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STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; Architect, William Bayard Willis
Landmarks Preservation Commission June 23, 2015, Designation List 483 LP-2574 STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; architect, William Bayard Willis Landmark Site: Borough of Manhattan, Tax Map Block 610, Lot 1 in part consisting of the land on which the buildings at 51-53 Christopher Street are situated On June 23, 2015 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Stonewall Inn as a New York City Landmark and the proposed designation of the related Landmark Site (Item No.1). The hearing had been duly advertised in accordance with the provisions of the law. Twenty-seven people testified in favor of the designation including Public Advocate Letitia James, Council Member Corey Johnson, Council Member Rosie Mendez, representatives of Comptroller Scott Stringer, Congressman Jerrold Nadler, Assembly Member Deborah Glick, State Senator Brad Hoylman, Manhattan Borough President Gale A. Brewer, Assembly Member Richard N. Gottfried, the Greenwich Village Society for Historic Preservation, the Real Estate Board of New York, the Historic Districts Council, the New York Landmarks Conservancy, the Family Equality Council, the National Trust for Historic Preservation, the National Parks Conservation Association, SaveStonewall.org, the Society for the Architecture of the City, and Parents and Friends of Lesbians and Gays, New York City, as well as three participants in the Stonewall Rebellion—Martin Boyce, Jim Fouratt, and Dr. Gil Horowitz (Dr. Horowitz represented the Stonewall Veterans Association)—and historians David Carter, Andrew Dolkart, and Ken Lustbader. In an email to the Commission on May 21, 2015 Benjamin Duell, of Duell LLC the owner of 51-53 Christopher Street, expressed his support for the designation. -
Západočeská Univerzita V Plzni Fakulta Filozofická Bakalářská Práce
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce Art Spiegelman – “Of Mice and Men” Monika Majtaníková Plzeň 2014 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce Art Spiegelman – “Of Mice and Men” Monika Majtaníková Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2014 Prohlašuji, že jsem práci zpracoval(a) samostatně a použil(a) jen uvedených pramenů a literatury. Plzeň, duben 2014 ………………………….......... Acknowledgement I would like to express my honest acknowledgement to my supervisor, Mgr. et Mgr. Jana Kašparová, for her professional guidance, useful advice, patience and continual support. Table of Contents 1 Introduction .................................................................................................... 1 2 Art Spiegelman ............................................................................................... 2 2.1 Early life .................................................................................................. 2 2.2 Education ................................................................................................. 3 2.3 Beginning of his writing career ............................................................... 4 2.4 Personal and contemporary life ............................................................... 9 2.5 Interesting -
The Underground Press
Catalog #4 The Underground Press Boo-Hooray Catalog #4: The Underground Press Terms: Usual. Not onerous. Boo-Hooray is proud to present our fourth catalog, dedicated to the 1960s and ‘70s underground press. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encour- age visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. The newspapers and magazines presented here–along with innumerable peer publications–established a trans-Atlantic network of underground press. This network provided an alternative to mainstream news and culture outlets, which had proved to be inept at covering the rapidly evolving social and political landscapes in Western Europe and Amer- ica. Though each had its own focus, these publications share histories of government prosecution, censorship, and surveillance; an animating mission of pushing the boundaries of cultural and political discourse; and shoestring budgets. Taken as a whole, these publications present a wide view of the countercultural zeitgeist of the 1960s and 70s. Catalog prepared by Beth Rudig, Director of Archives; Evan Neuhausen, Archivist; and Daylon Orr, Director of Rare Books & Manuscripts. Layout and design by Maya Fell. Please direct all inquiries to Daylon ([email protected]). All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. -
Unterhelios 2 Siclari 1972
UNTERHELIOS UnterHelios Unterhelios unterhelios unterHelios # 2 Table OR Contents THE EDITORIAL EVE.....................................................................................................................................2 INSIDE THE HAR 0n THE WORLDS by ''ike Scott.............................................................................. 4 DO’TN UNDER (Underground Conix) by Rich Small........................................................................10 NOREASCON THE SLICK COM by Linda Bushyaper................. 25 AMERICAN HORROR (Prosnectus on Films, 1931-36) by ’’ichael Order.............................28 ’fEDIATUS (reviews by ”ike Scott, Joseph Daniels 4 ye ed)............................................. 31 .. .AND DROOGS TOO by Paul Grieman................................................ 38 THE PRINCE OP PEASANT;’AN IA (Interview, part 2) by Narren ’’illiams......................... 40 OUT OP YOUR MINDS by You................................................................................................................... 48 ’UTTER,MUTTER, the small ed speaks............................................................................................. 57 THE FRA’^GS IS CONIN’" by Brad Linaweaver and ’’arren ’’’illiams.......................................59 HHY I FORCED THIS OH YOU..................................................................... 60 APT CREDITS: " , .. unterHelios may be obtained thru trades, contributions, Art cover bjz Stephen Fabian printed or substantial LoCs, Front cover bv Stu Smith -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Counterculture of 1960-S and «Underground Press» in the Usa
Propósitos y Representaciones Mar. 2021, Vol. 9, SPE(2), e999 ISSN 2307-7999 Special Number: Professional competencies for international university education e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 RESEARCH NOTES Counterculture Of 1960-S and «Underground Press» in the Usa Contracultura de 1960-S y «Underground Press» en Estados Unidos Oleg Vyacheslavovich Bodrov Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-8394-7210 Almaz Vasilovich Zakirov Candidate of Historical Sciences, Senior Lecturer, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4562-897X Luiza Kajumovna Karimova Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-0353-8493 Anna Andreevna Kirpichnikova PhD in Philology, senior lecturer, Department of Foreign Languages, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4261-8004 Received 09-08-20 Revised 10-10-20 Accepted 20-12-21 On line 02-16-21 * Correspondence Citation: Oleg Vyacheslavovich Bodrov, Almaz Vasilovich Zakirov, Luiza Email: [email protected] Kajumovna Karimova, Anna Andreevna Kirpichnikova. (2021). Counterculture Of 1960-S and «Underground Press» in the Usa. Propósitos y Representaciones, 9(SPE2), e999. doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/). -
University of Connecticut
UNIVERSITY OF CONNECTICUT YourL InformationI ConnectionBRwww.lib.uconn.eduARINovember/DecemberES 2007 Libraries Launch Large-Scale Book Digitization Project Unfettered Online Access to 3,000 Volumes Expected Over Next Two Years David Lowe ver the next two years, the University of Higher Education Daily OConnecticut Libraries will send more than 3,000 Report, not to mention on volumes from our shelves to Boston, where they will be numerous blogs, and in digitized by the Open Content Alliance (OCA) on other media. Open Content Alliance’s book scanning equipment at the Boston Public Library. equipment hosted at the Boston Public Library (BPL). What’s wrong with corporate funding? OCA is the textual wing of the Internet Archive Why are we are doing this in the first place? The Internet Archive’s OCA effort features the open (archive.org), a non-profit founded by Internet entrepre- First, we have accepted the fact that the business of access many value so dearly, and it holds promise for neur Brewster Kahle as a vast, freely accessible multime- research libraries—information—is increasingly more serving as a significant portal for digitized texts. dia collection, including Web sites, audio, video, and about bits than atoms, more about online files than Proprietary pitfalls are second nature to some software now books. The most significant aspect of our venture paper. The new digital medium has intoxicatingly companies, and they are a major character flaw we want into large-scale or “mass digitization,” as it is often powerful advantages over the paper mode of opera- to avoid. Despite their largesse, Google and Microsoft called, is that the 19 members of the Boston Library tion. -
Identity and Form in Alternative Comics, 1967 – 2007
IDENTITY AND FORM IN ALTERNATIVE COMICS, 1967 – 2007 Emma Tinker UCL 2008 1 I, Emma Tinker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT Identity and Form in Alternative Comics, 1967 – 2007 In the late 1960s, underground cartoonists established the comic book form as a space for the exploration of personal identity. “Alternative” comics grew out of this tradition as subsequent writers produced work independently of the major comics publishers, aimed at an adult audience and encompassing a broad range of visual styles and narrative content. Throughout the past forty years, British, US and Canadian writers and artists have used this medium to explore questions of selfhood and perception, often implicitly or overtly relating these issues to the form, history and conventions of the comic book itself. Two main threads run through this discussion of the representation of selfhood: childhood and memory on the one hand and sexuality and gender on the other. This thesis argues that for many creators there exists a useful analogy between the comic book form and mental processes, specifically between the fractured, verbal-visual blend of the comics page and the organisation of human memory. It further suggests that the historical association of comics first with childhood, and subsequently with male adolescence, has conditioned the representation of selfhood in adult comics. Comic book consumption has often centred on a community of predominantly young, white, male, socially marginal readers, buying and collecting serialised narratives. -
BIO & Press Release
s c o t t e d e r g a l l e r y | n y c Kim Deitch | Solo Exhibition December 6th, 2013 to January 25th, 2014 Artist reception December 6 th at 6 PM Scott Eder Gallery 18 Bridge St., Brooklyn, NY Scott Eder Gallery is pleased to announce an exhibition of art by the New York-based Underground Comix legend Kim Deitch. Spanning 30 years of work, the show will feature art from his most recent graphic novel, Katherine Whaley, and include selections from classics such as Smilin' Ed, Stuff of Dreams... and the infamous cat, Waldo. Deitch's narrative sense takes no back seat to the precise line of his pen; his clear lines have evolved towards a lush inking style, with an almost velvet-like textural quality. His yarns explore themes like obsessed collectors, film history, and dementia, and can flow from the mundane into the surreal and psychedelic as smoothly as a daydream. While silent movies and old-time animation haunt the stage for Deitch's characters, two- dimensional creatures cross into reality and often leap right out of the artwork with his signature “exploding page” layouts. In addition to original artwork, silkscreen prints, T-shirts, and signed books will be available for purchase at the opening reception on December 6th. __________________________________ Son of well known animator Gene Deitch, Kim Deitch rejected his conventional Pratt Institute education and found inspiration as a young adult in the burgeoning Underground Comix movement of the late 1960s. Underground Comics (or “comix” for the oft-X-rated themes) evolved as a reaction against the censored world of the CCA, the Comics Code that governed mainstream comics and basically kept them G-rated. -
Cambridge Books Online
Cambridge Books Online http://ebooks.cambridge.org/ The Graphic Novel An Introduction Jan Baetens, Hugo Frey Book DOI: http://dx.doi.org/10.1017/CBO9781139177849 Online ISBN: 9781139177849 Hardback ISBN: 9781107025233 Paperback ISBN: 9781107655768 Chapter 3 - Underground Comix and Mainstream Evolutions, 1968–c.1980 pp. 54-73 Chapter DOI: http://dx.doi.org/10.1017/CBO9781139177849.004 Cambridge University Press Underground Comix and Mainstream 3 Evolutions, 1968–c.1980 This chapter continues the historical analysis of the development of the graphic novel in further chronological order by taking our narrative for- ward from the 1960s into the 1970s. In it we underline the role of the underground comix in changing the form and the creation of its fi rst cultural star, Robert Crumb. While no clear notion of the graphic novel existed in the public mind for much of this period, one can very clearly put forward for discussion works that would be hugely infl uential on future creativity, such as Justin Green’s Binky Brown Meets the Holy Virgin Mary and Jaxon’s Comanche Moon . 1 Equally, it is important to describe how the pioneer graphic novelists Will Eisner and Art Spiegelman were greatly infl uenced by the milieu of comix. The chapter does not therefore propose any revisionism in the stan- dard history of comics, and in fact we here recommend several impor- tant existing histories written by Jean-Paul Gabilliet, Charles Hatfi eld, Paul Lopes, Mark James Estren, and Patrick Rosenkranz. 2 However, in its concluding paragraphs, we discuss how some parallel developments out- side the world of the comix were also leading to the contribution of long- length, adult-focused comics quite similar to our present-day graphic novels (e.g., newspaper strips in collected editions by Charles Schulz and Garry Trudeau), and how in a corner of the sci-fi community there were 54 Downloaded from Cambridge Books Online by IP 147.251.225.59 on Tue Mar 08 10:07:56 GMT 2016. -
A Shift in the Tradition of Humour Magazines in Turkey: the Case of L-Manyak and Lombak
A SHIFT IN THE TRADITION OF HUMOUR MAGAZINES IN TURKEY: THE CASE OF L-MANYAK AND LOMBAK A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY CAN TURHAN YALÇINKAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MEDIA AND CULTURAL STUDIES DECEMBER 2006 Approval of the Graduate School of Social Sciences _________________________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. ________________________ Prof. Dr. Ra şit Kaya Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. ________________________ Instructor Dr. Barı ş Çakmur Supervisor Examining Committee Members Assist. Prof Dr. Necmi Erdo ğan (METU, ADM) _______________________ Instructor Dr. Barı ş Çakmur (METU, ADM) _______________________ Dr. Levent Cantek (GAZI Un., COM) _______________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Signature : iii ABSTRACT A SHIFT IN THE TRADITION OF HUMOUR MAGAZINES IN TURKEY: THE CASE OF L-MANYAK AND LOMBAK Yalçınkaya, Can Turhan M.S., Department of Media and Cultural Studies Supervisor : Instructor Dr. Barı ş Çakmur December 2006, 135 pages This thesis aims to analyze the humour magazines L-Manyak and Lombak as constituting a shift in the tradition of humour magazines in Turkey. -
The Interviews
The ComICs Journal lIbrary Volume 9 The Interviews draw, Write, Talk By Bob Levin In his book Writers’ Fighters, the celebrated sportswriter John For Zap #2, Crumb took an equally unprecedented and impressive Schulian explains his — and other authors — attraction to practi- step. He invited the ofbeat artists S. Clay Wilson, Rick Grifn tioners of Te Sweet Science. “Boxers,” Schulian writes, “not only and Victor Moscoso to contribute stories — and ofered each an lead more interesting lives than any other athletes, they are more equal ownership share. Gilbert Shelton was added to the partner- willing to talk about them too.” I feel similarly about underground ship in #3 and Spain Rodriguez and Robert Williams in #4. (Zap cartoonists. I have found them to be bright, witty, uninhibited remained a closed shop until issue #14, following Grifn’s death conversationalists; and since they came of age in the 1960s — a in a motorcycle accident, when Paul Mavrides, an anarchically time when, it seemed, all apples presented were to be bitten, the inclined, third-generation Greek from Akron, who was a decade only commandment was to break commandments, and the golden younger than the rest but had established his worth assisting rule was to do to yourself what you wished others would do with Shelton on his individual projects, was added to the fold.) Tis you, preferably in a hot tub while slugging Red Mountain wine, mix resulted in what Gary Groth has termed “one of the most — their conversations had much to draw from. individualistic and disparate group of artists of any artistic move- First some history.