Mixed media construction including wood, paper, fabric, paint, board 12.5” x 11” x 4.5” Gift of William Barclay
Ohio Arts Council’s Riffe Gallery 6. Beasley-Baker, Caroline February 10-April 17, 2005 Floor design and dance floor sections: Bebe Miller’s The Hendrix Project, 1991, gesso, oil Design for the American Stage: stick, acrylic and fluorescent paint on paper; painted dance floor, 188” x 63” Treasures from The Ohio State Designs: 32” x 32” (3); floor: 1 sections, University’s Jerome Lawrence and Design - gift of Caroline Beasley-Baker; floor - Robert E. Lee Theatre Research gift of Bebe Miller Institute Lender 2 designs: Bebe Miller
All works from the The Ohio State University’s Jerome 7. Lawrence and Robert E. Lee Theatre Research Institute Berman, Eugene unless otherwise noted below. “Desdemona/Act II”: costume design for Otello (Metropolitan Opera, New York City), 1963, 1. gouache and ink on paper, 10.5” x 7” Armbruster Scenic Studio "Street leg for Romeo & Juellit"[sic], backdrop: 8. maquette for set design for Romeo and Juliet Berman, Eugene (company unknown), ca. 1880-1900, watercolor “Page”: costume design for Don Giovanni on paper, 10” x 15” x 2” (Metropolitan Opera, New York City), 1957, From the Armbruster Scenic Studio Collection gouache and ink on paper, 9.5” x 7”
2. 9. Armbruster Scenic Studio Brown, Lewis "Florida Garden": set design for minstrel show “The Wedding Guest”: costume design for The (Lasses White Minstrel Company) ca. 1920s, Caucasian Chalk Circle (Seattle Repertory Watercolor on paper, 8.25” x 12.5” Theatre), 1987, gouache, watercolor, and ink on From the Armbruster Scenic Studio Collection paper, 20” x 16” Gift of Sylvia Westerman 3. Arnone, John 10. “Floor” and “Paintele’s Portal”: set designs for Burlingame, Lloyd The Cider House Rules, (Mark Taper Forum, “Drawing Room/Act I, Scene 1; Act II, Scene Los Angeles), 1998, 18” x 32”; 3”: set design for The Astrakhan Coat watercolor and pencil on illustration board; (Broadway, producer David Merrick), 1966, collage: balsa and illustration board gouache on illustration board, 9.75” x 19.75”
4. Gift of Sylvia Westerman Aronson, Boris “Hotel – Store Scene”: set design for Sadie 11. Thompson (Alvin Theatre, New York), 1944, Colavecchia, Franco ink and watercolor on paper “Beach”: set design for A Midsummer Night’s 14.5“ x 22” Dream (Folger Shakespeare, Washington, D.C.), Bequest of Sylvia Westerman 1977, acrylic and ink on paper, 11” x 15”
5. 12. Barclay, William Colavecchia, Franco Model for All My Sons (Geva Theatre, “Courtyard/House Interior”: set design for La Rochester, New York), 1984-1985, Cenerentola (Los Angeles Opera, Los Angeles), 1987, acrylic, ink, and pencil on paper, 16” x The Gerald Kahan Collection 23.25” Gift of Paul Stiga 19. Fletcher, Robert 13. “Oberon”: costume design for A Midsummer Colavecchia, Franco Night’s Dream (New York City Opera), 1965, “Jungle with Cannon” and “Jungle with Coca watercolor and pencil on paper, 22.25” x 15.25” Cola Sign”; set designs for Der Kuhhandel Gift of Sylvia Westerman (Juilliard School of Music, New York City), 2000, collage on paper 20. 11” x 17” each Flinsch, Peter Gift of Paul Stiga “House Panisse Inside for Living Room” and Curtain: set details and curtain design for Fanny 14. (Kenley Players, Columbus and Warren, Ohio), Diffen, Ray 1962, gouache and ink on paper; gouache and “Player King”: costume design for Hamlet watercolor on paper, 15” x 22.25”; 12” x 30.25” (American Shakespeare Festival Theatre, Gift of Peter Flinsch Stratford, Connecticut), 1964, watercolor and pencil on paper, 15” x 11” 21. Flinsch, Peter 15. “Leadville Drop”; “Denver Drop”; “The Du Bois, Raoul Pène Mansion in the Rockies”: scene designs for The “West Indies, Female Ensemble”: costume Unsinkable Molly Brown (Kenley Players, design for “Isle in the West Indies,” Josephine Columbus and Warren, Ohio), 1962, gouache Baker number in The Ziegfeld Follies of 1936 and ink on paper; gouache and ink on paper; (Winter Garden Theatre, New York City), 1936, gouache on paper, 11.25” x 30”; 11” x 30”; gouache on paper, 15” x 11.5” 11.25” x 30.25” Gift of Sylvia Westerman Gift of Peter Flinsch
16. 22. Du Bois, Raoul Pène Gallo, David “Proscenium”; “Apartment Interior”; “Montage, “Vegas Wedding”: set design for Veins and Washington Square”; “Want Ads Montage”; Thumbtacks (Los Angeles Theatre Center), 1991, “Behind Iron Gates”; “Scene of Street through watercolor, pencil, and ink on board, 15” x 22” Apartment Window”; “Clock”; “Woman Dancing”: eight set designs for 23. Wonderful Town (Winter Garden Theatre, New Gallo, David York City), 1953, tempera on paper “Detail”: set design for Little Shop of Horrors 5.75” x 8.75” (St. Louis Muny), ca. 1990, watercolor on illustration board, 6.75” x 7.75” Gift of Thomas Minnick Gift of Paul Stiga
17. 24. Feiner, Harry Gallo, David “Ice Floes/Lights”: set design for Terra Nova “Gingerbread House/Interior”: Set design for (Missouri Repertory Theatre, Kansas City, Hansel and Gretel (TheatreworksUSA, New Missouri), 1982, pencil and watercolor on paper, York City), Undated, gouache and ink on 14.25” x 19.25” illustration board, 13.24” x 20” Gift of Sylvia Westerman Gift of Paul Stiga
18. 25. Fletcher, Robert Gorelik, Mordecai “Night Sky with Roadster and Bicycle”: set “Act II/Trial Scene”: set design for King Hunger design for High Spirits (Alvin Theatre, New (Hedgerow Theatre, Media, Pennsylvania), 1924, York City), 1964, gouache and ink on paper tempera and ink on board, 18” x 27” 14” x 19.75” Gift of Mordecai Gorelik 26. 33. Gorelik, Mordecai Houghton, Norris “Milltown Factory”: set design for Let Freedom Interior: set design for Waltz in Goosestep Ring (Broadhurst Theatre, New York City), (Hudson Theatre, New York City), 1938, 1935, gouache on paper, 27.5” x 12” gouache, pencil and watercolor on board Gift of Mordecai Gorelik From the Norris Houghton/Denison University Theatre Collection 27. Gorelik, Mordecai 34. “Mine Drop, Act III, Scene 2”: set design for James, Toni-Leslie Processional (Theatre Guild, New York City), “Nat Turner,” “Izzy Mae,” and Ova-Seea Jones”: 1925, gouache on paper, 11.125 in. x 22.625 in. costume designs for Insurrection: Holding Gift of Mordecai Gorelik History (Joseph Papp Public Theater, New York City), 1996, watercolor, ink and crayon on paper; 28. watercolor, ink and pencil on paper; watercolor, Gray, Daniel A. ink and crayon on paper, 12” x 9” Set design model for Feral Music (The Ohio Gift of Toni-Leslie James State University Department of Theatre, Columbus, Ohio), 1999, mixed media 35. construction: foam core, balsa, plastic, paint, James, Toni-Leslie 13.25” x 17.25” x 7.75” Costume bible for The Tempest (Joseph Papp Gift of Dan Gray Public Theater/New York Shakespeare Festival, Broadhurst Theatre, New York City), 1995, 29. mixed media: notebook, paper, fabric swatches Guthman, Louise 11.5” x 12.5” x 3” (open: 11.5” x 25” x 3”) Production photographs: lighting design by Gift of Toni-Leslie James Guthman, photographs, 8 “ x 10” Lender: Louise Guthman 36. Jones, Robert Edmond 30. “Act I, Scene 1, Before the Curtain”: set design Hastings, Russell for Gloriana (unidentified production), Undated, Two scenes: set designs for The Night Thoreau pen and brush, and ink on paper, 12” x 13” Spent in Jail (The Ohio State University Gift of Paul Heller Department of Theatre, Columbus, Ohio), 1970, gouache, conte crayon and pencil on paper, 37. Images: 10” x 23.5”; framed: 26.25” x 30.25” Micunis, Gordon Gift of Russell Hastings “Mountain Harbor Scene”: set design for Madame Butterfly (New York City Opera), 1961, 31. watercolor and ink on illustration board, 23.5” x Hastings, Russell 38” SCENE: set design for Jabberwock (The Ohio State University Department of Theatre, 38. Columbus, Ohio), 1971, oil pastel, pastel, and Mielziner, Jo pencil on paper, Image: 11.5” x 19.25”; framed: “View of Town”; “Scene 4, Ball Room”; “Scene 22.25” x 28.25” 6, Cell”; “Scene 11, Bed Room”; “Scene 20, Gift of Russell Hastings Tomb”; display boards of costume designs: costume and set designs for Romeo and Juliet 32. (Martin Beck Theatre, New York City) Holamon, Ken Pencil on paper (SPEC.DES.5-6); pencil and ink “Barroom”: set design for The Very Last Lover on paper (SPEC.DES.7-8); gouache and ink on of the River Cane (San Jose Repertory Theatre), paper (SPEC.DES.14); watercolor, gouache, 1987, colored pencil on paper, 17” x 29.25” pencil, on paper with swatches Gift of Sylvia Westerman (SPEC.JM.DES.1-2) 9.5” x 12.5”; 15” x 20”; 40” x 32”
39. Model: 16” X 10” X 8.25”; drawings: 9” x 12”, Mielziner, Jo 11” x 13” “Cityscape”: set design for Who Cares? (New Gift of the Marion Koogler McNay Art Museum, York City Ballet), 1970, gouache on paper San Antonio 18.125” x 31.15” Bequest of Sylvia Westerman 46. Polakov, Lester 40. “Act II – SC4 – The Mermaid”: set design for Motley The Circus of Dr. Lao (Edgewater Beach Hotel “Dancer” for “Walhalla Hall” scene and “Five Theatre), 1957, watercolor and pen on paper Dancers” for “Me an’ My Bundle” scene: 13.5” x 20” costume designs for Miss Liberty (Imperial Gift of Louise Guthman Theatre, New York City), 1949, watercolor and pencil on paper with fabric swatches, 18” x 12” 47. The Ohio State University Polakov, Lester “Stable/ Inn Interior,” Courtyard – Evening,” 41. Church Interior/Tavern: projection designs for Pakledinaz, Martin set of Man of La Mancha (lighting design by “2nd Goblin”: costume design for A Good Life Louise Guthman; Brunswick Music Theatre, (Kennedy Center Theatre Lab, Washington, Maine), 1970. watercolor and pen on board D.C.), watercolor, ballpoint pen and pencil on 11” x 20”; 11” x 20”; 15.25” x 20” paper, 13.5” x 10.25” Lender: Louise Guthman Gift of Paul Stiga 48. 42. Rigler, David Parker, Dennis “Warning”: costume design for the South “Mame as Hostess/II-10”, “Mame as Lady Iris/I- Philadelphia Vikings (The Philadelphia 6”: costume designs for Auntie Mame (The Ohio Mummers New Year’s Day Parade), 2001. ink, State University Department of Theatre, fabric marker and glitter on paper with fabric Columbus, Ohio), 1986, gouache and pencil on swatches, 17” x 13.5” paper with swatches, 12.75” x 9.75” Gift of Dennis Parker 49. Rigler, David 43. “Captain”: costume design for Saturnalian (The Parker, Dennis Philadelphia Mummers New Year’s Day “Tiny” and “Cain Loeb,” II-1: costume designs Parade), 2003, watercolor and ink on paper with for Roseleaf Tea (The Ohio State University fabric swatches, 17” x 12” Department of Theatre, Columbus, Ohio), 1993, watercolor and ink on paper, 13”x10” 50. Gift of Dennis Parker Roth, Wolfgang “Hurenhaus in Turnbridge”: set design for The 44. Threepenny Opera (New York City Opera), Parsons, Terry 1965, ink and watercolor on paper, 15” x 22.25” Gown, necklace, shoes, and coat: costumes for Siân Phillips in Ric Wanetik’s production of 51. Marlene (Cort Theatre, New York City), 1999, Roth, Wolfgang mixed fabrics, beading, feathers “Catfish Row” and ground plan: set design for Gift of Ric Wanetik Porgy and Bess (national and international tours; Ziegfeld Theatre, New York City), 1952, pencil 45. on tracing paper; pencil and colored pencil Pitkin, William tracing paper, 8” x 17”; 12.5” x 16.25” Model, drawings, and photograph: set design for From the Robert Breen Collection Moon for the Misbegotten (Bijou Theatre, New York City), 1957, model: mixed media construction; drawings: ink with wash on paper and pencil with wash on paper; photograph 52. Set design model for Our Town (Scheduled for Sicangco, Eduardo Broadhurst Theatre, New York City), Undated “Restaurant”: set design for The Most Happy (did not open), mixed media construction Fella (Music Theatre of Wichita), 1985, gouache 33” x 21.25” x 20.25” and ink on illustration board, 15.5” x 24 “ Gift of Sylvia Westerman 60. Straiges, Tony 53. Set design model for Julius Caesar (Yale Scheffler, John Repertory Theatre, New Haven, Connecticut), “The Southern Lights”: set design for Terra 1977, mixed media construction Nova (Studio Arena of Buffalo), 1984, gouache 32.5” x 22” x 18.5” and ink on tracing paper mounted over illustration board, 14.25” x 19.25” 61. Gift of Sylvia Westerman Ter-Arutunian, Rouben “Miriam” and “Postman”: costume designs for 54. The Scarf (New York City Opera), 1959, ink and Skelton, Tom watercolor on tracing vellum, 9” x 4.75”; 9.5” x Light plot for The Match Girl (Ohio Ballet, State 5.75” Theater, Cleveland), 1983, photocopy on paper 17” x 13.5” 62. From the Tom Skelton Collection Zipprodt, Patricia “Peasant Chorus Women”: costume design for 55. Katerina Ismailova (New York City Opera), Straiges, Tony 1965, watercolor and ink on paper “Boy’s Tree/Dead Tree” and “Mother’s 30” x 32” Tree/Mother’s Crushed Tree”: painter’s elevations for Into the Woods (Martin Beck Theatre, New York City), 1987, photostat, watercolor, and collage on illustration board and acetate, 15” x 20” Gift of Alan Woods
56. Straiges, Tony Architectural details and Dancers: set designs for Coppelia (American Ballet Theatre, New York City), 1991, pencil on tracing paper; pencil on paper, 10.5” x 10”; 3.125” x 3.25” Gift of Sylvia Westerman
57. Straiges, Tony Set design model for Dangerous Games (Nederlander Theatre, New York City), 1989, mixed media construction, 17.5” x 16” x 15”
58. Straiges, Tony Set design model for Geniuses (Arena Stage, Washington, D.C.), 1983, mixed media construction, 24.75” x 24” x 16”
59. Straiges, Tony