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John Pickard-Frank Provo Collection
Thousand Oaks Library American Radio Archives John Pickard-Frank Provo Collection Introduction The John Pickard-Frank Provo Collection of the American Radio Archives documents Pickard's career in the early days of Australian radio, as well as the collaboration between Pickard and Provo that lasted nearly 40 years, and resulted in radio programs such as Wendy Warren and the News and Young Doctor Malone, as well as television programs such as Concerning Miss Marlowe and From these Roots. Biographies John Pickard was born on April 6, 1910 in Sydney, Australia. He entered the University of Sydney to study law in 1927, yet also acted in plays as a member of the Sydney University Drama Society. It was during this time that Pickard, intrigued by the new medium of radio, tried his hand at writing a radio play titled The Tomb of Osiris. This work was performed on various stations throughout Australia, and is considered by some to be the first original Australian radio play. By 1931, acting in radio productions had become Pickard's main occupation, and he was considered one of the brightest young actors on Australian radio during his tenure with the ABC (Australian Broadcasting Company) Players, whose performances were broadcast on station 2FC in Sydney. He continued writing and directing plays as well, being promoted to the Head of Drama Productions at the Australian Broadcasting Company in 1933. Pickard wrote series such as Crime Club, and also adapted American programs like One Man's Family, in which he substituted Australian settings, situations, and colloquialisms. By 1935, however, Pickard wanted to try something new and left for the United States in August of that year. -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Toand Television Irrom June 25
TOAND TELEVISION IRROM JUNE 25 1tVeledrillt 44 111vot-ir Percy MILTON BERLE GRACIE ALLEN ')N McNEILL RALPH EDWARDS BIG SISTER LANNY ROSS filter Winchell Contest Winners - i (o+1) Vie, fodLut, tiA9ti otcuut SKIN -SAFE SOLITAIRI The only founda- tion- and -pawder make -up with clinicol evidence- certified by leading skin specialists from coast to coast -that it DOES NOT CLOG PORES, cause skin texture change or inflammation of hair follicle ar other gland opening. Na other liquid, powder, creom or cake "founda- tion" moke -up offers such positive proof of safety for your skin. biopsy- specimen flown by Cell Chapman. Jewels by Seaman-Schepps. See the loveliest you that you've ever seen -the minute you use Solitair cake make -up. Gives your skin a petal- smooth appearance -so flatteringly natural that you look as if you'd been born with it! Solitair is entirely different- a special feather -weight formula. Clings longer. Outlasts powder. Hides little skin faults -yet never feels mask -like, never looks "made -up." Like finest face creams, Solitair contains Lanolin to protect against dryness. Truly -you'll be lovelier with this make -up that millions prefer. No better quality. Only $1.00. Cake Make -Up * Fashion -Point Lipstick Seven new fashion -right shades Yes -the first and only lipstick with point actually shaped to curve of your lips. Applies color quicker, easier, more evenly. New, exciting "Dreamy Pink" shade - and six new reds. So creamy smooth- contains Lanolin -stays on so long. Exquisite case. $1.00 *Slanting cap with red enameled circle identifies the famous 'Fashion -Point and shows you exact (¡orí*iwnn tameGm color of lipstick inside. -
Steven Spielberg's Early Career As a Television Director at Universal Studios
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Surugadai University Academic Information Repository Steven Spielberg's Early Career as a Television Director at Universal Studios 著者名(英) Tomohiro Shimahara journal or 駿河台大学論叢 publication title number 51 page range 47-61 year 2016-01 URL http://doi.org/10.15004/00001463 Steven Spielberg’s Early Career as a Television Director at Universal Studios SHIMAHARA Tomohiro Introduction Steven Spielberg (1946-) is one of the greatest movie directors and producers in the history of motion picture. In his four-decade career, Spielberg has been admired for making blockbusters such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T.: the Extra-Terrestrial (1982), Indiana Jones series (1981, 1984, 1989, 2008), Schindler’s List (1993), Jurassic Park series (1993, 1997, 2001, 2015), Saving Private Ryan (1998), Lincoln (2012) and many other smash hits. Spielberg’s life as a filmmaker has been so brilliant that it looks like no one believes that there was any moment he spent at the bottom of the ladder in the movie industry. Much to the surprise of the skeptics, Spielberg was once just another director at Universal Television for the first couple years after launching himself into the cinema making world. Learning how to make good movies by trial and error, Spielberg made a breakthrough with his second feature-length telefilm Duel (1971) at the age of 25 and advanced into the big screen, where he would direct and produce more than 100 movies, including many great hits and some commercial or critical failures, in the next 40-something years. -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC -
MVSC-F099.4-K16.Pdf
[PAGE 1] KANSAS CITY CALL TENTH ANNIVERSARY AND PROGRESS EDITION Vol. 10 No. 13 Kansas City, Mo., July 27, 1928. PROGRESS THE PROGRESS of Negroes in the United States is so great that history will point out what you have done as one of the achievements which mark this age. Your rise is one of the best proofs of the value of the American theory of government. Successes by individuals here and there have been multiplied until now yours is a mass movement. You are advancing all along the line, a sound basis for your having confidence in the future. The world’s work needs every man. I look to see the Negro, prepared by difficulty, and tested by adversity, be a valued factor in upbuilding the commonwealth. In the Middle West, where The Kansas City Call is published, lies opportunity. In addition to urban pursuits you have available for the man of small means, the farm which is one of the primary industries. The Negro in your section can develop in a well rounded way. Above all things, take counsel of what you are doing, rather than of the trials you are undergoing. Look up and go up! Julius Rosenwald [page 2] “PROGRESS EDITION” CELEBRATING THE KANSAS CITY CALL’S TENTH ANNIVERSARY Kansas City, Missouri, Friday, July YOU ARE WELCOME! The changes in The Kansas City Call’s printing plant are completed. We now occupy 1715 E. 18th street as an office; next door at 1717 is our press room and stereotyping room; upstairs is our composing room; in the basement we store paper direct from the mill. -
THE SURVIVAL of ST. JOAN Is His First Major Writing Venture
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 11-5-1970 The urS vival of St. Joan Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "The urS vival of St. Joan" (1970). Studio Arena Programs. 62. http://digitalcommons.buffalostate.edu/saprograms/62 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. I* takes imagination. So we created the 3:2:1 help the Pacemakers organize a solid estate and FREE Checking Account. And the Pacemakers build the right investment portfolio. tuned in, because it meant goodbye to service It takes service to be a Pacemaker. So we charges. feature full service banking. And we're just the It takes interest. So we designed two new, right size, so when the Pacemakers demand high-yield savings accounts that pay the highest personal service, we provide personal service. interest rates allowed by law, compounded And it takes growth to be a Pacemaker; So continuously. The Pacemakers now enjoy auto we're about to open a new Orchard* Park office. matic transfer between our 3:2:1 FREE Checking And the Pacemakers can look forward to even Account and our new high-yield Pacemaker and more convenience. Pacemaker-Plus Savings Accounts. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Daytime Emmy Awards,” Said Jack Sussman, Executive Vice President, Specials, Music and Live Events for CBS
NEWS RELEASE NOMINEES ANNOUNCED FOR THE 47TH ANNUAL DAYTIME EMMY® AWARDS 2-Hour CBS Special Airs Friday, June 26 at 8p ET / PT NEW YORK (May 21, 2020) — The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 47th Annual Daytime Emmy® Awards, which will be presented in a two-hour special on Friday, June 26 (8:00-10:00 PM, ET/PT) on the CBS Television Network. The full list of nominees is available at https://theemmys.tv/daytime. “Now more than ever, daytime television provides a source of comfort and continuity made possible by these nominees’ dedicated efforts and sense of community,” said Adam Sharp, President & CEO of NATAS. “Their commitment to excellence and demonstrated love for their audience never cease to brighten our days, and we are delighted to join with CBS in celebrating their talents.” “As a leader in Daytime, we are thrilled to welcome back the Daytime Emmy Awards,” said Jack Sussman, Executive Vice President, Specials, Music and Live Events for CBS. “Daytime television has been keeping viewers engaged and entertained for many years, so it is with great pride that we look forward to celebrating the best of the genre here on CBS.” The Daytime Emmy® Awards have recognized outstanding achievement in daytime television programming since 1974. The awards are presented to individuals and programs broadcast between 2:00 am and 6:00 pm, as well as certain categories of digital and syndicated programming of similar content. This year’s awards honor content from more than 2,700 submissions that originally premiered in calendar-year 2019. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Eugenia Andino Lucas. Directora: Mª Ángeles Toda Iglesia
PROGRAMA DE DOCTORADO “LITERATURA EN LENGUA INGLESA” TESIS DOCTORAL VIOLENCIA DOMÉSTICA Y CONTRA LAS MUJERES EN LAS NOVELAS DE CHARLES DICKENS. DOCTORANDA: EUGENIA ANDINO LUCAS. DIRECTORA: Mª ÁNGELES TODA IGLESIA. Sevilla, 2015 1 Para Ana Orantes, que nos dio conciencia a todas, y para mis padres, que me la dieron a mí. 2 Agradecimientos. El germen de esta tesis está en la lectura infantil de obras que en ediciones resumidas o íntegras han estado en casa de mis padres desde que tengo memoria. Sólo por eso el primer agradecimiento es para mis padres. De mi madre ha sido, además, documentación médica. Una parte fundamental de la documentación la obtuve en la Universidad de Cornell. Allí también tuve la generosa ayuda del profesor James Eli Adams, que me animó con lo más difícil, que es empezar. Mi introducción a la psicología vino del profesor Daryl Bem, que hizo atrayente un campo completamente nuevo para mí y me recomendó algunas lecturas. En Sevilla, el profesor Rafael Portillo hizo recomendaciones sobre la relación entre la novela victoriana y el teatro, y la importancia del melodrama. Dice Umberto Eco en Cómo se hace una tesis que al director de una tesis no hay que nombrarlo en los agradecimientos porque sólo hace su trabajo, y se le presupone. Así que aquí sólo agradeceré a María Ángeles Toda Iglesia su paciencia y amabilidad. Puedo decir lo mismo de Ana Luisa Martín Bejarano. Las dos hacen mucho más de lo que se supone que es su obligación. El profesor Carlos Portillo Fernández me prestó un libro con todas las ilustraciones originales de las novelas de Charles Dickens.