Unit 8 Television News

Total Page:16

File Type:pdf, Size:1020Kb

Unit 8 Television News Television Journalism UNIT 8 TELEVISION NEWS Structure 8.0 Introduction 8.1 Learning Outcomes 8.2 History of Television News 8.3 What is News for Television? 8.4 Characteristics 8.4.1 Audio-Visual Medium 8.4.2 Quicker Delivery 8.4.3 Wider Reach 8.4.4 Greater Impact 8.5 Production of Television News 8.5.1 Newsroom 8.5.2 Bulletins 8.5.3 Live Elements 8.5.4 PCR and MCR 8.6 Television News with Changing Technology 8.7 Role of Television News 8.8 Let Us Sum up 8.9 Further Readings 8.10 Key Words 8.11 Check Your Progress: Possible Answers 8.0 INTRODUCTION Gone are the days when we had to wait till morning to know the latest news of happenings around us. Nowadays, the news of events in our near surroundings as well as at distant places can easily be accessed through television (TV). In other words, TV news is round-the-clock news. In newspapers, you read the news and feel its seriousness with the help of images, in radio you listen to the news, but in TV you can see the news. Since both your eyes and ears are active while watching the TV news, it tends to have greater impact on an individual and in turn greater impact on the society as a whole. TV news has revolutionized the whole news world and in recent times, due to 24x7 television news channels, we can watch the latest incidents happening across the world by just pressing the remote button. With the help of latest technologies, any incident happening in Tokyo can be seen in Lucknow or London within minutes. It means that whether it is natural disaster or terrorist attack or any other major incident, you can get not only the latest information but can also see what is happening as it unfolds. The internet has also influenced the television news. Now, TV news channels are 98 also available on smartphones. Most of the 24x7 TV news channels are available in your pocket and you can access them anytime and anywhere with the help of Television News internet. In this Unit, we shall discuss the various aspects of television news. 8.1 LEARNING OUTCOMES After going through this Unit, you will be able to: trace the evolution of television news; describe the characteristics of television news; explain the functioning of a television news channel; and discuss the role of television news in our society. 8.2 HISTORY OF TELEVISION NEWS As you have already studied the history and development of television in a previous course, here, we shall discuss the evolution of television news very briefly. The story of TV news is not very old. When TV became a household item in western countries in the 50s, some news bulletins were started along with other programs. It was during the black-and-white days of television. Usually, a newsman used to come on camera to read news scripts. Those days, a TV news broadcast had neither the reputation of newspaper journalism nor was able to compete with ‘live’ and on-the-scene reporting of radio. The assassination of US President John F Kennedy in November 1963 was a milestone for television news. That event proved that TV news history would be made through pictures and videos. But it was a time when journalists had to struggle to get videos, films or any sort of images from the scene of the event. There was no easy way to produce television content on the spot of various news events. Stories of the Vietnam War were days old before they reached the living rooms of Americans. Satellites were not around to send videos around the world instantly. By the late 70s and early 80s, many breakthroughs influenced television news. Technology developed, professionalism grew, news channels were launched, style of news presentation changed, new genres were added and visuals became important part for TV news. With the launch of satellites, ‘live’ elements became almost inseparable from the TV news. In India, however, television came to the forefront only in the 80s when colour TV was introduced by Doordarshan (DD) timing it with the hosting of 1982 Asian Games. Along with some socio-economic programmes, DD used to air some news bulletins which had to be recorded in advance. But in the 90s, when foreign programmers like CNN and Star TV made headway into the Indian market, importance of TV news also rose. In the last decade of 20th century, many news channels were started in India. This was the time when people became familiar with 24x7 TV news in India. 8.3 WHAT IS NEWS FOR TELEVISION? We all know that television is an audio-visual medium with dominance of visuals. Keeping this in mind, we can say that news with visuals is television news. But 99 Television Journalism it does not mean that news without visuals is not fit for TV. Presently, if any important event happens and there is no possibility of immediate visuals, then that piece of news is put on air with the help of graphic plates containing texts. In this situation, the TV behaves like a speaking newspaper. Though news is always news, yet visually rich events and happenings are considered more suitable for television due to the inherent nature of this medium. Hence at times, you can observe that news which is played big on TV, does not even find a mention in the newspapers. Yet another important factor related to TV is TRP (Television Rating Points). It emerged as one of the most important factors in deciding news for television in India. Desire to grab big commercial market after economic liberalization and the resultant cut-throat competition among news channels completely changed the definition of news and the whole gamut of news. Sometime back, bizarre stories of ghosts and snakes (‘nag-nagin’) used to frequently run on certain news channels. Crime stories are still considered important in news channels because there is a separate dedicated audience for this genre. But, in recent times, news channels have developed a self-regulatory body which keeps eyes on their content. Check Your Progress 1 Note: Use the space provided below for your answers. Compare your answers with those given at the end of this Unit. 1. Which event was the turning point for television news? ........................................................................................................... ........................................................................................................... ........................................................................................................... 2. Other than journalistic sense, which factor influences most in deciding the content of the television news channels? ........................................................................................................... ........................................................................................................... ........................................................................................................... 8.4 CHARACTERISTICS We know that television news is quite different from other media i.e. print and radio. We shall now discuss the main characteristics of television news. 8.4.1 Audio-Visual Medium Let us start with the critical and most significant characteristics of TV- it is an audio-visual medium. You can hear the description of any happening or event and at the same time you can also watch visuals of the same. You would agree that without visuals TV is nothing more than a radio, so visuals are indispensible elements for TV. Television tends to select those stories which have visuals and dramatic content like fire, crime, natural disasters, embarrassed politicians etc. In the early stages of evolution of the TV news, only recorded visuals were put on air. Visuals used to be brought to the news rooms usually on tapes. But, newer 100 technologies have changed the whole scenario. With the help of satellites, ‘live’ Television News elements began to be added and gradually visuals started coming on ‘live’ also. With more developments on the technology front, there are now many ways to bring the visuals to the newsrooms and put them on air. The two elements, audio and visuals make TV news very special. You would have certainly watched the video of 9/11. Just think, if television was not there, you would have only read about that gruesome terrorist attack. Now, recall 26/11 as many of you might have watched every detail of it, be it small or big, on the TV sets sitting at your home. If TV had not been there, you would not have seen the brutality of terrorists, bravery of our soldiers and endurance of our citizens. It has the potential to change your perception of the event. Hence, the strength of this medium to show each and every development live should be utilized judiciously in many contexts. The following image shows the various audio and visual elements of television news: 8.4.2 Quicker Delivery Now tell us one thing. What would you do to satisfy your curiosity if you hear that there was a bomb blast in a big city of some other country? Tune in to Radio? Wait for newspaper to be delivered next morning or switch on your TV to watch any news channel? You would certainly watch a TV news channel because you will get each and every detail of what has happened and at the same time you will be able to see the activities at the scene of crime. You will see the damage, rescue works, how the police is investigating the matter, who took the responsibility, information about suspects, it means whole lot of information within minutes. In another words, news is delivered quickly through television. This is an important characteristic of TV news. Distance does not matter for television. You will get the comprehensive news within minutes even if the event happens thousands of kilometers away. As soon as the news comes in, it is delivered through graphic plates of ‘Breaking News’. And later visuals are inserted either ‘live’ or recorded.
Recommended publications
  • In Radio, You Have Two Tools… Sound and Silence.' Ira Glass '
    In Radio, you have two tools… Sound and Silence.’ Ira Glass ‘And I believe that good journalism, good television, can make our world a better place.’ Christiane Amanpour ‘On TV the people can see it. On radio you've got to create it.’ Bob Uecker 1 2 ACADEMIC PLAN/INSTRUCTIONS 1. The Post Graduate Diploma in Radio and TV Journalism begins on August 1, 2018 and ends on May 31, 2019. 2. The Academic Session is divided into two terms: Term I : August- December 2018 Term II : January - May 2019 3. The first term will broadly concentrate on providing students the conceptual inputs and on acquisition of the skills needed for Broadcast Journalism. The second term will be mostly devoted to honing of these skills and giving the students a practical exposure to various aspects of the functioning of media. 4. Evaluation will be done on the basis of what the students have learnt through the theory and the practical work done. Each term will have such evaluation and the credits will be aggregated. A student will be expected to gain a minimum of 40% marks in each paper (both theory and practical). 5. To help them relate the learning of concepts with practice, students will be attached to a media organization for internship in the month of May. Each student will be expected to submit a report to the Institute on his/her internship experience. Internship is mandatory, without which the diploma will not be awarded. 6. Each student will be expected to attend a minimum of 75% of the classes including the practical sessions.
    [Show full text]
  • Syllabus for M.Sc. (Film Production)| 1
    Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc.
    [Show full text]
  • The Impact of Corporate Newsroom Culture on News Workers & Community Reporting
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Spring 6-5-2018 News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting Carey Lynne Higgins-Dobney Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Broadcast and Video Studies Commons, Journalism Studies Commons, and the Mass Communication Commons Let us know how access to this document benefits ou.y Recommended Citation Higgins-Dobney, Carey Lynne, "News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting" (2018). Dissertations and Theses. Paper 4410. https://doi.org/10.15760/etd.6307 This Dissertation is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. News Work: The Impact of Corporate Newsroom Culture on News Workers & Community Reporting by Carey Lynne Higgins-Dobney A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies Dissertation Committee: Gerald Sussman, Chair Greg Schrock Priya Kapoor José Padín Portland State University 2018 © 2018 Carey Lynne Higgins-Dobney News Work i Abstract By virtue of their broadcast licenses, local television stations in the United States are bound to serve in the public interest of their community audiences. As federal regulations of those stations loosen and fewer owners increase their holdings across the country, however, local community needs are subjugated by corporate fiduciary responsibilities. Business practices reveal rampant consolidation of ownership, newsroom job description convergence, skilled human labor replaced by computer automation, and economically-driven downsizings, all in the name of profit.
    [Show full text]
  • Freelancer Categories
    FREELANCER CATEGORIES List of the Media Zone Authority’s freelancer license activities GENERAL No Category Definition 1. Acting coach NEW! An individual who is a qualified teacher specializing in training performers (film, tele- vision and/or theatre) to improve their performances/skills and prepare for auditions (including a voice/speech/dialect specialist coach). 2. Actor An individual that acts by portraying a character in a performance (e.g. film, TV, theatre, commercial or event) as a profession. 3. Animator An individual skilled in creating images and/or animation for television, motion pictures, video games and/or other animation design. 4. Archive producer NEW! An individual who works with producers and editors on segments of programmes to determine archival needs and help shape story narrative from development onwards. Experienced in negotiating deals with archive suppliers and organizing and managing large archive projects. 5. Artist NEW! An individual specialized in one of the visual or fine arts such as painting, sculpting and/or singing and/or dancing as a profession. 6. Art Director An individual that works with studios and executive producers to create the overall visual appearance and «look» of a production. 7. Assistant / Associate Producer An individual that reports to the producer and assists with script development, artist relations, finding participants, and general production logistics. 8. Assistant Director An individual responsible for tracking daily progress against the production schedule; arranging logistics; preparing daily call sheets; checking cast and crew; and maintain- ing order on the set. 9. Brand Consultant NEW! An individual that creates and designs brand strategies, brands and identities for companies and products 10.
    [Show full text]
  • Lecture Content: Control Room Design
    LECTURE CONTENT: CONTROL ROOM DESIGN • Signal path – from production to consumer • Production operators team • The editorial staff • Newsroom computer system • Automation software • Media asset managemen Lecture 2 Faculty of Technical Sciences Public university in K.Mitrovica assist.prof. Kristijan Kuk 3 Theory This chapter describes the general factors within control room designs and how the ergonomics and/or staff within the control room could affect the results. There will also be an explanation of all the different staff needed to create a newscast. A technical description of different system and protocols needed to create a television production, and how they are used will also be executed. 3.1 Control room design Design and the structural layouts of control rooms have lots of per-reviewed reviews and investigations, especially within the nuclear power plant control rooms and army- based control rooms. The actual design of television control rooms hasn’t got as much attention. This section will therefore describe the overall concerns and benefits of using different control room designs, mainly from the human factor but also some technical aspects will be taken into consideration. 3.1.1 Control room ergonomics A control room is a physical location where a physical facility or physically distributed service can be monitored and controlled (Bennett 1955). In the television industry, there are different types of control rooms, serving different proposes with the aim of transmitting a video signal to the distributer and viewer. When designing a Control room from scratch, a method called Top Down approach could be used (Figure 3.1). The top down approach describes the different phases a control room goes through when developed, constructed and evaluated.
    [Show full text]
  • CBS National Agreement
    (510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II
    [Show full text]
  • Television Studio
    Television studio A television studio is an installation in which television or video productions take place, either for live television, for recording live to tape, or for the acquisition of raw footage for post- production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via intercom, and personnel will be divided among these workplaces. Studio floor The studio floor is the actual stage on which the actions that will be recorded take place. A studio floor has the following characteristics and installations: • decoration and/or sets • cameras (sometimes one, usually several) on pedestals • microphones • lighting rigs and the associated controlling equipment. • several video monitors for visual feedback from the production control room • a small public address system for communication • A glass window between PCR and studio floor for direct visual contact is usually desired, but not always possible While a production is in progress, the following people work in the studio floor. • The on-screen "talent" themselves, and any guests - the subjects of the show. • A floor director or floor manager, who has overall charge of the studio area, and who relays timing and other information from the director. • One or more camera operators who operate the television cameras, though in some instances these can also be operated from PCR using remote heads. • Possibly a teleprompter operator, especially if this is a news broadcast Production-control room The production control room (PCR), also known as the "gallery" or Studio Control Room (SCR), is the place in a television studio in which the composition of the outgoing program takes place.
    [Show full text]
  • UNIT 13 BROADCAST MEDIA : RADIO and TELEVISION Structure
    UNIT 13 BROADCAST MEDIA : RADIO AND TELEVISION Structure Introduclion Objectives Broadcasting : Historical Genesis Radio Broadcasting 13.3.1 Techn~caldescription 13.3.2 AM and FM radio 13.3 3 Ham Radio How Television Works 13 1.1 TV Transn~issionTechn!quc\ Emerging Trends in Broadcastlllg Summary Unit End Activities Referencec and Suggested Reading 13.9 Clues to Check Your Progress 13.0 INTRODUCTIION In the earlier blocks uf this course, we have discussed the nature of communication in general, with specific reference to the communication proce5s in the context of education and training. The role played by technology in the field of education and training have also been clarified. This block deals with the role of audio and video media in educational conimunication. Within the spectrum of audio and video media. broadcast media in particular have special role in the field of educational technology and this for~nhthe subject matter for the present unit. Broadcasting can be detined as instant dissemination of information through wireless means to the public at large. Radio and TV are the twin broadcast media, which have established themselves all over the world, the former as a means of transmission of i sound and the latter as a means of transmission of moving pictures and soiund. In the recent past, the word broadcasting has acquired a broader connotation to include data broadcasting. (transmission of computerized data thkough wiredlwireless means), Internet broadcasting, etc. For the purpose of this wit howevcr, we contine ourselves to broadcasting in the traditional sense, namely radio ahd television. Lct us bear in mind that the technologies of radio and TV are specialized areas of studies in themselves.
    [Show full text]
  • Advanced TV Journalism.Pdf
    mathematics HEALTH ENGINEERING DESIGN MEDIA management GEOGRAPHY EDUCA E MUSIC C PHYSICS law O ART L agriculture O BIOTECHNOLOGY G Y LANGU CHEMISTRY TION history AGE M E C H A N I C S psychology ADVANCED TV JOURNALISM Subject: ADVANCED TV JOURNALISM Credits: 4 SYLLABUS Television Reporting Writing for Television News Cast; News Writing for TV: TV Reporting Basics; Investigation and Interview Techniques; Beat Reporting; Reporting Live; World Television Standards: World TV Standards; Maintaining Video Quality; Video Formats; Aspect Ratio and Conversion. Camera Basics Introduction to Camera Parts & Operation; Lenses and Filters; Camera Composition Angles; Shots and Movements; Lighting: Introduction to Lighting; Lighting Principles; Lighting Ratios; Types of Light and Lighting Accessories; Sound: The Basics; Audio Control Devices Mixing; Equalization and Recording. Editing Basics Introduction to Linear Editing; Logging; Use of Time Code; Introduction to Non -Linear Editing; Vision Mixing in PCR; Maintaining Consistency and Continuity; Guidelines for Editing. News Graphics; Anchoring and Budgeting: Graphics for News; 2D; 3D Animation Graphics; Anchoring: Handling Teleprompter; Live Interview; Art of Anchoring; Producing a Bulletin: Production Control Room; Role of Functionaries; Putting the Bulletin Together; Run Order; PCR Commands and Cues; Live Broad Casting: Production Phases; Electronic News Gathering; Satellite News Gathering; Budgeting: Introduction to Budgeting; Proposal Making. Suggested Readings: 1. Portable Video; Medeoff Norman
    [Show full text]
  • 3D at 2D Economics
    3D at 2D Economics August 2012 Table of Contents Introduction ..................................................................................................... 1 Achieving the Proper Results ................................................................................... 1 Costs of 3D Production ............................................................................................ 2 Proving the Premise ......................................................................................... 3 Crew Training ................................................................................................... 4 Depth Budgeting .............................................................................................. 4 Rig Evaluation .................................................................................................. 5 Evaluation Results ................................................................................................... 9 Recommendations ................................................................................................... 9 The Production Package ................................................................................... 9 Equipment ............................................................................................................... 9 The 3D Crew .......................................................................................................... 10 Days of Our Lives ...........................................................................................
    [Show full text]
  • Television Journalism (205) UNIT-1
    Television Journalism (205) UNIT-1 Basics of TV News Basic Principles of News Writing This blog provides tips for writing news stories, including style and ethics pointers. An entire textbook could be written on this subject, and several have been, this site is just a simple overview that gives enough information for a new reporter, or even a more seasoned one, to improve their writing and other journalism skills. 1. Lead Writing Since readers may not have time to read an entire article, the lead of a story, typically the first full paragraph, should contain all pertinent information in the article. By reading the lead paragraph the reader should find the basic who, what, where, when of a story. In short, if the audience does not have the time to read every article in its entirety, the lead will give them a summary of the story. This goes along with the inverted pyramid model of an article, in which the most important information comes first, with the body of the article providing more detailed facts and analysis as well as secondary facts that may be cut out if necessary. A lead may begin with a snappy intro to capture the reader’s attention, but a simple opening providing basic facts can be just as effective. Don’t write a lead paragraph as you would write an introductory paragraph to an essay. There are differences in style and content. Here is an example of a typical lead: A rabid dog attacked Greensburg resident Samuel Miller last Thursday, May 4. Miller was running near his Fort Allen home when a large Doberman bit his forearm and nearly mauled him before a passer-by intervened.
    [Show full text]
  • Broadcast News Volume No
    Broadcast News Volume No. 170, January 1982 TK-47 Cameras Handle Strong Competition On-Location for TPC Communications - ' www.americanradiohistory.com ...Gene Wright, Vice President of Engineering,Turner Broadcast Systems 24 HOUR NEINS "Around-the-clock operation doesn't laze Turner Broadcast Systems operate our TR49cameras" eight RCA TK -47 Automatic Color Cameras. Four of the cameras are live 24 hours a day at Cable News Network. They're never turned off. Our TK -47 cameras are on all day deliver all the news, all the time. Four other TK -47's are used in the long at CNN and they've performed Find out how the TK -47 can WTBS system. outstandingly. They don't drift; give you a new "look" in cost saving, How are the cameras performing? they're extremely stable. But just as time -saving, and picture quality. Let Gene Wright tell you: a confidence check, from time to TK -47- it's automatic, versatile and time, we push the auto-check button. now available in Triax. Call your In a matter of seconds, over fifty RCA Representative and ask for a camera functions are checked and showing of a tape in which six top stabilized. That's real operating engineering professionals tell how confidence. With the kind of 'round- they are using TK -47's in their broad- the -clock demands we make on cast and teleproduction opera- equipment, we have to know that tions. You'll see why the TK -47 is first our cameras will deliver quality choice for savings and performance. pictures with the best stability and RCA Broadcast Systems, Bldg.
    [Show full text]