Ategnatos – the New Eluveitie Album Has a Dark And

Total Page:16

File Type:pdf, Size:1020Kb

Ategnatos – the New Eluveitie Album Has a Dark And New Release Information uu April ELUVEITIE Release Date Pre-Order Start Ategnatos uu 05/04/2019 uu 01/02/2019 uu Digibook incl. 3 bonus tracks! uu Digital Singles: 01.02. “Ategnatos”, 15.03. “Ambiramus” uu advertising in many important music magazines FEB/MAR 2019 uu album reviews, interviews in all important Metal magazines in Europe’s FEB/MAR 2019 issues Price Code: CD03 uu song placements in European magazine compilations NB 4231-0 Digibook uu spotify playlists in all European territories uu instore decoration: flyers uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads uu Banner advertising on more than 60 most important Metal & Rock Price Code: LP17 websites all over Europe NB 4231-1 2LP uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images on Territory: World nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release beginning. A 13-year-overture for the things about to come. The sky is darkening, the ravens fly. The stage is set for the thunderstorm that has already been heralded by the tempestuous ATEGNATOS – harbinger »Rebirth« in late 2017. Finally, everything is prepared for the colossal voice of the ages that is »Ategnatos«. THE NEW ELUVEITIE On an album both mystical and philosophical, ELUVEITIE propel mythology, pagan belief and spirituality into our modern world. “This one almost became something like a socio-critical uncovering work”, says Chrigel, “some kind of a revelation, a doomsday prophecy. Dark and ALBUM HAS A DARK severe in its atmosphere and charisma, and also occult, arcane and elitist.” The album itself is a manifesto, a fast-paced, highly dramatic and embellished work on which today’s society sees itself in the mirror of ancient Celtic mythology and knowledge. “The image, of course, is AND SEVERE blood-curling”, Chrigel adds with a bitter grin. “At least to those with eyes to see.” Far more that a pessimistic swan song for our world, however, »Ategnatos« holds the cathartic promise of renewal. “Ategnatos is the Gaulish word for ‘reborn’”, Chrigel explains. “To the sharpened mind, it points out the concealed, long forgotten key to change and renewal.” This, naturally, ATMOSPHERE comes at a price. “There’s always suffering before bliss. And always darkness before light.” And so I set out A work based on archaic archetypes and the ancient concept of renewal, »Ategnatos« unfolds Into the unknown an elemental force to be reckoned with. “These archetypes are still within us. People didn’t I spread my arms change that much during the last 3000 years – and men were always just men.” No wonder the album follows a decidedly darker, monumental tone that suits them very well. Of course, To fall... ELUVEITIE have long found their very own trademark sound, a sonic adventure often copied but never overcome. With »Ategnatos«, the dedicated nine-piece not only worked with a We all wade through archetypes. We all ARE archetypes. Distant echoes of a life both primeval real string quartet (a premiere!) and granted Fabienne Erni’s sublime mastery of the harp the and noble. To embrace these archetypes, to accept them not only as a part of life but as life room it deserved; they also undertook a holistic upgrade resulting in some of the most catchy itself is what some may call enlightenment, some peace of mind. ELUVEITIE call it »Ategnatos«. (‘Ambriamus’), most aggressive (‘Worship’, featuring LAMB OF GOD titan Randy Blythe on And by using their longest gap between two Metal albums to gather momentum, they just guest vocals) or most epic (‘Black Water Down’) tunes the Swiss Metal nobility has ever offered. forged their strongest album around it. While this may not come as a surprise to those familiar with the zeal and ardor this band Born in the rural mysticism of the Swiss alps and since a very early point deeply rooted within is known for, the whole journey that would eventually give birth to »Ategnatos« was rather Celtic mythology, Gaulish history and proto-European culture, ELUVEITIE have long become unusual. With what quickly became the most stable, most prolific and most creative line-up yet, Folk Metal’s trailblazers, spindoctors and rightful masters of their craft. All the more because ELUVEITIE created the album while staying at the Zurich University of Arts and more than ever they never limited themselves to simple forays through rune-decorated cliches or foolish drink- worked as one. This is an accomplishment in itself given the fact that the Swiss Folk Metal su- ing songs. From their fabled debut »Spirit« (2006) onward, theirs was an approach of respect, perstars boast a full nine members, but it gets even more special if you recall the usual process historic accuracy, depth and the most thrilling, catchy, primordial melange of Melodic Death of creation. “From the very beginning of ELUVEITIE, my blueprint for a new album remained Metal and Pagan Folk the world could have ever imagined. untouched and eventually became a reality. This record, however, is a product of the entire band. The whole affair was a decidedly spontaneous process allowing the songs to radically Success, of course, was not far behind. Their groundbreaking seminal work »Slania« saw change while still in development.” The instant hit ‘Ambriamus’, for example, only took them them bond with Nuclear Blast, a friendship that lasts to this day and quickly turned the band two hours to write when they already were in the studio. “A bit unusual”, Chrigel confesses, into a worldwide phenomenon. In a rapid two-year-succession, they unleashed »Everything “but all the more brilliant.” Remains (As It Never Was)«, »Helvetios« and that massive monument of all things Folk Metal called »Origins«, framed by the two elaborate and archaic acoustic albums »Evocation I – The Some things, of course, never change. Recordings took place in their beloved New Sound Arcane Dominion« and »Evocation II - Pantheon«, the last of which was also presented on an Studio with their engineer of choice Tommy Vetterli. “Yet it was radically different as we only unforgettable acoustic tour. On each release, they refined their trademark brand of Chrigel’s had four weeks to record this time around – as compared to the eight weeks we had for ‘Or- thundering roar, metallic fierceness and folkloric ingenuity that has always been miles above igins’.” By taking mixing duties to the skilled hand of renowned studio wizard Jens Bogren in the usual “let’s add some bagpipes there”. his Fascination Street Studios in Örebro, Sweden, ELUVEITIE returned to the very spot where they mixed their now legendary »Slania« album more than ten years ago. “How time flies”, Members came, members went. The soul of ELUVEITIE, though, the very essence of this pagan Chrigel exclaims. And with an insurmountable epic like »Ategnatos« under their belts, the next congregation remained undisturbed. Now, in the dawn of 2019, they look back upon an years are bound to fly by, too. Heavy touring will commence even before the release, taking the impressive seven studio albums, the last of which climbed to the very top of the Swiss album band to South America first. “Asia, Europe and the United States are about to follow, bridged charts and also made a remarkable entry at No. 6 in Germany, as well as countless tours by a massive festival season”. Oh no, ELUVEITIE are not only back, stronger and fiercer than around the globe and headliner slots at the biggest Metal festivals. Still, this was only the ever. They are reborn. Truly and thoroughly reborn, thus becoming an archetype of their own. www. eluveitie.ch/news/ · www. de-de.facebook.com/eluveitie · www.nuclearblast.de/de/ Style: Folk Metal NUCLEAR BLAST GmbH · OESCHSTRASSE 40 · D-73072 DONZDORF · GERMANY · PHONE +49-7162-9280-13 / -20 / -25 · FAX +49-7162-24554 uu www.facebook.com/nuclearblasteurope · www.twitter.com/nuclearblasteu uu LINKS: uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast albums in the Charts · New Songs on Spotify uu www.nuclearblast.de New Release Information uu April TOUR: uu Tracklists: DIGI: 23.02. DE Wacken .............. Wacken Winter Nights 11.-14.07. CZ Vizovice .........................Masters of Rock 01. Ategnatos 05.04. CH Lausanne .................................Les Docks 19./20.07. SE Gävle ..............................Gefle Metal Festival 02. Ancus 03. Deathwalker 13.-15.06. CH Interlaken ...................Greenfield Festival 01.-03.08. DE Wacken ............................Wacken Open Air 04. Black Water Down 19.-22.06. DK Copenhagen ........................... Copenhell 02.-04.08. FR Saint-Maurice-de-Gourdans ...Sylak Open Air 05. A Cry In The Wilderness 23.06. BE Dessel ................Graspop Metal Meeting 07.-10.08. ES Villena ..............................Leyendas del Rock 06. The raven Hill 25.06. PL Krakow ............................Mystic Festival 11.08. UK Derby............................ Bloodstock Open Air 07. The Silvern Glow 08. Ambiramus 27.06. IT Bologna ................................ Sonic Park 14.-17.08. DE Dinkelsbühl ............................Summer Breeze 09. Mine Is The Fury 10.07. HU Dunaújváros .......................Rockmaraton 15.08. FR St. Nolff ........................... Motocultor Festival 10. The Slumber 11.-13.07. AT Leoben ..........................Area 53 Festival 11. Worship 12. Trinoxtion 13. Threefold Death 14. Breathe 15. Rebirth 16. Eclipse Bonus: 17. Ategnatos (Acoustic Version) 18. Ambiramus (Acoustic Version) 19. Threefold Rebirth 2LP (33 RPM): Side A 01. Ategnatos 02. Ancus 03. Deathwalker 04. Black Water Down Side B 01. A Cry In The Wilderness 02.
Recommended publications
  • Beyond the Black Are Most Certainly That. You're in Doubt?
    Lost in Forever - LIVE Stratospheric? Beyond The Black are most certainly that. You’re in doubt? Let’s explain… …Only two years ago, dynamic frontwoman and world-class vocalist Jennifer Haben and her band colleagues celebrated their live debut on stage at the legendary Wacken Open Air 2014. A few months later they were supporting the legendary SAXON on their UK tour. On February 13th 2015 the band released their debut full-length album Songs of Love and Death, which hit the German top 20 album charts, and which was produced by melodic metal maestro Sascha Paeth (Avantasia, Edguy, Epica, Kamelot, Rhapsody). You’ve probably already guessed that the album was royally received throughout Europe, with Haben establishing herself as one of the leading voices in hard rock and metal music. Beyond The Black continued to conquer the road. They played their own headliner tour in spring and autumn 2015, and featured at several of Germany’s biggest rock & metal- festivals. Momentum is beautiful thing; Beyond The Black supported Queensrÿche in Holland and Within Temptation in Switzerland, and their incredible ascent culminated in them receiving the “Best Debut Album 2015” Metal Hammer Award. MANAGEMENT: BOOKING WORLDWIDE: MPS Hanseatic UG International Talent Booking Thomas Jensen & Leo Loers Olivia Sime Neuer Kamp 32 6th Floor | 9 Kingsway 20357 Hamburg London | WC2B 6XF | UK Mail: [email protected] Mail: [email protected] Enough for the year? Hardly. Because between all that stuff, they were working on their second full-length album “Lost in Forever”, which was released in February 2016 (G/A/S), entered the German charts at #4 and will soon enjoy a worldwide release.
    [Show full text]
  • PK 2 Hamburg Beatles History.Pdf (253.4
    MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports.
    [Show full text]
  • Shrestha 1 Nityam Shrestha Dr. Ackerman CS 185C February 22
    Shrestha 1 Nityam Shrestha Dr. Ackerman CS 185c February 22, 2017 Celtic Pagan Music saved by Technology, Creativity and Belief Technology is now an integral part of everyone’s day-to-day life. After the industrial revolution (mid 1700s) and the digital revolution (late 1950s) our lives have been significantly improved. People are healthier, communication is easier, transportation is safer and the world is improving and becoming a better place to live. But these improvements have also changed the way we view and enjoy arts. Advancing technology also brought us many new forms of arts like graffiti (spray can), game arts (mobile/ web/ VR), 3D animations (games, movies, VR), sculptures (3D printing), etc. But technology has also shown us, both the better and the worst sides of it. With all these technological advancements people are forgetting old cultures and their art forms. Most people today are more familiar with native ancient traditions of the different cultures of the world, but barely of Europe. The Native American tradition, the tribal religions of Africa, the sophistication of Hindu belief and practice and the more recently revived Japanese tradition, Shinto, are widely acknowledge as the authentic native animistic tradition of their respective areas. In marked contrast, the European native tradition, from the massive civilizations of Greece and Rome to the barley documented tribal systems of the Picts, the Finns and other norther margins of the continent, has seen as having been obliterated totally. The Shrestha 2 people forgotten here, are the Celtic pagans. Their culture was superseded first by Christianity and Islam and, more recently, by post-Christian humanism.
    [Show full text]
  • Master Henrik Pagan Forside
    Emnekode: MUV450_1 Navn på kandidat: Henrik Straumsnes Myrbakken “Under Bergets Rot”: Identitetskonstruksjoner i Pagan Metal Dato: 31.05.2017 Totalt antall sider: 89 Innholdsfortegnelse Innholdsfortegnelse…………………………………………………………………….…… s.1 Motivasjon og bakgrunn for oppgaven…………………………………………………..….s.4 1.0 Innledning…………………………………………………………………………..……s.6 1.1 Metal og identitet……………………………………………………………..…s.6 1.2 Pagan Metal…………………………………………………………………..…s.8 1.3 Begrepsavklaring………………………………………………………….……s.10 1.3.1 Pagan…………………………………………………………..….…s.10 1.3.2 Pagan Metal………………………………………………………….s.11 1.4 Kultur og miljø……………………………………………………………..…..s.12 1.5 Identitet……………………………………………………………………..…..s.13 1.6 Hva er folk i ´Folk´ Metal?……………………………………………….……s.15 1.7 Hvordan avgrense sjangeren?……………………………………………..……s.17 1.8 Sentrale tema…………………………………………………………….…..…s.19 2.0 Teori og metode…………………………………………………………………………s.21 2.1 Prosjektets metodiske forankring………………………………………………s.22 2.2 Subkultur, neo-stamme og milieu………………………………………………s.23 2.3 Tolkning………………………………………………………………….….…s.26 2.4 Bourdieu……………………………………………………………..…………s.27 2.4.1 Habitus…………………………………………………………..…..s.27 2.4.2 Felt………………………………………………………………..…s.28 2.4.3 Kapital…………………………………………………………..…..s.29 2.5 Habitus, felt og kapital i Pagan Metal……………………………………..…..s.30 !1 3.0 Kvinner i Metal……………………………………………………………………..…..s.37 3.1 Fravær av kvinnelige instrumentalister…………………………………..…….s.38 3.2 Kvinnelige tilhengere………………………………………………………..…s.40 3.3 Kjønnsrelaterte restriksjoner…………………………………….………..……s.42 3.4 Problemer
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • Fast Forward 11-2019 Eluveitie-Slania10thyearedition.Indd 1 07.09.18 15:27 New Release Information  November
    New Release Information November Price Code: CD04 NB 4598-0 CD-Digi ELUVEITIE Release Date Pre-Order Start (incl. new bonus & demo tracks) Slania (10 Years) 16/11/2018 21/09/2018 advertising in many important music magazines OCT/NOV 2018 album reviews, interviews in all important Metal magazines in Europe’s OCT/NOV 2018 issues song placements in European magazine compilations spotify playlists in all European territories instore decoration: flyers Facebook, YouTube, Twitter, Google+ organic promotion Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) Banner advertising on more than 60 most important Metal & Rock Price Code: LP17 websites all over Europe NB 4598-1 2LP additional booked ads in Metal Hammer Germany and UK and in (black in gatefold) the Fixion network (mainly Blabbermouth) video and pre-roll ads on YouTube ad campaigns on iPhones for iTunes and Google Play for Androids banners, featured items at the shop, header images Territory: World features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Tracklists: DIGI: 01. Samon 02. Primordial Breath 03. Inis Mona 04. Grey Sublime Archon One of the most important 05. Anagantios 06. Bloodstained Ground 07. The Somber Lay 08. Slania’s Song reasons for ELUVEITIE’s break-through - 09. Giamonios 10. Tarvos 11. Calling The Rain 12. Elembivos plus bonus goodies Bonus: 13. Samon (Acoustic Version) 14. Interview With Slania In February 2008 the, when they were still rather unknown, For that reason, the band have announced to unleash this 15.
    [Show full text]
  • ALBUMFACT BEYOND the BLACK ”Heart of the Hurricane“ Out: August 31St 2018
    ALBUMFACT BEYOND THE BLACK ”Heart Of The Hurricane“ Out: August 31st 2018 Beyond The Black – symphonic metal full of energy, straightforward and without any compromises! Their engines are hot, and roaring straight into the “Heart Of The Hurricane”. The title of the third album is not just a catchy phrase – it’s a promise. It’s the result of two years of work skyrocketing the band to the next level, along with a tasty appetizer for their upcoming live appearances. Their debut “Songs Of Love And Death” from 2015 has already struck like a bomb. It was in the Top 15 of the German Album Charts for weeks on end, and received honors suchs as the prestigious German “Metal-Hammer Award” for “Newcomer Of The Year”. The follow-up “Lost in Forever” from 2016 was an even bigger success and hit the German Charts at number 4. This led Beyond The Black on a wide spread, and almost always sold- out, tour hitting Germany, the UK, Russia, Japan and far beyond. Since 2014, the band has been thrilling their fans as a regular guest at Wacken Open Air and was a celebrated support act for Aerosmith, Korn, the Scorpions, Saxon, Within Temptation and countless other top international acts. In 2017 one of the biggest German TV-Stations, Sat1, chose “Night Will Fade” as to the title track for the successful series “Die Ketzerbraut”. That opened Beyond The Black up to millions of new listeners and when singer Jennifer had a cameo appearance in the series, fans could finally put a face to the name.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • TARCHON FIST Bandinfo
    TARCHON FIST Bandinfo: Pic by Alessandra “La Ruffiana” Zani Tarchon Fist stands for top-class masterpieces in traditional 80’s Heavy Rock, Heavy Metal and True Metal style. In ancient myths and legends, Tarchon was an etrurian king, a hero - and also a god: The god of the storm! The name Tarchon Fist underlines the power and the impact of the band on stage. Formed by guitarist and song writer Luciano "Lvcio" Tattini in Bologna in 2005 after the split of the 80's band Rain, Tarchon Fist's reputation to unleash irresistable, rousing 80‘s Heavy Metal atmosphere by their songs and performances led to a contract with the label My Graveyard Productions in 2007. Guest musicians who appear on the group's first two albums "Tarchon Fist" (2008) and "Fighters" (2009) include also well-known artists such as Cliff Evans (ex Tank; ex Paul Di'Anno), Tom Naumann (Primal Fear), Robb Weir (Tygers Of Pan Tang) or Dean "Deano" Robertson (ex Tygers Of Pan Tang). After a change of line up with Mirco "Ramon" Ramondo on vocals and Sergio "Rix" Rizzo on guitars, the disc "Heavy Metal Black Force" (My Graveyard Productions) came out in 2013, followed by the 10 years' anniversary album "Celebration" (2015, Il Male Production / Pure Steel Promotion) which contains a new song called "Celebration" and the best of the band's classics of the first decade and was partially re-recorded with the new band members. From 2010 to now, the line up of Tarchon Fist has remained the same except for the new drummer Giacomo "Jack" Lauretani who joined the band in 2016.
    [Show full text]
  • Personal Music Collection
    Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.
    [Show full text]
  • FIRST DORO DOUBLE-ALBUM IS on the WAY! »Forever Warriors, Forever United« - 100 Days to Go Until the Release of the Track’S Melody and Lyrics Suddenly Came to Mind
    New Release Information uu August DORO Release Date Pre-Order Start Forever Warriors / Forever United uu 17/08/2018 uu 08/06/2018 Territory: World uu 08.06.: Single “All For Metal” (Music Video) uu 06.07.: Single “Lift Me Up” (Lyric Video) uu 27.07.: Single “If I Can’t Have You – No One Will” (Lyric Video) uu 17.08.: Single “It Cuts So Deep” (Music Video) uu recording location: Rockcity Studios/Germany, Witty Studios/Germany, The Dungewon/Swe- den, TrueBusyness/Germany, Fullpark/Switzerland, Skyline Tonfabrik/Germany, CasaDala/ USA, IMP Studios/USA uu advertising in many important music magazines JUN/JUL 2018 uu album reviews, interviews in all important Metal magazines in Europe’s JUN/JUL 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (main- ly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release “One of the best Doro albums so far! If you want 100% Doro – you get ““Forever Warriors, Forever United“ strikes with solid anthems and soft it, plus she is in amazing shape.
    [Show full text]
  • Viking, Pagan Or Folk? Distinguishing Possibilities for Metal Sub-Genres
    ČLANCI ALEXANDER HOFMANN VIKING, PAGAN OR FOLK? DISTINGUISHING POSSIBILITIES FOR METAL SUB-GENRES Izvorni znanstveni članak / Original Scholarly Paper UDK: 78.036 "19/20" aBStraCt The different sub-genres of metal music, which have formed in the last decades, are not only of interest due to their diverse and unique characteristics, but also evidence a variety in metal music whereby its clichéd black and gloomy world gains a bit of color. This multitude of sub-genres will inevitably lead to musicians, fans and even researchers no longer being able to differentiate between the genres. With Viking, pagan, and folk metal, this interesting process of fusion is already taking place, although it is possible to distinguish Viking and pagan at least from folk metal. Keywords: instrumentation, metal sub-genres, musical analysis, popular music introDuCtion During the last few decades many different metal sub-genres have developed, from the classic, and especially from the extreme, metal genre. Comprising bands such as Ensiferum, Finntroll, Korpiklaani and Turisas – surprisingly only Finnish bands – so-called folk metal is one of these sub-genres, which became part of the metal mainstream during the 2000s.1 For Spracklen the popularity of Finnish folk metal is based on commercialization, while other possible reasons could be the national distinction from Norwegian black and Swedish death metal, or, at least in Finland, a phase of increased inclusion of folk elements in popular music. “The combination of a nationally institutionalized folk tradition and the transnational genre of […] metal”2 is also mentioned by Neilson as a reason for the success of Finnish folk metal.
    [Show full text]