University of Connecticut

Total Page:16

File Type:pdf, Size:1020Kb

University of Connecticut UNIVERSITY OF CONNECTICUT YourL InformationI ConnectionBRwww.lib.uconn.eduARINovember/DecemberES 2007 Libraries Launch Large-Scale Book Digitization Project Unfettered Online Access to 3,000 Volumes Expected Over Next Two Years David Lowe ver the next two years, the University of Higher Education Daily OConnecticut Libraries will send more than 3,000 Report, not to mention on volumes from our shelves to Boston, where they will be numerous blogs, and in digitized by the Open Content Alliance (OCA) on other media. Open Content Alliance’s book scanning equipment at the Boston Public Library. equipment hosted at the Boston Public Library (BPL). What’s wrong with corporate funding? OCA is the textual wing of the Internet Archive Why are we are doing this in the first place? The Internet Archive’s OCA effort features the open (archive.org), a non-profit founded by Internet entrepre- First, we have accepted the fact that the business of access many value so dearly, and it holds promise for neur Brewster Kahle as a vast, freely accessible multime- research libraries—information—is increasingly more serving as a significant portal for digitized texts. dia collection, including Web sites, audio, video, and about bits than atoms, more about online files than Proprietary pitfalls are second nature to some software now books. The most significant aspect of our venture paper. The new digital medium has intoxicatingly companies, and they are a major character flaw we want into large-scale or “mass digitization,” as it is often powerful advantages over the paper mode of opera- to avoid. Despite their largesse, Google and Microsoft called, is that the 19 members of the Boston Library tion. Ubiquitous access of the 24/7 variety is just the tend to attach strings to the scanning that they under- Consortium (BLC), including UConn, have agreed to thing for our impatient, multitasking age. Full access to write. Restricted access, advertisements, and even pool resources and handily cleared the $500,000 every page image in sequence or via the text, newly privacy infringements are concerns that we hope to minimum ($250,000/year for two years) needed to made searchable, will be available to anyone with an completely avoid by following the path less paid for. establish an OCA scanning center at the BPL. This Internet connection. Still, there are some limitations Another factor in favor of this corporate-free bootstrap attitude of avoiding corporate money from that we must live with. approach is that the final product, the quality of the the likes of Google and Microsoft has raised some Since we do not own the intellectual property images, and the completeness of all of the work will be eyebrows. The New York Times recently featured our rights to much of what is in our collections, we must under our control. Some of the large scale projects to consortium’s decision to pay its own way on its front first confirm that the materials we hope to make date have made it evident that libraries have gotten page; follow-up articles have appeared in The Chronicle of available online is in the public domain. Determining what they have paid for in their that status can lead us into murky gray areas of free corporate scanning. Quality copyright law, so to be safe, initially we will primarily has unquestionably been sacri- focus on books printed in North America before 1923. ficed for quantity’s sake. Some advocate including documents published by the Rather than relying on U.S. Federal government, which are declared by law to corporate backers, we hope the be in the public domain. However, promises by the idea of truly open access will Government Printing Office (GPO) to comprehen- appeal to philanthropic interests, sively provide open access online to that material bear like the Alfred P. Sloan Founda- patient watching. To include federal documents now tion, which is generously funding would mean expending precious resources to convert an upcoming BLC summit for what the GPO may do soon anyway for all of us. university administrators, librar- As the flagship public university in our state, ians, and others involved in President Michael Hogan chats with external relations assistant Ann UConn has a natural starting point with the primacy of scholarly communication to Galonska while Vice Provost for University Libraries Brinley Franklin Connecticut specifically, but also New England more discuss the ramifications of large- looks on during the president’s first visit to the library. Hogan visited the broadly. Another targeted category, common to library on October 17 to view a library exhibit of the books he had scale digitization. Granting agency written or edited, to meet staff, and tour the building. In brief remarks, preservation reformatting programs, are those books officers continue to monitor our Hogan talked of his lifelong love of books and libraries and the fact that identified upon return from circulation as brittle or his brother works in the library at the University of Iowa, where Hogan progress, and the hope of more otherwise in need of having their content transferred previously served as provost. While here, Franklin presented him with outside funding provides us with a copy of “Celebrating Research: Rare and Special Collections from from the paper they are on. Within the set parameters even greater incentive to do good the Membership of the Association of Research Libraries,” which was (pre-1923 monographs), we remain open for now to just published in honor of the 75th anniversary of ARL. work. Continued on page 4 R O M T H E V I C E P R O V O S T Bit by Bit Worldwide Directory of Online Brinley Franklin, vice provost Collective Catalogs Debuts University of Connecticut Libraries Lana Babij she sought two specific journals on the history of he University of Connecticut Libraries is now a design in Sweden. player in the world of mass digitization. Through cholars and librarians seeking resources in T “I read Swedish and some Danish so my search a collaboration announced in September between the Sother parts of the world have a new tool at their was quite thorough, but your directory turned up a Boston Library Consortium (BLC) and the Open disposal thanks to the creation of a worldwide batch of sites I’d missed. … I now have a much Content Alliance (OCA), all 19 BLC members (includ- directory of national and multinational online union, better sense of which libraries I can and should ing the Boston Public Library, Tufts, UConn, the five or collective, catalogs and related resources. explore on upcoming trips,” Givens said. UMass campuses’ libraries, UNH, Northeastern, Conceived of and compiled by Lana Babij, a As the name indicates, MetaBibCatsWiki is an Wellesley, Brandeis, Boston University, Brown, MIT, search librarian in Document Delivery/Interlibrary online collaborative directory, similar in concept and Marine Biological Laboratory Woods Hole Oceano- Loan at Homer Babbidge Library, MetaBibCatsWiki design to Wikipedia. It allows for direct and ongoing graphic Institution, Boston College, the Massachusetts (http://wiki.lib.uconn.edu/wiki/MetaBibCatsWiki), input of information whether by its originator, or by State Library, and Williams) agreed to digitize and make which debuted in June, has two main sections. One any responsible individual in the world who wishes to publicly accessible almost a million pages from its offers brief descriptions and links to the major contribute. Since the Directory’s debut, a few collectively owned 34 million volumes over a two year multinational catalogs of the world; including, for librarians/researchers have already modified the period using scanners housed at the Boston Public example, the U.S.-based WorldCat, the Karlsruher entries for their countries with useful additional Library and provided by the OCA. Virtueller Katalog, or KVK, and the new viaLibris resources. The concept of mass digitization probably Catalog. The second consists of a country by MetaBibCatsWiki is a work in progress. Most of originated with Google’s announcement three years ago country listing of national union catalogs and related the countries of the Americas and Europe are that it was starting to digitize books at five major online resources. Since the directory is intended for represented, as well as Australia and New Zealand. research libraries: the New York Public Library the entire international community, each country is Representation from Asia, the Middle East, and Africa (NYPL), Harvard, Stanford, Michigan, and Oxford. As also identified and searchable by its native name, is growing. Xiaolin (Charlie) Pei, a conservation a group these five libraries’ collections represent more and where possible in its native script. Furthermore, technician in Babbidge Library’s Conservation Lab, than 55 million volumes. At the time, observers noted the major institutions and catalogs listed are also has provided invaluable assistance for the China and that it would take Google less than a decade (and identified in their native languages as well as in Taiwan entries. Since the Directory’s debut, librar- something like $800 million) to digitize these collec- English. In each case, the languages available on ians from Pakistan and Mongolia have created tions. NYPL CEO Paul LeClerc called the Google deal any given catalog’s search screen are also provided. entries for their respective countries. Additional “one of the most transformative events in the history Online union catalogs are useful to scholars collaboration from others, whether here or from of information distribution since Gutenberg.” and librarians alike because they offer access to the around the world would be most welcome in order to Publishers couldn’t help but take notice. After all, bibliographic records from often hundreds of provide authoritative information for countries not yet Google surpassed Microsoft as the world’s most visited libraries, all searchable from a single Web site.
Recommended publications
  • STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; Architect, William Bayard Willis
    Landmarks Preservation Commission June 23, 2015, Designation List 483 LP-2574 STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; architect, William Bayard Willis Landmark Site: Borough of Manhattan, Tax Map Block 610, Lot 1 in part consisting of the land on which the buildings at 51-53 Christopher Street are situated On June 23, 2015 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Stonewall Inn as a New York City Landmark and the proposed designation of the related Landmark Site (Item No.1). The hearing had been duly advertised in accordance with the provisions of the law. Twenty-seven people testified in favor of the designation including Public Advocate Letitia James, Council Member Corey Johnson, Council Member Rosie Mendez, representatives of Comptroller Scott Stringer, Congressman Jerrold Nadler, Assembly Member Deborah Glick, State Senator Brad Hoylman, Manhattan Borough President Gale A. Brewer, Assembly Member Richard N. Gottfried, the Greenwich Village Society for Historic Preservation, the Real Estate Board of New York, the Historic Districts Council, the New York Landmarks Conservancy, the Family Equality Council, the National Trust for Historic Preservation, the National Parks Conservation Association, SaveStonewall.org, the Society for the Architecture of the City, and Parents and Friends of Lesbians and Gays, New York City, as well as three participants in the Stonewall Rebellion—Martin Boyce, Jim Fouratt, and Dr. Gil Horowitz (Dr. Horowitz represented the Stonewall Veterans Association)—and historians David Carter, Andrew Dolkart, and Ken Lustbader. In an email to the Commission on May 21, 2015 Benjamin Duell, of Duell LLC the owner of 51-53 Christopher Street, expressed his support for the designation.
    [Show full text]
  • GEAD STLRN Card Swra Is Prosidant of .Al .,Nownsystems Ccopointion
    GEAD STLRN card swra is prosidant of .,noWn.al_. Systems Ccopointion . An Q alnu an AssocinVu in AduLnkion 0W 0 at Ch u Harvard Eyivcnnity _URTU V&DOW 01 EARCUtion aro ,. Visitina 1cctu= town Alnq Naz= 02 WSW 0 We hodra of 00nnoz" 61 0" Vii :. plannian coroozation c"a nyLs, the Board of VZOV03ZS of tho Notional ,.'.U510 VIO-VI Annociation QsLcms Canncil, The roard of Of the Bcauriful Fund, and is ai a panel of the Xww Yozk Snazz Council. ca the ArQ . A pioneer in the fieW K ~ntormvdia, Mr . Starn "Pa h~~ u st VVItion. of 0 1 7 no0 Mlwn sven':_ in Ncw York in 1S52 . -no ~izwr USCO-stylv win :o wwd" ~cricnce, a _W.1 WO R WOAT'b hn~ONWXNG?, was claaend VI a i Ono- at tsAow ha San Francisco wu ; .~w of Art in 1963 . Tich \.,C0, Stara was Involved in thn cn .n~Mcn 0 anlian Ond K IVKr z'.m- rs kinnLic sculpLurus aW ii hei ) .udin 7 1 4 anvironmznts 0 ~z -" - W_ us anu muscums inicuding the Abhomusous van Tiaod, the Walkcr Art Center in Minnninolis the Mil Ccnter, Alt the Ynstitute of Contw,qo~azy Art in losron . ond zaaeum of Modern Art in New Yo.-k. Or , Staln was a principal con- uributor to "Intermcdia `69", a program 220ncorcd by the NaKana]. Oil. the Arts and the Naw York Stato Council on ...1 :, Arts . Mr . suern has iectured an intarnudin honcupts aad thcV_- coucational appiication6 and has corOucQua Mal aria, .... at nZe University of California at Santa Cruz : Gniver l on' ; Ohio State University ; un0craiky of California n"ivarsity of Eritish Cclunliai University of WiwconLi lonachu- zzttw instituto of Technology ; L~zvpyd Graduato Brandeis School zluoaoicn ; WvLrsity ; the Rhoda island School of .SnC's.
    [Show full text]
  • Západočeská Univerzita V Plzni Fakulta Filozofická Bakalářská Práce
    Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce Art Spiegelman – “Of Mice and Men” Monika Majtaníková Plzeň 2014 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce Art Spiegelman – “Of Mice and Men” Monika Majtaníková Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2014 Prohlašuji, že jsem práci zpracoval(a) samostatně a použil(a) jen uvedených pramenů a literatury. Plzeň, duben 2014 ………………………….......... Acknowledgement I would like to express my honest acknowledgement to my supervisor, Mgr. et Mgr. Jana Kašparová, for her professional guidance, useful advice, patience and continual support. Table of Contents 1 Introduction .................................................................................................... 1 2 Art Spiegelman ............................................................................................... 2 2.1 Early life .................................................................................................. 2 2.2 Education ................................................................................................. 3 2.3 Beginning of his writing career ............................................................... 4 2.4 Personal and contemporary life ............................................................... 9 2.5 Interesting
    [Show full text]
  • The Underground Press
    Catalog #4 The Underground Press Boo-Hooray Catalog #4: The Underground Press Terms: Usual. Not onerous. Boo-Hooray is proud to present our fourth catalog, dedicated to the 1960s and ‘70s underground press. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encour- age visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. The newspapers and magazines presented here–along with innumerable peer publications–established a trans-Atlantic network of underground press. This network provided an alternative to mainstream news and culture outlets, which had proved to be inept at covering the rapidly evolving social and political landscapes in Western Europe and Amer- ica. Though each had its own focus, these publications share histories of government prosecution, censorship, and surveillance; an animating mission of pushing the boundaries of cultural and political discourse; and shoestring budgets. Taken as a whole, these publications present a wide view of the countercultural zeitgeist of the 1960s and 70s. Catalog prepared by Beth Rudig, Director of Archives; Evan Neuhausen, Archivist; and Daylon Orr, Director of Rare Books & Manuscripts. Layout and design by Maya Fell. Please direct all inquiries to Daylon ([email protected]). All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost.
    [Show full text]
  • Unterhelios 2 Siclari 1972
    UNTERHELIOS UnterHelios Unterhelios unterhelios unterHelios # 2 Table OR Contents THE EDITORIAL EVE.....................................................................................................................................2 INSIDE THE HAR 0n THE WORLDS by ''ike Scott.............................................................................. 4 DO’TN UNDER (Underground Conix) by Rich Small........................................................................10 NOREASCON THE SLICK COM by Linda Bushyaper................. 25 AMERICAN HORROR (Prosnectus on Films, 1931-36) by ’’ichael Order.............................28 ’fEDIATUS (reviews by ”ike Scott, Joseph Daniels 4 ye ed)............................................. 31 .. .AND DROOGS TOO by Paul Grieman................................................ 38 THE PRINCE OP PEASANT;’AN IA (Interview, part 2) by Narren ’’illiams......................... 40 OUT OP YOUR MINDS by You................................................................................................................... 48 ’UTTER,MUTTER, the small ed speaks............................................................................................. 57 THE FRA’^GS IS CONIN’" by Brad Linaweaver and ’’arren ’’’illiams.......................................59 HHY I FORCED THIS OH YOU..................................................................... 60 APT CREDITS: " , .. unterHelios may be obtained thru trades, contributions, Art cover bjz Stephen Fabian printed or substantial LoCs, Front cover bv Stu Smith
    [Show full text]
  • “We're Not Rated X for Nothin', Baby!”
    CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................
    [Show full text]
  • Counterculture of 1960-S and «Underground Press» in the Usa
    Propósitos y Representaciones Mar. 2021, Vol. 9, SPE(2), e999 ISSN 2307-7999 Special Number: Professional competencies for international university education e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 RESEARCH NOTES Counterculture Of 1960-S and «Underground Press» in the Usa Contracultura de 1960-S y «Underground Press» en Estados Unidos Oleg Vyacheslavovich Bodrov Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-8394-7210 Almaz Vasilovich Zakirov Candidate of Historical Sciences, Senior Lecturer, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4562-897X Luiza Kajumovna Karimova Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-0353-8493 Anna Andreevna Kirpichnikova PhD in Philology, senior lecturer, Department of Foreign Languages, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4261-8004 Received 09-08-20 Revised 10-10-20 Accepted 20-12-21 On line 02-16-21 * Correspondence Citation: Oleg Vyacheslavovich Bodrov, Almaz Vasilovich Zakirov, Luiza Email: [email protected] Kajumovna Karimova, Anna Andreevna Kirpichnikova. (2021). Counterculture Of 1960-S and «Underground Press» in the Usa. Propósitos y Representaciones, 9(SPE2), e999. doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/).
    [Show full text]
  • Identity and Form in Alternative Comics, 1967 – 2007
    IDENTITY AND FORM IN ALTERNATIVE COMICS, 1967 – 2007 Emma Tinker UCL 2008 1 I, Emma Tinker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT Identity and Form in Alternative Comics, 1967 – 2007 In the late 1960s, underground cartoonists established the comic book form as a space for the exploration of personal identity. “Alternative” comics grew out of this tradition as subsequent writers produced work independently of the major comics publishers, aimed at an adult audience and encompassing a broad range of visual styles and narrative content. Throughout the past forty years, British, US and Canadian writers and artists have used this medium to explore questions of selfhood and perception, often implicitly or overtly relating these issues to the form, history and conventions of the comic book itself. Two main threads run through this discussion of the representation of selfhood: childhood and memory on the one hand and sexuality and gender on the other. This thesis argues that for many creators there exists a useful analogy between the comic book form and mental processes, specifically between the fractured, verbal-visual blend of the comics page and the organisation of human memory. It further suggests that the historical association of comics first with childhood, and subsequently with male adolescence, has conditioned the representation of selfhood in adult comics. Comic book consumption has often centred on a community of predominantly young, white, male, socially marginal readers, buying and collecting serialised narratives.
    [Show full text]
  • BIO & Press Release
    s c o t t e d e r g a l l e r y | n y c Kim Deitch | Solo Exhibition December 6th, 2013 to January 25th, 2014 Artist reception December 6 th at 6 PM Scott Eder Gallery 18 Bridge St., Brooklyn, NY Scott Eder Gallery is pleased to announce an exhibition of art by the New York-based Underground Comix legend Kim Deitch. Spanning 30 years of work, the show will feature art from his most recent graphic novel, Katherine Whaley, and include selections from classics such as Smilin' Ed, Stuff of Dreams... and the infamous cat, Waldo. Deitch's narrative sense takes no back seat to the precise line of his pen; his clear lines have evolved towards a lush inking style, with an almost velvet-like textural quality. His yarns explore themes like obsessed collectors, film history, and dementia, and can flow from the mundane into the surreal and psychedelic as smoothly as a daydream. While silent movies and old-time animation haunt the stage for Deitch's characters, two- dimensional creatures cross into reality and often leap right out of the artwork with his signature “exploding page” layouts. In addition to original artwork, silkscreen prints, T-shirts, and signed books will be available for purchase at the opening reception on December 6th. __________________________________ Son of well known animator Gene Deitch, Kim Deitch rejected his conventional Pratt Institute education and found inspiration as a young adult in the burgeoning Underground Comix movement of the late 1960s. Underground Comics (or “comix” for the oft-X-rated themes) evolved as a reaction against the censored world of the CCA, the Comics Code that governed mainstream comics and basically kept them G-rated.
    [Show full text]
  • Cambridge Books Online
    Cambridge Books Online http://ebooks.cambridge.org/ The Graphic Novel An Introduction Jan Baetens, Hugo Frey Book DOI: http://dx.doi.org/10.1017/CBO9781139177849 Online ISBN: 9781139177849 Hardback ISBN: 9781107025233 Paperback ISBN: 9781107655768 Chapter 3 - Underground Comix and Mainstream Evolutions, 1968–c.1980 pp. 54-73 Chapter DOI: http://dx.doi.org/10.1017/CBO9781139177849.004 Cambridge University Press Underground Comix and Mainstream 3 Evolutions, 1968–c.1980 This chapter continues the historical analysis of the development of the graphic novel in further chronological order by taking our narrative for- ward from the 1960s into the 1970s. In it we underline the role of the underground comix in changing the form and the creation of its fi rst cultural star, Robert Crumb. While no clear notion of the graphic novel existed in the public mind for much of this period, one can very clearly put forward for discussion works that would be hugely infl uential on future creativity, such as Justin Green’s Binky Brown Meets the Holy Virgin Mary and Jaxon’s Comanche Moon . 1 Equally, it is important to describe how the pioneer graphic novelists Will Eisner and Art Spiegelman were greatly infl uenced by the milieu of comix. The chapter does not therefore propose any revisionism in the stan- dard history of comics, and in fact we here recommend several impor- tant existing histories written by Jean-Paul Gabilliet, Charles Hatfi eld, Paul Lopes, Mark James Estren, and Patrick Rosenkranz. 2 However, in its concluding paragraphs, we discuss how some parallel developments out- side the world of the comix were also leading to the contribution of long- length, adult-focused comics quite similar to our present-day graphic novels (e.g., newspaper strips in collected editions by Charles Schulz and Garry Trudeau), and how in a corner of the sci-fi community there were 54 Downloaded from Cambridge Books Online by IP 147.251.225.59 on Tue Mar 08 10:07:56 GMT 2016.
    [Show full text]
  • A Shift in the Tradition of Humour Magazines in Turkey: the Case of L-Manyak and Lombak
    A SHIFT IN THE TRADITION OF HUMOUR MAGAZINES IN TURKEY: THE CASE OF L-MANYAK AND LOMBAK A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY CAN TURHAN YALÇINKAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MEDIA AND CULTURAL STUDIES DECEMBER 2006 Approval of the Graduate School of Social Sciences _________________________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. ________________________ Prof. Dr. Ra şit Kaya Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. ________________________ Instructor Dr. Barı ş Çakmur Supervisor Examining Committee Members Assist. Prof Dr. Necmi Erdo ğan (METU, ADM) _______________________ Instructor Dr. Barı ş Çakmur (METU, ADM) _______________________ Dr. Levent Cantek (GAZI Un., COM) _______________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Signature : iii ABSTRACT A SHIFT IN THE TRADITION OF HUMOUR MAGAZINES IN TURKEY: THE CASE OF L-MANYAK AND LOMBAK Yalçınkaya, Can Turhan M.S., Department of Media and Cultural Studies Supervisor : Instructor Dr. Barı ş Çakmur December 2006, 135 pages This thesis aims to analyze the humour magazines L-Manyak and Lombak as constituting a shift in the tradition of humour magazines in Turkey.
    [Show full text]
  • The Interviews
    The ComICs Journal lIbrary Volume 9 The Interviews draw, Write, Talk By Bob Levin In his book Writers’ Fighters, the celebrated sportswriter John For Zap #2, Crumb took an equally unprecedented and impressive Schulian explains his — and other authors — attraction to practi- step. He invited the ofbeat artists S. Clay Wilson, Rick Grifn tioners of Te Sweet Science. “Boxers,” Schulian writes, “not only and Victor Moscoso to contribute stories — and ofered each an lead more interesting lives than any other athletes, they are more equal ownership share. Gilbert Shelton was added to the partner- willing to talk about them too.” I feel similarly about underground ship in #3 and Spain Rodriguez and Robert Williams in #4. (Zap cartoonists. I have found them to be bright, witty, uninhibited remained a closed shop until issue #14, following Grifn’s death conversationalists; and since they came of age in the 1960s — a in a motorcycle accident, when Paul Mavrides, an anarchically time when, it seemed, all apples presented were to be bitten, the inclined, third-generation Greek from Akron, who was a decade only commandment was to break commandments, and the golden younger than the rest but had established his worth assisting rule was to do to yourself what you wished others would do with Shelton on his individual projects, was added to the fold.) Tis you, preferably in a hot tub while slugging Red Mountain wine, mix resulted in what Gary Groth has termed “one of the most — their conversations had much to draw from. individualistic and disparate group of artists of any artistic move- First some history.
    [Show full text]