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Harry Allen Valerie Capers Linda May Han Oh Charnett Moffett 202509_HH_July_0 6/24/19 12:27 PM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 July 2019 www.hothousejazz.com Jazz Forum Page 10 Village Vanguard Page 10 Charnett Moffett Linda May Han Oh Valerie Capers Harry Allen Jazz at Kitano Page 17 Zinc, 75 Club and 92Y Page 21 Where To Go & Who To See Since 1982 202509_HH_July_0 6/24/19 11:39 AM Page 2 2 202509_HH_July_0 6/24/19 11:39 AM Page 3 3 202509_HH_July_0 6/24/19 11:39 AM Page 4 4 202509_HH_July_0 6/24/19 11:39 AM Page 5 5 202509_HH_July_0 6/24/19 12:26 PM Page 6 6 202509_HH_July_0 6/24/19 11:39 AM Page 7 7 202509_HH_July_0 6/24/19 11:39 AM Page 8 8 202509_HH_July_0 6/24/19 11:39 AM Page 9 9 202509_HH_July_0 6/24/19 11:39 AM Page 10 WINNING SPINS By George Kanzler WO MUSICIANS KNOWN FOR under Charnett's chant of "Free the slaves, intrepidly anchoring vibrant rhythm let 'em go." Jana contributes one composi- sectionsT over the years explore other tion to the album, "Precious Air," a song aspects of their artistry on new albums. with her own lyrics, delivered in a breathy Both Charnett Moffett and Linda May Han voice and the musical textures of folk-rock. Oh are bassists and the principal com- Linda May Han Oh's Aventurine posers on their latest releases, but for the (Biophilia), is what was called third- first time, Charnett exclusively plays fret- stream music in the mid-20th century. It's less electric bass guitar on his. Both a hybrid blending of elements from jazz albums also feature violins as part of the and European classical music, with Linda basic ensembles. adding strains of traditional Chinese Charnett Moffett's Bright New Day music too. A string quartet is a prominent (Motéma), showcases the billowing, horn- part of the ensemble, joining Linda's jazz like sound of his bass guitar in a hornless quartet with saxophonist Greg Ward, band. His quintet is rounded out by Jana pianist Matt Mitchell and drummer Ches Herzen on guitar, Scott Tixier on violin, Smith. The Australian vocal group Invenio Brian Jackson on piano and synth, and appears on four of the tracks. Mark Whitfield Jr., on drums. Charnett's The string quartet, with violinist Sara bass is on top, or prominent in the mix, on Caswell often in a solo jazz role, is front the majority of tracks, with Jana, Scott and center on many of the pieces. The title and Brian melding and interweaving so tune features strings and voices in soaring the ensemble has a mutable, constantly harmonies, along with Greg and Matt in evolving quality. It is most pronounced on brief solos. "Cancrizan," directly inspired the title track, which is inspired by by J. S. Bach's Crab Canon musical palin- Ornette Coleman's harmolodics. "Bright drome form, has Linda (pizzicato) and New Day" begins with a canon figure Matt weaving in and out of the strings. exchanged by Charnett and Scott, which "Broome We Are Here," inspired by the accelerates as the others join in waves of signing of a deaf pearl diver, is completely shifting rhythms, as each instrument rises string quartet gestures. Matt's piano solo to the top in a roller-coaster of solos. A opens "Rest Your Weary Head, Part 1," fol- shorter harmolodic piece, "Netting," uses a lowed by a through-composed finale by riff theme to jump off into polyphonic jam- strings and voices. Bill Evans' "Time ming highlighted by a violin-guitar tan- Remembered" becomes a string quartet dem. setting for Linda's pizzicato bass improvi- The shifting, flexible time/tempo possi- sation over strings and piano. bilities are most formally employed on "Set While Charlie Parker's "Au Privave" is It Free," a piece contrasting sections of mostly disguised in a string-heavy rhythmic 6/8 with suspended time, semi- arrangement, Linda instills other pieces, rubato interludes, each one introducing including those with Asian roots, with another 6/8-driven solo section for piano, swing and energy. "Kirigami" has a long, violin and guitar. Tempo is used in an winding melody delivered by sax and violin impressionistic way on "Waterfalls," as that unfolds like the title's namesake Charnett's bass begins slowly, with long paper cutting-folding technique, and tones, as if floating down a river until the intense solos from Linda (pizzicato) and beat accelerates as he's going over a falls, Greg. "Ebony," inspired by the wood and where he is joined by Jana and Scott described by Linda as "about persistence, bouncing answering phrases to his bass to strength and protection," swings briskly simulate rapids below the falls. There are with the jazz quartet to the fore, and "The also two tracks in the gospel-spiritual Sirens Are Wailing" builds to dramatic mode. "Holy Spirits" is uplifting and cele- peaks with strings and voices supporting bratory, with Charnett's clarion refrain jazz solos. underpinning a round of solos emerging from the communal ensemble reflecting Charnett Moffett showcases music the title. "O My God Elohim" could be a from Bright New Day at Jazz Forum, traditional hymn, with Charnett's bass July 28. Linda May Han Oh plays the playing the role of lead singer. In funky Village Vanguard, July 2-7, with saxo- contrast is "Free the Slaves," spurred by a phonist Ben Wendel, guitarist jazz-rock beat, with solos over roiling, Matthew Stevens, keyboardist Fabian thick backgrounds and insistent riffs Almazon and drummer Obed Calvaire. 10 202509_HH_July_0 6/24/19 11:39 AM Page 11 Sign-up for our E-ALERT at www.hothousejazz.com and be the 1st to know when the latest Hot House is available on line PUBLISHER/MANAGING EDITOR: For advertising requests and listing Gwen Kelley (formerly Calvier) information contact Gwen Kelley [email protected] 203-434-4646/[email protected] CONTRIBUTING EDITOR: Elzy Kolb Hot House Jazz Magazine is published monthly and all [email protected] copyrights are the property of Gwen Kelley. All rights PRODUCTION & ART DIRECTOR: reserved. No material may be reproduced without written Karen Pica [email protected] permission of the President. Domestic subscriptions CONTRIBUTING WRITERS: areavailable for $37 annually (sent first class). For Canada Ken Dryden, Nick Dunston, $39 and international $50. Ken Franckling, Raul da Gama, PUBLISHER EMERITUS: Dave N Dittmann Seton Hawkins, Eugene Holley Jr., CO-FOUNDERS: Gene Kalbacher, Stephanie Jones, George Kanzler, Lynn Taterka & Jeff Levenson Elzy Kolb, Michael G. Nastos, COPY EDITOR: Yvonne Ervin 2012-2019 Don Jay Smith, Eric Wendell For press releases and CD revues send a copy to CONTRIBUTING PHOTOGRAPHER: Fran Kaufman Gwen Kelley: PO Box 20212 - New York, NY 10025 11 202509_HH_July_0 6/24/19 11:39 AM Page 12 CLUBS & HALLS UPPER MANHATTAN (Above 70th Street) 92Y: 1395 Lexington Av at 92nd St. 212-415- 5500. www.92y.org. Jul 16-18&23-25: 7:30pm Jazz in July feat 07/16 John Pizzarelli, Harry Allen, 07/17 The Brazilian Trio w/Maucha Adnet + The Curtis Brothers Afro-Cuban Jazz Qnt, 07/18 Cécile McLorin Salvant w/Bill Charlap Trio, 07/23 Tom Harrell, Warren Vaché, Joe Magnarelli, Veronica Swift w/Bill Charlap Trio, 07/24 Renee Rosnes & Bill Charlap w/Ken Peplowski, 07/25 Steve Wilson, Roxy Coss, Michael Dease, Sandy Stewart. 449 LA: 449 Lenox Av (bet 132nd & 133rd Sts). 212-234-3298. Sun: 1-3:30&4-7pm Patio Jazz; Thurs: 1-3:30pm Jazz & Dessert; Fri-Sat: 8:30pm. BILL’S PLACE: 148W 133rd St (bet Lenox & 7th Avs). www.billsplaceharlem.com. 212-281- 0777. Fri-Sat: 8&10pm $20 don Bill Saxton Bebop Band. CLEOPATRA’S NEEDLE: 2485 Bway (bet 92nd & 93rd Sts). www.cleopatrasneedleny. com. 212-769-6969. Sets: Early (E), Late (L); Sun E 4-8pm, L 9pm-1am; Mon-Tues E 8- 9pm, L 10pm-1am; Wed-Thurs E 7-11pm, L 11:30pm-2:30am; Fri-Sat E 8pm-12am, L 12:30-3am. Free adm/$10 min. Trios except Mon&Thurs Duets unless otherwise noted. L Jam. Residencies: Sun E Open mic w/Keith Ingham, L Benno Marmur; Mon Mark Hagan; Tues Marc Devine; Wed E Open mic w/Les Kurtz, L Nathan Brown; Thurs L Nathan Brown; Fri L except 07/5 Robbie Lee; Sat L except 07/6 T. Kash. Jul 4: Roland Temple; 5: E-L Benno Momur; 6: E-L Jason Cloter; 11: Noriko Kamo; 12: Jon Weiss; 13: Walter Williams Band; 18: the Equilibrium Jazz Gp; 19: Steve Sandberg Duet; 20: Alan Rosenthal; 25: Marla Simpson Band; 26: Jesse Crawford; 27: Satchamo Mannan. GIN FIZZ: 308 Malcolm X Blvd at 125th St. 2nd Fl. www.ginfizzharlem.com. 212-289-5550. Residency: Tues except 07/2,16&30 8&10pm Li'nards Many Moods of Soul Jazz Funk. Jul 11: 10pm Omar Edwards & the K360 Club Band; 17: 8pm Dave Fields & friends; 18: 7:30&9pm Analía Goldberg Trio. GINNY’S SUPPER CLUB: At Red Rooster. 310 Lenox Av (bet 125th & 126th Sts). www.ginnyssupperclub.com. 212-792-9001. Sets/adm: 7&9pm/$15-20 unless otherwise noted. Residency: Thurs except 07/18 Pedrito Martinez. Jul 5: $15 Rita; 12-13: $20- 25 Charenée Wade; 18: Charles Anthony Bryant; 20: $20 Delfeayo Marsalis & The Uptown Jazz Orch; 26: Corey Wallace DUBtet; 27: Johnny O'Neal. GRANT’S TOMB: Riverside Dr & W120nd St. www.jazzmobile.org. 212-866-4900. Wed: 7- 8:30pm free adm. Jul 10: Bill Saxton; 17: Berklee Institute of Jazz and Gender Justice Qnt feat Terri Lyne Carrington; 24: Houston Person; 31: T.K.Blue.
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