing it down into the essentials and presenting it in an easy-to-digest format.’ This will eventually cover all of Dylan’s official output; the debut album material will be available in the near future. Also on our website we have started an archive section to publish those issues of Judas! that have already sold out. We are delighted to begin our series of excerpts from Izzy Young's back pages. These articles, notes and reviews can be found throughout the issue, wherever you see the symbol and comprise reprints - or first prints - from his notebooks as well as news - papers and magazines and so forth, as dated. -
BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans
U.S. COMMISSION ON CIVIL RIGHTS BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business DECEMBER 2018 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an independent, Catherine E. Lhamon, Chairperson bipartisan agency established by Congress in 1957. It is Patricia Timmons-Goodson, Vice Chairperson directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. • Appraise federal laws and policies with respect to U.S. Commission on Civil Rights discrimination or denial of equal protection of the laws 1331 Pennsylvania Avenue, NW because of race, color, religion, sex, age, disability, or Washington, DC 20425 national origin, or in the administration of justice. (202) 376-8128 voice • Serve as a national clearinghouse for information TTY Relay: 711 in respect to discrimination or denial of equal protection of the laws because of race, color, www.usccr.gov religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress. -
Quando Il Pensare È Violento Nuove Cure Per Il Diabete Sannio
Realizzato con il contributo degli studenti del Liceo Scientifico “G. Rummo” L’informazione e le opinioni degli studenti del Liceo Scientifico “G. Rummo” - Benevento Anno VI - Numero 11 Maggio 2018 - Distribuzione gratuita editoriale Quando il pensare è violento Nuove cure per il diabete Sannio ProgRock Sappiamoancora conversaretra noi, o qualcosasta irrimediabil- Teresa Mezza è una giovane Si in titola Viaggi inVersi Fanatismo o crimine? mente compromettendo i nostri ricercatrice originaria di Meliz- l’ultimo lavoro della band san- rapporti, al punto che una zano. Detentrice del Future Lea- nita La Bottega del Tempo a di CAMILLA FALLARINO banale diversità di opinioni, una ders Mentorship Programme for Vapore. È un atteso progetto volta ritenuta alla base di com- Clinical Diabetologists, ricono- discografico, anticipato da «La politica dovrebbe occuparsi di portamenti democratici,può sca- sciutole dall’EFSD, è impegnata un interessante singolo, più dei terroristi che fanno base in tenare risse e pestaggi? Cosa in un complessa serie di studi sul che riaccende l’atten- Italia invece del dibattito surreale accade ai ragazzi di oggi? Per- diabete. Ne parla con la nostra zione sulla scena Pro- del ritorno del fascismo. Quanto ché non siamo capaci di gestire caporedattriceGenny Pastore. gressive Rock. Arianna accaduto aMacerataè operadi uno laviolenza? Navarra ha intervistato per noi squilibrato violento: punto! Se poi pag. 4 pag. 7 Alessandro Zeoli, chitarra della fra le sue letture c'è ilMeinKampf , band. affari suoi. Ma non è il fascismo pag. 10 che torna!» Si esprime così la leader di FDI, il fatto Giorgia Meloni, su quanto acca- duto a Macerata nel febbraio scor- so. -
2008 Europe Summer Tour
STILL ON THE ROAD 2008 EUROPE SUMMER TOUR MAY 26 Reykjavik, Iceland Laugardalshöll 28 Odense, Denmark Arena Fyn 30 Stavanger, Norway Viking Stadion JUNE 1 Helsinki, Finland Hartwall Areena 3 St. Petersburg, Russia Ice Palace 4 Tallinn, Estonia Saku Arena 5 Vilnius, Lithuania Siemens Arena 7 Warsaw, Poland Stodola 9 Ostrava, Czech Republic CEZ Arena 10 Vienna, Austria Stadthalle 11 Salzburg, Austria Salzburg Arena 13 Varazdin, Croatia Gradski Stadium 15 Trento, Italy Palazzo delle Albere 16 Bergamo, Italy Lazzaretto 18 Chatillon, Italy Parco Castello Baron Gamba 19 Grenoble, France Palais des Sports 20 Toulouse, France Le Zénith 22 Encamp, Andorra Camp de Fútbol de Prada de Moles 23 Zaragoza, Spain Feria de Muestras 24 Pamplona, Spain Plaza de Toros 27 Vigo, Spain Recinto Ferial 28 Hoyos del Espino, Spain Finca de Mesegosillo JULY 1 Cuenca, Spain La Fuensanta 2 Alicante, Spain Centro de Technificacion 4 Lorca, Spain Plaza de Toros 5 Jaén, Spain Recinto Ferial 6 Arganda del Rey, Spain Ciudad del Rock 8 Jérez de la Frontera, Spain Estadio Municipal Chapín de Jerez 10 Mérida, Spain Plaza de Toros 11 Oeiras, Portugal Passeio Marítimo of Algés Bob Dylan: Still On The Road – 2008 Europe Summer Tour Bob Dylan: Still On The Road – 2008 Europe Summer Tour 30160 Laugardalshöll Reykjavik, Iceland 26 May 2008 1. Stuck Inside Of Mobile With The Memphis Blues Again 2. Don't Think Twice, It's All Right 3. The Levee's Gonna Break 4. Tryin' To Get To Heaven 5. Rollin' And Tumblin' 6. Nettie Moore 7. I'll Be Your Baby Tonight 8. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
Blood on the Tracks: ‘Time Is an Enemy’
Judas! Blood on the Tracks: ‘Time is an enemy’ by John Hinchey ‘Up to Me,’ an outtake eventually released on Biograph, is a rueful ballad of love wasted that picks up the action at the conclusion of ‘Idiot Wind,’immediately after the singer realizes that he and his beloved have fallen out of each other’s orbits. But its tone seems tempered by the realizations of those songs, discussed in the preceding chapter, in which the singer assimilates a devastating romantic loss and struggles to regain speaking terms both with his lost beloved and with himself. Now, in ‘Up to Me,’ the singer he returns to tell her – and himself – what he’s going to do about it. His plan of action is paradoxical: he’s heading out on the ‘Union Central’ in search of the same missing wife he’s leaving. The song I just described is over by the end of the third verse, yet ‘Up to Me’ is twelve verses long. The song gets away from Dylan, overflowing the bounds of the paradoxical farewell note. The lyric feels unfinished, and unlike, for instance, the original version of ‘Idiot Wind’ (later released on The Bootleg Series, Vol. 1-3), it also strikes me as unfinishable, except by starting over from scratch. Indeed, ‘Shelter from the Storm’ can be seen as a radical revision (and revisioning) of ‘Up to Me.’ The problem is that the momentum of feeling that sweeps the singer from one verse to the next seems to be largely unconscious, feelings he recognizes (if at all) only after the fact. -
Eastern Visions, Western Voices: a Sermon on Love in the Valley of Law
Digital Commons at St. Mary's University Faculty Articles School of Law Faculty Scholarship 2006 Eastern Visions, Western Voices: A Sermon on Love in the Valley of Law John W. Teeter Jr St. Mary's University School of Law, [email protected] Follow this and additional works at: https://commons.stmarytx.edu/facarticles Part of the Law Commons Recommended Citation John W. Teeter, Jr., Eastern Visions, Western Voices: A Sermon on Love in the Valley of Law, 53 Clev. St. L. Rev. 429 (2006). This Article is brought to you for free and open access by the School of Law Faculty Scholarship at Digital Commons at St. Mary's University. It has been accepted for inclusion in Faculty Articles by an authorized administrator of Digital Commons at St. Mary's University. For more information, please contact [email protected]. EASTERN VISIONS, WESTERN VOICES: A SERMON ON LOVE IN THE VALLEY OF LAW JOHN W. TEETER, JR.1 I. INTRODUCTION .................................................................... 429 II. ENTERING THE VALLEY ....................................................... 430 III. DESPAIR IN THE VALLEY: THE PLIGHT OF THE MISERABLE LAWYER ............................................... 431 IV. THRIVING IN THE VALLEY .................................................... 433 A. The StandAlone Spirit ................................................. 433 B . F ighting F ear............................................................... 435 C. Overcoming Anger ....................................................... 440 D. Enjoying Your Harvest Without -
1994 Far East Tour
p 1994 FAR EAST TOUR FEBRUARY 5 Sendai, Japan Sendai Sunplaza 7 Yokohama, Japan Yokohama Bunka Taiikukan 8 Tokyo, Japan Nippon Budokan 9 Tokyo, Japan Nippon Budokan 11 Nagoya, Japan Century Hall 12 Osaka, Japan Osaka-jo Hall 14 Kokura, Japan Kyushu Koseinenkin Kaikan 15 Kokura, Japan Kyushu Koseinenkin Kaikan 16 Hiroshima, Japan Hiroshima Koseinenkin Kaikan 18 Urawa, Japan Urawa-shi Bunka Center 20 Tokyo, Japan Nippon Housou Kyoukai Hall 22 Kuala Lumpur, Malaysia Putra World Trade Center 24 Singapore, Singapore Singapore Indoor Stadium 25 Victoria, Hong Kong Hong Kong Coliseum Still On The Road – Bob Dylan 1994: Far East Tour 14650 Sendai Sunplaza Sendai, Japan 5 February 1994 1. Jokerman 2. If You See Her, Say Hello 3. All Along The Watchtower 4. Just Like A Woman 5. Tangled Up In Blue 6. Under The Red Sky 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. It's All Over Now, Baby Blue 9. Mr. Tambourine Man 10. Don't Think Twice, It's All Right 11. God Knows 12. In The Garden 13. Maggie's Farm — 14. Ballad Of A Thin Man 15. It Ain't Me, Babe Concert # 537 of The Never-Ending Tour. First concert of the 1994 Far East Tour. First 1994 concert. Concert # 81 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-10, 15 acoustic with the band. 4-6, 8, 10, 15 Bob Dylan harmonica. Notes. First live Jokerman since the concert in Slane, Ireland, 8 July 1984. -
Antique & Modern Fishing Tackle and Collectables Historical Documents & Indian Ephemera
Mullocks Cover Oct 2020 21/10/20 10:38 Page 1 Antique & Modern Fishing Tackle and Collectables Thursday 29th October 2020 at 10.00am Historical Documents & Indian Ephemera Friday 30th October 2020 at 10.00am All lots are illustrated on www.mullocksauctions.co.uk Making and Preserving History Mullocks Cover Oct 2020 21/10/20 10:39 Page 2 1 3 8 33 44 441 515 527 532 537 87 100 135 145 186 543 550 563 573 583 189 197 199 203 213 596 617 634 636 643 215 222 236 242 245 331 645 649 652 660 661 332 271 285 294 304 669 672 761 766 358 364 365 414 432 Mullocks Text Oct 2020 21/10/20 10:08 Page i ANTIQUE & MODERN FISHING TACKLE AND COLLECTABLES, HISTORICAL DOCUMENTS AND INDIAN EPHEMERA Day One: Thursday 29th October at 10.00am Antique & Modern Fishing Tackle and Collectables (Lots 1-496) Day Two: Friday 30th October at 10.00am Historical Documents and Indian Ephemera (Lots 497-1137) **LIVE ONLINE AUCTION – NO PUBLIC ATTENDANCE** To watch, listen and bid LIVE, please click the BID LIVE tab on Mullocks homepage at www.mullocksauctions.co.uk and follow link and instructions. Using your ‘TheSaleroom’ login username and password where prompted. REDUCED INTERNET SURCHARGE 3% plus VAT where applicable. We also accept Commission Bids, please see terms and condition on Page 3. You can also watch, listen and bid LIVE directly via www.thesaleroom.com using your login details but the INTERNET SURCHARGE is 4.95% plus VAT where applicable. All lots are fully described and illustrated at www.mullocksauctions.co.uk and www.thesaleroom.com Making and Preserving History The Old Shippon, Wall-under-Heywood, Church Stretton, Shropshire SY6 7DS Tel: 01694 771771 Email: [email protected] All lots are illustrated on www.mullocksauctions.co.uk i Mullocks Text Oct 2020 21/10/20 10:08 Page ii Conditions of Sale The highest bidder shall be The Purchaser, subject to the right of the Vendor to bid and the right of the Auctioneers to reject any bidding.