DOCSLIB.ORG

1994 Far East Tour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1994 Far East Tour p 1994 FAR EAST TOUR FEBRUARY 5 Sendai, Japan Sendai Sunplaza 7 Yokohama, Japan Yokohama Bunka Taiikukan 8 Tokyo, Japan Nippon Budokan 9 Tokyo, Japan Nippon Budokan 11 Nagoya, Japan Century Hall 12 Osaka, Japan Osaka-jo Hall 14 Kokura, Japan Kyushu Koseinenkin Kaikan 15 Kokura, Japan Kyushu Koseinenkin Kaikan 16 Hiroshima, Japan Hiroshima Koseinenkin Kaikan 18 Urawa, Japan Urawa-shi Bunka Center 20 Tokyo, Japan Nippon Housou Kyoukai Hall 22 Kuala Lumpur, Malaysia Putra World Trade Center 24 Singapore, Singapore Singapore Indoor Stadium 25 Victoria, Hong Kong Hong Kong Coliseum Still On The Road – Bob Dylan 1994: Far East Tour 14650 Sendai Sunplaza Sendai, Japan 5 February 1994 1. Jokerman 2. If You See Her, Say Hello 3. All Along The Watchtower 4. Just Like A Woman 5. Tangled Up In Blue 6. Under The Red Sky 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. It's All Over Now, Baby Blue 9. Mr. Tambourine Man 10. Don't Think Twice, It's All Right 11. God Knows 12. In The Garden 13. Maggie's Farm — 14. Ballad Of A Thin Man 15. It Ain't Me, Babe Concert # 537 of The Never-Ending Tour. First concert of the 1994 Far East Tour. First 1994 concert. Concert # 81 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-10, 15 acoustic with the band. 4-6, 8, 10, 15 Bob Dylan harmonica. Notes. First live Jokerman since the concert in Slane, Ireland, 8 July 1984. First live If You See Her, Say Hello since the concert in Osaka Fu, Japan, 24 February 1978. First live In The Garden since the concert in Bologna, Italy, 7 June 1991. Stereo audience recording, 115 minutes. Session info updated 15 March 1996. Still On The Road – Bob Dylan 1994: Far East Tour 14660 Yokohama Bunka Taiikukan Yokohama, Japan 7 February 1994 1. Jokerman 2. If You See Her, Say Hello 3. All Along The Watchtower 4. Simple Twist Of Fate 5. Tangled Up In Blue 6. Under The Red Sky 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. Boots Of Spanish Leather 9. Mr. Tambourine Man 10. Don't Think Twice, It's All Right 11. God Knows 12. I And I 13. Maggie's Farm — 14. What Good Am I? 15. It Ain't Me, Babe Concert # 538 of The Never-Ending Tour. Second concert of the 1994 Far East Tour. Second 1994 concert. Concert # 82 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-10, 15 acoustic with the band. 4-6, 8-10, 14, 15 Bob Dylan harmonica. 4 new songs (26%) compared to previous concert. 4 new songs for this tour. Stereo audience recording, 110 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14670 Nippon Budokan Tokyo, Japan 8 February 1994 1. Jokerman 2. If You See Her, Say Hello 3. All Along The Watchtower 4. Just Like A Woman 5. Tangled Up In Blue 6. Born In Time 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. It's All Over Now, Baby Blue 9. Gates Of Eden 10. Don't Think Twice, It's All Right 11. God Knows 12. In The Garden 13. Maggie's Farm — 14. Ballad Of A Thin Man 15. It Ain't Me, Babe Concert # 539 of The Never-Ending Tour. Third concert of the 1994 Far East Tour. Third 1994 concert. Concert # 83 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-10, 15 acoustic with the band. 4, 5, 8-10, 15 Bob Dylan harmonica. 6 new songs (40%) compared to previous concert. 2 new songs for this tour. Stereo audience recording, 110 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14680 Nippon Budokan Tokyo, Japan 9 February 1994 1. Jokerman 2. Lay Lady Lay 3. All Along The Watchtower 4. I Don't Believe You (She Acts Like We Never Have Met) 5. Tangled Up In Blue 6. Positively 4th Street 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. Mr. Tambourine Man 9. It's All Over Now, Baby Blue 10. Series Of Dreams 11. I And I 12. Maggie's Farm — 13. Man In The Long Black Coat 14. It Ain't Me, Babe Concert # 540 of The Never-Ending Tour. Concert # 4 of the 1994 Far East Tour. 1994 concert # 4. Concert # 84 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-9, 14 acoustic with the band. 2, 5, 8, 9, 14 Bob Dylan harmonica. 7 new songs (50%) compared to previous concert. 5 new songs for this tour. Stereo audience recording, 105 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14690 Century Hall Nagoya, Japan 11 February 1994 1. Jokerman 2. You're A Big Girl Now 3. All Along The Watchtower 4. Shooting Star 5. Tangled Up In Blue 6. Disease Of Conceit 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. Mr. Tambourine Man 9. To Ramona 10. Series Of Dreams 11. In The Garden 12. Maggie's Farm — 13. What Good Am I? 14. It Ain't Me, Babe Concert # 541 of The Never-Ending Tour. Concert # 5 of the 1994 Far East Tour. 1994 concert # 5. Concert # 85 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-9, 14 acoustic with the band. 2, 4-6, 8, 9, 14 Bob Dylan harmonica. 6 new songs (42%) compared to previous concert. 4 new songs for this tour. Stereo audience recording, 110 minutes. Session info updated 15 August 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14700 Osaka-jo Hall Osaka, Japan 12 February 1994 1. Jokerman 2. If Not For You 3. All Along The Watchtower 4. Ring Them Bells 5. Tangled Up In Blue 6. Under The Red Sky 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. Mr. Tambourine Man 9. Don't Think Twice, It's All Right 10. Series Of Dreams 11. I And I 12. Maggie's Farm — 13. Ballad Of A Thin Man 14. It Ain't Me, Babe Concert # 542 of The Never-Ending Tour. Concert # 6 of the 1994 Far East Tour. 1994 concert # 6. Concert # 86 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-9, 14 acoustic with the band. 2, 5, 8, 9, 14 Bob Dylan harmonica. 6 new songs (42%) compared to previous concert. 2 new songs for this tour. Stereo audience recording, 110 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14710 Kyushu Koseinenkin Kaikan Kokura, Japan 14 February 1994 1. Jokerman 2. Shelter From The Storm 3. All Along The Watchtower 4. Just Like A Woman 5. Tangled Up In Blue 6. I'll Be Your Baby Tonight 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. Mr. Tambourine Man 9. It's All Over Now, Baby Blue 10. God Knows 11. I And I 12. Maggie's Farm — 13. Man In The Long Black Coat 14. It Ain't Me, Babe Concert # 543 of The Never-Ending Tour. Concert # 7 of the 1994 Far East Tour. 1994 concert # 7. Concert # 87 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-9, 14 acoustic with the band. 2, 4-6, 8, 9, 14 Bob Dylan harmonica. 6 new songs (42%) compared to previous concert. 2 new songs for this tour. Stereo audience recording, 105 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14720 Kyushu Koseinenkin Kaikan Kokura, Japan 15 February 1994 1. Jokerman 2. Lay Lady Lay 3. All Along The Watchtower 4. Simple Twist Of Fate 5. Tangled Up In Blue 6. I'll Remember You 7. Tomorrow Night (Sam Coslow/Will Grosz) 8. The Lonesome Death Of Hattie Carroll 9. Boots Of Spanish Leather 10. Series Of Dreams 11. In The Garden 12. Maggie's Farm — 13. I Shall Be Released 14. It Ain't Me, Babe Concert # 544 of The Never-Ending Tour. Concert # 8 of the 1994 Far East Tour. 1994 concert # 8. Concert # 88 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion). 7-9, 14 acoustic with the band. 2, 4, 5, 8, 9, 14 Bob Dylan harmonica. 8 new songs (57%) compared to previous concert. 3 new songs for this tour. Stereo audience recording, 110 minutes. Session info updated 15 May 1994. Still On The Road – Bob Dylan 1994: Far East Tour 14730 Hiroshima Koseinenkin Kaikan Hiroshima, Japan 16 February 1994 1. Jokerman 2. Shelter From The Storm 3. All Along The Watchtower 4.
Load more

Recommended publications
  • Conor Mcpherson's Girl from the North Country
    Xavier University Exhibit Faculty Scholarship English Winter 2018 The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country Graley Herren Xavier University Follow this and additional works at: https://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Herren, Graley, "The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country" (2018). Faculty Scholarship. 584. https://www.exhibit.xavier.edu/english_faculty/584 This Article is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. Graley Herren • The Marriage of Heaven and Hell: Death and Rebirth in Conor McPherson’s Girl from the North Country In February 2015, the Irish American playwright John Patrick Shanley con- ducted a revealing interview with his Dublin counterpart Conor McPherson for American Theatre magazine. Asked about his preoccupation with the supernat- ural, McPherson intimated, “I remember when I was a little kid, I was always interested in ghosts and scary things. If I want to rationalize it, it’s probably a search for God.” This quest led him to theater. “There’s something so religious about the theatre,” he stated. We’re all sitting there in the dark, and there’s some- thing about how the stage glows in the darkness, which is such a beautiful pic- ture of human existence. What’s really interesting is the darkness that surrounds the picture.
    [Show full text]
  • Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
    Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966.
    [Show full text]
  • BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans
    U.S. COMMISSION ON CIVIL RIGHTS BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business DECEMBER 2018 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an independent, Catherine E. Lhamon, Chairperson bipartisan agency established by Congress in 1957. It is Patricia Timmons-Goodson, Vice Chairperson directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. • Appraise federal laws and policies with respect to U.S. Commission on Civil Rights discrimination or denial of equal protection of the laws 1331 Pennsylvania Avenue, NW because of race, color, religion, sex, age, disability, or Washington, DC 20425 national origin, or in the administration of justice. (202) 376-8128 voice • Serve as a national clearinghouse for information TTY Relay: 711 in respect to discrimination or denial of equal protection of the laws because of race, color, www.usccr.gov religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress.
    [Show full text]
  • Quando Il Pensare È Violento Nuove Cure Per Il Diabete Sannio
    Realizzato con il contributo degli studenti del Liceo Scientifico “G. Rummo” L’informazione e le opinioni degli studenti del Liceo Scientifico “G. Rummo” - Benevento Anno VI - Numero 11 Maggio 2018 - Distribuzione gratuita editoriale Quando il pensare è violento Nuove cure per il diabete Sannio ProgRock Sappiamoancora conversaretra noi, o qualcosasta irrimediabil- Teresa Mezza è una giovane Si in titola Viaggi inVersi Fanatismo o crimine? mente compromettendo i nostri ricercatrice originaria di Meliz- l’ultimo lavoro della band san- rapporti, al punto che una zano. Detentrice del Future Lea- nita La Bottega del Tempo a di CAMILLA FALLARINO banale diversità di opinioni, una ders Mentorship Programme for Vapore. È un atteso progetto volta ritenuta alla base di com- Clinical Diabetologists, ricono- discografico, anticipato da «La politica dovrebbe occuparsi di portamenti democratici,può sca- sciutole dall’EFSD, è impegnata un interessante singolo, più dei terroristi che fanno base in tenare risse e pestaggi? Cosa in un complessa serie di studi sul che riaccende l’atten- Italia invece del dibattito surreale accade ai ragazzi di oggi? Per- diabete. Ne parla con la nostra zione sulla scena Pro- del ritorno del fascismo. Quanto ché non siamo capaci di gestire caporedattriceGenny Pastore. gressive Rock. Arianna accaduto aMacerataè operadi uno laviolenza? Navarra ha intervistato per noi squilibrato violento: punto! Se poi pag. 4 pag. 7 Alessandro Zeoli, chitarra della fra le sue letture c'è ilMeinKampf , band. affari suoi. Ma non è il fascismo pag. 10 che torna!» Si esprime così la leader di FDI, il fatto Giorgia Meloni, su quanto acca- duto a Macerata nel febbraio scor- so.
    [Show full text]
  • 2008 Europe Summer Tour
    STILL ON THE ROAD 2008 EUROPE SUMMER TOUR MAY 26 Reykjavik, Iceland Laugardalshöll 28 Odense, Denmark Arena Fyn 30 Stavanger, Norway Viking Stadion JUNE 1 Helsinki, Finland Hartwall Areena 3 St. Petersburg, Russia Ice Palace 4 Tallinn, Estonia Saku Arena 5 Vilnius, Lithuania Siemens Arena 7 Warsaw, Poland Stodola 9 Ostrava, Czech Republic CEZ Arena 10 Vienna, Austria Stadthalle 11 Salzburg, Austria Salzburg Arena 13 Varazdin, Croatia Gradski Stadium 15 Trento, Italy Palazzo delle Albere 16 Bergamo, Italy Lazzaretto 18 Chatillon, Italy Parco Castello Baron Gamba 19 Grenoble, France Palais des Sports 20 Toulouse, France Le Zénith 22 Encamp, Andorra Camp de Fútbol de Prada de Moles 23 Zaragoza, Spain Feria de Muestras 24 Pamplona, Spain Plaza de Toros 27 Vigo, Spain Recinto Ferial 28 Hoyos del Espino, Spain Finca de Mesegosillo JULY 1 Cuenca, Spain La Fuensanta 2 Alicante, Spain Centro de Technificacion 4 Lorca, Spain Plaza de Toros 5 Jaén, Spain Recinto Ferial 6 Arganda del Rey, Spain Ciudad del Rock 8 Jérez de la Frontera, Spain Estadio Municipal Chapín de Jerez 10 Mérida, Spain Plaza de Toros 11 Oeiras, Portugal Passeio Marítimo of Algés Bob Dylan: Still On The Road – 2008 Europe Summer Tour Bob Dylan: Still On The Road – 2008 Europe Summer Tour 30160 Laugardalshöll Reykjavik, Iceland 26 May 2008 1. Stuck Inside Of Mobile With The Memphis Blues Again 2. Don't Think Twice, It's All Right 3. The Levee's Gonna Break 4. Tryin' To Get To Heaven 5. Rollin' And Tumblin' 6. Nettie Moore 7. I'll Be Your Baby Tonight 8.
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • The U.S. Capitol Visitor Center—Ten Years of Serving Congress and the American People
    THE U.S. CAPITOL VISITOR CENTER—TEN YEARS OF SERVING CONGRESS AND THE AMERICAN PEOPLE HEARING BEFORE THE COMMITTEE ON HOUSE ADMINISTRATION HOUSE OF REPRESENTATIVES ONE HUNDRED FIFTEENTH CONGRESS SECOND SESSION MAY 16, 2018 Printed for the use of the Committee on House Administration ( Available on the Internet: http://www.govinfo.gov U.S. GOVERNMENT PUBLISHING OFFICE 32–666 WASHINGTON : 2018 VerDate Sep 11 2014 02:24 Nov 14, 2018 Jkt 032666 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HR\OC\A666.XXX A666 COMMITTEE ON HOUSE ADMINISTRATION GREGG HARPER, Mississippi, Chairman RODNEY DAVIS, Illinois, Vice Chairman ROBERT A. BRADY, Pennsylvania, BARBARA COMSTOCK, Virginia Ranking Member MARK WALKER, North Carolina ZOE LOFGREN, California ADRIAN SMITH, Nebraska JAMIE RASKIN, Maryland BARRY LOUDERMILK, Georgia (II) VerDate Sep 11 2014 02:24 Nov 14, 2018 Jkt 032666 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 E:\HR\OC\A666.XXX A666 THE U.S. CAPITOL VISITOR CENTER—TEN YEARS OF SERVING CONGRESS AND THE AMERICAN PEOPLE WEDNESDAY, MAY 16, 2018 HOUSE OF REPRESENTATIVES, COMMITTEE ON HOUSE ADMINISTRATION, Washington, DC. The Committee met, pursuant to call, at 11:00 a.m., in Room 1310, Longworth House Office Building, Hon. Gregg Harper [Chair- man of the Committee] presiding. Present: Representatives Harper, Davis, Walker, Brady, and Raskin. Staff Present: Sean Moran, Staff Director; Kim Betz, Deputy Staff Director/Policy and Oversight; Dan Jarrell, Legislative Clerk; Matt Field, Director of Oversight; Ed Puccerella, Professional Staff; Erin McCracken, Communications Director; Khalil Abboud, Minor- ity Deputy Staff Director; Kristie Muchnok, Minority Professional Staff. The CHAIRMAN. I now call to order the Committee on House Ad- ministration for purpose of today’s hearing, examining the United States Capitol Visitor Center as it approaches its tenth anniver- sary.
    [Show full text]
  • Bob Dylan 2016 Nobel Laureate in Literature
    Bob Dylan 2016 Nobel Laureate in Literature PAUL TANKARD University of the Third Age, Dunedin June 2018 Nobel Prize for Literature laureates, 2006-15 • 2015 Svetlana Alexievich • 2014 Patrick Modiano • 2013 Alice Munro • 2012 Mo Yan • 2011 Tomas Tranströmer • 2010 Mario Vargos Llosa • 2009 Herta Müller • 2008 Jean-Marie Gustave Le Clézio • 2007 Doris Lessing • 2006 Orhan Pamuk Biographical…. • 1941 Born Robert Zimmerman, Minnesota 1941. • 1959 Buddy Holly, Rock’n’roll, College, Folk Music • 1961 New York, Woody Guthrie, Greenwich Village folk scene • 1963 Freewheelin’ Bob Dylan: • 1965 Going electric • 1966 motorcycle accident, withdrawal from touring until 1974 • 1979-81 Christian albums • 1988 Never Ending Tour: 100 gigs a year • 2014 The Lyrics • 2015-17 American songbook albums Standards • 1963 The Freewheelin’ Bob Dylan: "Blowin’ in the Wind,” "Masters of War,” "A Hard Rain’s a-Gonna Fall,” "Don’t Think Twice, It’s All Right" • 1964 The Times They Are a-Changin’: "The Times They Are a-Changin’,” "When the Ship Comes In" • 1964 Another Side of Bob Dylan: "Chimes of Freedom,” "My Back Pages,” "It Ain’t Me Babe" • 1965 Bringing It All Back Home: "Subterranean Homesick Blues,” "Maggie’s Farm,” "Mr. Tambourine Man" • 1965 Highway 61 Revisited: "Like a Rolling Stone" From: “A Hard Rain’s a-Gonna Fall” (1963) I saw a newborn baby with wild wolves around it I saw a highway of diamonds with nobody on it I saw a black branch with blood that kept drippin' I saw a room full of men with their hammers a- bleedin' I saw a white ladder all covered with water I saw ten thousand talkers whose tongues were all broken I saw guns and sharp swords in the hands of young children Peter, Paul and Mary Biographical….
    [Show full text]
  • Along Bob Dylan
    All Along Bob Dylan All Along Bob Dylan: America and the World offers an important con- tribution to thinking about the artist and his work. Adding European and non-English-speaking contexts to the vibrant field of Dylan studies, the volume covers a wide range of topics and methodologies while deal- ing with the inherently complex and varied material produced or associ- ated with the iconic artist. The chapters, organised around three broad thematic sections (Geographies, Receptions and Perspectives), address the notions of audience, performance and identity, allowing to map out the structure of feeling and authenticity, both, in the case of the artist and his audience. Taking its cue from the collapse of the so-called high-/ low-culture split following from the Nobel Prize, the book explores the argument that Dylan (and all popular music) can be interpreted as litera- ture and offers discussions in the context of literary traditions, or visual culture and music. This contributes to a nuanced and complex portrayal of the seminal cultural phenomenon called Bob Dylan. Tymon Adamczewski, Ph.D., is assistant professor at the Department of Anglophone Literatures of Kazimierz Wielki University in Bydgoszcz, Poland, where he teaches literary and cultural studies. His academic in- terests revolve around the critical discourses of contemporary human- ities, music and ecocriticism. Routledge Studies in Contemporary Literature 42 Death-Facing Ecology in Contemporary British and North American Environmental Crisis Fiction Louise Squire 43 Poetry and
    [Show full text]
  • Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
    Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:16 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, song writer, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan playing guitar on The Shot of Love album and on The Shot of Love tour. Dylan listed Ripley as one of the good guitarist he had played with. Red Dirt was first used by Steve Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Jimmy Buffet, J. J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording facility, The Church Studio. Steve formed the country band The Tractors and was the cowriter of the country hit “Baby Like to Rock It.” Under his own record label Boy Rocking Records, Steve produced such artists as The Tractors, Leon Russell, and the Red Dirt Rangers. Steve Ripley was sixty-nine when he died January 3, 2019. But you can listen to Steve talk about his family story, his introduction to music, his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. The last five chapters he wanted you to hear only after his death. Listen now, on VoicesofOklahoma.com. Chapter 02 – 3:47 Land Run with Fred John Erling: Today’s date is December 12, 2017.
    [Show full text]
  • Still on the Road 2003 Europe Fall Tour
    11 STILL ON THE ROAD 2003 EUROPE FALL TOUR OCTOBER 9 Helsinki, Finland Hartwall Areena 11 Stockholm, Sweden Globe Arena 12 Karlstad, Sweden Löfbergs Lila Arena 13 Oslo, Norway Spektrum 15 Gothenburg, Sweden Scandinavium 16 Copenhagen, Denmark Forum 17 Hamburg, Germany Docks 18 Hamburg, Germany Docks 20 Berlin, Germany Arena 22 Leipzig, Germany Leipzig Arena 23 Prague, Czech Republic T. Mobile Aréna 24 Budapest, Hungary Budapest Sporthalle 26 Graz, Austria Eishalle Liebenau 27 Vienna, Austria Stadthalle 29 Munich, Germany Olympiahalle 30 Bolzano, Italy Palaonda NOVEMBER 1 Rome, Italy Roma Palaeur 2 Milan, Italy Forum di Assago, Assago 3 Zurich, Switzerland Hallenstadion 5 Freiburg, Germany Stadthalle 6 Frankfurt, Germany Jahrhunderthalle 8 Düsseldorf, Germany Philipshalle 10 Amsterdam, The Netherlands Heineken Music Hall 11 Amsterdam, The Netherlands Heineken Music Hall 12 Brussels, Belgium Vorst Nationaal 13 Paris, France Le Zenith 15 London, England Wembley Arena 17 Dublin, Ireland The Point Theatre 20 Sheffield, England Sheffield Arena 21 Birmingham, England International Arena, National Exhibition Center 23 London, England Shepherds Bush Empire Theatre 24 London, England Carling Apollo Hammersmith 25 London, England Brixton Academy 25380 Shea Stadium Flushing, New York 4 October 2003 Guest at the last show of The Rising Tour 1. Highway 61 Revisited Bob Dylan (vocal & guitar) with Bruce Springsteen and the E-street Band: Bruce Springsteen (guitar), Steve Van Zandt (guitar), Nils Lofgren (slide guitar), Patti Scialfa (guitar), Roy Bittan (keyboards), Clarence Clemons (percussion), Danny Federici (organ), Soozie Tyrell (violin), Garry Tallent (bass), Max Weinberg (drums). Notes. LB-number for this concert: LB-1232. Stereo audience recording, 5 minutes. Session info updated 27 May 2009.
    [Show full text]
  • Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
    Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:10 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, songwriter, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan, playing guitar on the Shot of Love album and on the Shot of Love tour. Dylan listed Ripley as one of his favorite guitarists. The term Red Dirt was first used by Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Ry Cooder, J.J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording studio called The Church Studio. He formed the country band The Tractors and was the co-writer of the country hit “Baby Likes to Rock It.” The first Tractors album sold over two million copies. Steve Ripley was inducted into the Oklahoma Music Awards Red Dirt Hall of Fame, along with Bob Childers and Tom Skinner. Ripley currently is Music Archivist and Curator of the Leon Russell collection for OKPOP. What you are about to hear is a segment from Steve Ripley’s yet-to-be-posted oral history interview, but we wanted you to hear these chapters as he talks about his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. Chapter 02 – 10:45 Concept of The Tractors John Erling: Today’s date, April 17, 2018.
    [Show full text]