DOCSLIB.ORG

EAF2502 | University of Exeter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EAF2502 | University of Exeter 09/24/21 EAF2502 | University of Exeter EAF2502 View Online Shots in the Dark Abrams, Jerold J. 2009. ‘"A Homespun Murder Story”: Film Noir and the Problem of Modernity in Fargo.’ In The Philosophy of the Coen Brothers, edited by Mark T. Conard, The philosophy of popular culture:211–24. Lexington: University Press of Kentucky. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3355862?lang=eng. Allen, Robert C., and Douglas Gomery. 1993. ‘The Formation of the US Film Industry.’ In Film History: Theory and Practice, 143–52. New York: McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=6bb8df93-3066-e611-80c6-005056af4099. Allen, Woody, Diane Keaton, Tony Roberts, and Carol Kane. 2006. ‘Annie Hall.’ Metro-Goldwyn-Mayer. Anderson, Robert. 1985. ‘The Motion Picture Patents Company: A Reevaluation.’ In The American Film Industry, Revised ed, 133–52. Madison: University of Wisconsin Press. https://contentstore.cla.co.uk/secure/link?id=51078ffc-2266-e611-80c6-005056af4099. Anderson, Wes. 2014. ‘The Grand Budapest Hotel.’ https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/id p/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/07CA 758B?bcast=130244766. Anderson, Wes, Ralph Fiennes, F. Murray Abraham, Tony Revolori, Adrien Brody, Tilda Swinton, Bill Murray, et al. 2014. ‘The Grand Budapest Hotel.’ Twentieth Century Fox Home Entertainemnt F1-SGB5758001000. Anger, Kenneth. 2009. ‘“Scorpio Rising” [part Of] Magick Lantern Cycle/ Anger Me’. British Film Institute. Apfel, Oscar. 1912. ‘The Passer-By.’ https://www.youtube.com/watch?v=kF6Xr8GuF0o. Balio, Tina. 1990. ‘“Introduction to Part 1” [in] Hollywood in the Age of Television’. In Hollywood in the Age of Television, 185–211. Boston, [Mass.]: Unwin Hyman. http://encore.exeter.ac.uk/iii/encore/record/C__Rb4169397?lang=eng. Balio, Tino. 2010. The Foreign Film Renaissance on American Screens, 1946-1973. Vol. Wisconsin film studies. Madison, Wis: University of Wisconsin Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3958243?lang=eng. Bansak, Edmund G. 1995. Fearing the Dark: The Val Lewton Career. Jefferson, N.C.: McFarland. 1/16 09/24/21 EAF2502 | University of Exeter Barr, Charles. 1968. Laurel & Hardy. Vol. Movie paperbacks. Berkeley: University of California Press. Bean, Jennifer M. 2001. ‘Technologies of Early Stardom and the Extraordinary Body.’ Camera Obscura 16 (3): 8–57. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edspmu&AN=edspmu.S1529151001300094&site=eds-live&sc ope=site. Belton, John. 1990. ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound.’ In Hollywood in the Age of Television, 185–211. Boston, [Mass.]: Unwin Hyman. https://contentstore.cla.co.uk/secure/link?id=a7825dce-5d6c-e611-80c6-005056af4099. ———. 1993. Widescreen Cinema. Vol. Harvard film studies. Cambridge, Mass: Harvard U. P. Berliner, Todd. 2010. ‘Narrative Incongruity in Seventies Cinema.’ In Hollywood Incoherent: Narration in Seventies Cinema, 25–52. Austin: University of Texas Press. https://contentstore.cla.co.uk/secure/link?id=8069c8fe-f96d-e611-80c6-005056af4099. Bernstein, Matthew. 2000. ‘Perfecting the New Gangster: Writing “Bonnie and Clyde”.’ Film Quarterly 53 (4): 16–31. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsjsr&AN=edsjsr.10.2307.1213748&site=eds-live&scope=sit e. Bigelow, Kathryn. 2012. ‘Zero Dark Thirty.’ https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/id p/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/03781 430?bcast=122248602. Bigelow, Kathryn, Mark Boal, Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, et al. 2012. ‘Zero Dark Thirty.’ [S.l.]: Universal Studios. Bont, Jan De. 1994. ‘Speed.’ FilmFour. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/id p/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/001C3 A73?bcast=122032458. Bont, Jan De, Keanu Reeves, Dennis Hopper, and Sandra Bullock. 1994. ‘Speed.’ Twentieth Century Fox Home Entertainment. Bordwell, David. 2002. ‘Intensified Continuity Visual Style in Contemporary American Film.’ Film Quarterly 55 (3): 16–28. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsjsr&AN=edsjsr.10.1525.fq.2002.55.3.16&site=eds-live&sc ope=site. ———. 2006. ‘Subjective Stories and Network Narratives.’ In The Way Hollywood Tells It: Story and Style in Modern Movies, 72–103. Berkeley: University of California Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb1825466?lang=eng. 2/16 09/24/21 EAF2502 | University of Exeter ———. 2014. ‘The Grand Budapest Hotel: Wes Anderson Takes the 4:3 Challenge.’ Observations on Film Art. http://www.davidbordwell.net/blog/2014/03/26/the-grand-budapest-hotel-wes-anderson-tak es-the-43-challenge/. Boughn, M. 2013. ‘The War on Art and Zero Dark Thirty.’ Cineaction 91: 19–26. https://contentstore.cla.co.uk/secure/link?id=38593783-cf7c-e611-80c6-005056af4099. Brewster, Ben. 2004. ‘Traffic in Souls (1913): An Experiment in Feature-Length Narrative Construction.’ In The Silent Cinema Reader, 226–41. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=0e426167-2766-e611-80c6-005056af4099. Brook, Vincent. 2006. ‘Puce Modern Moment: Camp, Postmodernism, and the Films of Kenneth Anger.’ Journal of Film and Video 58 (4): 3–15. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsjsr&AN=edsjsr.20688535&site=eds-live&scope=site. Bruckman, Clyde, Buster Keaton, and Marion Mack. 1927. ‘The General.’ Eureka EKA 40028. Buckland, Warren. 2006. ‘Duel with a Shark: Jaws (1975).’ In Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster, 86–110. New York: Continuum. https://contentstore.cla.co.uk/secure/link?id=56ac7d55-e76d-e611-80c6-005056af4099. Calavita, Marco. 2007. ‘“MTV Aesthetics” at the Movies: Interrogating a Film Criticism Fallacy’. Journal of Film and Video 59 (3): 15–31. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsjsr&AN=edsjsr.20688566&site=eds-live&scope=site. Cameron, Allan. 2007. ‘Jaws: Searching the Depths.’ In The Cinema of Steven Spielberg: Empire of Light, Directors’ cuts:43–61. London: Wallflower. https://contentstore.cla.co.uk/secure/link?id=2d91f0d7-e86d-e611-80c6-005056af4099. Capra, Frank. n.d. ‘It Happened One Night (1934).’ https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/id p/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/009A6 306?bcast=44504925. Capra, Frank, Clark Gable, and Claudette Colbert. 1934. ‘It Happened One Night.’ Columbia CDR10627. Carney, Raymond. 1986. ‘A World Elsewhere.’ In American Vision: The Films of Frank Capra, 225–61. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=50e1b95a-9e6b-e611-80c6-005056af4099. Carroll, Noel. 1990. ‘Buster Keaton, The General and Visible Intelligibility.’ In Close Viewings: An Anthology of New Film Criticism, 125–40. Tallahassee: Florida State University Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb1818129?lang=eng. ———. 2009. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping. Chichester: Wiley-Blackwell. http://encore.exeter.ac.uk/iii/encore/record/C__Rb1834849?lang=eng. 3/16 09/24/21 EAF2502 | University of Exeter Carruthers, Susan L. n.d. ‘Zero Dark Thirty.’ Cineaste 38 (2): 50–52. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edswah&AN=000337716000015&site=eds-live&scope=site. Carter, Steven. 1999. ‘“Flare to White”: Fargo and the Postmodern Turn’. Literature/Film Quarterly 27 (4): 238–44. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsjsr&AN=edsjsr.43796900&site=eds-live&scope=site. Chang, Justin. n.d. ‘“Knight Rises” and Shines’. Variety 427 (10). https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/fiaf/docview/1030729 716/FB424985FCF94C9EPQ/1?accountid=10792. Chaplin, Charlie. 1917. ‘Easy Street.’ https://www.youtube.com/watch?v=eLF-aLPwfrg. Coen, Joel, Ethan Coen, Frances McDormand, William H. Macy, Steve Buscemi, Harve Presnell, and Peter Stormare. 1996. ‘Fargo.’ Metro-Goldwyn-Mayer. Cook, Roger F. 2011. ‘Hollywood Narrative and the Play of Fantasy: David Lynch’s Mulholland Drive.’ Quarterly Review of Film and Video 28 (5): 369–81. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=tr ue&db=edsbl&AN=RN298585673&site=eds-live&scope=site. Cowie, Peter, Woody Allen, and British Film Institute. 1996. Annie Hall. Vol. BFI film classics. London: British Film Institute. Cripps, Thomas. 1977. ‘“The Black Underground” [in] Slow Fade to Black: The Negro in American Film, 1900-1942’. In Slow Fade to Black: The Negro in American Film, 1900-1942, A galaxy book:349–89. London: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=70e5a480-656c-e611-80c6-005056af4099. ———. 1993a. Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. New York: Oxford University Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb1019580?lang=eng. ———. 1993b. Slow Fade to Black: The Negro in American Film, 1900-1942. New York: Oxford University Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3458077?lang=eng. Crosland, Alan, Al Jolson, May McAvoy, Warner Oland, and Cantor Rosenblatt. 2007. ‘The Dawn Of Sound: How Movies Learned To Talk.’ Turner Entertainment. Deleyto, Celestino. 1995. ‘“The Narrator and the Narrative: The Evolution of Woody Allen”s Film Comedies’ [in] Film Criticism’. Film Criticism 19 (2): 40–54. https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/fiaf/docview/2227224 92/25E8DAD4BBB9425BPQ/1?accountid=10792.
Load more

Recommended publications
  • Parking Who Was J 60P NAMES WARREN Gary Cooper
    Metro, is still working on the same tator state that she was going to thing cute.” He takes me into the day,* had to dye her brown hair is his six- contract she signed when she was marry Lew Ayres when she gets her television room, and there yellow. Because, Director George wife. Seems to year-old daughter Jerilyn dining Mickey Rooney’s freedom from Ronald Reagan. She Seaton reasoned, "They wouldn't me she rates something new in alone, while at the same time she Hollywood: that’s because have a brunette daughter.” the way of remuneration. says quite interesting, watches a grueling boxing match on Back in Film is from Business, Draft May Take Nancy Guild, now recovered from she hasn’t yet had a date with Lew. the radio. Charles Grapewin retiring Hughes, making pictures when he finishes her session with Orson Welles in John Garfield is doing a Bing Gregory Peck gets Robyt Siod- Kay Thompson’s into two his present film, "Sand,” after 52 “Cagliostro,” goes pictures for his Franchot Tone. mak to direct him in "Great Sinner.” Minus Brilliance of Crosby pal, years in the business. And they Schary Williams Bros. —the Clifton Webb “Belvedere Goes That's a break for them both. He in a bit role in Fran- used to the movies were a By Jay Carmody to College,” and “Bastille” for Wal- appears Celeste Holm and Dan Dailey are say pre- carious ferocious whose last Hollywood Sheilah Graham ter Wanger. chot's picture, “Jigsaw.” both so their Coleen profession! Howard Hughes, the independent By blond, daughter North American Richard under (Released by sensation was production of the stupid, bad-taste "The Outlaw," has Burt Lancaster, thwarted in his Conte, suspension Nina Foch is the only star to beat Townsend, in "Chicken Every Sun- Newspaper Alliance.) at 20thtFox for refusing to work in come up with another that has the movie capital talking.
    [Show full text]
  • January 12, 2010: XX:1 the GENERAL 1927 (75 Minutes)
    January 12, 2010: XX:1 THE GENERAL 1927 (75 minutes) Directed by Clyde Bruckman, Buster Keaton Written by Al Boasberg and Charlie Smith based on William Pittenger’s 1863 novel, The Great Locomotive Chase Producers by Buster Keaton, Joseph M. Schenck Cinematography by Bert Haines, Devereaux Jennings Film Editing by Buster Keaton and Sherman Kell Art Direction Fred Gabourie Marion Mack.... Annabelle Lee Charles Smith .... Mr. Lee Richard Allen .... His Son Glen Cavender .... Captain Anderson Jim Farley .... General Thatcher Frederick Vroom....Southern General Joe Keaton....Union General Mike Donlin....Union General Tom Nawn .... Union General B Buster Keaton .... Johnnie Gray Selected for the National Film Registry, 1989 BUSTER KEATON (Joseph Frank Keaton VI, 4 October 1895, Piqua, Kansas—1 February 1966, Los Angeles, lung cancer) wrote about 30 films, directed nearly 50, and acted in more than 130, often playing himself. His first film role was in The Butcher Boy 1917; his last in Samuel Becket’s Film 1966. Some of the others are A Funny Thing Happened on the Way to the Forum 1966, How to Stuff a Wild Bikini 1965, Beach Blanket Bingo 1965, Pajama Party 1964, It's a Mad Mad Mad Mad World 1963, Limelight 1952, Sunset Blvd. 1950, Pardon My Berth Marks 1940, Palooka from Paducah 1935, What! No Beer? 1933, Steamboat Bill, Jr. 1928, College 1927, Battling Butler 1926, Seven Chances 1925, The Navigator 1924, Sherlock, Jr. 1924, Our Hospitality 1923, Paleface 1922, Cops 1922, One Week 1920. He won an honorary Academy Award in 1960. MARION MACK (Joey Marion McCreery, 9 April 1902, Mammoth, Utah—1 May 1989, Costa Mesa, California) appeared in only five films: The Great Chase 1963, The General, The Carnival Girl 1926, One of the Bravest 1925, and Mary of the Movies 1923.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Best Picture of the Yeari Best. Rice of the Ear
    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
    [Show full text]
  • Silent Film Music and the Theatre Organ Thomas J. Mathiesen
    Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili­ tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country.
    [Show full text]
  • 'DJ.M~ ~ WORLD's GREATEST SELECTION of THINGS to SHOW
    WINTER 1984 SUPPLEMENT I -'DJ.m~ ~ WORLD'S GREATEST SELECTION OF THINGS TO SHOW SCROOGE 2 (1935) SEYMORE HICKS, DONALD CALTHROP, ROBERT COCHRAN, MARY GLYNNE It's the one and only "Bah­ Humbug" story as told by Charles Dickens. From the irascible old Scrooge, through Bob Crotchet's misery, old Marlye's ghost and the new and loveable Scrooge, we and Tiny Tim again enjoy that most wonderful spirit of Christmas. 77 min . BW We are pleased to present the classic version of this Dickens Christ­ mas classic to all our customers. Merry Christmas to you all! 506-30-0599 - Beta 525-30-0599 - VHS. .. .. .. .................... $29.98 BLACKHAWK CHRISTMAS PRICE ....... ... $23.88 (Sale ends December 31, 1983) A CHRISTMAS CAROL, here called SCROOGE, was the first of Charles Dickens "Christmas Books" written' in 1845 and we are pleased to announce on page 3 his third "Book" called THE CRICKET ON THE HEARTH. (order blank p. 33) 1983 Blackhawk f ilms, Inc ., One Old Eagle Brewery, Davenport, Iowa 52802 Special Delivery Services United States: Guarantee 16mm Film - Special Order Most 16mm format film is special order. Please UPS BLUE LABEL $2 .00 per item POSTAL EXPRESS OVERNITE $8.00 (1 only) If after receivin!;l an item you are not allow 12 weeks for printing and delivery. satisfied, return 11 to us within 10 days. {Limit 1 tape or 1 Disc only) We'll allow full credit on some other Running Time Conversion Table UPS NEXT DAY AIR $10.00 per item FEDERAL EXPRESS $28.00 per item purchase or give you a full refund.
    [Show full text]
  • OTR Digest (134) Summer 2011
    No.134 Summerzou S3~S • Les Tremayne as the Falcon OldDmeRadio 'DIGESJ' Old Time Radio No.134 Summer 2011 Th e Old lime Radio Digest is printed, BOOKS AND PAPER published and distributed by RMS & Associates We have one of the largest selections in the USA of out of print Edited by Bob Burchett Ille Perfected books and paper items on all aspects of radio broadcasting. Published quarterly, four limes a year ALL One-year subscription is $15 per year Single copies $3.75 each JllECJRIC Books: A large assortment of books on the history of broadcasting, Past issues are available. Make checks radio writing, stars' biographies, radio shows, and radio plays. payable to Old Time Radio Digest. RADIO Also books on broadcasting techniques, social impact of radio etc .. Business and editorial office 7 Tube• - SJngJe Control RMS & Associates, 10280 Gunpowder Rd Ephemera: Material on specific radio stations, radio scripts, Florence, Kentucky 41042 (888) 477-9112 fax (859) 282-1999 advertising literature, radio premiums, NAB annual reports, etc. bob [email protected] Advertising rates as of January 1, 2011 ORDER OUR CATALOG Full page ad $20 size 4 5/8 x 7 Our last catalog (B25) was issued in July 20IO and includes over 300 items Half page ad $10 size 4 5/8 x 3 including a nice variety of items we have never seen before plus a number of Half page ad $10 size2x7 old favorites that were not included in our last catalog. Most items in the catalog are still available. To receive a copy, send us one dollar($ I.) in cash or All ads should be in a PDF or jpeg file.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • + Vimeo Link for ALL of Bruce Jackson's and Diane Christian's Film
    Virtual February 2, 2021 (42:1) Buster Keaton and Clyde Bruckman: THE GENERAL (1927, 72 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries + Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The General Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 National Film Preservation Board, USA 1989 Directed by Buster Keaton, Clyde Bruckman, Written by Buster Keaton, Clyde Bruckman, (written by), Al Boasberg, Charles Henry Smith (adapted by), William Pittenger (book, memoir "The Great BUSTER KEATON (b. Joseph Frank Keaton VI on Locomotive Chase") (uncredited) and Paul Girard October 4, 1895 in Piqua, Kansas—d. February 1, Smith (uncredited) 1966 in Los Angeles, CA) was born in a boarding Produced Buster Keaton, Joseph M. Schenck house where his parents, Joseph Hallie Keaton and Music Joe Hisaishi Myra Cutler Keaton, were touring with a medicine Cinematography Bert Haines, Devereaux Jennings show. He made his debut at the age of nine months Film Editing Buster Keaton, Sherman Kell when he crawled out of the dressing room onto the Art Direction Fred Gabourie stage, and he became part of the act when he was three. The young Keaton got his nickname within the Cast first two years of his life when he fell down a flight of Buster Keaton…Johnnie Gray stairs and landed unhurt and unfazed.
    [Show full text]
  • Wednesday Daytime October 30 Wednesday Evening
    WEDNESDAY DAYTIME OCTOBER 30 NW 6 AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 12 PM 12:30 1 PM 1:30 2 PM 2:30 3 PM 3:30 4 PM 4:30 5 PM 5:30 News 3 News This Good Morning America Emilia Clarke; Rachael Ray (N) The View (N) 25 25 GMA3: Strahan, General Hospital The Dr. Oz Show Tamron Hall (N) The Ellen DeGe- News 3 World # WEHT 6 Morning (N) Rachel Hollis. (N) Words Words Sara & Keke (N) (N) (N) neres Show (N) News-5 News 44News This Morn- CBS This Morning Jennifer Aniston; Funny Funny The Price Is Right The Young and the 44News Bold/ The Talk (N) Let’s Make a Deal The Ellen DeGe- Dr. Phil (N) 44News Evening L WEVV 5 ing at 6 (N) Reese Witherspoon. (N) You Ask You Ask (N) Restless (N) at Noon Beautiful (N) neres Show (N) at 5 (N) News 14 News Sunrise Today Robert De Niro; Al Pacino; Ray Today 3rd Hour (N) Today With Hoda & 14 News at Midday Days of our Lives The Kelly Clarkson Jeopardy Jeopar- 14 News at 4:00PM 14 News Nightly . WFIE 4 (N) Romano. (N) Jenna (N) 11:00AM (N) Show (N) dy! (N) (N) at 5 News America America 44News This Morn- 44News This Morn- Maury (N) The Steve Wilkos The Doctors (N) Chicago P.D. Two and Two and 2 Broke 2 Broke Judge Judge Supreme Supreme Modern Modern (44.2) WEVV-2 7 Says Says ing at 7 (N) ing at 8 (N) Show (N) Half Men Half Men Girls Girls Ross Ross Justice Justice Family Family A&E 39 The First 48 The First 48 The First 48 The First 48 The First 48 The First 48 The First 48 The First 48 The First 48 Ghost Hunters Ghost Hunters Ghost Hunters Smart- Paid Car Medicare ›› Halloween 5: The Revenge of Mi- › Halloween 6: The Curse of Michael › Halloween II (’09) Malcolm McDowell, Tyler Mane, ›› Halloween H20: 20 Years Later (’98) › Halloween (’07) Malcolm AMC 35 Wash? Program Repair chael Myers (’89) Donald Pleasence.
    [Show full text]
  • Jacques Tourneur, Val Lewton and the Allure of the Labyrinth
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1991 Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth Glen Hirshberg The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Hirshberg, Glen, "Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth" (1991). Graduate Student Theses, Dissertations, & Professional Papers. 2476. https://scholarworks.umt.edu/etd/2476 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial gain may be undertaken only with the author's written consent. MontanaUniversity of GRATUITOUS MOONLIGHT: JACQUES TOURNEUR, VAL LEWTON, AND THE ALLURE OF THE LABYRINTH by Glen Hirshberg B.A., Columbia University, 1988 M.F.A., University of Montana, 1991 Presented in partial fulfillment of the requirements for the degree of Master of Arts, Literature University of Montana 1991 Approved by UMI Number: EP35167 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • TCM Presents ... There's NO Place Like Hollywood
    THERE’S NO PLACE LIKE HOLLYWOOD The Definitive Classic Movie Memorabilia Auction MONDAY NOVEMBER 24, 2014 at 1pm NEW YORK TCM PRESENTS ... There’s NO PLACE LIKE HOLLYWOOD Monday November 24, 2014 at 1pm New York BONHAMS INQUIRIES Automated Results Service 580 Madison Avenue Catherine Williamson, Ph.D. +1 (800) 223 2854 New York, New York 10022 Director, Fine Books & Manuscripts/ bonhams.com Entertainment Memorabilia Online bidding will be available for +1 (323) 436 5442 this auction. For further information PREVIEW [email protected] please visit: Los Angeles www.bonhams.com/22196 Thursday November 6, 12pm to 5pm Lucy Carr, Associate Specialist Friday November 7, 12pm to 5pm Entertainment Memorabilia Please see pages 2 to 7 Saturday November 8, 12pm to 5pm +1 (323) 436 5467 for bidder information including Sunday November 9, 12pm to 5pm [email protected] Conditions of Sale, after-sale collection and shipment. New York Dana Hawkes, Consultant Thursday November 20, 12pm to 5pm Entertainment Memorabilia ILLUSTRATIONS Friday November 21, 10am to 5pm +1 (978) 283 1518 Front cover: Lots 83 (Photograph Saturday November 22, 12pm to 5pm [email protected] © Turner Entertainment Co.) and 251 Sunday November 23, 12pm to 5pm Inside front covers: Lots 291 and 347 Monday November 24, 10am to 1pm Katherine Schofield Session page: Lot 48 Head of Department, UK Inside back cover: Lot 244 BIDS Entertainment Memorabilia Back cover: Lot 128 +1 (212) 644 9001 +44 (0) 20 7393 3871 +1 (212) 644 9009 fax [email protected] To bid via the internet please Lisa Charlesworth visit www.bonhams.com Business Administrator +1 (323) 436 5410 SALE NUMBER: 22196 [email protected] Lots 1 - 376 CATALOG: Softcover $45 Limited edition hardcover $100 © 2014, Bonhams & Butterfields Auctioneers Corp.; All rights reserved.
    [Show full text]