A B o o k of
S u n d ia l M tt o o es .
Co m p iled by
H a tt A red H. éf y .
LOND ON : PHILIP WE LLB Y,
v n a den . C . Co e t G r , W N E W Y - OR K : S COTT THA W COMPA NY,
2 F i h venu 54 t A e. , f M DCCCCIII .
A B o o k of
S u n d ia l M tt o o es .
Co m p iled by H A red E . a tt lf y .
L OND ON : PHIL IP WE L L B Y,
Co ven t G a rd en , W . C .
- NE W YOR K : S COTT THA W COMPA NY,
2 F i h A venu e 4 t . 5 , f M III D CCCC .
?) L S S U N LA .
THE garden clock ofsunny climates is necessarily the companion of lzours so beautiful rbat 1123 were
n S ti me wiz a ame undial is dear to care for gardens ,
h or fi e Ike Sout/z T/ze t n . for p rases , f sun , and for bes
' gardens are ti me wiz z c/z otfzer age: made and kept
' ‘ u which o ur own —a n u nt/zri lzez r—lzas p , and age fiy
somewfiat wit/z o ram allowed to grow wild rand m g , and somewfiat /z sun We t/ze Za éours dry wit . enter into
ix of our fatlzers ; not into the perfi ction wizio/z tfiey pre
but e u u a nd pared, into its gentl and more beautifl r in
' ’ And we in/zerzt sometfiz n eouliarl tlzeir: undoing . g fi y
— ’ in t/ze ancient garden tbeir usually austere m ndzo l
cl man the oee o mottoes . modern enjoys gr ss
t o tlzs ll m grown , and fragran p t at no gardener tri s , tfiougfi tke man w/zo mo de tko path: would kardly approve tfzom so ; a modern man read; t/ze warnings of
seventeentfi— t o b a cen ury sculptor, letting its lesson g y.
’’ ' ’ T/ze m no zal o own o/zzlo lz ood 4 MW f my faced sea ,
v and oleo nder and t across oli e , it bore an inscrip ion
r h t/zo t : T/z t anslated, t reatened genera ions ou
tlze h ur but w n 1126 h u lb seest o , kno est ot o r of y
deatfi we u ed. In t/ze twentiet/z n mm, , s ppos century o
x wo uld engrave that thought a hove the terraces ofsuch a he v n O h I had Zi ewz se a enly garde . t er talian palaces , k ,
ev h e h sunward aces h s ere t ings writt n on t eir f , or on t eir
B ut the sundio l m t o garden dials . , sombre or genial, o t ,
ev c the has the heo ut d ised a cording to appropriate art, y
v o nd ulness No z to the of bre ity f . wonder f precision of
Latin grammar has hem generally assigned the safe
the m th guarding of essage of ree or four words, long,
and m h th ha m slow, co plete wit eir rden of eaning .
Th t m h h ere are unes co posed for ells , and as t is brief
h the m music , so is t is briefliterature , restricted to eans
the u n v w h h e and opport nity , a d full of igour it in t os
' ha The h the m h h b h h m nds. p rase and elody bot a e t eir o e
the h L a t For h u h n on appy iguri n coas . t o g su dials 81 U IA S ND LS. n m r the ew h No h h u be f serene ours of rt ern gardens , t ey
t the So th a nd the e e are mos useful in u sun , and b caus of their use they take their place in the nahle symbolic
: the t m company standing by palace walls sundialfor i e,
for wheat for and the v ine
. W CA .
xii
' n o m ili this B o o k o Mo tto es the tra sla tio s i the I c p n g f , n n n
a o ri t o a ses a ea r a s i ve i the bo o ks o su lte m j y f c pp g n n c n d .
These vo lu m es whi h re rese t a eli ht u l bra h o a r en , c p n d g f n c fg d
’ litera tu re ra e ro m o hn W ells S c io m hia o r the A rt , n g f ? g p ,
’ h A l e M r E of S a do w es to Mrs . ic o s e a rle s recently
u blishe u ia ls a nd R o ses o Yester a p d S n d f d y.
It w ill be see n tha t i n m a ny i n sta n ces the E n glish re n der i s o the i s ri tio s a re ree a n d o te a i u l n g f n c p n f f n f n c f .
A H.H . .
xvi S UNDIAL M 0TTOES.
“ HE o n S ixt Mo tt o es fo r Dials W ith thei foll wi g y , r ” m ean in in E n lish a re o c u io u s an d rare g g , fr m a r
“ o ld w rk ntitl Mec han ic k Diallin : r t h o , e ed g o , e
New Art o f S hado ws : fre ed fro m the m any
Ob sc u ritie s S u erfl u ities an d rr rs o f F o m e W rit ers , p E o r r u pon this S u bjec t To whic h are added a c h01c e
C o llectio n o fMo tto s in Latin a n d E nglish By C harles
Lea b etter. n d n at the Blac k wan 1737 . d Lo o , S ,
A LIIS INS E RVIE NDO C ONS UMOR .
MY 1s R A ( LOSS YOU G IN) . A BOOK OF
A R S LONGA VITA B REVI S .
E T - L TO - M RRO (x DI O DAY AND IVE O W ) .
et a }
AVARITIA HODI E DOMINATUR .
- (YOU COVET To MORROW ) .
m m
T CZE S AR A U AUT N I H I L .
(I SHINE OR S HRO UD) .
at one”
S E H E H O , AN D GON E AB UT YOUR
B U SI NESS . N M 0TT E SU DIAL O S.
BULLA EST VITA H UMANA .
’ B B B L (LIFB S A U E) .
JJJ
C H M D ENE ONSUME NOT T Y TI E I N I L SS .
fi éfi
B US LAB RAN D ADEST O TIB US . HE VE F V RS THE L ( A N A OU DI IGENT) .
J&e‘
D IS C E DI ES NUMERARE TUOS .
(LEARN TO VAL UE YOUR TIME) :
3 A BOOK OF
H B D I SC EN E VIVERE MO RI .
SH E T ( IN AN D SE ) .
a‘éefv
D TR UDIT I ES DI EM .
m c x s ME DOW (A DAY N) .
éfi é‘
PE TA D UM S C S FUGIO .
NS GHT U S . (U I , N EEN)
J&J
E N SU P RA VITA FUGAX E N I N FRA CERTA MO RS .
’ 'r (A LIFE ON FLIGHT S SOON o u o p SI G HT) .
4 N M 0TT E SU DIAL O S.
X H P E NDE T ZE TB R NITA E OC MOMENTO S .
W R (NO O NEVER) .
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F ESTI NA L ENTE .
1m m) MY OVE E TS ( M M N ) .
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T B AMPL IS S IMAS E VB T F OR UNA UR ES R IT.
X P MY L U (NO E EM TION FROM INF ENCE) .
Jami
F F UGIO UG E .
E H NE B OU B I ( G O A T YOUR U S NE S S .
1 STAY FOR NO MAN) .
5 A BOOK OF
HI NC VIVERE DIS C E . H I LLI N G DI SC MO RI .
(RISING PORTEND S SETTING) .
J&J
HOMO QUASI UMBRA .
MAN S SH E p A S HAD O ( I A AD o W ) . JJJ
HORA FU G I T RAPIDE LBTHUMQ INVADIT R M I NE ES .
m s HOUR S G E W TL m e UNG UAR D D ( LID S IF Y , AND E
AR B EA SILY SURPRIZ ED) .
Ju g}
HORA PARS VITAE.
EV R HOUR SH RTENS L F ( E Y O I E) .
6
A BOOK OF
NTE E L B S US C IP E CITO P E R F IC .
SET O UT AT LEI SURE PROCEED W HAS TE . ( , ITH )
J&e‘
M ORA TRAHIT PERICU LUM .
(DELAY D RAGS DANGER) .
Jake“
I N EMO SI N E CRIMI N E V V IT.
(THE BRIGHTEST DAY HAS ITS SHADES) .
é‘é‘é‘
D NIL DAT . Q UO NON HAB ET .
(OUT OF NOTHING COME S NOTHIN G ) .
8 N MOTT E SU DIAL O S.
NON SEMPER B RUNT SATURNALIA.
L (TAKE TIME B Y THE F OR E OCK) .
eww'
NON NO B I S NATI S UMUS .
(W E ARE NOT MADE FOR O UR S E LVE S ) .
N ON SI NE LUMI NE .
W E H ( S INE) . JJJ
N OS C E TB IPS UM.
' ( LOO K m ro THY SELF) .
9 A BOOK OF
N U LLA DI ES S I N E LI N BA
(EVERY DAY HAS rfs B OUNDS) .
J-JJ
E OMNE M . C R DE DI EM TlB I DILUXIS S B E SU P R MUM.
B T Y LA ( ELIEVE EVERY DAY TO B B H ST) .
l aw .»
E TIT P U OMN IA FALCE M TEM S .
THE SCYTHE o p RR ES K ( TIME CA I A EEN EDG E) .
J&a‘
E B N P R U T IMP UTANTUR .
THE HOURS VANISH YET ARE ON RECORD . ( , )
10 N M 0 TTDE S SU DIAL .
AX P OPTIMA RERUM . A (LIGHT IS THE PARENT OF PE CE) .
$00 3
TE M POST VOLUPTA M I SERICORDIA .
(PLEASURE IS THE PARENT OF PAIN ; NIGHT TREADS
UPON THE HEELS OF DAY) .
JJJ‘
U ALI S VITA , FI N I S ITA .
A AT H (PRA I SE FAI R DAY NIG T) .
Jeni
UOD TI B I P I ERI NON VI S ALTE R! NB FECERI S .
DO O R E NDB R EV L OR G OOD ( N T I F ) .
l l A BOOK OF
UA REDIT NB S C ITIS HO RAM .
(YB KNOW NOT THE HOUR) .
JJJ‘
UlD C E LB R IUS TEMPORE ?
(WHAT ls SWIFTER THAN TIME P)
JJ.»
S 10 VITA .
’ (LIF B S LOT) .
Jew“
S IC T RANSIT GLO RIA M U NDI .
( s o MARCHE S THE GOD OF DAY) .
12 N M OI T E SU DIAL O S.
S I NE LUMI NE I NANE .
A K REC E ES A (D R NESS P D D Y) .
Jak e“
P R ZE TE R IT Z S IC ETAS .
I E S W D (L F I IN G E ) . JJJ
I E MPUS AD LUC E M G VE R ITATE M DU IT .
(TIME BRINGS TRUTH TO LIGHT) .
Jew‘
P V I B M US O B IT MORS EN IT .
ME D ES DEA RE S . (TI I , TH IGN )
13 A BOOK OF
I E MPUS FUGIT .
TB (TIME HAS S ) .
Jew“
I E MP US VITAE MON ITOR .
’ (TIME I S L xF E s REMEM B R ANCER) .
I E NE R E NON POTES N EC PERDERE .
YO U A O KE E P IT NOR L OSE IT . ( C NN T , )
‘ JJQJ U M B RA DEI .
THE WO K A P O F THE A A ( R M NSHI GRE T RCHITECT) .
14
A BOOK OF
I CE ZE V TA NOST RA EST I NSTAR C OM DI . E A (LIF OFTEN CH NGE S SCENE S) .
t Je .»
TE MP R I V B RITAS O S FI LIA .
(TIME THE FATHER OF TRUTH) .
J&J
E V VE LC OM CHAPMAN .
DIAL IN A MARKET P LACE .
JJJJJJJJ‘J‘
16 SUNDIAL M 0 TTOES.
L E T OTH ERS TELL OF STORMS AND
SHOWERS , I’LL U Y HOUR ONLY COUNT YOU R S NN S .
(THE MOTTO CHOSEN B Y Q UEEN ALEX ANDRA FOR THE SUNDIAL
AT SANDRINGHAM) .
17 A BOOK OF
U R N ITED I N TIME PA TED I N TIME , E H E H TO REUN ITED , WH EN TIME SHALL
NO MORE .
’ IN THE K G S ARDE HOLYROOD ON THE D AL PRESENTED ( IN G N , , I
B Y I CHARLE S . TO Q UEEN H ENRIETTA MARIA) .
Je‘e‘
TIME AND HOUR E S PASSETH
AWAYE . OF DE CAYE S O DOETH TH E LIFE MAN , AS TIME CAN E H REDEEMED WITH NO
COST , B ESTOW IT WELL AND LET NO HOU RE
E H LOST .
(ON A RING DIAL) . JJJ
l R ANS E UNT DI ES TU I .
(THY DAYS ARE PAS SING) .
18 N M0 TT E SU DIAL O S.
I O NO ON E I S GIVEN RIGHT OF
E H U W R K THO NOT FRU ITLESS , O WH I LE Y E MAY , TRIFLI NG WERE BOOTLESS WATCH THOU A AND PR Y .
J&J
I H ESE SHADES S O FLEET
FROM DAY TO DAY . AND S O TH I S LIFE A E PASSETH VVAI .
Jew;
V A P RAE TE R ITA T HOR SIC FUGIT VITA .
A s THE OUR A IS PAS LIFE FL E S . ( H TH T T , so I )
19 A BOOK OF
AS S HADOW E S O MAN S P E E DE TH. JJJ
I IME TIDE DOTH WAI ST TH EREFORE MAKE HASTE
W E SHALL .
Jak a‘
T U H O RA FUGIT VITA .
' H R L F F LIB S . (As AN . OU I E )
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Y OU MAY WASTE BUT CANNOT STOP
ME .
R H AT (ON AN OLD C HU C TUNBRIDGE WELLS) .
20 N M0TT E SU DIAL O S.
AS TH E SUN E RUNS S O DEATH
COMES .
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AS TIM E AN D H O U RS PASSETH AWAY TH P S O DOU THE LIFE O MAN DECAY .
JJJ‘
AN E UNT E T IMPUTANT R I R S U .
THE PA A A R C ( Y SS ND RE E KONED) .
eww‘
BRI G HT SOL AN D LU NA TIME AND
TIDE DOTH H OLD .
21 A BOOK OF
— BON JOU R BON SOI R .
Jeni
A S TH ESE H O U RS DOTH PASS H THE S O DOT LIFE OF MEN DECAY .
MEMENTO MO RI .
t w .»
DAY MAY RU I N TH EE . IMPROVE
T HI S H O U R .
A D . . . MDCCXXXI I
T HE H O U R NOW SHOWN PE RHAPS E H THY MAY LAST , REPENT AND PRAY B EFORE THAT HOU R
E H PAST .
22
A BOOK OF
R R C E TA ATI O .
S RE K (A U REC ONING) .
Jew?
H E A SPIC I N H O RAM T MEMENTO MO RI .
L K ( OO ON THE HOUR AND REMEM B ER DEATH) .
Jew;
’ I S H O RT. RIFLE NOT , YOU R TIME S
Je‘e‘
l IME CAN DO M UCH .
24 SUNDIAL M0 TTOES.
AETAS RAP IE T DI EM .
(TIME WILL H URRY TH E DAY AWAY) .
J&&
V E R NON SEMPER V IR IT.
(SPRING I S NOT ALWAYS GREEN) .
Jew“
! R 1 ME I S MORE SAC ED THAN GOLD .
Jve'a‘
A P RAE TE ETAS CITO PEDE R IT.
A PA W TH W ( GE SSES I S IFT FOOT) .
25 A BOOK OF
I H US TH E GLO RY OF TH E WORLD
PASSES AWAY .
JJJ
IME I AS TH E D IAL TO TH E SUN .
ALTHOUGH IT E H NOT SHON E U PON .
Jefie‘
D LO UIMU R F UG E R IT INVIDA . ZE TAS UM Q , CARPE DI EM QUAM ININIME C REDU LA
POSTE RO .
A W WHILE SPEAK s o EN IOU S ME H S FLO N ( ING V TI ,
- SEI Z E O DAY L LE TRUST THE MORROW . T , ITT )
et e‘éfi
S U B SOLE VAN ITAS .
UNDER THE SUN VANITY) .
26 N M0 TT SU DIAL OES.
L E POST TE NE B R AS SPERO UC M.
(AFTER DARKNES S HOPE FOR LIGHT) .
Jew?
’ ’ L H . EURE PASSE , L AMITI E RESTE
THE HOUR PAS SES FRIENDSHIP S AYS . ( , T )
Jet }
’ ’ C EST L HEURE DE B I EN FAI RE .
(THIS I S THY FORTUNATE HO UR) .
‘ ‘ Je ge
M IA VITA E IL SOLE : DE LU UM LA
VITA E DIO. SEN Z A E SSO E L ’UM Q UAL SEN Z A SOL ’ SON IO .
(MONASTERY NEAR FLORENCE) .
27 A BOOK OF
S LO I LEN S Q UOR .
THO H S L I P AK UG E T S E . ( I N , )
Jet }
M G TB NE B R IS JU T R I AT I N LUX S O UM.
( UNTO THE UPRIGHT THERE ARI SETH LIGHT IN THE DARKNESS)
$3 3
S I N E SOLE SI LEO .
WITHO UT SUN 1 KEE P S LE E ( I N C ) .
THE H O U R THOU READEST NOW ON
ME . WI LL N EVE R MORE E H OFFERED TH EE IF THOU TAK ’ST H EED WI SE THOU
WI LT E H.
28 SUNDIAL M OTTOES.
’ I O- MO R R OW S HOU RS MAY E H LESS
FO RTU NATE .
T PIL II INC E DITE U LUCI S .
(WALK AS CHILDREN OF LIGHT) .
S U R I NE MB A N I H I L .
(WITHOUT SHADOW NOTHING) .
J&efv
SEEK MY LIGHT P ROM G OD .
29 A BOOK OF
. H R R K UP E H EA LY PASSENGE , LOO W I SE , AN D TH I N K HOW N IGHT AN D DAY TIME
EVER P LI ES .
’ ’ ' TIME S A HAN D S B READTH ; TALE ;
’ TI S A VESSEL UN DER SAI L ; ’ AN TI S EAGLE I N ITS WAY , DARTI NG DOWN U PON ITS PREY ’ AN RR TI S A OW I N ITS FLIGHT , K MOC I N G TH E PU RSU I NG SIGHT .
Jeni
S OL DEUS V IS IB IL IS INV I IB IL I DEUS SOL S S .
THE SUN IS THY ISIBLE GOD ( V ,
GOD THE INVIS IB L E S UN ) .
30
A BOOK OF
O L D FATH E R TIME STAN DS STI LL FOR NON E ; TH I S MOMENT H ERE THE N EXT H E ’S GON E ; AN D THOUGH YOU SPEAK HIM N E ’ER S O K D I N , HE N EVE R LAGS ON E STEP B E HI N D ; IF H ’ R RD , T EN , WITH TIME YOU D FO WA B E
’ . E YOU E EN MUST RUN AS FAST AS H .
‘ ‘ .A Je
HE . 1 H l DAY 8 T I N E .
$3 at U NAM TIME .
O (FEAR ONE H UR) .
32 N M 0TT SU DIAL OES.
U NA HARUM VITZE HORAR UM B RI T U LTIMA ;
Jew“
B A SQUE SOLE ABSQ U E US U .
W ITHOUT SU W THOU U SE ( N , I T ) .
I NI D E S E D I E WASTE I S EXI ST NCE , U
I S LI FE .
JJJ
I HAT SOLAR SHADOW AS IT MEAS U RES
LIFE , T B 1 LIFE RE S EM LES TOO .
33 A BOOK OF
SHADOW SUCH I S LI FE .
Jet}
DE IDE U LTIMA C T.
(THE LAST DECIDES) .
AT V L A ( ENTIMIG I ) .
u m :
SPAN I S ALL THAT W E
BOAST, I NCH OR S O OF TIME I S B UT VAN ITY AN D DUST
ALL H I S FLOWER AN D PRIME .
34 N M OTT E SU DIAL O S.
E H U R Y R THAN KF L , WATCH , P A , WO K .
Jen}
H A SPIC ME .
L K P E ( OO U ON M ) .
J&e‘
A H 80 . S T E SHADE I S , I S LI FE
t w ,»
U U L MI NE MOT S .
(MOVED B Y LIGHT) .
35 A BOOK OF
— S HAD AND . OW . SUN S O TOO O U R LIVES A RE MADE YET TH K T U I N HOW G REA DTH E S N , H OW SMALL TH E S H A E .
Jet }
M EN M W H I E IT DO BLAM E TI E , L T H EY SPEN D N OR T A E D. UNTO NO PURPOSE , O BAD
c a e .»
E R E T H I H ER I S A SEASO N FO VERY I NG .
JJJ
S OL TEMPO RA DIVE DIT ZEVI .
(THE SUN m vm e s THE SEASONS o p TIME) .
36 SUNDIAL M 0 TTOE S .
P I E E A S C T AB I .
AZ A SS (G E ND PA ON) .
et e‘e‘
TIME ’S GLASS AN D SCYTH E A THY LIFE AN D DEATH DECL RE . SPEND WELL THY TIME R AN D FO THY DEATH PREPARE .
5 3 3
THE GAY WH O WO U LD E H CO U NTED W I SE , TH I N K ALL DELIGHT I N PASTI ME LI ES NO R H EEDD TH EY WHAT TH E WI SE CON EMN , WH I LST TH EY PASS TIME TIME PASSES
THEM .
37 A BOOK OF
Z S EN A PALAR DA TUTTI SON I NTESO . Z ’ SEN A PALESO FAR RUMOR L O RA .
W O P AK 1 AM ERST B Y ( ITH UT S E ING UND OOD ALL .
V WITHOUT A NO ISE 1 RE EAL TH E HOUR) .
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IT TE U c THIN I S LA R THAN YO 3 K.
t w .»
R EAD ON TH I S D IAL HOW THE SHADOWS DEVOU R ’ - MY S HORT LIVE D W I NTE R S DAY . HOUR EATS UP HOU R ALAS ! THE TOTAL ’S B UT PROM R IG H T
TO FO U R .
38
A BOOK OF
S Z ’ EN A L UMBRA NON DI LETTO , U R ’ D E P L UMB RA E MI O I F ETTO .
WITHO UT A S ADOW 1 PLEASE O ( H N T ,
A D YE A S ADOW S MY DEFE T N T H I C ) .
Je‘e‘
HIS OW N IMAGE THE CREATOR
MADE , HIS OW N PU RE S U N B E AM QU ICKEN ED TH EE— O MAN ! THOU B REATH I NG D IA L ! SI NCE THY NAM E B EGAN THE PRESENT H O U R W A S EVE R MARKED
BY SHADE .
Jew;
NOTE TH E TIME THAT YO U WASTE .
40 N I M TT E SU D AL 0 O S.
VVH EN THOU DOST LOO K UPO N MY P G A E , OF TO LEARN TH E TIME DAY , THI N K HOW MY SHADOW KEEPS ITS
PACE ,
AS THY LIFE FLI ES AWAY . K O H V I ME TA E M RTAL , T I S AD CE FROM AN D S O RESOLVE TO SPEND ON V THY LI FE EARTH , THAT H EA EN T SHALL E H D HY HOME , WH EN TIME SHALL EN .
IN COUNTY KERRY RELA D . ( , I N )
Jehe‘
’ - OW I S YESTE RDAY S TO MORROW.
Jew‘
P HCE B US ON H I LST ME SH I NES , T MY H EN VI EW SHADE AN D LI NES .
41 A BOOK OF
L I FE ’S B UT A SHADOW ’ MAN S B UT DUST ; TH I S D IAL L SAYS DY ALL W E U M ST .
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I O VADE E VENGO OGN I G IORNO MA U I Z T T ANDRA S EN A RI ORNO .
1 G O A D C O MB E ERY DAY ( N V ,
B T TH U S W RET R U O HALT G O ITHOUT U NING) .
(IN A RIVIERA GARDEN) .
Jet }
I N C( E LO Q U IE S .
(IN HEAVEN IS REST) .
42 N M TT SU DIAL 0 OES.
U I LAB ORAT ORAT .
(W HO W O R KS PRAYS) .
IN LAYLA D UR YARD LA AS RE . ( N CH CH , NC HI )
I RAN IT U P E S UMBRA L X R MANE T.
(SHADOW PASSE S LIGHT STAYS) .
Jaw“
MOMENT—MARK H OW SMALL A SPACE TH E D IAL SHOWS U PO N TH E FACE ; YET WASTE BUT ONE— AN D YO U SEE
OF HOW GREAT MOMENT IT CAN E H.
(AT OX FORD ON A DIAL BEARING TH E ARM S OF THE EARL OF
VVHAR TON, 169 1
43 A BOOK OF VV H H . HAT T OU SEEKEST I S A S ADOW .
Jet}
PE R E UNT E T IMP N UTA TUR .
THEY PAS S A D ARE RECKONED ( N ) .
Je'e‘
STAN D ON EARTH .
$3 3
I E MPORA LAB U NTU R Q uAa NO B I S
P E R E UNT E T IMP UTANTUR .
T E GLIDES B Y WHI C H PERISHES OR US A D I S ( IM , F N RECKONED)
(AT ADLINGTON) .
44 S UNDIAL M TT E 0 O S.
M AR K THE MOMENTS TROD FOR
GOO D OR I LL .
(ON WARWI C K PRIORY) .
Ji a‘
5 8 IL SOLE SI VEDE
N ESSUN MI CREDE .
(IF THE SUN SHINES NOT
O E W LL B ELIEVE IN ME N N I ) .
m m
S E IL NE S S UM NON RI LUCE SOLE ,
MIA G UARDA .
IF N SUN SHINES NO ONE LOOKS AT E . ( O , M )
$3 3
R E EDEEM Y TIME .
45 A BOOK OF
THE A FTER DARKNESS LIGHT .
J&&
S IC UT UMB RA .
(AS A SHADOW ) .
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I’M GOI NG WH ERE TIME FOLLOWS — NOT WH ERE I S ETERN ITY .
$3 5
V H IVERE DI SC .
COGITA MORI .
(LEARN HOW TO LIVE
THIN K HOW TO DIE) .
46
A BOOK OF
S OLAREM S IG NAT LI N EA PICTA VIAM
’ THE PAINTED LINE MARKS THE S uN s PATH ( ) ,
w ax
V IV ITE AIT F UGI O .
“ ‘ n . A 8 : . LIVE YE . S Y LY ( . F
Jaka‘
S E E INCE EVERY ON E HATH , VERY ON , H ON E S ADE , D YOU B E AN , UT ONE , CAN VERY H D S A OW LEND .
’ (SHAKESPEARE S SONNET L111.)
3 3 }
l E TH F L F IM I S E MON ITOR O I E .
48 N M 0TT SU DIAL OES.
S I L DE F IC IE T NB AS PIC IBT SO NEMO .
1? THE SU PAILS O ONE WILL LOOK OH ME ( N , N ) .
Jew;
H E F LAB UNTUR N E U UGACES AN ! .
HE F L YE RS BY (so T EETING A GO ) .
J&J
V IVE NS MORTALIS .
(m ; THAT LIVE S IS MORTAL) .
‘ ' .a éJ
A LLEZ VO US .
(PASS ON) .
49 A BOOK OF
T J T E . L I ER EN IM US OR UM S IMILE . S T UC I
S PLE NDIDAS, P E R G E NTI LUC E R B ADEO UT CORUM QUI SQUE S IT
S TAB ILIS DIE .
(THE PATH OF THE JUS T I S AS THE S HINING
HT TH T SH ETH O M U O THE LIG , A IN M RE AND ORE NT
Y PERFECT DA ) .
S HADOW AND SH I N E I S LI FE .
’ (TENNYS ON S “ G RANDMOTHE R
m m
VA . L IFE I S A . I N SHADOW
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S HORT THE DAY AND GREAT TH E
WO RK .
50 N I M TT SU D AL 0 OES.
S EE THE LITTLE DAY - STAR MOVING L IFE AND TIME ARE WORTH IMPROVI N G Z THE H EY SEI E MOMENTS , WH I LE T STAY SEI Z E AND USE THEM LEST YOU LOSE THEM THE AND LAMENT WASTED DAY .
A - AC K T MENDE TO DAY AND SL NO , W AR NE TH D ETH E COMETH AND NOT, T TYME PASSETH AN D S PE KE H NOT .
J&J
UT T T VI A FIN I S I A .
(AS LIFE IS s o I S s END) . A H (ON THE TOW ER o p C HELSE OLD C URCH) .
51 A BOOK OF B EGON E ABOUT YOUR BUSI NESS .
t w ,»
T H T IME WAS , I S PAST T OU CANS NOT IT RECALL T IME I S , THOU HAST EMPLOY TH E PORTION SMALL T IME FUTURE I S NOT ! AN D MAY NEVER
éE TIME ggS NT I S TH E ON LY TIME FOR
TH EE .
éé‘a‘ W ATCH AND PRAY .
AB RAVI E IE . L O R S PIC IT NON MI H I SOLE .
ARK YE NOT FOR MYSELF O LY HA E 1 O LED . (M , N V T I )
52 SUNDIAL M 0 TTOES.
TIME FLI ES . LI NES RI SE
SHADOWS FALL .
LET IT PASS B Y.
LOVE REIGNS FO R EVER OVE R ALL.
Jai n}
I U WAKEN WITH TH E RI SI NG S N , AND SLEEP WH EN H I S LONG COURS E I S
RUN .
C LOC K T H E TIME MAY W RONGLY TELL ; I IF E S W E LL NEVER, TH SUN SH I NE .
«awk a‘
S HADOWS 'AR E W E AN D LI KE
SHADOWS DEPART .
53 A BOOK OF
OMN IA P ERT ZE TAS . H (TIME BRINGS ALL T ING S) .
JJJ‘
DAMNOSA Q U I D NON IMMINUIT DI E S ?
(W HAT 1s THERE WASTING TIME DOES NOT lMPAIR
S U D AL VE ET R E (OH A N I IN A N IAN GA D N) .
Jak a‘
B UT H T I H MOST FOR T E H IGH ES .
THE AL E O G NG T G . p . W T THE mo rro o n S U D B L N I O A TS R .A. ( N I , ,
AT m s R S E E LIMNB R S LBAS B O P . E ID NC , , C M TON)
- L IVE TO DAY.
54
A BOOK OF
L A T VA E YOUR M E E RN O LU TI .
J”
N ON E CAN CALL AGAI N THE PASS E D TIM E ;
a .”
S H I N I N G SPOT FO R EVE R S H I N IN G B HT H UR E I I RI G EST O S HAV NO AB D NG . E US THY GOL D EN MOMENTS WE LL . L I FE I S WAST I NG
DEATH I S HASTING. N DEAT H CONSI G N S TO H EAVE OR H ELL.
JJJ
V IVE ME MOR LETHl FU G I T H O RA.
m 3 R M MB RI G DEA H THB HOUR FU BS . ( E E E N T , )
56 N M 0TT SU DIAL OES.
S OL G LORIA M U NDI .
’ (THE S UN xs THE WORLD S G LORY) .
$3 5
INIMIC UM TIB I P Q UARE PAC IBM TUAM
ABS CONDAS E T REPUTES ME .
(WHE RE FORE HIDE S T THOU THY FACE AND HOLDBST ME THINB ENEMY ”J
VBNI VIDE VALE .
C O B s e e FAR W E LL . ( M , , E )
Jaw“
VE AY B I E E E E RY D RIN G S L F N AR R.
57 A BOOK OF
0b HAT I S YOUR SU B STANCE W H EREOF
ARE YOU MADE , T H AT MI LLIONS OF ST RANGE S HADOWS ON YOU TEN D ?
’ u (SHAKESPEARE S SONNET n ) .
JJJ‘
S I C LAB ITUR AETAS .
(TH U S s u p s LIPB AWAY) .
t w .»
S UB UMB RA QUIE S C UNT.
(UNDE R SHADOW THEY REST) .
S UB LUCE GAUDENT .
LI HT H Y R BJOlCB ( UNDER G T E ) .
58 N M TT E SU DIAL 0 O S.
UT INC E D FI LI I LUCI S ITE .
A F (WALK s CHILDREN O LIGHT) .
ak a'a‘
V OLAT TEM P US .
M E U (TI T RNS) .
J&J
O vo s AO MN ES LUCI S ESTI S , FI LI I DI EI NON S UMUS FILI I TE NE B RAR M NOCTI S NEQU E U .
ARE ALL THE C HXLD R B N OF L HT AND THE (YB IG , C HILDREN o p THE DAY ; W E ARE NOT OF THE
G HT NOR THE DAR SS . NI , KNE ) m m
E T AE N US TUM QUU .
JUST F R ( AND AI ) .
59 A BOOK OF
R ETA I Y O T E S E E N OU R L YAL Y, PR RV YOUR R T IGH S .
JAE}
IE AD D E R ETAT E R N D S I EM U S MO BM. D U D R ( AY NTO AY UTTE ETH SPE EC H) .
t w .»
A P S IE NTIS EST N UMERA RE .
IT ( I S THE WISE W HO N UMBER) .
affi x
b
yNELL ARRANGED TIME I S T H E SU REST S IGN OF A WE LL E M D ARRANG D I N .
60 N M0 TT E SU DIAL O S.
BJ U U NOMEN US I N SEC L M . A E DUR NTE SO L . m s NAME SHALL B ND UR E FOR EVER m s NAME ( ,
E SHALL H CONTIN U E D AS LONG AS THE SUN) .
A u .x
’ ’ C EST L HEURE DE BOI RE .
(THIS IS THE HOUR FOR D R INKIN G ) .
(ON AN INN AT LILB OURNE) .
WHAT I S H UMAN LIFE ! LI KE THE D IAL ’S TARDY MOVI NG S HADE AFTER DAY GLIDES
UNPERCEIVED , ’ P YET SOON MAN S LI FE I S U AND}. W E E ARE G ON .
61 A BOOK OF
D LAB TIB EU S ADEST ORAN US .
G OD STANDS B Y THE W O KE R ( R ) .
JJJ' L OOSE NO TIME .
J&J
F D IALL (LOQ .) STAI E ASS I NGE R MY TELL M E NAM E ,
THY NATVR E .
E S P . T I I PASS . (R ) HY NAME S D E AM R TA L ALL . I A MO L
C R E ATVR E .
MY DIALL (LOQ .) SI NCE NAME AND THY NATVR E S O AG REE , TH I N K ON THY SELFE WH EN THOU LOC KST
VPON ME .
62
A BOOK OF
TE E U R NON N U MERA .
MP Y H OU THE M N E LO T E T OT . ( M , C N )
J'JJ‘
V B R E V’OR E A S RRAR VA! IVI , I NDI E
G LI OCCH I .
(LIVE YOUR BRIEF HOUR THEN FOR E VE R CLOS E
YOUR EYES) .
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IPSE M UTAT TEMPO RA
TEMPESTATES .
(HE CHANGETH THB TIME S AND THE SEASONS) .
fi at }
VV T T - RR AI NOT FOR O MO OW .
64 N MOTT E SU DIAL O S.
MN B . I US LUCET . THE L SH ES FOR ( IGHT IN ALL) .
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O N LY AS I AB I DE I N TH E LI GHT OP H EAV EN DO U OF MY AK I F LFI L TH E WI LL M ER .
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E I H SHADOW OF TH E ETERNAL .
IN HORA N ULLA MORA .
(IN THE HOUR IS NO DELAY) .
65 A BOOK OF
N ’ I GOD S G OOD TIME .
JAE}
OPPOSTO DI ME
PEN SI DI TE .
(THINK NOT OF ME
THINK OF THYSELF) .
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D H TU I SC DI ES N UM E RARE OS .
LEARN TO N UMBER THY DA S ( Y ) .
A w.»
V V ITH MY SHADOW MOVES TH E
WO RLD .
66 N M OTT E SU DIAL O S.
’ Y S TO- DAY IS H E E TERDAY S GONE ER ,
- MAY TO MORROW N EVER APPEAR .
t m .x
. UR LI P E ’S A FLYI NG SHADOW G O D’S THE P L O E , THE H Z W DEATH ORI ON , H ERE OUR SUN I S SET ; THE I NDEX POI NTI NG AT H IM I S OUR U L SO , AND WI LL TH ROUGH CH RI ST A E RESURRECTION G T.
L H R H B O C U C E R KS . (MI T N , )
a w :
I HE Y (TH E HOU RS) PERI SH AND ARE
NOT THOUGHT OF .
67 A BOOK OF
PE R I FELICI E D l TRI STI SEGNO
UGUALMENTE LE O RE .
(FOR THE HAPPY AND THE SAD 1 MARK THE HOUR S
ALIKB
N IL SI N E NO B I S .
(NOTHING EX ISTS WITHOUT US ) .
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MID E A S SI LENT I S TAND . Y FLOWERS E E N . H R C KO . Y I H ALL PASS NG OU RS , Z R W HO ON NOW GA E , LOOKEST ME , TH E H O U RS OP LIFE DOST REC KON THOU ?
Ja‘é‘
N F I HE H O U RS FLY . PAST O WI NGS O
LIGHT .
68 N M0TT E SU DIAL O S.
N OI SELESS FALLS THE FOOT OP TIME N WH ICH ONLY TREADS O FLOW ERS .
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N R E DI NO . BO.
(1 . SHALL . NOT . RETURN) .
Jet}
E H H O STS WATCH FUL T OU , TIME P I AWAY AMA N , NOR CAN THE HOUR T H AT ’S PAST
RETU RN AGAI N .
e'aka‘
N TAR D M PPE R NO U O IOR .
N T F R THE SLOW 1 ARRY ( O O DO T ) .
69 A BOOK OF
NOS E X IG UUM TEMPUS HAB E MUS SED P M U LTUM E R DIMUS .
L L B T S H A ITT E T E HAVE W E U A TE UC . ( IM , W M )
3 - 3 1 }
NOW OR W HEN ?
(BEVE RLEY MINSTER) .
Jaw?
X T I MBA L U UA V TA .
THY L MY L F ( IGHT I E) .
A w.»
N T H I B T H E Ll HT O N G I S TRUE U T G .
70
A BOOK OF
E I HE S HADOW . F LI S AN D IT I S SEEN
NO MORE .
a w n
M Y HOUR E S ARE MAD E OF SUN AN D S HADE TAKE H EDE OF WHAT YOUR HOUR E S B E MADE .
a w t
L I FE AS TH I S SHADE
DOTH FLY AN D FADE .
JJJ
LI FE I S SHORT TIME I S SWI FT M U CH
I S TO E H DON E .
72 I M T E S SUND AL 0 T O .
L UC E M DE MONS TRAT UMBRA .
(LIG HT s n o w s SHADOW) .
L UX D I EI LE X DEI .
THE LI OF DA THE LA OF G OD . ( GHT Y , W )
THE CARELESS LOO K AND DO NOT
H EED , TH E WI SE TAKE NOTE AS ME TH EY READ
TEMPUS FUGIT .
V I M L UX E T UMB RA . C IS S I SED SEMPER
AMOR .
(LIGHT AND SHADOW B Y TURNS B UT ALWAYS LOVE) .
73 A BOOK OF
S O H S O S GLI DES TH E OURS , WEAR
TH E DAY ,
TH ESE MOMENTS MEASU RE LI FE AWAY . WITH ALL ITS TRA I N S OF HOPE AND FEAR TI LL SH I FTI NG SCENES OF SHADE AND LIGHT RI SE TO TH E ETERNAL DAY OR SIN K I N ENDLESS N IGHT . — D r.
— AS TYME DOTI I HASTE
S O LI FE DOTH WASTE .
1 M .»
R O U DAYS DECLI NE LI KE A SHADOW .
’ ‘ U R TIME S AT HAND .
74 M TT E S S UND IAL 0 O .
N T F N T F R . O E B U OR ALL SH I NE . O O .
M U N D I OC U LU S .
THE EYE OF E W ORLD ( TH ) .
JJJ
O MN IA SUNT HOMINUM P E NDE NTIA
FILO .
ALL E S OF MAN HANG U P ON A THREAD ( TH THING ) .
HE HAD E ‘ I S OW S FLOWN . RETU RN N O
MORE .
75 A BOOK OF
A . E S T . H OR
(IT IS THE HOUR) .
3 3 3
E N TE U LTIME FALLAT.
PRA EST HE LAS HOUR C O MB U A ARES ( Y L T T N W ) .
l aw .»
E T . RB I S UMBRA . A L A D A SHADO ( CIRC E N W) .
JJJ
. RI ENS SOL ADOR NATUR .
(THE RISING SUN IS ADORNED) .
76 SUNDIAL M OTTOES.
N OW MAYEST THOU LEARN F ROM TH E
PAST .
O B SERVE HOW FAST TIME H U RRI ES
PAST , H O TH EN USE EACH UR, WH I LE I N YOU R POWER FOR COMES TH E SUN B UT TIME FLI ES
ON, T I V PROCEED ING EVER RE U RN N G N E ER .
a w :
SHADE AND S UNSH I NE FOR EACH H O UR H ERE A MEASU RE MADE WONDER NOT IR LI FE CONSI ST F S U NSH I NE AND O S HADE .
77 A BOOK OF
AU D I C E T S AUT D I SCED .
(EITHE R LEARN OR G O) .
J&J‘
— THE S U N ON ME DOTI I SH ADOW T H OW R , WHAT S H ALL TH I S DAY THY MO RROW S HOW ?
$3 3
F F A L ICTIS LE NTAE .
ME S s no O E SORROW U L (TI I w T TH F ) .
L E ’ ST TEMPS PASSE , L AMITI E RE E . SS S S S E PA E R E DS P TAY . (TIM , F I N HI )
78
A BOOK OF
D U EUS EST LUMEN L MI N I S .
GOD IS THE L OF L ( IGHT IGHT) .
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WI SH TH E SUN WOU LD SH I NE ON ALL MEN ’S F RU ITS AND FLOWERS
AS WELL AS MI NE .
IN R N F A THE GA DE O BELC RRES E . ( , FIF )
GIVE MEN WARN I NG HOW TH E H O S U R FLY , MEN ARE SHADOWS AND A
S HAD OW I.
80 SUNDIAL M0TTOES.
M Y H O URS ARE SUMMED I N SH INE AND SHADE ; OF JOY AND SADN ESS MAN ’S ARE
MADE .
t Je .»
HOW LONG I S TIME ? AS K THO U OF ME ; H OW FLEET I S TIME ? I AS K OF
THEE .
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HO E T V I RA , D I ES , TA F UG UINT I V I T MAN ET UN CA R US .
THE HOUR DA A D L ALL F LY O LY IR UE ( , Y , N IFE , N V T
REMAIN S) .
81 A BOOK OF
S OMNO S G U ERE .
(AWAKE F ROM SLEEP) .
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YO H O IT. H I S I S U R UR , ACCEPT
3 3 1 3 }
E THAT WO U LD TH RIVE M U ST RI SE
AT FIVE . HE THAT HATH TH RIVEN M U ST STAY
TI LL SEVEN , HE THAT WI LL N EVER TH RIVE MAY LI E
TILL ELEVEN .
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K I V . HA E NO VOICE AN D YET I SPEA , TAKE H EED WH EN YOU TH E TIME DO K SEE .
82
A BOOK OF
C U NT TH E H O U RS AS ONE BY ONE
THEY FLY .
a w :
R B E . THI LE N NI HB O G S . S DB R C DO I , TO WH I LE OR U TIME AWAY , SAFELY TO BEG I LE JOY —T H ’S THOUGHTS WITH , ERE
NOTH I NG WO RT H A SMI LE .
Jé'é‘
B IIT IN LINAR UNT AE A D I ES Q U IA . C UMB R
VE S P E RTINZE .
(THE DAY GOETH AWAY AN D TH E SHADOWS OF THE
EVE NING ARE STRETCHE D O UT) .
$3 3
S 0 L SO LUS S OLVIT.
(THE SUN 1s THE ONLY SOLVER) .
84 N M TT SU DIAL 0 OES.
S O FLYS LI FE AWAY .
NONE O DUM MOVED.
RN A 1 (1 WA s MOVE) .
I HE MOMENT PAST
LAI D MANY PAST .
N B QU I D PEREAT .
(LET NOTHING B E LOST) .
85 A BOOK OF
NI VOLE NTIB A H I L US R DUUM.
(TO THE WILLING NOTHING IS DIFFICULT) .
Je‘a‘
PLB NDE TI UT MU S S FACES I N N DO .
u m s AS L S I RL D (YE s IGHT N THE W O ) .
w w
VEDI L ’O RA MIA E L ’O RA TUA NON SAI ?
OU SEEST MY HOUR B EH EST TH U I (TH , OLD O TH NE
Jab s“
I BMPUS NON FO RE AMPLIUS .
B E L N E R (THAT THE R E SHOULD TIME NO O G ) .
86
A BOOK OF
MARK NOT TH E H O U RS UN LESS E H R TH EY B IGHT ,
I MARK . NOT THE H O URS OF DARKN ESS
AN D N IGHT . MY P ROM I SE I S SOLELY TO FOLLOW THE SUN AND POI NT OUT THE C O U RSE HI S
CHARIOT DOTH RUN .
é'é‘é‘
S IC T . S TH ? , TRAN SI , AYEST OU WELL H LE T IT ! T EN , PASS W O U LD’ST E H A G LUTTON AT THE ST OF FEA LI FE , AND BAT AND E AT AND , EVER FI LL THY GLASS ?
E - PE D A S W HIS W LL , CONTENT L Y DO N
FO RK AND KN I FE .
88 SUNDIAL M OTTOES.
’ - - D O TO DAY S WO RK TO DAY . JJJ
F OR I U OV US N AND O T , AB E AND B ELOW, ’TIS NOTH I NG BUT A MAG I C S HADOW SHOW PLAYED I N A B OX WHOSE CANDLE I S U TH E S N , ROUND WH ICH W E PHANTOM FIG U RES
COME AN D G O.
Oma r Kkayyam . JJJ
L ’ S H O T I PE S BUT A R DAY , IT I R BUT S A WO KI NG DAY . JJJ
I IME F LE E TE TH AWAY
WITHOUT DELAY .
89 A BOOK OF
’ ’ TIME S A TO RRENT S RAP I D STREAM ; T ’ O ’ IME S A S HAD W , TIME S A DREAM ; T ’ T OF T IME S H E CLOSI NG WATCH N IGH , D AT R YI NG TH E I SI NG LIGHT . T ’ B B B ON ’ A IME S A U LE TIME S S E , U SE TIME WELL WH I LE TIME ’S WITH
TH EE .
I H I N K AN D THAN K.
J‘Ja‘
ONC E AT A POTENT LEADE R’S VOICE I STAYED ; ONCE I WENT BAC K WH EN A G OOD MONARCH PRAYED ; MO RT H OW ’ R E ALS , E ER G I EV , H OW ’ D PLO E ER E RE , THE FLYI NG S HADOW WI LL RETU RN NO
MO RE .
90
A BOOK OF
HO S F LY U R , F LOW S ER D I E ,
N EW DAYS ,
N EW WAYS , PASS BY ;
LOVE STAYS .
Jaw“
I RADITUR D I ES D I E
NOVAE Q UE P E R G UNT INTE R IR E LU NAE .
(DAY DISPLACES DAY AN D NEW moo n s HAS TB N OH
WARD B UT TO FADE) .
R (ON A SUNDIAL m A G ECIAN GARDEN) .
J&a‘
D M V IM U IV US VIVAMUS .
L W L Y U L ( IVE HI E O IVE) .
92 S SUNDIAL M 0 TTDE .
D IC IMUS I NTEG RO DIE D IC IMUS U SICCI MAN E , VI D I , T Q UUM S OL OCEANO S U B E S .
( s o PRAY W E SO B ER IN THE MORNING WHEN
B AY . IS . B E F ORE u s ; s o . THB
B O s um s ENEATH THE CEAN) . — F ro m Ho ra ce.
SU R (ON A NDIAL IN A G ECIAN GARDEN) .
Ja‘a‘
V V A L R OLAT IR R E OC B I IS HO A .
F LIB ( S THE HOUR NEVER TO B E RECALLED) .
t Je .»
f I I ’ A V OUS Q U PASSE SOUVEN E Z . VOUS U PASSANT Q U E TOUT PASSE COMM E JE PASSE .
REMEMB ER ALL HO PASS ALL S PASS AS 1 ( W , THING
PASS) .
93 A BOOK OF
S U S UC H X CH , A MAN E TENDS H I S ’ S H O T LI PE S R S PACE , AN D P ROM TH E GOAL AGAI N REN EWS TH E RACE FOR HE LIVES TWI CE WHO CAN AT ONCE EMPLOY T P S NT ’ H E RE E WELL , AN D E EN TH E
PAST E NJOY .
—F Ma d ro m ffi l.
I IME I S W H I SLO FOR T OSE WHO WA T ,
SWI FT FO R THOSE WHO PEAR , H G I V LONG FOR T OSE WHO R E E , S H O RT FOR THOSE WHO REJO I C E FOR THOSE WHO LOVE TIME I S E TE R N ITY .
94
A BOOK OF
TEACH ERS ARE TH E H O U RS WH I CH OPEN OR CLOSE TH E
GATE OF H EAV EN .
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U T MIG RATUR US HAB I TA .
B OU O R (DWELL As IF A T T DEPA T) . JJJ
S I A Z S N S SOLEI L VOUS VI EN D RE , S S R E PONS E E N TO N Z AN VOUS RE U R ERE .
IF W OU S UN O U O E ( ITH T Y C M ,
P L WITHOUT A RE Y WILL YO U G o ) .
fi at }
V IG ILANTIB US
TO THE ATCHFUL ( W ) .
96 N M T SU DIAL 0T OES.
A E G Q UO D AG I S .
(DO WHAT YOU ARE DOING) .
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D DO E I SPONEN DO ME , N ON M UTAN M .
BY D SPOSI o p E O B Y CHANGING ME . ( I NG M , N T )
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F IT PU UG I RREPARAB I LE TEM S .
OV A L 1 1111 13 S LYI A AY (IRREC ER B E I F NG W ) .
Jaw?
D E FAVE NT O E .
’ W G S A OU ( ITH OD F V R) .
97 A BOOK OF
B LA ONN E H EU RE .
- (WELL TIMED) .
Jet }
F A E B AB D E S EST HOSTE OC R I.
( IT 18 RIG HT TO DERIVE INSTRUCTION EVEN F ROM AN ENEMY)
JJJ
S O TEAC H US TO N UM B ER O U R DAYS THAT W E MAY APPLY O U R
H EARTS UNTO WI SDOM .
L EAD KI N DLY LIGHT .
98
A BOOK OF
THE MOVI NG FI NGE R W R ITES : AN D HAV I NG WRIT MOVES ON : NO R ALL THY PI ETY NO R WIT SHALL LU RE IT BAC K TO CANCEL A H LF A LI NE , NO R ALL THY TEARS WAS H O UT A WO D OF IT R . — m a Kha a O r yy m .
Jaw;
D I ES MEI SIMI LES SUNT UMB RZE N I I C L NATZE .
D D (MY AY S AR E A SHA OW THAT DECLINETH) .
An” U TE R E NON RED IT H ORA .
E PLOY T E HOUR IT R E TU R NE TH OT . ( M H , N )
100 SUNDIAL M 0 TTOES.
R EMOVE N OT T H E ANC I ENT LANDMARK WH ICH T H Y FATH E R HATH SET
U P .
JJJ
UIA TEMPUS Q U I DEM E S T C UIQUE VOLUNTATL
(THERE xs A TIME F OR EVERY P URPOSE AND F OR E ER W RK V Y O ) .
Je'e‘
VV T UR E NT H EN SLOTH P U S . G B U SI NESS
BY ,
’ ’ TO - MO OW S N W H LL RR A E DAY , S E C RY ; AN D ALL H ER MO RROWS PROVE IT TRU E T H EY ’RE N EVER USED AND T H ERE FO RE
NEW .
101 A BOOK OF
S E T ME RI GHT AN D U SE ME WELL A T T Y U N D I H E IME TO O WI LL TELL .
P K D (ON A OC ET IAL) .
Jew“
S OON SHALL TH E SH I N I NG CI RCLE CEASE TO RU N ;
SOON SHALL TO - MO RROW TURN TO
YESTERDAY . THAT KN I FE OP S H AD OW C UTTI NG IN TH E S U N C UTS PAT I ENTLY THY LIGHT OF LI FE
AWAY .
Jafié‘
U NA DA O NE AT B IT Q U D ALTERA G .
(ONE HOUR WILL GIVE WHAT THE NEXT DENIE S) .
102
A BOOK OF
V O O L ’O 1 R G L’ANNI E LAN RE , GIO N I ,
I . MES ! — P etm rck .
HOURS DAYS O THS YEARS ALL FLY ( , , M N , , )
J&a‘
C OME I N TIME .
U R AT A S T. R U OLK OH A C H C H B R D OR D G EO G E S . ( F , FF )
U S E WELL TH E P RESENT MOMENTS A S TH EY FLEET , YO S H O T E H U R LI FE , HOWEVER R , WI LL
COMPLETE . IR AT ITS FATAL EN DI NG YO U CAN SAY : I ’VE LIVED AN D MADE TH E MOST OF
EVERY DAY . R R R A 1N ATE FALL CH U CHYA D S ORDS RE . ( W , T FF HI )
104 M SUNDIAL 0 TTOES.
S L U UANDO U IDE M ADVE NIT U RG E , CE , Q Q
LUX TUA . A L ( RI SE SHINE FOR THY IGHT I S COME) .
IME I S TH E CH RYSALI S OP ETERN ITY .
1 3 3 3 19
W IFT FLY TH E H O URS AND B RI E F TH E TIME FO R ACT I ON AN D RE PO SE FAST FLITS TH I S SCENE OF WOE AND R C IME ,
AND SOON TH E WHOLE SHALL CLOSE . T O D P H E EVEN I NG SHAD WS EE ER FALL , I TH E DAYL GHT D I ES AWAY , K SL M B AT ’ WA E , U ERER , TH E MASTER S
CALL , K IT AN D WO R WH I LE I S DAY .
105 A BOOK OF
U NA E T V O HOMINUM V ITA UMB RA AP R .
O M S ’S (A SHAD W AN D S OKE I MAN LIFE) .
IN HELSTON CH URCH ARD CORN ALL . ( Y , W )
$3 }
U A P I ? M MB RA ! Q U I D S IC S U B RAM.
(SHADOW ! WHAT SEE ST THO U ? SHADOW) .
Jaw“
U T E E P A E T MB Q UI X M L R I U RZE , DE E R IANT CE LE TI M S V REU M C S U .
L S O o p V (THE EXAMP E AN D HAD W HEA ENLY THINGS) .
Jaw”
V 0 10 1 VOTRE H EURE .
(HERB 1s Y OUR HOUR) .
106
A BOOK OF
BE I NG YO U R SLAVE WHAT SHOU LD I DO B UT TEN D U PO N TH E H O U RS AN D TIMES OF YO U R DES I RE — h k r S a espea e.
a m .»
V E S TIG IA R E TR OR M N U LLA S U .
A STE S B C RD (THERE RE NO P A KWA ) .
C URRI C ULU M MEUM P E R F IC IAM DONEC E NE R INT ADV DOMI N U S .
(I WILL R UN MY C OURSE UNTIL THE L ORD 3 SHALL COME
IA C RUCI S VIA LUCI S .
(TH E WAY OF TH E C RO S S 1s THE WAY OF
108 N M OTTOE S SU DIAL .
VVITH WARN ING HAND I MARK TIME ’S RA P I D FLIGHT FROM LI P E ’S GLAD MO RN I NG TO ITS SOLEMN N IGHT T H O G H G ’ YET R U TH E DEAR OD S LOVE , I ALSO SHOW TH ERE ’S A LIGHT ABOVE ME BY TH E
SHADE BELOW .
W J GR F W O U AL R E B Y OH EENLEA ER R A S D . ( ITT N N HITTI , F N I )
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E X S P E CTAMUS LUC E M, E CC B NE B RZ E TE .
B U A O L EHO O S I Y . W P. IT R BU LD B R T ( W F IGHT, T C )
x .x.x
A MB ULE MUS I N LUCE JE HOVZE .
1c OF . (LET US WALK IN THE 1. THE LORD)
109 A BOOK OF
L AB UNTUR ANN I NEC P I ETAS M O RAM RUGI S E T
AF F E R E T.
HE F LEE YE ARS L DE A A AND P IB TY WILL (T TING G I W Y , K NEVER BRING A CHEC TO WRINKLES) . — F ro m Ho rac e.
A u .x
N U ME RI L ’O RE MA NON SAI
’ L ORA DELLA MO RTE .
(THOU NUM B ERE ST THE HOURS BUT KNOW E S T NOT THE
HOUR OF DEATH) .
JJJ
V E LUT UMBRA SUNT D I ES NOSTRI A SU P ER TE R R M.
D YS N R A A W (OU R A O EA TH RE A SH DO ) .
110
A BOOK OF
L UMI NARE MAJU S AD P RZE F E CTURAM
D I E I .
L 1 113 (TH E GREATER TO RU E DAY) .
l aw .»
E LINAT UT UMBRA Q UUM D C .
(1 AM G ONE A SHADOW) .
Jaka'
L ITTLE S U N U PON TH E CEI LI NG E S I EV R MOVI NG , EVER TEAL NG M U H O S OMENTS MI N TES , UR AWAY . MAY NO S HADE FO RB I D THY SH I N I NG WH I LE TH E H EAVEN LY S U N DECLI N I NG US R E CALLS TO IMP OVE TH DAY .
L D AT AL (ON A CEI ING IAL THEOB DS) .
112 E S SUNDIAL M 0TTO .
I AK TINT O’ TIME E RE TIME TAK
’ TI NT O TH EE .
V I IX OR IMUR E T OC C ID MUS . R (SCA CELY ARISEN AN D W E HAV E SET) .
t m .x
! I S ALWAYS MORN I NG SOM EW H ERE I N
TH E WORLD .
Jfi jéfi a‘é‘fi é‘
113
I P R N AISE OF SUNDIALS.
HAT an anti! ue air had the n o w almost effaced
- w ith their sun dials , moral inscriptions , seeming W coevals ith that Time which they measured , and to take their revelations of its flight immediately from t ! Heaven , holding correspondence with the fountain of ligh
o h t How would the dark line steal imperceptibly , wa ched by the eye of childhood , eager to detect its movement , never
a n n o first st o f catched , nice as evanesce t cl ud , or the arre s sleep ! Ah ! yet doth beauty like a dial hand
fi u re n o ! Steal from his g , and pace perceived
c l c k o n o s What a dead thing is a o , with its p der u
o n it s t s emb welme ts of lead and brass , per or solemn dulnes o f t o the - e communica ion , c mpared with simple altar lik structure and silent heart - language of the old dial ! It i sto od as the garden god of Christian gardens . Why is t alm o st every where vanished P If its business - use be super s ed ed t n s by more elabora e inventio s , its moral use , its
t its . It o f beau y , might have pleaded for continuance spoke
t o f n o t o t t . modera e labours , pleasures pr trac ed after sunse
R L M — E lia S A 3 E o . E a HA L ss s C . y f
117
I P R OF N AISE SUNDIALS.
E THINKS it were a happy life o To carve out dials ! uaintly point by p int , Thereby to see the minutes how they run ; How many make the hour full complete ; How many hours bring about the day ;
fi n i h How many days W ill s up the year .
How many years a mortal man may live . When this is known then to divide the times
80 minutes , hours , days , weeks , months , and years ,
’ Pa s s d over to the end they were created .
— ’ K Hen7 I . a rt A c t ii. cene 5 HA ESPEARE . 3 S V . S y ( p ) , , JJJ HE A11 sundial is a thing of deep sentiment . feel the
beauty and wonder of the thought that Time , that
fl eet in o f most intangible , most g, most wonderful
o fitt in l c nditions , is marked so g y in its passing by a shadow almost e! ually intangible ; and the noblest evidences — — o f creations the stars in the heavens would be to a s invisible and unknown save for their revelation through the shadow of the earth . — - . A u n di l a nd R e L ORS R 3 . a s o s s o Y te E M E L S es rda Mrs A IC E f y .
121
’ The Garden Lo v er s Ser es I. i ,
’
A GARDEN LOVER S BIRTHDAY BOOK.
C i A A F E D H HYATT. omp led and rranged by L R .
B u S S em al C D R e l ster R o nd in ateen , with p over esign and g ibbon
d . 3 . 3 . 6 net
A o u t M r HY ATT k good idea , well carried not only nows his
—M r E R L E M E i u s . A KY L L C modern wr ters abo t the garden , iss J , anon
E L L A C OM B E D HOL E — b u t , ean , and the rest of them passing well , he T ” i . h u k nows the anc ents also e anthology is very f ll and well chosen . ' - C02m try L éfe .
F o r u B B k M r those garden lovers who re! ire a irthday oo , .
A L F R E D H HY A TT u x d al n t has prod ced e actly the right thing , a y
u G C A x vol me in the form of a arden alendar and nthology , the e tracts being tak en from the P oets and many modern writers whose work s on — the su bject are well k nown Yo rk shire P o st
F firs t rom to last it is sweet , fragrant , and delicately arranged To the lovers of fl o w ers we can scarcely l m agin e any B irthday B ook
It first u i more acceptable , forms the vol me in a new ser es
v s u c c e ed l n u especially devoted to garden lo ers , and if g iss es are any thing lik e as good as this there need be little apprehension abou t its — ’ u The P u blz shers Circu la r s ccess .
Unive rs ity o fCalifo rnia S OUTHERNR EG IONAL LIBRARY FACILITY 305 De Neve Drive Parking Lo t 17 Bo x 951388
- LOS ANG ELES , CALIFORNIA 90095 1388
R t rn th s matera to the brar fro m wh c h it was r w e u i i l li y i bo ro ed .