WOW! What a Group! Lee and Honorary Mayor Dennis Zine
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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Hate the Sin, Not the Sinner, They Say Immigration Reform Applies To
2 • The Rainbow Times • TheRainbowTimesMass.com April 4, 2013 - May 1, 2013 Hate the sin, not the sinner, they say Immigration reform applies to everyone By: Jason Lydon*/ TRT Columnist order to meet the “structural adjustment” re - By: Nicole Lashomb*/ TRT Editor-in-Chief rectly addressed the LGBT community. “Please understand that we don’t hate you, he national newspa - quirements mandated for loans and financial n modern politics where the con - pers, Internet blogs support. During his State of the Union servative movement is losing and that we are not motivated by animus or S bigotry; it is not our intention to offend any - Tand every television speech, President Obama reiterated his com - ground as the country moves in I one, and if we have, I apologize; please try news program are all cover - mitment to immigration reform, while in the N favor of supporting LGBT rights, the to listen to us fairly, and calmly, and try to ing the political dialogue on same speech pushing for a finalized agree - rhetoric of such Conservatives has be - “comprehensive immigra - ment on the Trans Pacific Partnership. While O come more than manipulative and is understand us and our position, as we will try I to do the same for you.” tion reform.” Questions claiming to be supporting the needs of immi - consistent of falsely reversed victim - grants on the one hand, President Obama ization. Somehow, although these A group of people that discriminate against range from issues of incar - N others are bigots, even ceration (incorrectly called detention), drones continues to push forward policies that force I anti-equality people to flee their home Conservatives by the most basic defini - at the Mexico border, P have equal A group of people that tion of the word. -
You Won't Be Able to Stand Still When You Hear This
New Release Information uu April SINK THE SHIP Release Date Pre-Order Start Persevere uu 27/04/2018 uu 16/03/2018 uu Available as CD and LP Price Code: CD11 ST 4266-2 CD uu advertising in many important music magazines MAR/APR 2018 uu album reviews, interviews in all important Metal magazines in Europe’s MAR/APR 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube Price Code: LP15 ST 4266-1 LP in sleeve uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- ground on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Territory: World YOU WON’T BE ABLE TO STAND STILL uu Tracklists: CD: 01. Second Chances 02. Out Of Here WHEN YOU HEAR THIS ALBUM 03. Domestic Dispute (Feat. Bert Poncet) 04. Everything (Feat. Levi Benton) 05. Nail Biter Just about anyone who has ever encountered adversity can tell you they have their own method of coping. -
Custom Care III Featuring Benefit Builder
Producer Guide Custom Care III featuring Benefit Builder Meeting the needs of a wider array of clients LTC-8522 5/14 For professional use only. Not for use with the public. Long-Term Care Insurance Important Notice to Producers Please note that all benefit features and selections may not be available in every state. In addition, some benefit selections may have been altered due to state requirements. Therefore, it is very important that you are aware of any product/benefit differences in the state(s) where you are soliciting business. Please refer to the state-specific policy and benefit selection sheet for any state exceptions or variations. State regulations require that insurance producers must not attempt to solicit, negotiate, or sell long-term care (LTC) insurance unless they are appropriately licensed, appointed (where required), and have completed the initial and ongoing training requirements (where applicable). Requirements vary by state. Table of contents Introduction ............................... 3 Policy building blocks ........................ 4 Built-in features ............................ 9 Optional benefits ........................... 13 Ratings & discounts ......................... 14 Facts-at-a-glance — Custom Care III featuring Benefit Builder ......... 16 Marketing materials ........................ 22 General information, administration & resources ................... 24 Conclusion ............................... 33 Responding to the need for change In the world of LTC insurance, factors such as historically low -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Lulu Kamatoy Passing
Shoes for Soles Nighttrek Report: Kids and COVID: Collecting What to See A UCLA Doctor Volume 39, Number 52 Footwear at in the March Sky on Keeping March 4, 2021 Calabasas See Page 11 Kids Safe ***When stripping in - take out date line below Valley Vantage - we’re getting double lines!!! Senior Center See Page 8 Page 7 L A S V I R G E N E S A N D CALABASAS ENTERPRISE Volume 50, Number 52 Serving Calabasas Since 1963 March 4, 2021 NEWS IN BRIEF Going Hungry in the Valley West Valley Animal Shelter to Reopen By Laura Levinsky Call it rationing. Call it Following months of speculation around a proposed plan to money management. Call it food convert the Los Angeles Department of Animal Services’ (DAS) insecurity. West Valley Center into a Community Resource Center, and I don’t know who put the tentative plans to reopen it, Los Angeles City Councilmember fancy label on it, but trust me, John Lee announced today that the animal shelter reopening when you’re hungry you don’t is finally confirmed. say you’re “food insecure.” “Since last summer, I have fought to get the West Valley You’re just hungry. Center reopened as a City-operated animal shelter and I’m How is it that in such a very glad to let our residents know that we succeeded,” said prosperous country, we have Lee. “Without this facility, the entire San Fernando Valley thousands of people going would only have one City-operated animal shelter and neither hungry? How is it that I nor the Valley’s millions of taxpaying residents were okay thousands of children with that outcome.” go to bed hungry every The West Valley and North Central animal shelters were night? Yet, the number temporarily closed last April in order for DAS to respond to a of people visiting food reduction in staff and resources due to the COVID-19 pandemic. -
LINKS: Uu ARISING EMPIRE Video Clips · Arising Empire On: Spotify · Soundcloud Uu
New Release Information uu July VENUES Release Date Pre-Order Start Aspire uu 27/07/2018 uu 25/05/2018 uu advertising in many important music magazines JUN/JUL 2018 uu album reviews, interviews in all important Metal magazines in Europe’s JUN/JUL 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock Price Code: CD11 websites all over Europe AE 4358-2 CD uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- ground on nuclearblast.de and nuclearblast.com Territory: World uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release uu this year, the band went on to create what resulted in their two new Tracklists: YOU LOVE METALCORE? singles ‘Ignite’ and ‘The Epilogue’. Furthermore, the sextet from Stuttgart, CD: Germany recently finished the work on their debut record »Aspire«, which 01. We Are One YOU HAVE TO HEAR THAT! will be released on the 27th of July via Arising Empire in Europe and via 02. -
Deutsche Nationalbibliografie 2018 T 10
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 10 Stand: 04. Oktober 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171908 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Kevin Shields the Buddyhead Interview by Aaron North
Buddyhead | http://www.buddyhead.com/music/kevinshields/ 19 Jan 2005 Kevin Shields The Buddyhead Interview by Aaron North The Icarus Line got to play with Primal Scream was in New York, and TI have to admit I was slightly disappointed at the time, because Kevin Shields wasn’t performing at the show. The word was that Kevin had to be at his brother’s wedding instead. It definitely added to the myth that I, and many other people as well, had built into our heads that Mr. Shields was some kind of mysterious recluse whose appearances could never be bargained on. The story of Kevin’s band My Bloody Valentine, and their demise, has up to this point sounded closer to folklore than something that happened less than a decade ago. Like a twisted version of the game “telephone”, My Bloody Valentine fans have perpetuated the tallest of tales ranging from master tapes of unreleased albums being set afire, to band reunions in far dark warehouses in Berlin. When The Icarus Line had the opportunity of again opening for Primal Scream, it would be a tour with them across the United Kingdom. When we encountered the band soundchecking on the first day in Glasgow, it occurred to me while I stared at them onstage, that between Kevin’s time in My Bloody Valentine, Mani’s in The Stone Roses, and even Bobby’s stint in The Jesus and Mary Chain, not to mention The Scream themselves, I was witnessing the composers of a good portion of my record collection back home.