Arnold Schönberg Streichquartett D-Moll Op.7 · String Quartet in D Minor, Op.7 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Arnold Schönberg Streichquartett D-Moll Op.7 · String Quartet In D Minor, Op.7 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Streichquartett D-Moll Op.7 · String Quartet In D Minor, Op.7 Country: UK Released: 1973 Style: Neo-Romantic, Modern MP3 version RAR size: 1869 mb FLAC version RAR size: 1868 mb WMA version RAR size: 1673 mb Rating: 4.2 Votes: 635 Other Formats: ADX MMF ASF MP2 AC3 XM DXD Tracklist String Quartet In D Minor, Op.7 A1.1 1. Satz: Nicht Zu Rach 11:59 A1.2 2. Satz: Kräftig 11:45 B1.1 3. Satz: Mässig 11:58 B1.2 4. Satz: Mässig - Heiter 7:24 Companies, etc. Phonographic Copyright (p) – Polydor International GmbH Published By – Verlag Dreililien Credits Cello – Jack Kirstein Composed By – Arnold Schönberg* Engineer [Recording] – Klaus Scheibe Ensemble – Lasalle Quartet Producer – Karl Faust Recording Supervisor – Rainer Brock Viola [Alto] – Peter Kamnitzer Violin [First] – Walter Levin Violin [Second] – Henry Meyer Notes ℗ 1971 Barcode and Other Identifiers Rights Society: MCPS Rights Society: Britico Other versions Category Artist Title (Format) Label Category Country Year Arnold Schönberg*, LaSalle-Quartett* - Arnold Schönberg*, Deutsche 2530 329 Streichquartett D-Moll 2530 329 Germany 1973 LaSalle-Quartett* Grammophon Op.7 · String Quartet In D Minor, Op.7 (LP) Arnold Schönberg*, Arnold Schönberg*, LaSalle-Quartett* - 63 534 Orbis 63 534 Germany 1971 LaSalle-Quartett* Streichquartett D-Moll Op.7 (LP) Related Music albums to Streichquartett D-Moll Op.7 · String Quartet In D Minor, Op.7 by Arnold Schönberg John Cage ▪ Witold Lutosławski - LaSalle-Quartett - Streichquartette ▪ String Quartets Joseph Haydn, Loewenguth-Quartett, Paris - Streichquartett Nr. 67 D-Dur Op. 64 Nr. 5 (Lerchenquartett) Arnold Schönberg, Neues Leipziger Streichquartett - Streichquartett Nr.1 Op. 7 Franz Schubert, Melos Quartet - "Death And The Maiden": String Quartet In D Minor D810 / String Quartet In c Minor D703 Max Reger, Drolc-Quartett - Streichquartett D-moll Op. 74 = String Quartet In D Minor, Op. 74 Anton Webern, Arnold Schoenberg - LaSalle Quartet - String Trio . Quartet Rondo . Piano Quintet . Ode to Napoleon Mari Iwamoto String Quartet - Arnold Schönberg Ludwig van Beethoven - Beethoven Edition - The String Quartets.

Copy Link

Recommended publications

A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio
[Show full text]
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
[Show full text]
Digital Booklet Porgy & Bess
71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i.
[Show full text]
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom
[Show full text]
THE LA SALLE QUARTET Plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY
THE LA SALLE QUARTET plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY JOSEPH HAYDN (1732 - 1809) Streichquartett D-Dur op. 71 Nr. 2 14:50 01 Adagio – Allegro 04:43 02 Adagio 04:50 03 Menuet. Allegretto – Trio 01:53 04 Finale. Allegretto 03:24 JOHANNES BRAHMS (1833 - 1897) Streichquartett Nr. 3 B-Dur op. 67 32:53 05 Vivace 09:30 06 Andante 06:52 07 Agitato (Allegretto non troppo) 08:08 08 Poco allegretto con variazioni 08:23 ALEXANDER ZEMLINSKY (1871 - 1942) Streichquartett Nr. 3 op. 19 20:41 09 Allegretto. Gemächlich, innig bewegt 06:48 10 Thema mit Variationen 04:51 11 Romanze. Sehr mäßige Achtel. Andante sostenuto 04:09 12 Burleske. Sehr lebhaft. Allegro moderato 04:53 TOTAL TIME 68:49 VON DER ERHITZUNG DER des Klavierquintetts von Dvořák mit Arthur unter anderem im Bereich markanter Auslo- mentalen Vorgehens lesen. Dieser Eindruck Rubinstein am Flügel festgehalten ist. tung dynamischer Grenzwerte bemerkbar. mag auch deshalb entstanden sein, weil die SACHLICHKEIT Und auch im Umfeld lieblicher, beschwich- von Walter Levin und seinen Mitspielern ge- Mit großer Entschiedenheit und ebenso gro- tigender und dann wieder dramatischer wählten Stücke allein schon eine extreme Es handelt sich um eine unvergleichliche ßer Überzeugungskraft widmete sich das Ausdruckselemente genieren sich die vier Konfrontation mit den Hörgewohnheiten der Lebens-, Schaffens- und Wirkungsgeschichte: LaSalle Quartet von Beginn an der Musik Herren nicht, Haydn sozusagen beim Wort Musikfreunde bedeuteten. Hinzu kommt, dass Die 42 Jahre währende künstlerische und insti- des ausgehenden
[Show full text]
Escher String Quartet
carte blanche concert i: Escher String Quartet ALEXANDER VON ZEMLINSKY (1871–1942) July 23 String Quartet no. 1, op. 4 (1896) Allegro con fuoco Wednesday, July 23, 8:00 p.m., Stent Family Hall, Menlo School Allegretto Breit und kräftig Vivace e con fuoco String Quartet no. 2, op. 15 (1913–1915) PROGRAM OVERVIEW Sehr mäßig – Heftig und liedenschaftlich – Andante mosso – Etwas rascher Adagio The four string quartets of Alexander von Zemlinsky represent Schnell (die Achtel) one of the most powerful cycles of the modern quartet Andante – Allegro molto – Langsam – Andante literature. Composed over a period spanning four decades, IntermissiON the cycle chronicles critical points of the composer’s life and String Quartet no. 3, op. 19 (1924) career. Following the Romantically Brahmsian First Quartet, the Allegretto: Gemachlich, innig bewegt Second, written in response to a spurned marriage proposal, Thema mit Variationen: Geheimnisvoll bewegt, nich zu schnell – Variationen I–VII Romanze: Sehr mäßige Achtel, Andante sostenuto NCHE CONCERTS turns turbulent. In his Third Quartet, Zemlinsky departs from Burleske: Sehr lebhaft, Allegro moderato A his earlier tonal language towards an Expressionist idiom String Quartet no. 4, op. 25 (1936) L influenced by his famous brother-in-law, Arnold Schoenberg. Präludium: Poco adagio B The final quartet is written as an homage to Zemlinsky’s dear Burleske: Vivace friend and colleague, Alban Berg. Adagietto: Adagio Intermezzo: Allegretto Barcarole (Thema mit Variationen): Poco adagio RTE RTE Finale: Doppelfuge: Allegro molto energico SPECIAL THANKS A Escher String Quartet: Adam Barnett-Hart, Aaron Boyd, violins; Pierre Lapointe, viola; Music@Menlo dedicates this performance to Darren H.
[Show full text]
Alban Berg Quartett
BEETHOVEN LUTOSŁ AWSKI Alban Berg Quartett QUARTET RECITAL 1978 02 Alban Berg Quartett | Quartet recital 1978 Das Wiener Präzisionsensemble 03 LUDWIG VAN BEETHOVEN (1770 – 1827) WITOLD LUTOSŁ AWSKI (1913 – 1994) Alban Berg Quartett 1978 live in Schwetzingen die Bratsche; mit seinem Weggang übernahm Quartett für 2 Violinen, Viola Quartett für 2 Violinen, Viola der erfahrene Bratschist und Ensembleleiter Das Wiener Alban Berg Quartett war in den Thomas Kakuska (geb. 1940) die Position, was und Violoncello F-Dur op. 59 Nr. 1 [38:13] und Violoncello (1964) [21:17] bei nahe vier Jahrzehnten seines Bestehens von dem Gesamtklang ein vernehmlich robusteres Deutsch 1 Allegro [09:33] 5 Introductory Movement [07:35] 1970 bis 2008 schnell eines der international Profil verpasste. Als Kakuska 2005 starb, integrier- erfolg reichsten Streichquartette. Schon die ersten te man für die letzten vier Jahre seine Schülerin 2 6 Allegretto vivace e sempre scherzando [08:48] Main Movement [05:49] Aufnahmen für Teldec 1974 (Haydns Reiter- und Isabel Charisius (geb. 1970) als Bratschistin, 3 Adagio molto e mesto – attacca – [13:27] 7 Appassionato [03:36] Kaiser-Quartett sowie das Streichquartett op. 3 die bereits während Kakuskas Erkrankung einge- 4 Thème Russe. Allegro [06:25] 8 Funebre [04:17] des Namensgebers Alban Berg und dessen sprungen war und sich schnell trefflich in die Lyrische Suite) erregten höchstes Aufsehen, wur- Herrenriege einfügte. TOTAL TIME [59:38] den mit überschwänglichem Lob bedacht und mehrfach ausgezeichnet. Entscheidend für den weltweiten Erfolg des Alban Berg Quartetts war, dass sich hier hervorragende Die Musikwelt zu Gast bei den Schwetzinger SWR Festspielen Auf den zwei entscheidenden Positionen blieb das Virtuosen zusammenfanden, die im Konzert mit Quartett während seiner gesamten Wirkungszeit einer Perfektion zu spielen vermochten, wie dies unverändert: Der erste Geiger Günter Pichler (geb.
[Show full text]
Three Case Studies in Twentieth-Century Performance Practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Three case studies in twentieth-century performance practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Huettenrauch, Tina, "Three case studies in twentieth-century performance practice" (2012). LSU Doctoral Dissertations. 547. https://digitalcommons.lsu.edu/gradschool_dissertations/547 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THREE CASE STUDIES IN TWENTIETH-CENTURY PERFORMANCE PRACTICE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Tina Huettenrauch B.A., Millsaps College, 2005 M.M., Louisiana State University and Agricultural and Mechanical College, 2008 August 2012 ACKNOWLEDGEMENTS First and foremost I wish to express my deepest gratitude to my dissertation advisor, Jan Herlinger, for his tireless commitment to this project, unceasing encouragement, precise and careful editing of my writing, and many insightful suggestions and comments. His dedication to his students and the field of musicology has always been a tremendous inspiration and I am truly grateful to have had him to guide me on this journey. I wish to thank my committee, Brett Boutwell, Andreas Giger, Alison McFarland, Robert Peck, and John Pizer for their continuous support, meticulous reading of the chapter drafts, and ready willingness to help.
[Show full text]
95.3 FM 6:45 Pm HARVARD MEN’S HOCKEY WHRB Program Guide Harvard at Princeton
N N December 2014 January/February 2015 Volume 43, No. 2 Winter Orgy® Period N 95.3 FM 6:45 pm HARVARD MEN’S HOCKEY WHRB Program Guide Harvard at Princeton. 10:00 pm VAPORWAVE ORGY Winter Orgy® Period, December, 2014 Vaporwave, an electronic genre that emerged early in this decade, in cyberspace, is often characterized by heavy with highlights for January and February, 2015 sampling and effect processing of 80’s lounge and smooth jazz. Consumerism and techno-corporatism is Vaporwave when it is Wednesday, December 2 one with mirroring ocean and Zen on a pseudo-neo Windows 95 screen. Often heard by Twitter users who used to collect 6:45 pm HARVARD WOMEN’S HOCKEY Digimon cards, the evolving underground genre reflects the Harvard vs. Dartmouth. nostalgia of the forever young. Macintosh Plus, Blank Banshee, PrismCorp Virtual Enterprises, and many others. Wednesday, December 3 Saturday, December 6 6:45 pm MEN’S BASKETBALL Harvard vs. Northeastern. 5:00 am THE FLIGHT OF THE CONDOR: 10:00 pm THE ONLY MAN THAT MATTERS MUSIC OF THE ANDES ORGY Ian MacKaye co-founded Dischord Records in 1980 at age The indigenous peoples of the Andes Mountains produced a 18 to release an album by his band The Teen Idles. Since 1980, style of music that is hauntingly beautiful, and lies in the grand MacKaye has transformed the punk-rock music scene through tradition of protest music along with punk, hip-hop, and outlaw his artistry and management of Dischord. His bands Minor country. After the Spanish conquest of South America, Andean Threat and Fugazi have gained critical acclaim in the hardcore folk music became a way of preserving an indigenous identity in and post-hardcore scenes respectively.
[Show full text]
Digibooklet Romanticism Amad
THE AMADEUS QUARTET RECORDINGS VOL. VI HAYDN Berlin, 1950-1969 AMADEUS QUARTET violin I Norbert Brainin violin II Siegmund Nissel viola Peter Schidlof cello Martin Lovett JOSEPH HAYDN String Quartet in G major, Op. 9/3, Hob. III:21 I. Moderato 2:49 II. Menuet. Allegretto 2:27 III. Largo 6:20 IV. Finale. Presto 2:44 recording date: 15.12.1952 String Quartet in F minor, Op. 20/5, Hob. III:35 I. Allegro moderato 5:12 II. Menuet 5:19 III. Adagio 5:57 IV. Finale. Fuga a due Soggetti 3:03 recording date: 25.5.1952 String Quartet in E-flat major, Op. 33/2, Hob. III:38 ‘The Joke’ I. Allegro moderato 5:50 II. Scherzo 3:28 III. Largo e sostenuto 5:36 IV. Finale 3:35 recording date: 20.11.1951 String Quartet in C major, Op. 54/2, Hob. III:57 I. Vivace 5:29 II. Adagio 3:19 III. Menuet. Allegretto 3:36 IV. Finale. Adagio – Presto – Adagio 6:02 recording date: 18.11.1969 String Quartet in C major, Op. 54/2, Hob. III:57 II. Adagio 3:40 recording date: 10.6.1950 String Quartet in B-flat major, Op. 64/3, Hob. III:67 I. Vivace assai 4:16 II. Adagio 5:45 III. Menuetto. Allegretto 4:05 IV. Finale. Allegro con spirito 3:50 recording date: 8.2.1956 String Quartet in G major, Op. 64/4, Hob. III:66 I. Allegro con brio 3:31 II. Menuetto. Allegretto 2:56 III. Adagio. Cantabile e sostenuto 5:00 IV.
[Show full text]
Rezension Für: Quartetto Italiano
Rezension für: Quartetto Italiano Quartetto Italiano - The complete RIAS Recordings Gaetano Donizetti | Luigi Cherubini | Gian Francesco Malipiero | Dmitri Shostakovich | Maurice Ravel | Franz Schubert | Robert Schumann | Joseph Haydn 3CD aud 21.456 Süddeutsche Zeitung 24. Juni 2019 (Wolfgang Schreiber - 2019.06.24) source: https://www.sueddeutsche.de/kultur/neu-a... Die Klassik-Kolumne Neu auf CD Mit den Aufnahmen beim Sender RIAS Berlin, 1951 bis 1963, konnte [das Quartetto Italiano] der Musikwelt zeigen, [...] dass sie kraftvoll, feinnervig und elegant die Quartettkunst zu steigern wussten. Full review text restrained for copyright reasons. www.amazon.com November 24, 2019 ( - 2019.11.24) source: https://www.amazon.com/-/de/Complete-Ria... Esecuzioni rare ed eccezionali del Quartetto Italiano Esecuzioni eccezionali di uno dei più grandi Quartetti di tutti i tempi. Per il quartetto di Shostakovic, e per quelli di Donizetti e Cherubini si tratta delle uniche registrazione disponibili del Qt. Italiano. Qualità sonora e remastering eccellenti nonostante l'epoca di registrazione, sono stati utilizzati i nastri originali RIAS. Il livello artistico e l'unicità delle esecuzioni giustifica senza dubbio il prezzo elevato. www.amazon.com May 15, 2019 ( - 2019.05.15) source: https://www.amazon.com/-/de/Complete-Ria... The Quartetto Italiano was the first of the new post-war groups that inaugurated a new golden age of String Quartets: the Quartetto Italiano was formed in 1945, the Juilliard String Quartet and LaSalle Quartet in 1946, and the Janáček and Amadeus quartets in 1947. Audite here brings us three CDs worth of fabulous recordings for RIAS ("Radio in the American Sector" of Berlin). The RIAS studios were excellent, and their engineers highly accomplished, so we have (as with the Amadeus Quartet album I reviewed late last year) an excellent idea of how these musicians sounded, in this case between 1951 to 1963.
[Show full text]
VITAE PRE-SELECTION JURY Oliver Kipp
VITAE PRE-SELECTION JURY Oliver Kipp Oliver Kipp studied violin at the Hanover University of Mu- sic, Media and Drama with Atila Aydintan and Berlin with Thomas Brandis. Further impulses in the field of chamber music came from Hatto Beyerle (AlBan Berg Quartet), Walter Levin (LaSalle Quartet), Uwe-Martin HaiBerg (Brahms Quartet) and György SeBök. Oliver Kipp received his training as an orchestral musician during his studies as a member of the "European Community Youth Orchestra" (1987-1993), with the NDR Radiophilharmonie Orchestra (1991-1993) and as a guest of the Berliner Philharmoniker (1994-1998). Since 1998 he has Been the section leader of the NDR Radiophilharmonie Orchestra. In 1999 he founded the Hyperion Trio, with which he won the International Johannes Brahms Com- petition in 2001. Since then there has been extensive concert activity with this ensemble, with whom he founded the festival "Klanginsel Helgoland" in 2016. The aim of the festival - and of his chamber music work in general - is to juxtapose well-known masterpieces with rarely performed works in order to trace Biographical or music-historical contexts. In many cases, this work has led to first recordings of the unknown works (such as in the CD productions Joseph Marx, Julius Röntgen, Robert Kahn, Felix Woyrsch and RuBin Goldmark). These recordings for the labels CPO and Thoro- fon/Bella Musica are regularly highly praised By the specialist press. In 2020 a complete recording of the works for piano trio by Carl Reinecke will be released (including his version for piano trio of the Triple Concerto op. 56 by Ludwig van Beethoven).
[Show full text]