Mondo Scripto | Bob Dylan
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Bob Dylan's Life
Bob Dylan's Life Robert Allen Zimmerman born May 24 1941 in Duluth, Minnesota known by the pseudonym of Bob Dylan, was an American singer, song-writer, musician and author. He is an influential figure in popular music and culture. He became a reluctant « voice of a generation » when he moved to New York in the 1961 where he wrote songs like « Blowin' in the Wind » and « The Times Are a-Changin’ ». Those songs were to become anthems for Civil Rights Movement and anti-war movement. His recording career goes on for more than fifty years and he explored many musical genres from folk, blues, country to gospel, rock and roll … He recorded 38 studio albums, starting with Bob Dylan (1968) and still records songs today. Dylan's lyrics contain political, social, philosophical and literary influences and over the years he defied pop music conventions. Dylan performs with guitar, keyboards and harmonica. He published his album on Columbia Records and Asylum Records. Since 1994, he also published seven books of drawings and paintings. As a musician, he sold more than 100 million records, making him one of the best-selling artists of all time. He received many awards including eleven Grammy Awards, a Golden Globe Award, an Academy Award and many other prizes such as an NME Award. Nowadays Dylan still receives huge recognition: in 2012 the President Barack Obama gave him the Presidential Medal of Freedom and in 2016 he was awarded the Nobel Prize in Literature « for having created new poetic expressions within the great American song tradition ». -
Conor Mcpherson's Girl from the North Country
Xavier University Exhibit Faculty Scholarship English Winter 2018 The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country Graley Herren Xavier University Follow this and additional works at: https://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Herren, Graley, "The aM rriage of Heaven and Hell: Conor McPherson’s Girl from the North Country" (2018). Faculty Scholarship. 584. https://www.exhibit.xavier.edu/english_faculty/584 This Article is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. Graley Herren • The Marriage of Heaven and Hell: Death and Rebirth in Conor McPherson’s Girl from the North Country In February 2015, the Irish American playwright John Patrick Shanley con- ducted a revealing interview with his Dublin counterpart Conor McPherson for American Theatre magazine. Asked about his preoccupation with the supernat- ural, McPherson intimated, “I remember when I was a little kid, I was always interested in ghosts and scary things. If I want to rationalize it, it’s probably a search for God.” This quest led him to theater. “There’s something so religious about the theatre,” he stated. We’re all sitting there in the dark, and there’s some- thing about how the stage glows in the darkness, which is such a beautiful pic- ture of human existence. What’s really interesting is the darkness that surrounds the picture. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Things Have Changed Bob Dylan
Things have changed Bob Dylan Gm Gm A worried man with a worried mind I’ve been walkin’ forty miles of bad road Cm Cm No one in front of me and nothing behind If the Bible is right the world will explode Gm Gm D7 There’s a woman on my lap and she’s drinking I’m tryin’ to get as far away from myself as I can D7 champagne Gm Gm Some things are too hot to touch Got white skin, got assassin’s eyes Cm Cm The human mind can only stand so much I’m looking up into the sapphire tinted skies Gm D7 Gm Gm D7 Gm You can’t win with a losing hand I’m well dressed, waiting on the last train Eb D7 Gm Eb D7 Gm Feel like falling in love with the first woman I meet Standin’ on the gallows with my head in the noose Eb D7 Eb D7 Puttin’ her in a wheelbarrow and wheelin’ her down the Any minute now I’m expectin’ all hell to break street loose Gm Gm People are crazy and times are strange People are crazy and times are strange Cm Cm I’m locked in tight, I’m out of range I’m locked in tight, I’m out of range Gm D7 Gm Gm D7 Gm I used to care but - things have changed. I used to care but - things have changed. Gm This place ain’t doin’ me any good Gm Cm I hurt easy, I just don’t show it I’m in the wrong town, I should’ve been in Cm Hollywood You can hurt someone and not even know it Gm Gm D7 Just for a second there I thought I saw something The next sixty seconds could be like an eternity D7 move Gm Gm Gonna get lowdown, gonna fly high Gonna take dancin’ lessons, do the jitterbug rag Cm Cm All the truth in the world adds up to one big lie Ain’t no shortcuts, gonna dress in drag Gm D7 Gm Gm D7 I’m in love with a woman that don’t even appeal to me Only a fool in here would think he got anythin’ to Eb D7 Gm Gm prove Mr. -
Audience Enrichment Guide
KEY ART: EXTENDED BACKGROUND Girl From the North Country | Study Guide Part One 1 Is created by cropping the layered extended background file. FILE NAME: GFTNC_EXT_COLORADJUST_ LAYERS_8.7.19_V3 ARTS EDUCATION AND ACTIVATION CREATED IN COLLABORATION WITH TDF EDUCATION DEPARTMENT 4 Girl From the North Country | Study Guide Part One 2 HOW TO USE THIS GUIDE This guide is intentionally designed to be a flexible teaching tool for teachers and facilitators focusing on different aspects of Girl From The North Country, with the option to further explore and activate knowledge. The guide is broken up into three sections: I. Getting to know the show, Conor McPherson story II. The Great Depression and historical context III. Bob Dylan and his music Activations are meant to take students from the realm of knowing a thing or fact into the realm of thinking and feeling. Activations can be very sophisticated, or simple, depending on the depth of exploration teachers and facilitators want to do with their students, or the age group they are working with. Girl From the North Country | Study Guide Part One 3 CONOR MCPHERSON ON BEING INSPIRED BY BOB DYLAN’S MUSIC ELYSA GARDNER for Broadwaydirect.com OCTOBER 1, 2019 For the celebrated Irish playwright Conor songs up; by setting it in the ‘30s, we could McPherson, Girl From the North Country rep- do them another way. I knew I wanted a lot of resents a number of firsts: his first musical, his vocals and a lot of choral harmonies.” first work set in the United States, and, oh yes, A guitarist himself, McPherson had always his first project commissioned by Bob Dylan been interested in Dylan’s music, but he — the first theater piece ever commissioned admits, “I was not one of those people who by the iconic Nobel Prize–winning singer/ could cover every decade of his career. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans
U.S. COMMISSION ON CIVIL RIGHTS BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business DECEMBER 2018 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an independent, Catherine E. Lhamon, Chairperson bipartisan agency established by Congress in 1957. It is Patricia Timmons-Goodson, Vice Chairperson directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. • Appraise federal laws and policies with respect to U.S. Commission on Civil Rights discrimination or denial of equal protection of the laws 1331 Pennsylvania Avenue, NW because of race, color, religion, sex, age, disability, or Washington, DC 20425 national origin, or in the administration of justice. (202) 376-8128 voice • Serve as a national clearinghouse for information TTY Relay: 711 in respect to discrimination or denial of equal protection of the laws because of race, color, www.usccr.gov religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress. -
1987 Determined to Stand LETTER.Pdf
DETERMINED TO STAND BOB DYLAN 1987 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2004 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Determined To Stand – Bob Dylan 1987 CONTENTS 1 INTRODUCTION .............................................................................................................................................. 3 2 1987 AT A GLANCE .......................................................................................................................................... 3 3 THE 1987 CALENDAR ..................................................................................................................................... 3 4 DOWN IN THE GROOVE ................................................................................................................................ 4 5 SUMMER TOUR WITH THE GRATEFUL DEAD ...................................................................................... 6 5.1 INTRODUCTION ............................................................................................................................................ 6 5.2 THE MUSICIANS ........................................................................................................................................... 6 5.3 THE SHOW ................................................................................................................................................... -
Settin' My Dial on the Radio
SETTIN ’ MY DIAL ON THE RADIO BOB DYLAN 2006 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Settin’ My Dial On The Radio — Bob Dylan 2006 page 2 of 86 1 INTRODUCTION ...................................................................................................................................................................4 2 2006 AT A GLANCE ..............................................................................................................................................................4 3 THE 2006 CALENDAR ..........................................................................................................................................................4 4 NEW RELEASES AND RECORDINGS ..............................................................................................................................6 4.1 MODERN TIMES ................................................................................................................................................................6 4.2 BLUES ..............................................................................................................................................................................6 4.3 THEME TIME RADIO HOUR : BASEBALL ............................................................................................................................8 -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Read an Excerpt
The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality. -
Still on the Road 1980 a Musical Retrospective Tour
STILL ON THE ROAD 1980 A MUSICAL RETROSPECTIVE TOUR NOVEMBER 9 San Francisco, California Fox Warfield Theatre 10 San Francisco, California Fox Warfield Theatre 11 San Francisco, California Fox Warfield Theatre 12 San Francisco, California Fox Warfield Theatre 13 San Francisco, California Fox Warfield Theatre 15 San Francisco, California Fox Warfield Theatre 16 San Francisco, California Fox Warfield Theatre 17 San Francisco, California Fox Warfield Theatre 18 San Francisco, California Fox Warfield Theatre 19 San Francisco, California Fox Warfield Theatre 21 San Francisco, California Fox Warfield Theatre 22 San Francisco, California Fox Warfield Theatre 24 Tucson, Arizona Tucson Community Center Arena 26 San Diego, California Golden Hall 29 Seattle, Washington Paramount Northwest Theatre 30 Seattle, Washington Paramount Northwest Theatre DECEMBER 2 Salem, Oregon The Armory 3 Portland, Oregon Paramount Theater 4 Portland, Oregon Paramount Theater Still On The Road: 1980 A Musical Retrospective Tour 5920 Fox Warfield Theatre San Francisco, California 9 November 1980 1. Gotta Serve Somebody 2. I Believe In You 3. Like A Rolling Stone Carolyn Dennis: Walk Around Heaven All Day (Cassietta George) 4. Man Gave Names To All The Animals 5. Precious Angel 6. Ain't Gonna Go To Hell For Anybody 7. Girl From The North Country 8. Slow Train Regina McCrary: Till I Get It Right (Red Lane/Larry Henley) 9. Abraham, Martin And John (Dick Holler) 10. Let's Keep It Between Us 11. Covenant Woman 12. Solid Rock 13. Just Like A Woman 14. When You Gonna Wake Up 15. Señor (Tales Of Yankee Power) 16. In The Garden — 17. Blowin' In The Wind First concert of A Musical Retrospective Tour.