BAM 30th Next Wave Festival

Brooklyn Academy of Music

Alan H. Fishman, Chairman of the Board

William I. Campbell, Vice Chairman of the Board

Adam E. Max, Vice Chairman of the Board

Karen Brooks Hopkins, President The Loves Joseph V. Melillo, Executive Producer of Pharaoh BAM Harvey Theater Oct 18—20, 2012 at 7:30pm Approximate running time: 100 minutes, no intermission

Directed by Numinous Composition by Joseph C. Phillips Jr.

Co-produced by BAMcinématek

BAM 30th Next Wave Festival sponsor

Steinberg Screen at the BAM Harvey Theater is made possible by The Joseph S. and Diane H. Steinberg Charitable Trust

Leadership support for the BAM music and film initiative provided by The Peter Jay Sharp Foundation The Loves of Pharaoh

Lost for 80 years, The Loves of Pharaoh (1922) the award-winning restoration of Fritz Lang’s is the last film Ernst Lubitsch made in his Metropolis—directed Pharaoh’s painstaking native Germany before heading across the digital restoration, a process that lasted over Atlantic to Hollywood. Set in ancient Egypt, five years and was based on film sources from this monumental super-spectacle features lavish archives all over the world: a 35mm nitrate print sets and costumes, and a cast of thousands. from the German Federal Archives and an Ital- , the biggest German film actor of ian nitrate print housed at the George Eastman the era and winner of the first Academy Award House in Rochester, as well as titles and odds for Best Actor, stars as the brutal pharaoh and ends found at the Munich Film Museum. Amenes who leads his country into war for the love of a Greek slave girl (Dagny Servaes) The premiere of this stunning restoration is despite being set to marry the daughter of an accompanied by a new score by Brooklyn-based Ethiopian king. composer Joseph C. Phillips Jr.—whose provoca- tive, genre-bending work combines avant-garde, Although allegedly made to prove to Tinseltown classical, and —performed live by Numi- that he could helm large-scale entertainments, nous, his 18-piece ensemble. The Loves of Pharaoh is not Lubitsch’s first costume drama; his previous films included The Loves of Pharaoh also marks the premiere Madame Du Barry and Anna Boleyn, which of the BAM Harvey Theater’s new Steinberg established his penchant for historical subjects Screen, which will present large-scale films in an paired with frothy romance, later perfected in elegant amphitheater setting. The 35-by-19-foot talkies such as Trouble in Paradise. screen is outfitted for 3-D and alternate content presentations, and the theater’s sound system Thomas Bakels of the Munich-based post-pro- has been upgraded to provide a high quality duction facility ALPHA-OMEGA—which helmed cinema experience.

Restoration Credits

Reconstruction: Filmmuseum München, Bundesarchiv Filmarchiv Source material: Bundesarchiv Filmarchiv, Filmmuseum München, George Eastman House (Roberto Pallme Collection) Film digitization and digital image restoration: ALPHA-OMEGA digital München Archive materials: Akademie der Künste, Berlin Photos: British Film Institute, Bundesarchiv Filmarchiv, Deutsches Filminstitut, Deutsche Kinemathek, Filmmuseum München

We are especially grateful to the following individuals for their substantial contribution: Enno Patalas Paolo Cherchi-Usai The Loves of Pharaoh

Photo: ALPHA-OMEGA

The Loves of Pharaoh (1922) Directed by Ernst Lubitsch Written by Norbert Falk, Hanns Kräly Cinematography by Alfred Hansen, Art direction by Kurt Richter, Ernst Stern Costume design by Ali Hubert, Ernö Metzner, Ernst Stern

Cast Pharaoh Amenes Emil Jannings Ramphis Harry Liedtke Menon Paul Biensfeldt Samlak Paul Wegener Oberpriester Friedrich Kühne Makeda Lyda Salmonova Sotis Albert Bassermann Theonis Dagny Servaes

Production Companies Distributors Ernst Lubitsch-Film (co-production) Europäische Film-Allianz Europäische Film-Allianz (co-production) (1921, Germany, theatrical) Alpha-Omega Digital (2011, worldwide, all media, restored version) Paramount Pictures Who’s Who Numinous is a flexible and unique ensemble as a true talent. He successfully transitioned to founded in 2000 by composer Joseph C. Phillips films with sound, making memorable musicals Jr. to perform his music. Part chamber orches- including (1929) with Maurice tra, part big band, part contemporary alternative Chevalier. His oeuvre thrived from the combina- group, Numinous deftly and organically trans- tion of the pre-code and Depression era desires for mutes inspiration from contemporary classical, escapism in vehicles such as Trouble in Paradise jazz, world, and popular music as well as cinema, (1932) and The Merry Widow (1934). He ran literature, and science. Through its numerous per- production at Paramount for a year, later produc- formances, two critically well-received recordings, ing studio gems such as (1939) and including Vipassana in 2009 on Innova Records, Heaven Can Wait (1943) and garnering a lifetime and plans for a new recording on New Amster- achivement Oscar in 1947 before succumbing to dam Records, Numinous reflects Phillips’ musical a heart attack. philosophy of mixed music, a fusion of artistic Thomas Bakels (film restorer) is the founder of and cultural influences into one distinctive vision ALPHA-OMEGA digital GmbH, a post-production and style. Numinous and Phillips’ music generate facility based in Munich, Germany, specializing in emotions that resonate with beauty, mystery, film restoration. Bakels has overseen such pres- and wonder in order to challenge, enlighten, and tigious projects as the restoration of Fritz Lang’s refresh. numinousmusic.com dystopian sci-fi epic Metropolis and, most recently, Joseph C. Phillips Jr. (composer and con- Ernst Lubitsch’s The Loves of Pharaoh. ductor) has been awarded a Meet the Composers Tom Beckham (vibraphone) was born in 1968 grant, an American Music Center CAP grant, in Maryland and graduated from Boston’s Berklee and two Live Music for Dance commission grants. College of Music in 1990, where he studied with He was also a finalist for the Sundance Film Com- Gary Burton, Ed Saindon, Hal Crook, and others. posers Lab Fellowship and the Opera Company of As a bandleader and composer he has released Philadelphia’s composer-in-residence. In addition three CDs to date: Suspicions (Fresh Sound New to worldwide performances of his works, includ- Talent, 1999), Center Songs (Sunnyside, 2006), ing the 2003 Steve Reich Festival at the Royal and Rebound (2008). Critics and fans have Conservatory in The Hague, Netherlands, new taken note, describing Beckham as “...a superior works have been commissioned by BAM for the conceptualist” (AMG), playing the instrument with Next Wave Festival, the Ecstatic Music Festival, “...a full range of expression” (Baltimore Maga- Simone Dinnerstein’s Neighborhood Classics zine), and whose work “has a sound all its own” concert series, the Festival of New Trumpet Music, (Rhapsody.com). As a versatile sideman for more the St. Olaf College Band and Jazz Band, the than 20 years, Beckham has appeared in a host University of Maryland Wind Ensemble, Delirious of musical settings, performing and recording with Dance Company, Take Dance Company, Maffei Brad Shepik, George Schuller, the JC Sanford Jazz Dance Company, and a number of other musicians Orchestra, PULSE, Numinous, the Boston Modern and ensembles. Phillips is the founder and artistic Orchestra Project (BMOP), and many others. director of the composer federation Pulse and He has performed at the JVC New York, Zurich, teaches kindergarten music at the renowned PS Rochester, and Jazz Improv New York festivals; 321 in Brooklyn. ; the Hammerstein Ballroom; and Ernst Lubitsch (film director) was born in others. tombeckham.net Berlin on January 29, 1892 into a family in Michael Blanco (bass) is an acoustic and clothing manufacturing. He began a life in show electric bassist and composer. He is a two-time business as a member of Max Reinhardt’s theater recipient of the ASCAP Foundation Young Jazz company, and appeared in silent comedies pro- Composer Award. His debut album, In The Morn- duced by Bioscop in Berlin, going on to write and ing, was released in 2006 on the Fresh Sound/ direct films under the renowned UFA studio. After New Talent jazz label, and his second album of Carmen (1918) and The Loves of Pharaoh (1922) original music is scheduled for release in 2013. became hits, he went to Hollywood where movies Blanco has twice been selected by the US Depart- such as (1924) and Lady ment of State to be an artistic representative for Windermere’s Fan (1925) assured his reputation the US abroad; he toured South America, Central Who’s Who America, and the Caribbean as part of the Ken- Hollenbeck, Darcy James Argue, and Ed Palermo, nedy Center’s Jazz Ambassador program, then and has recorded and performed with legends like toured the Middle East under the auspices of Jazz Bob Berg, Michael Brecker, and David Liebman. at Lincoln Center. blancobass.com. His multi-instrumental CD Crossing (Nineteen- Jose Davila (tuba) is a versatile New York- Eight Records) has received critical acclaim for based tuba player and trombonist, whose work its varied and expansive compositions and was spans a broad spectrum of musical genres, nominated as a top 10 debut album of 2011 by from traditional to cutting-edge jazz, to salsa the Jazz Journalists Association. benkono.com and classical music. He is currently a member Hannah Levinson (viola) is a violist commit- of Henry Threadgill’s Zooid and bands led by ted to performing music written in the past 50 guitarist Liberty Ellman and alto saxophonist Steve years. She has worked with such composers as Lehman. His playing can also be heard on the Christian Wolff, Jason Eckardt, and Mohammed Grammy-nominated salsa recording Un Gran Dia Fairouz, and performs regularly with Ensemble en el Barrio by the Spanish Harlem Orchestra Moto Perpetuo and the Mimesis Ensemble. Based and Remembranzas and Siguendo la Tradicion in New York City, Levinson has played at venues by Soneros del Barrio. Davila has also played such as Carnegie Hall, Symphony Space, Merce in the bands of Ray Charles, Andrew Hill, Tito Cunningham Studios, the DiMenna Center, and Puente, Celia Cruz, Marc Anthony, Eddie Palmieri, the Stone, as well as at Boston’s Jordan Hall. In Ray Anderson, Butch Morris, the Lincoln Center the past year, she commissioned two works for Afro Latin Jazz Orchestra, American Symphony solo viola and is passionate about continuing to Orchestra, and New York City Opera Orchestra. A collaborate with living composers. She also has an native of Puerto Rico, he received his formal musi- active teaching career and is on faculty at Western cal training from the University of Connecticut and Connecticut State University and Larchmont Music Mannes College of Music. Academy. Levinson completed her MM in con- Maeve Gilchrist (celtic harp) is a harpist, temporary performance at the Manhattan School singer, and composer born in Edinburgh, Scot- of Music and graduated from Oberlin College and land. Immersed in traditional Scottish music from Conservatory with degrees in both Russian and a young age, she studied at the City of Edinburgh East European Studies and viola performance. Music School and later as a full scholarship recipi- hannahlevinsonmusic.com ent at the Berklee College of Music in Boston. At Brian Lindgren (viola) graduated in 2005 26 she has been credited as an innovator of the from the Eastman School of Music with a BA Clarsach (Scottish harp) due to her chromatic style in viola performance under the instruction of John of playing and improvising. Gilchrist is currently Graham. Based in New York, he has per-formed based in Boston, touring regularly with her own with ensembles of varied genres ranging from project and giving workshops internationally. the chamber orchestra Alarm Will Sound to the Performance highlights include the Tanglewood sound art trio Sham El Nessim. He also composes Jazz Festival, Delfest, the World Harp Congress, electronic music; his music has been performed the International German Harp Tour, the Boston throughout the US as well as in Argentina, Eng- Pops Jazz Festival, and the Celtic Connections land, Germany, Ireland, and Romania. Lindgren Festival. She has released two self-titled albums to is half of the electronic music duo Pax Humana international acclaim. The most recent one, Song with saxophonist Samir Zarif. Described as a “rich of Delight, was released on the Adventure Music and beautifully heavy collage of layered sonic Label. Gilchrist was called “both fascinating and experimentation” (lostateminor.com), their work absorbing in equal measure, an original voice” has quickly earned recognition. (Scotsman). maevegilchristmusic.com brianlindgren.com | paxhumanamusic.com Ben Kono (woodwinds) has carved his own Ana Milosavljevic (violin) has been called niche on multiple woodwinds since moving to “an imaginative artist willing to think big” (The New York City in 1999. Equally skilled on saxo- Strad). She is a Serbian native based in New York phones, oboe, English horn, flutes, and clarinets, City and a composer and violinist of eclectic, cut- he appears regularly with ensembles led by John ting-edge contemporary music, often featuring her Photo: ALPHA-OMEGA

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My Own Private Idaho, courtesy of Photofest Who’s Who Viper electric violin. Her “inventive,” “graceful,” his masters in jazz composition at the Manhattan ”showpiece” works (The New York Times) have School of Music where he studied with world- premiered at Carnegie Hall, off-Broadway, Le Pois- renowned composer Jim McNeely. son Rouge, and the Tribeca New Music Festival; Stephanie Richards (trumpet, flügelhorn) is have been performed by string quartet ETHEL, an emerging talent in the world of new and im- Ensemble Metamorphosis, flutist Robert Mirabal, provised music. A New York-based trumpeter and and pianists Kathleen Supove and Vicky Chow; composer, Richards has illuminated stages from and featured in choreography by Takehiro Ueyama Carnegie Hall and Lincoln Center to international (TAKE Dance). Milosavljevic received commis- broadcasts with Grammy winner Kanye West sions from visual artist Vittoria Chierici to compose and hip-hop icon . Richards’ theatrical a score for the film Luci in the Sky and from artist, tendencies often explore collaborations of sight, architect, and writer Corrado Levi to compose a sound, and movement, as reflected in her most work for cello. A MacDowell Colony Fellow, she recent collaborations with artists Yoko Ono and has performed solo recitals at Carnegie’s Weill David Byrne with the highly acclaimed Asphalt Recital Hall, the Kennedy Center, Lincoln Center, Orchestra. She is a recipient of the International the TimesCenter, LPR, and the Stone. Her recent Trumpet Guild Young Artist Award and has earned album is Reflections (Innova). anamilo.com degrees from the Interlochen Arts Academy, East- Amanda Monaco (guitar) is a jazz guitarist and man School of Music, McGill University, and the composer who has recorded four CDs as a leader/ California Institute of the Arts. She is currently the co-leader and writes music that sounds like what chair of the Berkeley Carroll Partnership at the might have happened if Miles Davis had been the Brooklyn Conservatory of Music and serves on the musical director of The Muppet Show: a free-bop executive board of Dave Douglas’ Festival of New sensibility combined with through-composition Trumpet. stephrichards.com that is equal parts textural, adventurous, and Mariel Roberts (cello) is based in New York, whimsical. Monaco has performed at the Blue and has quickly gained recognition as a deeply Note, the Kennedy Center, and the JVC and Winter dedicated interpreter and performer of contempo- Jazz Festivals, as well as other venues in the US, rary music. She holds degrees from both the East- Europe, and the Middle East. She has shared the man School and the Manhattan School of Music, stage with such musicians as Milt Hinton, Cindy where she specialized in contemporary perfor- Blackman-Santana, and Fred Ho. Monaco is an mance practice while studying with Alan Harris assistant professor at Berklee College of Music and Fred Sherry. Roberts performs internationally and has also taught at New School University and as a member of the Mivos String Quartet and has the National Guitar Summer Workshop. amanda- performed with a variety of other ensembles in monaco.com venues around the world as an advocate of living Chris Reza (woodwinds) is a woodwind composers. She recently released her debut album specialist, composer, and educator in New York nonextraneous sounds, a CD of all newly com- City who plays 15 different woodwinds including missioned works for solo cello by five innovative flutes, single, and double reeds. In addition to New York-based composers, on Innova Records. performing with the likes of Patti LuPone, Audra marielroberts.com McDonald, Maureen McGovern, and Anika Nonie Jean Rohe (voice) sings and plays multi-lingual Rose, he has played in 19 musicals in the past six original music of North and South America. With years alone, including the Broadway show How to her genre-bending ensemble, Rohe explores Succeed in Business Without Really Trying. In ad- the intersections of American folk music, jazz, dition to compositions for commercial distribution, and Brazilian and Afro-Peruvian traditions. The his recent commissions include a concert piece product of both a nurturing childhood folk music premiered by the 38-year English horn veteran community and the vibrant New York improvised of the New York Philharmonic Tomas Stacy and music scene, it is not unusual to find Rohe and Grammy Award-winning multiinstrumentalist Paul her band in a downtown jazz club inviting the au- McCandless. With degrees in performance for dience to sing boisterous choruses. Likewise, her both jazz studies and multiple woodwinds from sophisticated songwriting and arranging has found the University of North Texas, Reza completed a home at folk music venues around the country. WHAT IS THE TRUTH? Contemporary philosopher Simon Critchley leads this new series that encourages audiences to explore the ambiguity of reality.

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Leadership support for On Truth (and Lies) IN GREEK TRAGEDY provided by Jonathan F.P. with Anne Bogart / Dec 13 & Diana Calthorpe Rose Who’s Who Her refreshingly candid performance won her the Jazz Festival as well as other venues in Europe, audience prize at the Montreux Jazz Festival in Latin America, and India. She has worked with 2006. A recent recipient of a MacDowell Fellow- leading figures in jazz including Henry Grimes, ship, she is working on her second album due out Eddie Gomez, Bob Brookmeyer, George Garzone, in late 2012 that showcases intricately crafted Matt Wilson, and Mat Maneri. She appears on arrangements for her band. jeanrohe.com numerous recordings including two albums of her Lis Rubard (horn) is a French hornist who own: Reflection (2008) and Eye to Eye (2011). brings rich tone and a subtle approach to new carmenstaaf.com music, jazz, classical, and rock, working with Scott Tixier (violin) began his musical musicians and groups like Wallace Roney, the studies at the age of three at the Montreuil PULSE Composers Federation, and Rob Reddy’s Conservatory where he played percussion and the Small Town. As a member of the Loom, a psych- piano. A few years later, Tixier first picked up the folk quartet called “beloved” by The New Yorker violin, which he continued to study at Montreuil and “the next big thing” by The New York Times, Conservatory and the 10th District National she demonstrates versatility in arranging and Conservatory. After finishing school and getting a performing, providing horn, trumpet, keys, and DFE in jazz, he began performing and teaching vocals. She recently completed a national tour jazz violin in Paris. Tixier moved to the jazz capital and festival appearances at SXSW and in Poland of the world, New York City, in 2008 continuing in support of the Loom’s debut album, Teeth. The his career as both a sideman and leader. Since band is at work on its next album, to be recorded moving to the US, he has appeared at Lincoln at Marcata Studios with producer Kevin McMahon Center, Smalls Jazz Club, the Stone, Williams- (Titus Andronicus, Swans). burg Music Center, Cachaça, Joe’s Pub, Brooklyn lisrubard.com | theloommusic.com Lyceum, and the Capitol Building in Washington, Sara Serpa (voice) was born in Lisbon, Portu- DC, among many other venues. Tixier signed with gal, and has lived in New York for seven years. in 2011. Her reputation as an innovative vocalist, impro- scotttixier.com viser, and composer has grown for years since Richard Vaudrey (cello) hails from Australia, she initiated a collaboration with alto-saxophonist and has quickly become a notable force in the Greg Osby, whose latest album Nine Levels and new breed of string players, classically trained performance at the Village Vanguard she graced. and proficient across a multitude of genres. He Serpa recorded with pianist Danilo Perez on his studied classical cello performance and contem- latest album Providencia and with the legendary porary improvisation at SUNY Stony Brook under Noir pianist Ran Blake (Camera Obscura, 2010) Colin Carr and Ray Anderson. Vaudrey is teaching on Aurora, to be released fall 2012. She has also assistant to the Emerson String Quartet. Perform- been an active leader of her own quintet, perform- ing throughout New York City as both soloist ing in New York, Europe, South America, and and collaborator, he co-fronts and writes for the Australia. saraserpa.com indie chamber-pop band Lonely Brook. His latest Carmen Staaf (piano, keyboard) is a pianist project is recreating the late Arthur Russell’s songs and an active member of the New York jazz and for cello, voice, and electronics. Vaudrey plays the world music scenes, playing in diverse settings Beleura Cello—a 1791 William Forster cello lent as well as leading her own groups. She won the generously by the Tallis Foundation. 2009 Mary Lou Williams Women in Jazz Pianist richardvaudrey.com Competition and recently performed as a guest soloist with the Lincoln Center Jazz Orchestra under Wynton Marsalis. She has been featured on NPR’s JazzSet with Dee Dee Bridgewater and on The Jazz Session with Jason Crane. Staaf has performed throughout the US at numerous festi- vals such as Kennedy Center’s Mary Lou Williams Women in Jazz Festival and Seattle’s Earshot Photo: Etienne Frossard Etienne Photo:

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