Porgy and Bess History

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The Gershwins ®’ Porgy and Bess SM HISTORY Premiere Alvin Theatre on Broadway, October 10, 1935, New York, NY Last Performed By Washington National Opera October-November 2005, in the Kennedy Center Opera House with Wayne Marshall conducting and Francesca Zambello directing, featuring the following cast: Porgy, Gordon Hawkins/Kevin Short; Bess, Indira Mahajan/Morenike Fadayomi; Crown, Terry Cook/Lester Lynch; Jasbo Brown, Eric Reed/Lester Green, Jr.; Clara, Laquita Mitchell/Alyson Cambridge; Sportin’ Life, Jermaine Smith; Serena, Angela Simpson/Dara Rahming George Gershwin’s Stage Works La La Lucille, New York, Henry Miller Theatre, May 26,1919 A Dangerous Maid , Atlantic City, New Jersey, March 21, 1921 Blue Monday (opera), orchestrated W. H. Vodery, New York, Globe Theatre, August 28, 1922; as 135th Street , reorchd F. Grofé, Carnegie Hall (concert perf), December 29, 1925 Our Nell , Nora Bayes Theatre, December 4, 1922 Sweet Little Devil , New York, Astor Theatre, January 21, 1924 Primrose , London, Winter Garden Theatre, September 11, 1924 Lady, be Good! , New York, Liberty Theatre, December 1, 1924 Tell Me More , New York, Gaiety Theatre, April 13, 1925 Tip-Toes, New York, Liberty Theatre, December 28, 1925 Song of the Flame (operetta), New York, 44th Street Theatre, December 30, 1925 Oh, Kay! , New York, Imperial Theatre, November 8, 1926 Strike up the Band (operetta), Philadelphia, Shubert Theatre, September 5, 1927; 2nd version, Times Square, January 14, 1930 Funny Face , New York, Alvin Theatre, November 22, 1927 Rosalie , New York, New Amsterdam Theatre, January 10, 1928 Treasure Girl , New York, Alvin Theatre, November 8, 1928 Show Girl , New York, Ziegfeld Theatre, July 2, 1929 Girl Crazy , New York, Alvin Theatre, October 14, 1930 Of Thee I Sing (operetta), New York, Music Box Theatre, December 26, 1931 Washington National Opera www.dc-opera.org 202.295.2400 · 800.US.OPERA Pardon my English , New York, Majestic Theatre, January 20, 1933 Let ’em eat Cake (operetta), New York, Imperial Theatre, October 21, 1933 Porgy and Bess (opera), New York, Alvin Theatre, October 10, 1935 Washington National Opera www.dc-opera.org 202.295.2400 · 800.US.OPERA .

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Program Notes
“Come on along, you can’t go wrong Kicking the clouds away!” Broadway was booming in the 1920s with the energy of youth and new ideas roaring across the nation. In New York City, immigrants such as George Gershwin were infusing American music with their own indigenous traditions. The melting pot was cooking up a completely new sound and jazz was a key ingredient. At the time, radio and the phonograph weren’t widely available; sheet music and live performances remained the popular ways to enjoy the latest hits. In fact, New York City’s Tin Pan Alley was overflowing with "song pluggers" like George Gershwin who demonstrated new tunes to promote the sale of sheet music. George and his brother Ira Gershwin composed music and lyrics for the 1927 Broadway musical Funny Face. It was the second musical they had written as a vehicle for Fred and Adele Astaire. As such, Funny Face enabled the tap-dancing duo to feature new and well-loved routines. During a number entitled “High Hat,” Fred sported evening clothes and a top hat while tapping in front of an enormous male chorus. The image of Fred during that song became iconic and versions of the routine appeared in later years. The unforgettable score featured such gems as “’S Wonderful,” “My One And Only,” “He Loves and She Loves,” and “The Babbitt and the Bromide.” The plot concerned a girl named Frankie (Adele Astaire), who persuaded her boyfriend Peter (Allen Kearns) to help retrieve her stolen diary from Jimmie Reeve (Fred Astaire). However, Peter pilfered a piece of jewelry and a wild chase ensued.
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Gershwinicity
Gershwinicity SOMMCD 0631 Songs by GEORGE GERSHWIN (1898-1937) arranged for Clarinet, Saxophone and Piano by Iain Farrington Art Deco Trio Peter Sparks clarinet a Kyle Horch alto b, soprano c saxophones Iain Farrington piano d 1 I got rhythmacd 2:02 bm It ain’t necessarily socd 2:42 2 They all laughedacd 3:57 bn Someone to watch over mead 4:52 3 The man I lovead 3:31 bo I’ve got a crush on youbd 3:45 4 Nice work if you can get itabd 3:46 bp But not for mead 2:49 5 Summertimecd 7:56 bq Gershwinicity 14:18 6 They can’t take that away from meabd 4:51 Let’s call the whole thing off – A foggy day in London town – 7 Fidgety feetd 3:20 Fascinating rhythm – 8 Love is here to staybd 5:06 Embraceable you – Lady be good abcd 9 I’ll build a stairway to Paradiseabd 4:07 bl Do it againd 3:51 Total duration: 71:00 All songs © Warner Chappell Music All First Recordings Recorded at The Menuhin Hall, Stoke d’Abernon, Surrey, on September 4-5, 2020 Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Front cover: THEPALMER / istockphoto.com Design: Andrew Giles Booklet Editor: Michael Quinn DDD Visit www.somm-recordings.com for further information © & 2021 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND · Made in EU wider degree of interpretation between performers, as a song becomes a fast-paced frenzy with one performer, or a slow, melancholic confession in orn in 1898, George Gershwin was brought up amidst the noise, energy another.
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99 Stat. 288 Public Law 99-86—Aug. 9, 1985
99 STAT. 288 PUBLIC LAW 99-86—AUG. 9, 1985 Public Law 99-86 99th Congress Joint Resolution To provide that a special gold medal honoring George Gershwin be presented to his Aug. 9, li>a5 sister, Frances Gershwin Godowsky, and a special gold medal honoring Ira Gersh- [H.J. Res. 251] win be presented to his widow, Leonore Gershwin, and to provide for the production of bronze duplicates of such medals for sale to the public. Whereas George and Ira Gershwin, individually and jointly, created music which is undeniably American and which is internationally admired; Whereas George Gershwin composed works acclaimed both as classi cal music and as popular music, including "Rhapsody in Blue", "An American in Paris", "Concerto in F", and "Three Preludes for Piano"; Whereas Ira Gershwin won a Pulitzer Prize for the lyrics for "Of Thee I Sing", the first lyricist ever to receive such prize; Whereas Ira Gershwin composed the lyrics for major Broadway productions, including "A Star is Born", "Lady in the Dark", "The Barkleys of Broadway", and for hit songs, including "I Can't Get Started", "Long Ago and Far Away", and "The Man That Got Away"; Whereas George and Ira Gershwin collaborated to compose the music and lyrics for major Broadway productions, including "Lady Be Good", "Of Thee I Sing", "Strike Up the Band", "Oh Kay!", and "Funny Face"; Whereas George and Ira Gershwin collaborated to produce the opera "Porgy and Bess" and the 50th anniversary of its first perform ance will occur during 1985; Whereas George and Ira Gershwin collaborated to compose
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Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition
Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition This recording is an element of the First Prize of the Michael Hill International Violin Competition, won by Nikki Chooi in June 2013. The Michael Hill International Violin Competition aims to recognise and encourage excellence and musical artistry, and to expand performance opportunities for young violinists from all over the world who are launching their professional careers and who aspire to establish themselves on the world stage. Since its inauguration in 2001, the ‘Michael Hill’ Winning performance with has achieved global standing as a competition, Auckland Philharmonia Orchestra, and elevated to international recognition June 2013 a succession of young violinists. It delivers wraparound New Zealand hospitality and a genuine commitment to the development of every participating artist. George Gershwin Born Brooklyn, New York, 26 September 1898 Died Hollywood, California, 11 July 1937 Three Preludes Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso George Gershwin was the second son of Russian immigrant parents and grew up in the densely populated area of the Lower East Side in New York, where he was in close contact with both European immigrants and African-Americans, and where young George’s well-developed street skills earned him a reputation of being rather wild. Around 1910 the Gershwin family acquired a piano, ostensibly for the eldest child, Ira, to learn. However, George was the first to use the instrument when it arrived and his parents were amazed to discover that he had learned to play on a friend’s ‘player piano’.
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Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904.
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Learning Activity
From the Top at Carnegie Hall Episode 10: “Music Is Where the Heart Is” Airing on PBS (check local TV listings) Available online at pbs.org Learning Activity Title: Jazz Connections Description: Students will examine an artist’s connection to a piece of music and how the musician can communicate such a connection through her performance. Grade Level: 9-12 (can be adapted to suit grade level) National Music Standard: 6 Listening to, analyzing and describing music Background In this episode Allyson Tomsky, a 17-year-old violinist, performs two movements from Three Preludes by George Gershwin, who came from the same neighborhood she does in Brooklyn, New York. She talks about connections both to Gershwin and to her hometown – she loves to play for people on the streets of New York and can’t imagine living anywhere else. Allyson Tomsky playing on the streets of New York George Gershwin, one of America’s foremost composers, wrote for stage shows, vaudeville, and movies as well as the concert hall. Gershwin was born in 1898 to Russian immigrant parents in Brooklyn. He showed an early interest in music, learned to play the piano beginning at the age of 10, and by the time he was 15 had left school to become a “song plugger” in New York’s Tin Pan Alley. A song plugger was a singer or pianist who was paid to perform sheet music live (in the days before radio or the Internet) for publishers who wanted to sell their songs. Tin Pan Alley was a New York City neighborhood (on West 28th street between Fifth and Sixth Avenues) where many publishers and songwriters had set up shop so that they could collaborate more easily.
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Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
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Betty Buckley
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The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
The Dale Warland Singers presents GLORIOUS GERSHWIN MUSIC BY GEORGE GERSHWIN LYRICS BY IRA GERSHWIN FRIDAY, MAY 13, 1988 ORCHESTRA HALL 8:00 P.M. THE DALE WARLAND SINGERS Dale Warland, Music Director Sigrid Johnson, Assistant Conductor "jerry Rubino, Pianist and Cabaret Singers Conductor GUEST ARTISTS MOORE BY FOUR Sanford Moore, director/piano Ginger Commodore, soprano Yolande Bruce-Crim, mezzo-soprano Connie Evingson, alto Dennis Spears, baritone Soli Hughes, guitar Jay Young, bass Robert Commodore, drums Paul Oakley, piano Don Stille, synthesizer Tom Hubbard, bass Gordy Knudtson; drums Randy Winkler, production SPECIAL MUSICAL ARRANGEMENTS Steve Barnett Jerry Rubino •This evening's concert is the result of the creative collaboration of many in- dividuals. Particular recognition is extended toJerry Rubino of the DWS ar- tistic staff for his leadership in providing the program conception and musical direction to this event as well as his outstanding musical arrangements. Glorious Gershwin is sponsored by IDS Financial Services Inc. and WAYL Radio . AM 980-FM94 (Special thanks to jefferson Transporunton Group for providing hus servic-e••for (he: pre-concert gala dinner; All musical arrangements are byJerry Rubino unless otherwise noted. I. Strike Up the Band I Got Rhythm Fascinating Rhythm (Mattson) Cabaret Singers By Strauss (Gershwin) Sigrid Johnson, soprano Strike Up the Band (King) II. He Loves and She Loves Nice Work If}fJu Can Get It Soon Ruth Spiegel, soprano; David Benson, bass Looking for a Boy Melissa O'Neill, soprano The Man I Love Lynette johnson, alto Oh, Lady Be Good Tim Sawyer, tenor; Gary Kortemeier, tenor; Michael Dailey, baritone; Brad Bak, bass Somebody Loves Me (Lyrics by B.G.
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