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Cyclic Issue 32.Pdf
1 Cyclic Defrost Magazine Issue 32 | July 2013 www.cyclicdefrost.com Stockists Founder Contents The following stores stock Cyclic Defrost although Sebastian Chan 04 Editorial | Sebastian Chan arrival times for each issue may vary. Editors 06 Cover Designer | Jonathan Key NSW Alexandra Savvides 12 This Thing | Samuel Miers Black Wire, Emma Soup, FBi Radio, Goethe Shaun Prescott 16 The Longest Day | Chris Downton Institut, Mojo Music, Music NSW, Pigeon Ground, Sub-editor 20 Rise of the tape | Kate Carr The Record Store, Red Eye Records, Repressed Luke Telford 26 The Necks | Tony Mitchell Records, Title Music, Utopia Art Director 34 Arbol | Christopher Mann VIC Thommy Tran 40 Cyclic Selects | Bob Baker-Fish Collectors Corner Curtin House, Licorice Pie, Advertising latest reviews Polyester Records, Ritual Music and Books, Wooly Sebastian Chan Now all online at www.cyclicdefrost.com/blog Bully Advertising Rates QLD Download at cyclicdefrost.com Butter Beats, The Outpost, Rocking Horse, Taste-y Printing SA Unik Graphics B Sharp Records, Big Star Records, Clarity Records, Website Mr V Music, Title Music Adam Bell and Sebastian Chan WA Web Hosting 78 Records, Dadas, Fat Shan Records, Junction Blueskyhost Records, Mills Records, Planet Music, The Record www.blueskyhost.com Finder, RTRFM Cover Design TAS Jonathan Key Fullers Bookshop, Ruffcut Records Issue 32 Contributors NT Adrian Elmer, Alexandra Savvides, Bianca de Vilar, Bob Baker Fish, Chris Downton, Christopher Mann, Doug Happy Yess Wallen, Jonathan Key, Joshua Meggitt, Joshua Millar, ONLINE Kate Carr, Kristian Hatton, Luke Bozzetto, Samuel Miers, Twice Removed Records Stephen Fruitman, Tony Mitchell, Wayne Stronell, Wyatt If your store doesn't carry Cyclic Defrost, Lawton-Masi. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Madrid Es Ruido 2018
MADRID ES RUIDO 2018 23 Y 24 NOVIEMBRE EN MADRID, MOBYDICK CLUB 21:30 TERCERA EDICIÓN DEL FESTIVAL SHOEGAZE MÁS IMPORTANTE DE ESPAÑA ENTRADAS 17€ ENTRADA DE DÍA / 32€ ABONO DOS DÍAS PUNTOS DE VENTA : ESCRIDISCOS, LA INTEGRAL, MOLAR DISCOS Y DISCOS BAJO EL VOLCÁN ENTRADAS EN TICKETEA.COM AIR FORMATION | SUSSEX - ENGLAND | SHOEGAZING - DREAM POP Drive-in Records, Clirecords, Club AC30, Distant Noise Air Formation: Matt Bartram (Guitarras & Vocals), Ben Pierce (Bajo), James Harrison (batería), Ian Sheridan (Guitarras) and Richard Parks (teclados). Air Formation se formó en 2000, mucho antes de que bandas ahora tan fundamentales como Spiritualized, Slowdive y Loop se considerarán influencias aceptables. Desde que firmaron con la discográfica Club AC30, bastión del llamado shoegaze moderno, la banda ha ganado seguidores devotos y ha sido aclamada por la crítica, como por ejemplo la publicación Drowned In Sound, que describe a la banda como "uno de los conjuntos más consistentes del país”. Sus grandes shows en vivo, han conseguido que hayan sido seleccionados para tocar con bandas como Chapterhouse. Air Formation lanzó su aclamado quinto LP 'Near Miss' en marzo de 2018 y lo presentará en Madrid, ciudad en la que tocarán por primera vez en toda su carrera, por lo que este será un concierto muy especial para ellos. influencias: Flying Saucer Attack, The Cure, My Bloody Valentine, Spacemen 3, Spiritualized, Spectrum, The Velvet Underground, Slowdive, Mogwai, Yo La Tengo, The Raveonettes, Mahogany, Jesus and Mary Chain, Nick Drake, Sonic Youth. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Flying Saucer Attack #2
FLYING the man for the better portion of two rebroadcast. The BBC is finally hours. waking up to the fact that they have a SAUCER lot of stuff on those old transcription PT: Tell me what music you’ve been discs. Like the Small Faces BBC ATTACK listening to lately -- I assume you’ve sessions CD that just came out; those amassed a big collection of records are plainly taken from the It’s been some time since the since you’ve worked in a record store [transcription] albums because of the Terrascope checked in with Dave and haven’t been moving as often as interviews. Those are not the full Pearce, the sonic auteur behind you did in the early ’90s. sessions, just three or four songs from Bristol’s Flying Saucer Attack. A lot each session, along with sort of of changes have transpired in recent DP: I’ve been in the same house here introductory/interview, “we’re gonna years regarding both the FSA camp in Bristol for several years now, but do this next song” stuff. and Pearce’s personal life, and in fact I’ve only got maybe 40 CDs -- I had Pearce dropped out of sight for over more, but I cracked up for a little In addition to the increasing two years, temporarily silencing what while, and I ended up taping some of availability of old and archival was once one of the most prolific the CDs and trading them in. So now I material, the Internet is opening up voices operating in the indie world. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
16-09 Newsflash September
DRONE RECORDS ҉ NEWSFLASH ҉ SEPTEMBER 2016 ҉ Dear Droners and Psychonauts, here are the NEWS for SEPTEMBER 2016! * LABEL ANNOUNCEMENT!! the new "DRONE-MIND//MIND-DRONE" LP has a delay, the release date is now set to 10/10/2016 !! Only 400 copies are pressed this time, we will have about 300 for sale. DRONE-MIND // MIND-DRONE Vol. 5 LP (Drone Records MIND-05) € 15.00 again filled with exiting experimental drone acts from the whole planet, we can finally present you Vol. 5 in our ongoing series, with new names you probably don't know yet: GYDJA (New Zealand), CLADE, (Scotland / USA), MONOCUBE (Ukraine) and YRSEL (France) ; lim. 400, coloured vinyl. Artwork paintings be the great British painter PETE GREENING!! + SOME OF OUR PERSONAL HIGHLIGHTS and RECOMMENDATIONS, checking them out is stronly recommended: Z'EV - Eleven Mirrors to the Light CD Cold Spring Records CSR196CD 2015 : amorph masses of dynamically morphing metal-spark ambience.. TRICOLI, VALERIO - Clonic Earth do-LP PAN Records PAN 71 2016: absolutely stunning experimental dronescapes to enlarge your consciousness ELEH / TARA JANE O'NEIL - Circle Four: 100 Gongs for Arieto LP Important IMPREC430 2015: meditative gong drones, dedicated to HARRI BERTOIA V.A. - Bruitisme¹ LP Rotorelief ROTOR 0047 2016: four French acts and their actual perspective on Bruitism KHOST (deconstructed and reconstructed by) GODFLESH - Needles into the Ground LP Cold Spring Rec.CSR215LP 2016: advanced industrial metal at its best SEMBLER DEAH - Kaessariah. Heel een Leven lang LP Hypertension Rec.Hype 013 -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Output and Annelies' Most Recent Live Shows. Vocals, Guitars and Cello
Jessica Bailiff/Annelies Monseré: untitled cdep ----------------------------------------------------------------------------- label: morc records cat: morc 48 release date: April 15th 2008 format: cd ----------------------------------------------------------------------------- track listing: 1. Common ground 2. Let time breathe 3. Like Yesterday 4. Shadow ----------------------------------------------------------------------------- About Jessica Bailiff and Annelies Monseré: Toledo-based Jessica Bailiff debuted in 1998 with the album Even in silence on Kranky. A very remarkable debut, mixing drones and slow folksongs, immediately made her one of the best-received artists on the label. Throughout the years, her music got more stripped down, with ‘feels like home’ from 2006 being the latest regular full length. In 2007, morc records put out a compilation of rarities and unreleased material from 1998-2003. She toured the US and Europe, and collaborated with artists as diverse as Low, Rivulets, Flying Saucer Attack (resulting in a record as ‘clear horizon’) and Saturday looks good to me. Annelies Monseré is a multi-instrumentalist from Gent, Belgium. Her debut record came out in 2005 on Bluesanct records. During a four year stay in the Netherlands, she toured Europe and the US and played on festivals like Tanned Tin and Primaverasound, leading to high expectations for her second record, due for release later in 2008. www.brainwashed.com/jb www.annelies-monsere.net About untitled ep: Annelies and Jessica met back in 2002, during Jessica’s first European tour. They’ve been frequently doing shows together since 2005. On stage they often played on each others sets, but recording together didn’t happen until they did a duo-tour in October 2007. On this occasion, they totally reworked two rare tracks of Jessica, and two yet unreleased songs by Annelies.