Planets of the Solar System Information
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The Solar System What’S in Our Solar System?
The Solar System What’s in Our Solar System? • Our Solar System consists of a central star (the Sun), the eight planets orbiting the sun, several dwarf planets, moons, asteroids, comets, meteors, interplanetary gas, dust, and all the “space” in between them. • Solar System: a star (sun) together with all the objects revolving around it (planets and their moons, asteroids, comets, and so on). What’s in Our Solar System? • The word solar comes from the Latin solaris, meaning “of the sun.” Sol is the Latin word for “sun.” • The eight planets of the Solar System are named for Greek and Roman Gods and Goddesses. Planetary System Planetary System: a planet with its moon(s), • The Earth and moon are a planetary system. • The word planet comes from a Greek word meaning “wandering.” To the ancients, the five visible planets to the naked eye appeared to move, unlike the other fixed stars that were “fixed.” • Orbit: the path followed by a planet, asteroid, or comet around a star, or a moon around a planet. The word comes from the Latin orbita, meaning a “wheel track.” Planets, Dwarf Planets, Moons, Asteroids, and Comets • Planet: a large body, spherical because of its own gravity, orbiting a star and not sharing its orbit with any other large bodies. • Dwarf Planet: a planet-like body that orbits the sun and does not clear its orbital zone of other massive bodies, and is not a moon. • Moon: object revolving around a planet. The word moon is from an ancient German root meaning “moon” or “month.” Planets, Dwarf Planets, Moons, Asteroids, and Comets • Asteroid: a rocky or metallic object a few feet or a few miles in dimeter. -
Apollonius of Rhodes Argonautica Book 3, Translated by Robert Cooper Seaton, Harvard University Press, Cambridge MA, 1912
Apollonius of Rhodes Argonautica book 3, translated by Robert Cooper Seaton, Harvard University Press, Cambridge MA, 1912. (http://oaks.nvg.org/sa4ra16.html#tres) Come Now, Erato, stand by my side, and say next how Jason brought back the fleece to Iolcus aided by the love of Medea. For you share the power of Cypris, and by your love-cares charm unwedded maidens; wherefore to you too is attached a name that tells of love. Thus the heroes, unobserved, were waiting in ambush amid the thick reed-beds; but Hera and Athena took note of them, and, apart from Zeus and the other immortals, entered a chamber and took counsel together; and Hera first made trial of Athena: "Do you now first, daughter of Zeus, give advice. What must be done? Will you devise some scheme whereby they may seize the golden fleece of Aeetes and bear it to Hellas, or can they deceive the king with soft words and so work persuasion? Of a truth he is terribly overweening. Still it is right to shrink from no endeavour." Thus she spoke, and at once Athena addressed her: "I too was pondering such thoughts in my heart, Hera, when you did ask me outright. But not yet do I think that I have conceived a scheme to aid the courage of the heroes, though I have balanced many plans." She ended, and the goddesses fixed their eyes on the ground at their feet, brooding apart; and straightway Hera was the first to speak her thought: "Come, let us go to Cypris; let both of us accost her and urge her to bid her son (if only he will obey) speed his shaft at the daughter of Aeetes, the enchantress, and charm her with love for Jason. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Scientific Goals for Exploration of the Outer Solar System
Scientific Goals for Exploration of the Outer Solar System Explore Outer Planet Systems and Ocean Worlds OPAG Report v. 28 August 2019 This is a living document and new revisions will be posted with the appropriate date stamp. Outline August 2019 Letter of Response to Dr. Glaze Request for Pre Decadal Big Questions............i, ii EXECUTIVE SUMMARY ......................................................................................................... 3 1.0 INTRODUCTION ................................................................................................................ 4 1.1 The Outer Solar System in Vision and Voyages ................................................................ 5 1.2 New Emphasis since the Decadal Survey: Exploring Ocean Worlds .................................. 8 2.0 GIANT PLANETS ............................................................................................................... 9 2.1 Jupiter and Saturn ........................................................................................................... 11 2.2 Uranus and Neptune ……………………………………………………………………… 15 3.0 GIANT PLANET MAGNETOSPHERES ........................................................................... 18 4.0 GIANT PLANET RING SYSTEMS ................................................................................... 22 5.0 GIANT PLANETS’ MOONS ............................................................................................. 25 5.1 Pristine/Primitive (Less Evolved?) Satellites’ Objectives ............................................... -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Apollodorus : the Library
JU\r(^ Qksl 7^ani-hSin THE LOEB CLASSICAL LIBRARY EDITED BY E. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. H. D. ROUSE, Litt.D. APOLLODORUS THE LIBRARY I APOLLODOEUS THE LIBRARY WITH AN ENGLISH TRANSLATION BY SIR JAMES GEORGE FRAZER, F.B.A., F.R.S. FELLOW OF TRINITY COLLEGE, CAMBRIDGE IN TWO VOLUMES I LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXXI FEB " 3 !940 TO MY OLD TEACHER AND FRIEND HENRY JACKSON, O.M. CONTENTS PAGK INTRODUCTION ix SUMMARY xlv SYMBOLS EMPLOYED IN THE CRITICAL NOTES llX 1 BOOK I • 127 BOOK II 295 BOOK Til Vll ERRATA. , Vol. , 73 For " Thestius " read " Agrius." Vol. II. P. 54. For "later version" read "earlier version." — INTRODUCTION I. The Author and His Book. Nothing is positively known, and little can be conjectured with any degree of probability, con- cerning the author of the Library. Writing in the ninth century of our era the patriarch Photius calls him Apollodorus the Gi'ammarian,^ and in the manu- scripts of his book he is described as Apollodorus the Athenian, Grammarian. Hence we may con- clude that Photius and the copyists identified our author with the eminent Athenian grammarian of that name, who flourished about 140 b.c. and wrote a number of learned works, now lost, including an elaborate treatise On the Gods in twenty-four books, and a poetical, or at all events versified. Chronicle in four books. 2 But in modern times good reasons have been given for rejecting this identification,^ ^ Photius, Bibliotheca, p. -
The Moons of Saturn, Uranus and Neptune
Today in Astronomy 111: the moons of Saturn, Uranus and Neptune Names General features: structure, composition, orbits, origins Special moons: • Mimas • Titan • Enceladus • Iapetus • Miranda • Triton No, it’s not a sponge, or a coral, but Hyperion (Saturn VII), seen from Cassini (JPL/NASA). 15 November 2011 Astronomy 111, Fall 2011 1 Lunar nomenclature As we’ve mentioned, Jupiter’s moons are named after the mythological girlfriends and boyfriends of Zeus, but are given their Greek, rather than Latin, names. • This tradition was started by Simon Mayer, who discovered the first four moons independently of Galileo but a few days later. Saturn’s moons are named after other Titans: the giant Greek deities of Saturn’s generation, who were displaced by the ones in Zeus’s generation. • Saturn (= Kronos) was Jupiter’s (= Zeus’s) father. • John Herschel’s names from the mid-1800s have stuck. John was the son of William Herschel, who among many other things discovered Mimas and Enceladus. 15 November 2011 Astronomy 111, Fall 2011 2 Lunar nomenclature (continued) • Soon after the Voyager missions, we ran out of Greek Titans. Since then, giants from Norse, Celtic and Inuit mythology have served for new discoveries. Uranus’s moons are named after characters in Shakespeare’s comedies, with the exception of Umbriel and Belinda, magical characters in Pope’s The Rape of the Lock. Nobody knows for sure why this theme was picked. • John Herschel was responsible for this, too; also dates from the mid-1800s. • Uranus (same in Greek and Latin) was the father of Saturn/Kronos. Johannes Bode named the planet, after discoverer William Herschel tried unsuccessfully to get it named after King George III. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Rereading Death: Ethics and Aesthetics in the Ancient
REREADING DEATH: ETHICS AND AESTHETICS IN THE ANCIENT RECEPTION OF HOMERIC BATTLE NARRATIVE by Nicholas Kauffman A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, MD March, 2015 [Intended to be blank] ii Abstract In this dissertation, I examine the many famous death scenes in the Iliad and argue that their reception within antiquity reflects a lively and diverse discourse about the meaning of violence, and specifically of death in battle. As evidence of this reception, I consider later Greek epics and the exegetical tradition, viewing these texts using the methodological frameworks of intertextuality and reception studies. In the first chapter, I provide a descriptive analysis of the Iliad’s deaths and discuss the often conflicting interpretations of them advanced in modern scholarship. I argue that these deaths are underdetermined, that the text itself articulates no clear ideological framework within which to understand them, and I view this underdeterminedness as productive, in that it makes possible and even encourages dialogue among later readers. In the subsequent chapters I examine three texts that engage in this dialogue. First, I look at the death scenes in Apollonius’ Argonautica. Though these are largely constructed from Homeric motifs, I show that Apollonius consistently defamiliarizes these motifs and thus calls into question not only the formal qualities of the Iliadic narrative but also its ethical underpinnings. In Quintus of Smyrna’s Posthomerica, as I show in the following chapter, the deaths are designed to seem Homeric, and they are formally almost identical to their Iliadic counterparts. -
6-1 6.0 SATURN SYSTEM MYTHOLOGY Until the Middle Of
6.0 SATURN SYSTEM MYTHOLOGY Until the middle of the nineteenth century, the satellites of Saturn bore numerical designations only. In 1847, John Herschel proposed that the satellites be named after Saturn’s ‘brothers and sisters, the Titans and Titanesses.’ Titans and Titanesses were brothers and sisters not of Saturn, but of Kronos, Saturn’s Greek counterpart. Hesiod, Homer’s younger contemporary, gives us the family history of the tribe of the Titans. Using some of Hesiod’s own words, here is an outline of the story. In the beginning, there was Chaos, and after him came Gaia (the Earth). Gaia’s first-born was Ouranos (the Sky), the ‘one who matched her every dimension.’ Gaia ‘lay with Ouranos, and bore him Okeanos, Koios, Krios, Hyperion, Iapetus, Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys.’ Her youngest-born was the ‘devious-devising Kronos, most terrible of her children.’ Hesiod assigned the name Titans to the enumerated twelve children. Kronos, upon urging from Gaia, attacked his father Ouranos with the sickle she provided. Following the attack, Kronos became the supreme ruler of the world. Kronos took Rhea as his wife. She bore him five children. Remembering the fate of his father, Kronos swallowed each child right after it was born. Zeus was the sixth-born. To save the baby, Rhea tricked her husband into swallowing a stone instead. At some later point, Kronos was made to regurgitate the stone and the five children he swallowed. (Hesiod does not say when and how.) With his siblings’ help, Zeus initiated a rebellion against Kronos and the Titans. -
Pseudo-Apollodoros' Bibliotheke and the Greek Mythological Tradition
Pseudo-Apollodoros’Bibliotheke and the Greek Mythological Tradition by Evangelia Kylintirea A thesis submitted in fulfillment of the requirements for the degree of PhD in Classics University College London May 2002 ProQuest Number: 10014985 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014985 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract Pseudo-Apollodoros’ Bibliotheke is undeniably the most useful single source for the mythical tradition of Greece. Enclosing in a short space a remarkable quantity of information, it offers concise and comprehensive accounts of most of the myths that had come to matter beyond local boundaries, providing its readers with their most popular variants. This study concentrates on the most familiar stories contained in the first book of the Bibliotheke and their proper place in the overall structure of Greek mythology. Chapter One is dedicated to the backbone of Apollodoros’ work: the chronological organisation of Greek mythical history in genealogies. It discusses the author’s individual plan in the arrangement and presentation of his material and his conscious striving for cohesion. -
The Routledge Handbook of Greek Mythology the Rise of Zeus And
This article was downloaded by: 10.3.98.104 On: 29 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Handbook of Greek Mythology Robin Hard The Rise of Zeus and Revolts Against his Rule Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203446331.ch3 Robin Hard Published online on: 17 Jun 2008 How to cite :- Robin Hard. 17 Jun 2008, The Rise of Zeus and Revolts Against his Rule from: The Routledge Handbook of Greek Mythology Routledge Accessed on: 29 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203446331.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. cover ISBN: 0-415-18636-6, The Routledge Handbook of Greek Mythology, Robin Hard, © 2004 Robin Hard,