DOCSLIB.ORG

Radio Guide M IKE ROSCOPE ALBUM &/' LOG BOO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Radio Guide M IKE ROSCOPE ALBUM &/' LOG BOO Radio Guide M IKE ROSCOPE ALBUM &/' LOG BOO 1935 Pri ce , Fift y Cent s COPYRIGHT '1935 BY RADIO GUIDE, INC .. 731 PLYMOUTH COURT, CHICAGO , ILLINOIS - FRED ALLEN I{~D ..\LLe:" -although he has b~en :1(cu,ed \':lrloLbly of re,embling :"C\\, , York's former mayor Jamcs j. Walker, Gene Tunney, and the late Frank E. • F Camphell. the undertaker-considcrs the charges nlere:y part of the hnards of the profess:on, "As a matter of I act'" he 'insist>, "it i," the ,ame old face I' ve alwan u,ed !" Fred Allen's real name i, Fred Sulli\'an, l ie \\'as born in Cambridg~, ,\b;sa­ chu,etb, fort ,,' years agCl on .\\:tv 31, l :-1 l )5, I Ie declares I-,e was an after-t!1u !ght to .\\ emo,ial Day, Peuple sti :1 can't forget him' Stage debut \\'a, made at the age of ten in an an,ateur production uf .. ['he I hree \Vi se .~l en," gi\'en hy hi s church, Il is lines \\'ere: "Sorro\\' is sigh;ng, hrl::lth­ ing, dYIng-sealed in this cold, , tone tomb," They are the on lv se riou, [in~, he's e\'er recited, and tbey a ln:ost encbl his theatrical ,·a reer. ,-\fter fini shing ,chuo!. he found it job in a harcll\'are store in Boston, Stil l he is trying to figure out \ 1 hether there are more nuts in a hard\\'are store or on the ,tage, Professional ,tage career made II h ~il he sub,rituted for a friend I\'ho Iud becn hooked into a local \'audc\'ille home at fil'c dollars per--\'eek.- not day I The friend got cold feet, so Fred went on in hi, place, l ie lI'as bilkd :1, " Paul I [uc\;'c­ European Entertainer," and becau,e he I\'as a ,uh,tinitc, he rt:cei\'cd only threc doll ars, h'ed li\;ed the work so much that he quit hi s job in the hardl\'a re ,to:e to become " !-'red St. James, W or[d.., \\'or,t Juggle r, " To n',;\;e matters Il or,e, he I\'orc :t red lI'ig \\'hi le he juggled, :\llcn OlV ns mo re than one thousand \'olumes of boe,ks on comedy, Ii i, i, one of the greatest coll ections in the \\'orld, ,\nd he makcs excell ent me of it beL:lu,e, ZI, he says, "Good joke, nt:I'er di,', Their structure remain, the ,ame no marter hOI\' many changes take place as thc years go by." lie i, the only gag-Ill an \l'ho admits that he reads hi s jokes in books, Recently he has been so busy that he can't spare the time to dig up hi s lines in anc:ent tome" so he has employcd writers to help him prepare material fo r his rad:o broJdc:r,ts, He is in bed by tl\'O o'clock e\'ery mo rning, :lI1d up by ten, , :-:el'er does he smoke, but occasionally chell'S tobacco-drinks modcrately- takes snulT to clear hi s head, Some o ne told him that Caruso used , nun for the same purpo,e, f red believes, hOIl'el'e r, that snuff does not impro\'e the \'o:ce, [ [e's a nut about exercise, and \'isits a gymnasium e\'cry day, Hc beli e\'es hand ball and ro\\'ing mach;nes im­ pro\'e o ne's health, and is a mark for :tIl kinds of "'1'\\'0 Years :\go [ \\ 'as Puny, i3ut Look At Me Noll'" ads, heel is a shre\\'d bu siness man, ' I hat', lI'hy he changed hi s namc, On returning to America after three years' engagement i 1 :\ustralia- where h : rcce i\'e d ::;85 a week- he knell' that the Keith oflice proba bly lI'ould gi\'e him the S:l me here, l ie changed hi s n:lIl,e so the booking office \\'ouldn't kn Ol\' him , burro\l'i ng the last namc of hi s agent, edgar All en, Eelga r \\'asn't so sure about the I\'isdom of adding heel to the Allen clan, But it has \\' o rked sa ti sfactorily, , !'i-ed's back teeth are a [[ chippeel, They became so from a trick he lbeci to do while juggling, He's co nscious of approaching b:tldne5S, and religiously takes scalp treatments, l ie likcs to be alone, . hut people usual[ y croll'd ,lI'<lund him expect[ng free entertainment, ' I hat's one o f the reason, he hates to ea t in re,L1u rants, Il c has too mall\' friends. Unlike meht stage people, Fred i,n't , upersti tiou" :"01' do ~s he cI'c r go tv night clubs, Usuall y he can' t spare the tinie: prefers to sit home and read, Shake:,pca re is one of hi s fa\'orites, a nd Frl'tl find , good material for gll gS, in the I\orks of the bare!. _ I:reel Im'e,; the stage but prefcrs radio, lie's kept stepping to obtain nell' ma­ terial for each broadcast ; this ofTe rs a l11e!ltal hazarel, and mental In/areb are I I hat he 10l'es, . l ie met IJOrl land Il ona-that',; a I'ir[', n<1mc- II 'he:1 both I\cre playing in the " Passing Shol\' of Inz," But he's a ~;JOI\ ' lI'orker, Thel' Il'ere not married until 1920, Page 6 -- GRACIE ALL,EN I ~ A C I E A LL E~, born in Sa n Francisco, Calif., on July 26, bu t yea r unk nown, "I'm as old as my little fin ge r and a little older th an my tee th," she says, G Her Pa and three sisters, but not her broth er, we re in sholl' busin ess, I twas a fo regone conclusion therefore th at she'd land in the bus in ess herself. She did, At • th ree she made her stage debut si nging and dancing, Gracie attended publ ic chool and a conve nt in San Francisco, Duri ng Summer vacations she played outlyin g vaudevi ll e houses in Los Angeles and Oakland, also in her native city. She did a sin gle turn-dancin g and si nging, Her mother ac ted as her "dresse r," and also peeked out from behin d the curtain to see why the house didn't applaud Gracie more energetica ll y. A mon th after she was graduated fro m sc hool Gracie met Larry Rei ll y, who was doin g an I ri sh mu sical sketch in th e home town. She join ed the act, playi ng the "love interes t," and came to New York with it. The biggest thrill she ever had was seei ng New York for th e fir st ti me. She's still thrill ed by \lew York when­ e\'er she retu rn s. The act was bi ll ed as "Larry Rei ll y and Co." One day the "Co." \\'as left off the bill ing, So Grac ie quit. After that she wa ited for ma nagers to co me to her. They didn't, so she laid otf for a year. I n the meantime Gracie took a stenographic course; never completed it. Nex t Gracie went to Uni on Hill , N, j., to visit some f ri ends playing at the local vaudev ill e house, On the bill was a tea m, Burn, and Lorrai ne, who were to sp lit up in a few weeks, Gra(ie ,aw the act and liked Burns better than Lorraine, ' he arranged to be introduced, T hat hi stori c meeting between George Burns and Gracie :-\II en \\'as satisfaclorv to both, They signed as partners, After rehea rsing for two weeks they we nt to 1I'0rk in tht IIi/I st, th ea ter, ~e \\' a r k, at the magnifi ce nt, breath-ta ki ng sala ry of 815,00 for three days for th e tea m, -I he next \\'ee k they pl ayed one day in Bonton, :\, j., fo r $10, That was thi rteen years ago, After th ey had bee n pl ay in g togethe r for three years, Gracie took to go in g out with another man, G e0t~e disco\'e red that he was jealous, His proposal was in these words: "Either we get married wi thi n ten days or bu st up the act." Gracie bega n to cry, She fi gured that if George coul d brin g tears to her eyes she mus t lo\'c him, So she married him, They\'e been happy e\'e r si nce, Next to Geo rge Burns, Grac ie li kes steak (med ium ), stewe d tomatoes and cot­ tage fri ed potatoes, Sh e does a lot of talking about food but in reality is a \'ery small eater, She eats hardly enough to keep a fl y ali ve, She doesn't smoke ; takes an occasional cocktail , bu t never straight drink s, Goe, in for cockta il s according to their colors, Prefers gree n and pink drinks, She jus t dotes on mO\' ies, but her eyes \\'on't stand lTIu ch : entertain s herself by playin g so litai re; kn O\\'s e\'ery solitai re game in exi stence, more th an a hundred, She says she also pl ays bri dge, but George Burn s deni es th is, I-;er ambiti on is to be a lady of leis ure-to fo rget the cloc k, curtain cal ls :lIll1 ea rl y lTI orning film ings, She lo\'es clothes, expe nsive ones, and any kind of furs, bU l !> he doesn't go in much for je\\'c lry, "T ha nk hea \' en," com ments George Burns, She is nu ts about pe rfumes, Il a, no particular preference for scents ju,t so long as the bottles are pretty, Also likes fl o\\'ers, Gracie is a sound sleeper, She must ha\'e eight hou rs' slee p e\'ery night : can do \'ery we ll on fo urteen, She sleeps \\'it h a pill ow o\'er 'her face, George and she use twin beds, She \\'ears t ra iling night go\\' nS-a la LYlm Fon tann e, She has a passion for negl igee and loun gin g pajamas, And for their recently adopted baby girl.
Load more

Recommended publications
  • Heritage Trail 1 M O N T R E a L B R O a D C a S T I N G P I O N E E R S 1 9 1 9 - 1 9 4 5
    HERITAGE TRAIL 1 M O N T R E A L B R O A D C A S T I N G P I O N E E R S 1 9 1 9 - 1 9 4 5 This heritage trail will introduce you to some of the historic places of radio broadcasting in Montreal. HOW TO USE Two routes are proposed: Circuit 1 will If you do not use a take you mainly through the streets of Old smart mobile phone Montreal. Circuit 2 takes place in or a tablet, you can downtown Montreal as well as in the print the maps and southwest districts of the city. Each descriptions of the circuit is about 5 kilometers. circuit in PDF format and take XWA was the first radio station in Canada. them with you. It began transmitting experimental With a smart broadcasts in December 1919 from its device, you can location on William Street in Montreal. In follow the circuit May 1920, members of the Royal Society of using the online Canada, meeting in congress in Ottawa, interactive map had the opportunity to hear a brief recital and the electronic and speeches transmitted from Montreal. version of the This was a first in the country, an descriptions. achievement that made the front page of all the newspapers! The year 2020 marks the 100th anniversary of broadcasting in Canada. The Musée des ondes Emile Berliner and the Société Québécoise de Collectionneurs de Radios Anciens (SQCRA) have joined forces with other institutions in the Montreal region to highlight this event.
    [Show full text]
  • THE WHY and Wherefore Or POOR RADIO RECEPTION
    Modern radios are pack ed w ith features and refin ements that add immeasurably to radio enjoyment. Yet , no amount of radio improve - ments can increase th is enjoyment 'unless these improvements are u sed-and used properly . Ev en older radios are seldom operated to bring out the fine performance which they are WITH capable of giving . So , in justice to yourself and ~nninqhom the fi ne radio programs now being transmitted , ask yoursel f this questi on: "A m I getting as much enjoyment from my r ad io as possible?" Proper radio o per atio n re solves itself into a RADIO TUBES matter of proper tunin g. Yes , it's as simple as that . But you would be su rprised how few Hour aft er hour .. da y a nd night ... all ye ar people really know ho w t o tune a radio . In lon g . .. th e air is fill ed with star s who enter- Figure 1, the dial pointer is shown in the tain you. News broad casts ke ep you abrea st of middle of a shaded area . A certain station can be heard when the pointer covers any part of a swiftl y moving world . .. sport scast s brin g this shaded area , but it can only be heard you the tingling thrill of competition afield. enjo yably- clearl y and without distortion- Yet none of the se broadca sts can give you when the pointer is at dead center , midway between the point where the program first full sati sfaction unle ss you hear th em properl y.
    [Show full text]
  • Nhl Media Directory 2011-12 Table of Contents Page Page Nhl Directory Nhl Media 1+/2I¿Fhv
    NHL MEDIA DIRECTORY 2011-12 TABLE OF CONTENTS PAGE PAGE NHL DIRECTORY NHL MEDIA 1+/2I¿FHV ...........................................3 1+/FRP .............................................11 1+/([HFXWLYH .......................................4 1+/1HWZRUN .......................................11 1+/&RPPXQLFDWLRQV ............................4 1+/5DGLR ...........................................12 1+/*UHHQ ............................................6 1+/6WXGLRV ........................................12 NHL MEMBER CLUBS NHL MEDIA RESOURCES .................. 13 $QDKHLP'XFNV ...................................20 HOCKEY ORGANIZATIONS %RVWRQ%UXLQV ......................................27 %XIIDOR6DEUHV .....................................34 +RFNH\&DQDGD .................................260 &DOJDU\)ODPHV ...................................40 +RFNH\+DOORI)DPH .........................261 &DUROLQD+XUULFDQHV .............................46 1+/$OXPQL$VVRFLDWLRQ ........................7 &KLFDJR%ODFNKDZNV ...........................52 1+/%URDGFDVWHUV¶$VVRFLDWLRQ .........264 &RORUDGR$YDODQFKH ............................57 1+/3OD\HUV¶$VVRFLDWLRQ ....................17 &ROXPEXV%OXH-DFNHWV .......................66 3URIHVVLRQDO+RFNH\:ULWHUV¶ 'DOODV6WDUV .........................................72 $VVRFLDWLRQ ...................................263 'HWURLW5HG:LQJV ...............................78 86+RFNH\+DOORI)DPH0XVHXP ..261 (GPRQWRQ2LOHUV ..................................85 86$+RFNH\,QF ...............................262 )ORULGD3DQWKHUV ..................................92
    [Show full text]
  • NHL MEDIA DIRECTORY 2012-13 TABLE of CONTENTS Page Page NHL DIRECTORY NHL MEDIA NHL Offices
    NHL MEDIA DIRECTORY 2012-13 TABLE OF CONTENTS PAGE PAGE NHL DIRECTORY NHL MEDIA NHL Offices ...........................................3 NHL.com ...............................................9 NHL Executive .......................................4 NHL Network .......................................10 NHL Communications ............................4 NHL Studios ........................................11 NHL Green ............................................6 NHL MEDIA RESOURCES .................. 12 NHL MEMBER CLUBS Anaheim Ducks ...................................19 HOCKEY ORGANIZATIONS Boston Bruins ......................................25 Hockey Canada .................................248 Buffalo Sabres .....................................32 Hockey Hall of Fame .........................249 Calgary Flames ...................................39 NHL Alumni Association ........................7 Carolina Hurricanes .............................45 NHL Broadcasters’ Association .........252 Chicago Blackhawks ...........................51 NHL Players’ Association ....................16 Colorado Avalanche ............................56 Professional Hockey Writers’ Columbus Blue Jackets .......................64 Association ...................................251 Dallas Stars .........................................70 U.S. Hockey Hall of Fame Museum ..249 Detroit Red Wings ...............................76 USA Hockey Inc. ...............................250 Edmonton Oilers ..................................83 NHL STATISTICAL CONSULTANT Florida
    [Show full text]
  • La Question De Gibraltar Et L'espa Ne
    Montréal, mardi 1er août 1939 ; VOLUME XXX - hJp 177 ' REDACTION ET ADMINISTRATION TROIS SOUS LE NUMERO ^ 430 EST, NOTRE-DAME MONTREAk ABONNEMENTS PAR LA POSTE } EDITION QUOTIDIENNE TOUS LES SERVICES CANADA $6,00 TELEPHONE t BEItir 3361* (Sauf Montréal et ta banlieue! E.-Unîs et Empire britannique 8.00 SOIRS. DIMANCHES ET FETES UNION POSTALE 10.00 Administration ; BEIair 3366 EDITION HEBDOMADAIRE Rédaction ; BEiair 29S4 CANADA 2.00 Gérant ; BEiair 2239 Directeur-gérant : Georges PELLETIER FAIS CE QUE DOIS LE DEVOIRRédacteur en chef : Orner HEROUX i.-UNIS et UNION POSTALE 3 00 Une nouvelle “forteresse de la santé” Le sanatorium de Mont-Joli — Sous le signe de la jeunesse---- Les collaborations La question de Gibraltar et l’Espa ne — Rayonnement indéfini d'une telle institution---- Les théories du directeur (Voir en pcg« 3) il nous paraît nécessaire d’adies^er médical — Coût exceptionnellement bas de la construction — uix Ursulines et aux Hospitalié.vs Economie d'argent, prodigalité de dévouement et d'intelligence un hommage particulier d’admira­ tion et de gratitude. Elles ont écr t La Croatie se séparera de la Yougoslavie, quelques-unes des plus grandes e! Dimanche, S. Exc. Mgr Courchesne, évêque de Rimous-; conditions de vie déplorables et, au dire des spécialistes, irfire^*EUes ^ImnUnue^^une 'oeu^m ki. a béni le nouveau sanatorium de Mont-Joli, qui porte' par une alimentation insuffisante et mal balancée. Sans ■ glorieuse et féconde entre toutes, si elle n’obtient pas son autonomie le nom de son saint patron. La cérémonie a donné lieu
    [Show full text]
  • P>20 January 2020 Filed Online Via Gckey
    20 January 2020 Filed online via GCKey Claude Doucet Secretary General CRTC Ottawa, ON K1A 0N2 Dear Secretary General, Re: Part 1 licence renewal applications submitted by Rogers Media Inc.: 2019-0901-1, 2019-0913-6, 2019-0923-5, 2019-0903-7, 2019-0915-2, 2019-0926-9, 2019-0906-1, 2019-0919-4, 2019-0927-7, 2019-0907-9, 2019-0920-2, 2019-0929-3, 2019-0910-3, 2019-0936-8, 2019-0935-0, 2019-0911-0 1 The Forum for Research and Policy in Communications (FRPC) is a non-profit and non- partisan organization established to undertake research and policy analysis about electronic communications, including broadcasting. 2 We are writing with respect to the Part I radio licence renewal applications submitted in early December 2019 by Rogers Media Inc.; our intervention is attached. 3 Should the CRTC decide to hold a public hearing with respect to these applications the Forum requests the opportunity to appear. Sincerely yours, Monica. L. Auer, M.A., LL.M. Executive Director Forum for Research and Policy in Communications (FRPC) Ottawa, Ontario cc.: Susan Wheeler, [email protected]; [email protected] Vice-President Regulatory, Media Rogers Media Inc. Part 1 applications to renew radio licences Intervention(20 January 2020) Contents Contents Executive summary 1 I. Introduction 1 A. Current requirements for commercial radio stations in Canada 1 1. The Broadcasting Act 1 2. Regulations that apply to broadcasting applications 3 3. Commercial radio policy 5 B. Evidentiary gap by CRTC in this licence renewal process 7 II. Rogers and its applications 8 III.
    [Show full text]
  • Iowa Multiple Species Inventory & Monitoring Program Technical
    Iowa Multiple Species Inventory & Monitoring Program Technical Manual Iowa Department of Natural Resources 2016 - 1 - - 2 - Table of Contents Preface……………………………………………………………………………………………………………………...…..5 Acknowledgements……………………………………………………………………………….………..………….......6 Introduction……………………………………………………………………………………………………………………7 Sampling Design and Plot Establishment…………………………..………………………………………….…11 Landscape Characteristics Protocol…………………………………….…………………………………………..17 Data Entry & Database Maintenance……………………………….………………………………………………21 Data Analysis…………………………………………………………………………………………………..…………...23 Reporting………………………………………………………………………….………………………………………….33 Periodic Review & Evaluation……………………………………….………………………………………………..37 Mammal Monitoring Protocol……………………………..………………...………………………………………39 Bat Monitoring Protocol………………………………………………………………………………………………..53 Amphibian and Reptile Monitoring Protocol……………………………………………………………………65 Bird Monitoring Protocol……………………………………………………………………………………………….79 Butterfly Monitoring Protocol……………………………………………………………………………….………..91 Odonate Monitoring Protocol……………………………………………………………………………..………..103 Terrestrial Snail Monitoring Protocol…………………………………………………………………………….109 Fish in Wadeable Streams Monitoring Protocol………………………………………………..……………115 Fish in Lakes Monitoring Protocol……………………………………………………………….……………….127 Fish in Rivers Monitoring Protocol………………………………………………………………….………….…133 Mussel Monitoring Protocol…………………………………………………………………………………………139 Crayfish Monitoring Protocol…………………………………………………………………….…………………151 Terrestrial Plant Species and
    [Show full text]
  • Download the Music Market Access Report Canada
    CAAMA PRESENTS canada MARKET ACCESS GUIDE PREPARED BY PREPARED FOR Martin Melhuish Canadian Association for the Advancement of Music and the Arts The Canadian Landscape - Market Overview PAGE 03 01 Geography 03 Population 04 Cultural Diversity 04 Canadian Recorded Music Market PAGE 06 02 Canada’s Heritage 06 Canada’s Wide-Open Spaces 07 The 30 Per Cent Solution 08 Music Culture in Canadian Life 08 The Music of Canada’s First Nations 10 The Birth of the Recording Industry – Canada’s Role 10 LIST: SELECT RECORDING STUDIOS 14 The Indies Emerge 30 Interview: Stuart Johnston, President – CIMA 31 List: SELECT Indie Record Companies & Labels 33 List: Multinational Distributors 42 Canada’s Star System: Juno Canadian Music Hall of Fame Inductees 42 List: SELECT Canadian MUSIC Funding Agencies 43 Media: Radio & Television in Canada PAGE 47 03 List: SELECT Radio Stations IN KEY MARKETS 51 Internet Music Sites in Canada 66 State of the canadian industry 67 LIST: SELECT PUBLICITY & PROMOTION SERVICES 68 MUSIC RETAIL PAGE 73 04 List: SELECT RETAIL CHAIN STORES 74 Interview: Paul Tuch, Director, Nielsen Music Canada 84 2017 Billboard Top Canadian Albums Year-End Chart 86 Copyright and Music Publishing in Canada PAGE 87 05 The Collectors – A History 89 Interview: Vince Degiorgio, BOARD, MUSIC PUBLISHERS CANADA 92 List: SELECT Music Publishers / Rights Management Companies 94 List: Artist / Songwriter Showcases 96 List: Licensing, Lyrics 96 LIST: MUSIC SUPERVISORS / MUSIC CLEARANCE 97 INTERVIEW: ERIC BAPTISTE, SOCAN 98 List: Collection Societies, Performing
    [Show full text]
  • ROGERS MEDIA 2013 ANNUAL REPORT on DIVERSITY January 31, 2014
    ROGERS MEDIA 2013 ANNUAL REPORT ON DIVERSITY January 31, 2014 Rogers Media Inc. Page 1 2013 Annual Report on Diversity INTRODUCTION Rogers Media is Canada's premier collection of media assets with businesses in television and radio broadcasting, televised shopping, publishing, sports entertainment, and digital media. The Rogers Media broadcasting group includes: Five multicultural television stations which form part of OMNI Television (CHNM-TV Vancouver, CJCO-TV Calgary, CJEO-TV Edmonton, CFMT-TV Toronto, and CJMT-TV Toronto); Seven City conventional stations across Canada (CKVU-TV Vancouver, CKAL-TV Calgary, CKEM-TV Edmonton, SCSN-TV Saskatchewan, CHMI-TV Winnipeg, CITY-TV Toronto, and CJNT-TV Montreal); Eight specialty services (The Biography Channel, G4, Outdoor Life Network, Rogers Sportsnet, Rogers Sportsnet One, Sportsnet World, Sportsnet 360, and FX Canada); 37.5% ownership interest in Maple Leaf Sports and Entertainment Ltd., licence holder of Leafs TV, Gol TV, and NBA TV Canada; 55 radio stations across Canada (forty-seven FM and eight AM); More than 50 well-known consumer magazines and trade publications; and The Shopping Channel, Canada’s only nationally televised shopping service. We are pleased to submit our 2013 Annual Report on Diversity in compliance with the reporting requirements established by the Commission in Broadcasting Public Notices CRTC 2005-24 (Commission's response to the report of the Task Force for Cultural Diversity on Television) and 2007-122 (Canadian Association of Broadcasters' Best Practices for Diversity in Private Radio). At Rogers Media we encourage open communication and acceptance of diversity as an integral part of our corporate culture with a specific focus on the designated groups identified in the above-noted reports, namely: Aboriginal peoples, members of visible minorities, persons with disabilities, and women.
    [Show full text]
  • Cornerstones of Disability Prevention and Management
    Cornerstones of Disability Prevention and Management Effective Date: May 1, 2011 Contributors Evidence-based Practice Disability Panel Chair: Garson M. Caruso, MD, MPH, CIME, FAADEP, FACOEM Evidence-based Practice Disability Panel Members: Robert J. Barth, PhD Jennifer Christian, MD, MPH Michael Goertz, MD, MPH Gideon Letz, MD, MPH Michael S. Weiss, MD, MPH, FACOEM, FAAPMR, FAANEM Co-Author, Psychological Factors Section: Pamela A. Warren, PhD Panel Consultants: Jeffrey P. Kahn, MD James B. Talmage, MD, FACOEM Methodology Committee Consultant: Jeffrey S. Harris, MD, MPH, FACOEM Specialty Society and Society Representative Listing: ACOEM acknowledges the following organizations and their representatives who served as reviewers of the Cornerstones of Disability Prevention and Management chapter. Their contributions are greatly appreciated. By listing the following individuals or organizations, it does not infer that these individuals or organizations support or endorse the final Cornerstones of Disability Prevention and Management chapter developed by ACOEM. The American Occupational Therapy Association Vicki Kaskutas, OTD, MHS, OT/L American Physical Therapy Association Deirdre Daley, PT, DPT Copyright ©2020 Reed Group, Ltd. Page | 1 Table of Contents Introduction and Overview ............................................................................................................................................................... 3 Work Disability Prevention and Management .............................................................................................................................
    [Show full text]
  • Lakeview: Journey from Yesterday Kathleen A
    Lakeview: Journey From Yesterday Kathleen A. Hicks LAKEVIEW: JOURNEY FROM YESTERDAY is published by The Friends of the Mississauga Library System 301 Burnhamthorpe Road, West, Mississauga, Ontario, L5B 3Y3 Copyright © 2005 by the Mississauga Library System All rights reserved Lakeview: Journey From Yesterday ISBN 0-9697873-6-7 II Written by Kathleen A. Hicks Cover design by Stephen Wahl Graphic layout by Joe and Joyce Melito Lakeview Sign by Stephen Wahl Back Cover photo by Stephen Wahl No part of this publication may be produced in any form without the written permission of the Mississauga Library System. Brief passages may be quoted for books, newspaper or magazine articles, crediting the author and title. For photographs contact the source. Extreme care has been taken where copyright of pictures is concerned and if any errors have occurred, the author extends her utmost apology. Care also has been taken with research material. If anyone encounters any discrepancy with the facts contained herein, (Region of Peel Archives) please send your written information to the author in care of the Mississauga Library System. Lakeview: Journey From Yesterday Other Books By Kathleen A. Hicks (Stephen Wahl) III The Silverthorns: Ten Generations in America Kathleen Hicks’ V.I.P.s of Mississauga The Life & Times of the Silverthorns of Cherry Hill Clarkson and its Many Corners Meadowvale: Mills to Millennium VIDEO Riverwood: The Estate Dreams are Made of IV Dedication dedicate this book to my family, the Groveses of Lakeview, where I was born. My grandfather, Thomas Jordan, and my father, Thomas Henry, were instrumental in building many houses and office buildings across southern Ontario.
    [Show full text]
  • Université Du Québec Mémoire Présenté a L'université Du Québec a Trois-Rivières Comme Exigence Partielle De La Maîtrise
    UNIVERSITÉ DU QUÉBEC MÉMOIRE PRÉSENTÉ A L'UNIVERSITÉ DU QUÉBEC A TROIS-RIVIÈRES COMME EXIGENCE PARTIELLE DE LA MAîTRISE EN ÉTUDES QUÉBÉCOISES PAR NORMAND ROUSSEL «RADIOPHONIE, TECHNOLOGIE ET TRANSFERT CULTUREL: LE CAS DE CKAC (1926-1930) >> DÉCEMBRE 1991 Université du Québec à Trois-Rivières Service de la bibliothèque Avertissement L’auteur de ce mémoire ou de cette thèse a autorisé l’Université du Québec à Trois-Rivières à diffuser, à des fins non lucratives, une copie de son mémoire ou de sa thèse. Cette diffusion n’entraîne pas une renonciation de la part de l’auteur à ses droits de propriété intellectuelle, incluant le droit d’auteur, sur ce mémoire ou cette thèse. Notamment, la reproduction ou la publication de la totalité ou d’une partie importante de ce mémoire ou de cette thèse requiert son autorisation. REMERCIEMENTS Mes premiers remerciements vont à monsieur Guildo Rousseau qui a accepté de diriger cette recherche. Le temps et les soins qu'il a investis à la lecture commentée des nombreuses versions du mémoire m'ont été d'un précieux se- cours tout au long de la rédaction. Je m'en voudrais de ne pas souligner la patience dont il a fait preuve, les encou­ ragements, les suggestions et l'ouverture d'esprit qui ont permis de mener à terme cette étude. Je remercie également mon codirecteur monsieur Francis Parmentier qui a collaboré à l'élaboration de la recherche et à la révision du mémoire. Je remercie la direction du Centre d'études québécoises de l'opportunité de m'avoir permis de poursuivre une recher­ che dans un champ d'études relié à mes compétences profes­ sionnelles.
    [Show full text]