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2014 Joe Val Bluegrass Festival Preview
2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news. -
Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On -
Can You Sing Or Play Old-Time Music?': the Johnson City Sessions Ted Olson East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 2013 'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2013. 'Can You Sing Or Play Old-Time Music?': The oJ hnson City Sessions. The Old-Time Herald. Vol.13(6). 10-17. http://www.oldtimeherald.org/archive/back_issues/volume-13/13-6/johnsoncity.html ISSN: 1040-3582 This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. 'Can You Sing Or Play Old-Time Music?': The ohnsonJ City Sessions Copyright Statement © Ted Olson This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1218 «'CAN YOU SING OR PLAY OLD-TIME MUSIC?" THE JOHNSON CITY SESSIONS By Ted Olson n a recent interview, musician Wynton Marsalis said, "I can't tell The idea of transporting recording you how many times I've suggested to musicians to get The Bristol equipment to Appalachia was, to record Sessions—Anglo-American folk music. It's a lot of different types of companies, a shift from their previous music: Appalachian, country, hillbilly. -
Contents ART/Community
Please remember to be good stewards of the land this hunting season ith hunting season just and vehicles for weeds and weed seeds to – Accessing public lands: Access to public lands property, including driving on roads, parking getting started, our help prevent the spread to other private and (on a private road) through private land areas, no shooting zones, walk-in only areas, friends at Montana Fish, public lands. requires permission of the private camping, number of hunters allowed, game Wildlife & Parks (FWP) – Leave gates as you find them: If a gate is landowner, lessee, or their agent. retrieval, etc. Rules for most land agencies reminds hunters and all closed, close it behind you. If it’s obviously – Know where you are located: Whether you’re can be found on maps and/or on brochures. outdoor enthusiasts to be open, leave it open. If you’re unsure, hunting public or private land, as well as Go to the appropriate agency website or good stewards of the contact the landowner or public land land enrolled in an access program such as local office for information. land, and to respect both private and agency. block management, it is every hunter’s – Report violations: report any hunting and public property. – Camping: overnights are allowed on most responsibility to know where they are to fishing, trespassing, vandalism, or other Although most hunters respect the land, public lands (see agency regulations), but avoid trespassing. Maps are always available, criminal activity you see to 1-800-TIP- property, and wildlife they are hunting, permission is needed to camp on private as are GPS chips and cell phone apps to aid MONT (1-800-847-6668). -
The Societies' Web Page
Folk Music Society of New York, Inc. May 2017 vol. 52 No. 5 May Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 3 Wed Folk Open Sing; 7pm in Brooklyn 7 Sun The Johnson Girls; Good Coffeehouse, 4 pm 8 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 12 Fri The Concert For Clean Water; 7pm in Brooklyn 17 Wed Sunnyside Singers Club; perf. John Roberts, 8pm 20 Sat Jean Ritchie Tribute Concert; Peoples' Voice Cafe, 8pm 21 Sun Shanty Sing on Staten Island, 25 pm 2629 Spring Folk Music Weekend at HVRS; flyer in centerfold 30 Tue Newsletter Mailing; 7pm in Jackson Heights, Queens June Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 4 Sun Sparks and Sticks; Good Coffeehouse, 4 pm 6 Tue Martin & Shan Graebe and Nordet; John Street Church, 79pm 7 Wed Folk Open Sing; 7pm in Brooklyn 12 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 14 Wed Sunnyside Singers Club; perf. Johnny Cuomo, 8pm 18 Sun Shanty Sing on Staten Island, 25 pm 30 Fri Ice Cream Social; 7:30pm at O.S.A. Hall, 220E 23 St. Details on pages 24 Table of Contents Events at a Glance.........................1 Mark Hamburgh Ad....................18 Society Events Details...............24 Peoples' Voice Cafe Ad...............18 From the Editor.............................4 Pinewoods Hot Line....................19 Topical Listing of Society Events.5 Membership Form Join Us!......20 The Folk Process...........................6 -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
The Stanley Legacy Mountain Music Creators and Ambassadors
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works Spring 2017 The tS anley Legacy: Mountain Music Creators and Ambassadors Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2017. The tS anley Legacy: Mountain Music Creators and Ambassadors. The Crooked Road's Mountains of Music Homecoming: The Official Homecoming Guide. 23. https://www.myswva.org/tcr/mountains-music This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The tS anley Legacy: Mountain Music Creators and Ambassadors Copyright Statement This document was published with permission from the publisher. It was originally published in the The Crooked Road's Mountains of Music Homecoming: The Official Homecoming Guide. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1198 SOUTHWEST VIRGINIA MUSIC The Stanley legacy mountain music creators and ambassadors The most traditional-sounding of first-generation bluegrass music greats, Carter (1925-1966) and Ralph Stanley (1927-2016) were from Dickenson County, Virginia. In 1946, following military service in World War II, the Stanleys formed a band fronted by Carter on guitar and lead vocal and Ralph on banjo and tenor vocal. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Various TITLE The Knoxville Sessions 1929-1930 Knox County Stomp LABEL Bear Family Productions CATALOG # BCD 16097 PRICE-CODE DL EAN-CODE ÇxDTRBAMy160974z FORMAT 4-CD Box-Set (LP-size) with 156-page hardcover book GENRE Country / Historical TRACKS 99 PLAYING TIME 303:58 G With this set, BEAR FAMILY RECORDS completes the map of commercial recording in East Tennessee in the late 1920s and early 1930s. G 'The Bristol Sessions, 1927-928: The Big Bang Of Country Music' documented epoch-making sessions by VICTOR RECORDS that launched the careers of Jimmie Rodgers and The Carter Family, while G 'The Johnson City Sessions, 1928-1929: Can You Sing Or Play Old-Time Music?' focused on COLUMBIA RECORDS' similar search for early country music talent in Appalachia, sessions that yielded many other seminal recordings. INFORMATION 'The Knoxville Sessions, 1929-1930: Knox County Stomp' features the music made at two sessions conducted by BRUNSWICK RECORDS at downtown St. James Hotel – music remarkable both for its variety and for the rarity of the records that preserved it. Whereas the recordings made in Bristol and Johnson City were almost exclusively of old-time country and gospel music, the Knoxville sessions captured a more diverse gathering of Appalachian voices and sounds. Amidst old-time stringbands like the Ten- nessee Ramblers, the Southern Moonlight Entertainers, and the Smoky Mountain Ramblers, we also hear the majestic African American blues and gospel singer Leola Manning, the hot dance music of Maynard Baird & His Southern Serenaders, the virtuoso string ragtime of Howard Armstrong and the Tennessee Chocolate Drops, sacred songs by white and African American quartet- tes, songsters such as Will Bennett and Haskell Wolfenbarger, a unique recorded playlet about the Hatfield-McCoy feud – and even an address by the businessman whose enterprise brought BRUNSWICK RECORDS to Knoxville, Colonel J.G. -
Floydfest: Floyd, VA 8/13-15/2004
Floydfest: Floyd, VA 8/13-15/2004 SEARCH: GLIDE UPDATES: features :: reviews :: columns :: downloads :: news :: forums » Show: Galactic - Mr. Floydfest Smalls Theater, Millvale, PA Floyd, VA 8/13-15/2004 Brian Gearing » CD: Dirty Dozen Brass Wednesday, September 15, 2004 Band - Funeral For A Friend » Gallery: Gov't Mule, Orpheum Theatre, Boston The approach into the Floyd World Music Festival on the MA 10/15/04 Blue Ridge Parkway is one of the most beautiful on the east coast. The Parkway is nationally recognized as one » CD: Barbara Cue - Rhythm of the most serene drives in the country. Boasting Oil spectacular views of the surrounding valleys and almost completely unspoiled by gas stations or motor-miles, it » Feature: John “Jojo” is one of the few roads anywhere where one can drive Hermann: Another Round Of for miles without seeing any sign of human intervention Smiling Assassins aside from the occasional rustic home. Even on the evening of the first day of the festival, the incoming » Download: moe. - traffic was thin at best, and the stereotypical, sticker-plastered Winnebagos and Westfalias Somerville Theater were nowhere to be seen. Rather than the faceless car-and-bag-checkpoints of Bonnaroo and the like, the entrance to the Floydfest grounds is done up like the visual incarnation of an eager hug from a long- lost friend. An arch reading “Welcome to Floydfest” opens its arms to visitors who walk down a mulched path adorned with flowers both real and sculpted as the warm sounds of acoustic music from five separate stages blend together into a noise one can almost smell. -
Southwest Virginia Welcome
JUNE 12 - 20, 2015 WELCOME TO SOUTHWEST VIRGINIA WELCOME ___________ Welcome to ___________ Welcome to the Crooked Road and the Mountains of Music Homecoming. There is a huge variety of events here and a rare opportunity for a peek into how music is kept in these mountains. Some of this music has the echo of a rich colonial past, but it is also as new as tomorrow. Creativity is a tradition here. We recycle the riches of history, but we also believe it is our duty to improve and invent. For example, fifty years ago, George Shuffler of Burke County, NC, and other pioneering guitarists were piddling around with ways to improve lead guitar. George heard Jesse McReynolds’ syncopated style on the mandolin and also heard Earl Scruggs and others playing the same interesting rhythm on the banjo. Following tradition, George stood in front of the Stanley Brothers and played a fresh new syncopated guitar style that caught the ear of the nation. Many who now play that style never realize that they are borrowing from a country lad, tall and slender and with a ready smile, who would show anyone who came to the side of the stage what he was doing—and how. So be prepared for friendship and generosity as you travel here on turf that George trod. Hospitality is an important part of the tradition, and almost everyone here knows where and when the music originated. Where it goes is up to you and the rest of us who love it. This is a family gathering, and we want you to be part of our family. -
Rotten Taters Is a Snapshot of Some of the Material Mike Has Begun to Do in His Solo Endeavors
MIKE COMPTON “This recording is pure gold, through and through.” - Glen Herbert, KDHX Rotten Taters is a snapshot of some of the material Mike has begun to do in his solo endeavors. It’s a project which for the first time lets us see something that we’ve only glimpsed in the past Compton playing by himself, unaccompanied and undirected. And it’s simply stellar. For Compton, it’s all about rhythm, with the mandolin serving principally as a rhythmic instrument rather than a melodic one. These days, for this style of playing, he is the player that all others are compared to; if you play old-time or traditional bluegrass mandolin, you want to play like Mike Compton. Here, for the first time, is pure, unadorned Compton. Of the fifteen songs and tunes here, six are from Compton’s own pen. Tracks like “How Do you Want Your Rollin’ Done” and “I’ll Tell you About the Women” seem, in a sense, like portraits of Compton himself, his effervescence and humor laid bare. Of note, the cut “Forever Has Come to and End” is stark and longing, excellently accompanied only by mandolin chords and cross-picking, bringing out the desperation of the lyric. “Jenny Lynn” is a tribute to Monroe, staying close to Monroe’s style, as is the original piece “Wood Butcher’s Walkabout”, which is like a master class in the slides that are a hallmark of Compton’s playing. “Mike has taken a passel of influences -- “old Instruments Used on This Recording: time fiddle tunes, rock salt and nails Paul Duff F5 Mandolin, 2011.