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In Radio, You Have Two Tools… Sound and Silence.' Ira Glass '
In Radio, you have two tools… Sound and Silence.’ Ira Glass ‘And I believe that good journalism, good television, can make our world a better place.’ Christiane Amanpour ‘On TV the people can see it. On radio you've got to create it.’ Bob Uecker 1 2 ACADEMIC PLAN/INSTRUCTIONS 1. The Post Graduate Diploma in Radio and TV Journalism begins on August 1, 2018 and ends on May 31, 2019. 2. The Academic Session is divided into two terms: Term I : August- December 2018 Term II : January - May 2019 3. The first term will broadly concentrate on providing students the conceptual inputs and on acquisition of the skills needed for Broadcast Journalism. The second term will be mostly devoted to honing of these skills and giving the students a practical exposure to various aspects of the functioning of media. 4. Evaluation will be done on the basis of what the students have learnt through the theory and the practical work done. Each term will have such evaluation and the credits will be aggregated. A student will be expected to gain a minimum of 40% marks in each paper (both theory and practical). 5. To help them relate the learning of concepts with practice, students will be attached to a media organization for internship in the month of May. Each student will be expected to submit a report to the Institute on his/her internship experience. Internship is mandatory, without which the diploma will not be awarded. 6. Each student will be expected to attend a minimum of 75% of the classes including the practical sessions. -
Fox Network Begins to Take Shape
I I TOP OF THE WEEK I I second -quarter financial results, released Blair entertainment showed an increased be represented by ABC Television Spot last Thursday. A special $17.4- million loss and operating income also declined for Sales. Commenting on the transfer, which charge was equally offset by a gain on the Blair's owned stations and representation will probably take place in the next few disposal of Blair's printing operations. business. months, Michael P. Mallardi, president of Both operating and net income for Blair The company's television representation Capital Cities/ABC's broadcasting division showed improvement, largely as a result of a division received some bad, but not totally said: "Only the unusual circumstances and reported improvement at the company's di- unexpected, news last week when Capital opportunities created by the Capital Cit- rect marketing subsidiary, ADVO systems, Cities /ABC announced it was withdrawing ies /ABC merger have caused this change." which showed a $5 million operating profit, its four stations: KFSN1 -TV Fresno, Calif.; Reliable sources have estimated Blair's an- compared to an operating loss of $5.7 mil- WTVD(TV) Raleigh, N.C.; WPVI-TV Philadel- nual commission income from the four sta- lion in the previous year's second quarter. phia, and KTRK -TV Houston, which will now tions at approximately $6 million. Fox network begins to take shape Stations so far affiliated company's total reach would be by March Chicago (ch. 32), KDAF -TV Dallas (ch. 33), represent 80% of U.S. TV homes, 1987, when the prime time program service wTTG(TV) Washington (ch. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards. -
50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
The Producer Written by Ivo Burum
The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule. -
Station ID Time Zone Long Name FCC Code 10021 Eastern D.S. AMC AMC 10035 Eastern D.S
Furnace IPTV Media System: EPG Support For Furnace customers who are subscribed to a Haivision support program, Haivision provides Electronic Program Guide (EPG) services for the following channels. If you need additional EPG channel support, please contact [email protected]. Station ID Time Zone Long Name FCC Code Station ID Time Zone Long Name FCC Code 10021 Eastern D.S. AMC AMC 10035 Eastern D.S. A & E Network AETV 10051 Eastern D.S. BET BET 10057 Eastern D.S. Bravo BRAVO 10084 Eastern D.S. CBC CBC 10093 Eastern D.S. ABC Family ABCF 10138 Eastern D.S. Country Music Television CMTV 10139 Eastern D.S. CNBC CNBC 10142 Eastern D.S. Cable News Network CNN 10145 Eastern D.S. HLN (Formerly Headline News) HLN 10146 Eastern D.S. CNN International CNNI 10149 Eastern D.S. Comedy Central COMEDY 10153 Eastern D.S. truTV TRUTV 10161 Eastern D.S. CSPAN CSPAN 10162 Eastern D.S. CSPAN2 CSPAN2 10171 Eastern D.S. Disney Channel DISN 10178 Eastern D.S. Encore ENCORE 10179 Eastern D.S. ESPN ESPN 10183 Eastern D.S. Eternal Word Television Network EWTN 10188 Eastern D.S. FamilyNet FAMNET 10222 Eastern D.S. Galavision Cable Network GALA 10240 Eastern D.S. HBO HBO 10243 Eastern D.S. HBO Signature HBOSIG 10244 Pacific D.S. HBO (Pacific) HBOP 10262 Central D.S. Fox Sports Southwest (Main Feed) FSS 10269 Eastern D.S. Home Shopping Network HSN 10309 Pacific D.S. KABC ABC7 KABC 10317 Pacific D.S. KINC KINC 10328 Central D.S. KARE KARE 10330 Central D.S. -
Broadcasting Decision CRTC 2011-43
Broadcasting Regulatory Policy CRTC 2011-43 PDF version Ottawa, 25 January 2011 Revised lists of eligible satellite services – Annual compilation of amendments 1. In Broadcasting Public Notice 2006-55, the Commission announced that it would periodically issue public notices setting out revised lists of eligible satellite services that include references to all amendments that have been made since the previous public notice setting out the lists was issued. 2. Accordingly, in Appendix 1 to this regulatory policy, the Commission sets out all amendments made to the revised lists since the issuance of Broadcasting Regulatory Policy 2010-57. In addition, the lists of eligible satellite services approved as of 31 December 2010 are set out in Appendix 2. 3. The Commission notes that, as set out in Broadcasting Regulatory Policy 2010-839, it approved a request by TELUS Communications Company for the addition of 17 new language tracks to Baby TV, a non-Canadian service already included on the lists of eligible satellite services for distribution on a digital basis. Secretary General Related documents • Addition of 17 new language tracks to Baby TV, a service already included on the lists of eligible satellite services for distribution on a digital basis, Broadcasting Regulatory Policy CRTC 2010-839, 10 November 2010 • Revised lists of eligible satellite services – Annual compilation of amendments, Broadcasting Regulatory Policy CRTC 2010-57, 4 February 2010 • A new approach to revisions to the Commission’s lists of eligible satellite services, -
O @QQD Tile Future What Happened to the M and to Their Children
o JOURNAL ' APRIL ' 78 o @QQD TIle Future what happened to the m and to their children. Th ey clung to the organization What of our future? Today, we stand that gave them protection and strength. over 1,000,000 st rong, wi th nearly 1,600 Each era writes its own history. Our local unions scattered the length and union heritage, vibrant and strong, has breadth of the United Sti::ltes and been passed on to us- Whero we go Canada. We are one of th e largest from here depends upon our Brothers unions in the world, and our wages and and Sisters of today. Ihe Inter na tional working conditions are second to none Bro therhood or Electrical itt any comparable field. IBEW members Workers IS as otO as !he now enjoy better health and welfare commercial use 01 electricIty 11sell It .s the coverage, improved penSions, lor.g.". oldest. as weI! as the vacations, and more holidays, as we, lI,i'i IU l y,,~t , ,, 1,,~lI '~dl un,on other ncgoti3ted benefits. in th o world. ThiS IS Ih e We stand where we are today beca u.q '~ twenty-elgh!h ,n a sel,es strong, intelligent. and loyal men and 01 spec,al poslers lIaclng tha h story 01 Ih~ IBE'.'! women created, protected, and preserved our union. They cared 28 OFFICIAL PUBLICATION OF THE INTERNATIO NAL BROTHERHOOD EXEClITlVE OF ELECTRICAL WORKER S oFFICEIIS CHARL ES H. PILLARD ,,,,.,,,.,,OM' P".ld.", 1125 15,,. S l , N W JOURNAL· APR • 78 W' l hlnglon, D C. -
Syllabus for M.Sc. (Film Production)| 1
Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc. -
Welcome to the Ingleside Hotel
WELCOME TO THE INGLESIDE HOTEL The Ingleside Hotel is conveniently located right off I-94 in Pewaukee, WI. The property features 194 guest rooms and suites, 40,000 square feet of newly renovated meeting and banquet space, Didi’s Supper Club and Springs Indoor Water Park. Adjacent to the property is Pewaukee Golf Club and Westwood Health & Fitness Center. The Ingleside Hotel provides you with the luxury and amenities you are accustomed to along with personal guest service. Whether traveling for business or pleasure, we invite you to experience contemporary Lake Country hospitality at its natural, vibrant best. Enjoy your stay at The Ingleside Hotel. INGLESIDE GAZEBO PARKING VILLAGE ROOMS: STAGE/ 333-363 (THIRD FLOOR) SHELTER PARK 4 233-263 (SECOND FLOOR) SQUARE MEAL ENTRANCE 133-163 (FIRST FLOOR) (SNACK BAR) 030-060 (LOWER LEVEL) SECOND FLOOR EAST: WET YOUR WHISTLE (BAR) LAPHAM 1-4 FITNESS GEYSER GAMES CENTER LOWER LEVEL (ARCADE) 5 PARTY ROOM LAPHAM LAPHAM LOCKER ROOMS (LOWER TO WATER PARK RESTROOMS UPPER LEVEL) HOTEL 3 4 INGLESIDE TO GUEST PARKING PAVILION LEVEL ROOMS 3 6 PARTY ROOM PARKING LAPHAM LAPHAM FRONT DESK 1 2 PARKING 179-165 180-166 ROOMS ROOMS OFFICE 279-265 280-266 117-131 116-130 217-231 ROOMS ROOMS 216-230 OUTDOOR SPRINGS COURTYARD LOBBY LAPHAM 7 BOARDROOM PARKING 2 SPRINGS WATER PARK ENTRANCE OAKTON 189-181 192-182 ROOMS ROOMS BALLROOM 101-115 102-114 201-215 ROOMS ROOMS 202-214 INDOOR FOYER POOL PARKING FIELDSTONE ATRIUM 1 PARKING HEARTHSIDE FIELDSTONE LAKE FOYER DIDI’S COUNTRY FRONT BALLROOM DESK Supper Club 2 CONFERENCE