DOCSLIB.ORG

HISPANIC BROADCASTING CORPORATION (Exact Name of Registrant As Specified in Its Charter)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HISPANIC BROADCASTING CORPORATION (Exact Name of Registrant As Specified in Its Charter) 39 0 VCE 0 TRAFFIC 0 D.A. - I Bu51nes6Address I Oakland Zip Work Phone ( ~- LOCATION I POlNT OF ENTRV I BURGLARY I WEAPONUSED 0 BliNWATM 0 CONVMKT 0 GUTISTAB INSTR 0 CHEWCAL WEOFTHEn 0 ACKPOCKET D PIWESNATCH D AUTOACCESS 3 0 JEWELRVPREC.METAL 9 0 LIVESTOCK 0 .AUIOCLOUT 1 0 FIREARMS 10 0 MOTORVEHICLES 0 SHOPLIFTING I1 0 MISCELVWEOUS 0 CVINOP.OMCE 0 RlOM0UlLDlNG 0 THE VlCTlM I REPORTING PARTY MnUchd the pollce dsparbnentto reprlthe THEFT I LOSS I DAMAGE Ofthe listed pmperty There am no known suspech. This npmif made to aierl the pollc~NO namtlve was cornplehd. 0 fingerprinted , ... 0 Tun -0 Other IllllllllllI I I 11 Stolen 0 Mens 0 Mtn. Color 1 Brand \ Model 1 Sped ticense No. SeMl NO. 0 Biwde 0 Womens D Road I 1) WORK ADDRESS i~ame01 aurmerr) 1sch0011 CITY I I OAKLAND z1P WORK PHONE I I ADMONISHMENT ADMONISHED I IYES I ! NO REFUSED I IYES I I NO STATEM m,mr BY (OFFICEFYDAT%llME) [ ] PAROLE AGENT I I P/u DESCRIPTION PROVlDE BY CLOTHING. SCABS. MARKS. TATOOS. ~ Number LAST FIT* Mid RELATIONSHIP TO vicm INWSTWY THIS OFFENSE I I YES I I NO SUSPECT j CITE I SEX RACE DO8 AGE HEIGHT WEIGHT HAIR EVES DL NMER PFN - HOME AODRESS CITY 1 I OMUND ZIP APT NO HOMElMSG PHONE I ! WORK ADDRESS Warns d BusmW ISshOal) CITY I 1 OAKLbND ZIP OccuPmoN WORK PHONE I I ADMONISHMENT: mhwNISHED I ]YES I IN0 REFUSED I ]YES I IN0 STATEMENT I ]YES I IN0 [ ] PROBATION coum m,mr [ ] PAROLE AGENT I I PAL ay IOFFICEWDATEBIME) DESCRIPTION PROVIDE BY CLOTHING. SCARS. MARKS. TATOOS. WORDS USED SPEECH I DEMEANOR I I SHORT I I UATURALIAFRO I I UGHT I I LOW PlTCH IIW I I MEED 1°F EAR1 I 1 BRAIDED I ! BEARD I I MEDIUM I 1 WELL GRWMED I I HIGH FITCH I I eoLlTE I 1 LONG ICOVERLW! I 1 CREWCUT I 1 MUSTACHE I I DARK 1 1 UNKEMPT I I SLURRED I! APOLOOETIC 11COLLAR I ! CURLY I 1 BEARD k MUSTACHE I I ! BECWD I 1 BIGHT HANDED I I WnER 1 ) UERVOUS I] StlOUWER I ) PONYTAIL ! 1 EDATEE I I LEFTHUiDED I ! ACCENT I I PEOFESSIONAI I ) EALOdSHAVED I ! PUNK I 1 SIDEBURNS I I BIRTHMARK 1 ] QFFENSIVE I I BECEDING I 1 CQNSERVATIVE I I MOLE I I QWER I 1 HOSTILE DAMLGE DETAILS, UNIOUE FEANRES OTHER DESCRlPTlON E VEHICLE WAS I I IOW I* 1- " I I SECURED ATSCENE I IIINGERPRINTEb V E H I C L E I I BELEASEDTOOWNER I I ~~OLD(UNIT) OWNER ADDRESS CIlY [IOAKIAND ZIP PHONE LIC ISTATEIOR PLATE COLORS YEAR MAKE MODEL STYLE EXTERIOR COLOR CONDmON INTERIOR COLOR INTERIOR I I CLEAN I I NEW I l CLEW l!OOOI - I! DlRN I I WO /IDIRTY11 TIRES RIMS LEVEL ADOF WINDOWS SEITS TRANSMISSION ! I STOCK I I xiur I I STOCK I I CHROME I I STOCK I I LOWERED I I YINYL I I LANDAU I I IINTED 7 I YlNYL I 1 BENCH I ! AUTOMATIC i I SMALL I1 I I MAGS I I SPOKE I I R AISED I 1 I I CONV I I BROKEN I I CLOTH I I BUCKET I I MUiUAL I CRIME - - I- REWRTED BY SERIAL # PAGE 536-937 111071 nai nnins 40 1 (I I , 41 SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 or 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 DATE OF REPORT (DATE OF EARLIEST EVENT REPORTED): JUNE 12,2002 HISPANIC BROADCASTING CORPORATION (Exact name of Registrant as specified in its charter) DELAWARE 0-24516 99-0113417 (State or other ICommission File Number) 11 R S Employer 3urisdiction of Identification Number) incorporation) 3102 OAK LAWN AVENUE 75219 SUITE 215 (Zip code) DALLAS, TEXAS (Address of principal executive offices) Registrant's telephone number, including area code: (214) 525-7700 NOT APPLICABLE (Former name or former address, if changed since last repon) ITEM 5. OTHER EVENTS. On June 12,2002, Hispanic Broadcasting Corporation ("HBC") and Univision Communications Inc. ("Univision") announced that they had entered into a definitive merger agreement pursuant to which Univision will acquire HBC (the "Merger Agreement"). Pursuant to the terms of the Merger Agreement, Class A common stockholders and Class B common stockholders of HBC will receive .85 of a share of Univision Class A common stock for each share of HBC Class A common stock and HBC Class B common stock. If at any time prior to the effective time of the merger, the Federal Communications Commission determines that the holders of HBC Class B common stock would have an attributable interest in Univision following the merger, the holders of HBC Class B common stock will receive for each share of HBC Class B common stock .85 of a share of Univision Class B non-voting common stock instead of 35 of a share of Univision Class A common stock. http://secfilings.nasdaq.com/edgarconv_hl3/0000912057-02-024065.html 9/16/2002 HISPANIC BROADCASTING CORP(Form: 8-K, Received 06/13/200213: 1756) Page 2 of 3 The proposed merger is subject to approval by the stockholders of both companies. In connection with the Merger Agreement, McHenry T. Tichenor, Jr., Chairman, Chief Executive Officer and President of HBC, and three other members of the Tichenor family have entered into an agreement to cause certain shares of HBC Class A common stock held by members of the Tichenor family and subject to a voting agreement to vote in favor of the proposed merger transaction. As of April 22,2002,the members of the Tichenor family subject to the voting agreement collectively held 12,829,601shares of HBC's Class A common stock (approximately 16.0% of the outstanding HBC Class A common stock). In addition, Clear Channel Communications, Inc. ("CC") has entered into an agreement to vote shares of HBC Class B common stock held by them in favor of the proposed merger transaction. CC holds 28,312,940shares of HBC's Class B common stock (100% of the outstanding HBC Class B common stock). A. Jerrold Perenchio, Chairman of the Board and Chief Executive Officer of Univision, has entered into an agreement to vote his shares of Univision Class A common stock and Univision Class P common stock in favor of the proposed merger transaction. Mr. Perenchio's shares represent approximately 71.9% of the voting power of all of the outstanding shares of common stock of Univision. The proposed merger is intended to qualify as a tax-free reorganization pursuant to Section 368(a) of the Internal Revenue Code. In addition to stockholder approval, the closing of the proposed merger is subject to clearance or expiration of the applicable waiting period under the Hart-Scott-Rodino Antitrust Improvements Act of 1976 and approval of the Federal Communications Commission, and the satisfaction of other customary closing conditions The foregoing summary is qualified in its entirety by reference to the Merger Agreement, the press release announcing the proposed merger and the support agreements, which are attached as exhibits hereto and are incorporated herein by reference in their entirety. ITEM 7. FINANCIAL STATEMENTS AND EXHIBITS. (c) EXHIBITS. 2.1 Agreement and Plan of Reorganization, dated June 11,2002,by and among Univision Communications Inc., Univision Acquisition Corporation and Hispanic Broadcasting Corporation.( 1) 2.2 Univision Stockholder Support Agreement, dated June 11,2002,by and among Univision Communications Inc., Hispanic Broadcasting Corporation, and A. Jerrold Perenchio.(l) -1- 2.3 HBC Stockholder Support Agreement, dated June 11,2002,by and among Univision Communications Inc., Ilnivision Acquisition Corporation, and the stockholders listed on Exhibit A thereto.(l) 99.1 Press release dated June 12, 2002.(1) (I) Incorporated by reference to Univision Communications Inc. Current Report on Form 8-K, dated June 12, 2002, File No. 001-12223. -2- SIGNATURES Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned thereunto duly authorized. http://secfilings.nasdaq.com/edgar_conv_html/2002/06/13/0000912057-02-024065.html 9/16/2002 HISPANIC BROADCASTING CORP(Form: 8-K, Received 06/13/2002 13: 1756) Page 3 of 3 - HISPANIC BROADCASTING CORPORATION By: /s/ Jeffery T. Hinson ...__.....___._____________________~ Name: Jeffery T. Hinson Title: Senior Vice President/Chief Financial Officer Date: June 13, 2002 -3- EXHIBIT INDEX EXHIBIT NUMBER EXHIBIT TITLE ~~~~...~~_~~_....._. 2.1 Agreement and Plan of Reorganization, dated June 11, 2002 by and among Univision Communications Inc., Univision Acquisition Corporation and Hispanic Broadcasting Corporation.11) 2.2 Univision Stockholder Support Agreement, dated June 11, 2002, by and among Univision Communications Inc., Hispanic Broadcasting Corporation, and A. Jerrold Perenchio.11) 2.3 HBC Stockholder Support Agreement, dated June 11, 2002, by and among Univision Communications Inc., Univision Acquisition Corporation, and the stockholders listed on Exhibit A thereto.11) 99.1 Press release dated June 12, 2002.11) (1) Incorporated by reference to Univision Communications Inc. Current Report on Form 8-K, dated lune 12,2002, File No. 001-12223. -4- ~~ End of filing .. liwgum# EDOAllprn B 2002 I EDGAn Online, Illr. http://secfili ngs.nasdaq.com/edga1~conv~htm1/2002/06/13/0000912057-02-024065.html 9/16/2002 42 I c Back 6/ 12/2002 C0ntact:leffrey T. Hinson Phone: 214.525.7700 UNIVISION TO COMBINE WITH HISPANIC BROADCASTING, NATION'S LEADING SPANISH- LANGUAGE RADIO COMPANY Combined Company Will Own 50 Television And 55 Radio Stations In Top Hispanic Markets Will Add #1 Spanish-Language Radio Broadcaster To #l Spanish-Language TV Network, #1Spanish- Language Cable Network, #1 Spanish-Language TV Station Group, #1 Spanish-Language Online Portal and #1 Latin Record Label InThe U.S.
Load more

Recommended publications
  • Análisis Estratégico De La Evolución En La Industria Discográfica
    UNIVERSIDAD MIGUEL HERNÁNDEZ FACULTAD DE CIENCIAS SOCIALES Y JURÍDICAS DE ELCHE GRADO EN ADMINISTRACIÓN Y DIRECCIÓN DE EMPRESAS TRABAJO FIN DE GRADO: ANÁLISIS ESTRATÉGICO DE LA EVOLUCIÓN EN LA INDUSTRIA DISCOGRÁFICA ALUMNO: ALEXIS QUESADA ESCLAPEZ TUTOR: JOSÉ CREMADES CORTÉS 1 ÍNDICE. RESUMEN EJECUTIVO: ......................................................................................................... 4 CAPÍTULO 1: INTRODUCCIÓN ............................................................................................... 6 Motivación .................................................................................................................... 6 Objetivos ....................................................................................................................... 7 Metodología .................................................................................................................. 8 CAPÍTULO 2: ESTADO ACTUAL ............................................................................................ 11 Estructura competitiva actual del sector .................................................................... 13 CAPÍTULO 3: DESDE LOS ORÍGENES HASTA LA ACTUALIDAD ................................................ 19 Columbia ..................................................................................................................... 20 Victor Talking Machine Company ............................................................................... 22 RCA .............................................................................................................................
    [Show full text]
  • A&R Update December 1-2-3-4 GO! RECORDS 423
    A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St.
    [Show full text]
  • NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.
    [Show full text]
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
    Case3:11-cv-01613-SI Document240 Filed04/28/15 Page1 of 24 1 2 3 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 NORTHERN DISTRICT OF CALIFORNIA 10 11 RICK JAMES, by and through THE JAMES CASE NO. CV 11-01613 SI (MEJ) AMBROSE JOHNSON, JR., 1999 TRUST, 12 his successor in interest, et al., individually [PROPOSED] ORDER GRANTING and on behalf of all others similarly situated, PRELIMINARY APPROVAL OF CLASS 13 ACTION SETTLEMENT Plaintiffs, 14 Judge: Hon. Susan Illston vs. 15 UMG RECORDINGS, INC., a Delaware 16 corporation, 17 Defendant. 18 19 20 21 22 23 24 25 26 27 28 855912.6 Case3:11-cv-01613-SI Document240 Filed04/28/15 Page2 of 24 1 The Court, having reviewed Plaintiffs Rick James, by and through The James Ambrose 2 Johnson, Jr., 1999 Trust, his successor in interest; David Coverdale, by and for Whitesnake 3 Productions (Overseas) Limited; Dave Mason; Carlton Douglas Ridenhour, d/b/a “Chuck D, ” 4 individually and as a member of Public Enemy; Ron Tyson; Robert Walter “Bo” Donaldson, 5 individually and d/b/a Bo Donaldson And The Heywoods; William Mclean, a/k/a “Will Mclean” 6 and p/k/a “Mista Lawnge,” and Andres Titus, p/k/a “Dres,” jointly d/b/a Black Sheep; Martha 7 Davis; and Ralph Vierra Tavares, Arthur Paul Tavares, Feliciano Vierra Tavares, Antone 8 Lawrence Tavares, and Perry Lee Tavares, individually and jointly p/k/a “Tavares” (collectively, 9 “Plaintiffs”) Motion for Preliminary Approval of Class Action Settlement with Defendants UMG 10 Recordings, Inc. (“UMGR”) and Capitol Records, LLC (“Capitol”), (collectively “Defendants”), 11 the pleadings and other papers on file in this action, and the statements of counsel and the parties, 12 hereby finds that Plaintiffs’ motion should be GRANTED.
    [Show full text]
  • Chart: Top25 VIDEO LATIN
    Chart: Top25_VIDEO_LATIN Report Date (TW): 2012-07-23 --- Previous Report Date(LW): 2012-07-15 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 No Sigue Modas Aka Ella No Sigue Modas Don Latin RCA Records 2 2 Besos Al Aire Ft. América Sierra, Smoky 3ballmty Latin RCA Records 3 3 Dónde Estás Corazón Shakira Latin Sony Music Latin America 4 5 Tacata Tacabro Latin Ultra Records 5 4 No Me Compares Alejandro Sanz Latin Warner Latin Music 6 6 Follow The Leader Ft. Jennifer Lopez Wisin & Yandel Latin Machete Music 7 10 Bon, Bon (spanish Version) Pitbull Latin Mr. 305 Records 8 13 All Aboard Ft. Lil Wayne Romeo Santos Latin Sony Music Latin 9 7 La Senal Juanes Latin Universal Latino 10 8 48 Roses Mariachi El Bronx Latin ATO 11 Omg (jazzi's Bachata Remix) - Pitch Control Dee Jays Usher Latin La Face Records 12 17 La Diablami Santa Ft. Tomatito Romeo Santos Latin Sony Music Latin 13 11 Boys Will Be Boys - Latin Paulina Rubio Latin Universal Music Spain, S.L. 14 Ven Conmigo Daddy Yankee Ft. Prince Royce Latin El Cartel Records 15 15 Miedo Pablo Alboran Latin Capitol Records 16 25 Hotel Nacional Gloria Estefan Latin Burgundy Records / Sony Music 17 Corazon Sin Cara Prince Royce Latin Top Stop Music 18 Lovumba Daddy Yankee Latin El Cartel Records 19 Hasta Abajo Don Omar Latin Machete Music 20 Guaya Arcangel Ft Daddy Yankee Latin Universal Latin 21 9 Love Is The Only Way Macaco Latin Capitol Records 22 18 El Sonidito (magan Remix) Hechizeros Band Latin Dance Fonovisa Records 23 19 Bebé Bonita Ft.
    [Show full text]
  • United States District Court Southern District of Florida
    Case 1:18-cv-20283-XXXX Document 1 Entered on FLSD Docket 01/24/2018 Page 1 of 17 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION CASE NO. 1:18-CV-20283 ENRIQUE IGLESIAS, an individual, Plaintiff JURY TRIAL DEMANDED v. UNIVERSAL INTERNATIONAL MUSIC, BV, a Dutch corporation, Defendant. ______________________________________________/ COMPLAINT Plaintiff, Enrique Iglesias (“Iglesias”), through counsel, hereby files the following complaint against the defendant, Universal International Music B.V. (“Universal”) and states as follows: I. INTRODUCTION 1. Renowned musical artist Iglesias entered a recording agreement with Universal. In fully performing his contractual obligations to Universal, Iglesias achieved rarefied commercial benchmarks: topping the Billboard Latin Chart with his twenty-seventh No. #1 single (more than double those of any other artist); surpassing Prince and Michael Jackson as the male performer with the most No. #1 dance singles; starring in the tenth most-watched video in YouTube™ history (Bailando, with more than 2.459 billion views); performing at the Super Bowl Halftime show; selling over 100 million albums; and generating billions of streams. Despite Iglesias’ record-breaking success, Universal has refused to reciprocate and breached its contractual obligations to Iglesias. Specifically, Universal has been systematically underpaying Case 1:18-cv-20283-XXXX Document 1 Entered on FLSD Docket 01/24/2018 Page 2 of 17 Iglesias’ streaming royalties by calculating those royalties at a small fraction of the contractually-required fifty percent (50%) royalty rate. Universal’s inaccurate financial statements characterize Iglesias’ account as being un-recouped millions of dollars even though Iglesias has generated sales of a magnitude rarely attained in the music industry.
    [Show full text]
  • Repertorio Administrado
    ASOCIACIÓN GUATEMALTECA DE GESTIÓN DE LA INDUSTRIA DE PRODUCTORES DE FONOGRAMAS Y AFINES LISTADO DE ASOCIADOS, REPERTORIO REGISTRADO Y ADMINISTRADO POR AGINPRO. UNIVERSAL MUSIC GROUP CENTRAL • EMI RECORDS AMERICA • EMI • EMI ARGENTINA • 2 RECORDS • EMI CHILE • 2017 CASABLANCA RECORDS, • EMI GOLD INC. • EMI GROUP • AFTERCLUV • EMI HONG KONG • AFTERCLUV DANCELAB • EMI MARKETING • AM RECORDS • EMI MEXICO • EMI/EMI RECORDS (USA) • EMI MUSIC NETHERLANDS B.V • ATMOSPHÉRIQUES / UNIVERSAL • EMI NETHERLANDS B.V • BLUE NOTE RECORDS • EMI ODEÓN CHILENA S.A • BMLG RECORDS • EMI RECORDS LTD • CAPITOL RECORDS (CAP) • EMPIRE RECORDS MÉXICO • CASA BLANCA RECORDS • EMPO / MAS VOLUMEN • CASH MONEY RECORDS • FAME RECORDS • CAROLINE DARKROOM RECORDS • FONOVISA RECORDS • CARTEL RECORDS • GEFFEN • CODISCOS • GUNIT RECORDS • CONCORD JAZZ • HERB ALPERT PRESENTS • CONCORD LOMA VISTA • ISLAND RECORDS • CONCORD MUSIC GROUP • INTERESCOPE RECORDS • CONCORD MUSIC GROUP INC./MONSTER LLC • KAPITAL MUSIC • CONCORD RECORDS, INC (UMG • KAROL G ACONCORD RECORDS, INC. (UMG • KIDINAKORNER/INTERSCOPE ACCOUNT) RECORDS • DEMON MUSIC GROUP LTD • LIL SILVIO & THE VEGA LICENCIAN • DECCA RECORDS A CODISCOS S.A • DEF JAM RECORDS • MACHETE RECORDS • DEUTCHE GRAMMOPHONE • MACHETE MUSIC/ PINA RECORDS • DISA LATIN MUSIC • MCI • DISA RECORDS • MCA NASHVILLE, • E35 MUSIC S.A. DE C.V • MCA RECORDS • EDGE OUT RECORDS • MEDIAPRO MUSIC • EL CARTEL RECORDS • MEDIAPRO MUSIC, A DIVISION OF UNIVERSAL MUSIC ROMANIA • EL CARTEL RECORDS (EC3) • MERCURY RECORDS • VP RECORDS CORP/DIMELO VI • METAMORPHOSIS
    [Show full text]
  • Repertorio Administrado
    ASOCIACIÓN GUATEMALTECA DE GESTIÓN DE LA INDUSTRIA DE PRODUCTORES DE FONOGRAMAS Y AFINES A continuación, se presenta el Listado de Asociados, Repertorio Registrado y Administrado por AGINPRO: UNIVERSAL MÚSICA DE CENTROAMÉRICA, S.A. • ℗ 1977 Umg Recordings, Inc. • Ak7 Corp. Exclusively Licensed In The • ℗ 1993 Fonovisa Records United States To Universal Music Group • ℗ 2018 Dj Snake Music Productions • Alamo Records / Interscope Limited, Under Exclusive License To • All Around The World Geffen Records • Andaluz Music - Banda Carnaval • 10 Summers Records/Interscope Records • Andaluz Records Distributed By Universal • 10:22 Pm Music Group • 10:22 Pm / Universal Music Group (De • Andaluz Records/Disa/Umle Umle) • Andres Saavedra • 1510 Certified Ent/300 Entertainment And • Andy Rivera Universal Music Group • Aura Music • 2015 Discos Fuentes • Aura Music Corp. • 2017 Mia Musa • Bad Gyal Aftercluv/Interscope • 2018 Discos Fuentes • Banda El Recodo P&D • 2018 Flow La Movie, Inc. • Beartrap/ Alamo/ Interscope Records • 2018 Flow La Movie, Inc., Distributed By • Beartrap/ Alamo/Universal Music Group Glad Empire • Benny Blanco Major • 2019 Casablanca Records & One World • Benny Blanco Solo Album Ps Music | Distributed By Glad Empire • Big Hit Entertainment • 2019 Flow La Movie Inc | Distributed By • Boomshakalaka - Umle / Sony Benelux Glad Empire, Llc • Boy Toy, Inc. Exclusively Licensed To Live • 2019 Flow La Movie, Inc. | Distributed By Nation Worldwide, Inc. Exclusively Glad Empire, Llc. Licensed To Universal Music Group • 2020 Discos Fuentes • Boy Toy, Inc., Exclusively Licensed To • 2020 Flow La Movie, Inc. & Los Magicos, Live Nation Worldwide, Inc. Exclusively Llc | Powered By Glad Empire, Licensed To Interscope Records • 2020 Flow La Movie, Inc. | Powered By • Boy Toy, Inc., Exclusively Licensed To Glad Empire, Llc Live Nation Worldwide, Inc.
    [Show full text]
  • Carrera De Ciencias De La Comunicación Facultad De Ciencias Sociales Universidad De Buenos Aires
    Carrera de Ciencias de la Comunicación Facultad de Ciencias Sociales Universidad de Buenos Aires Tesina de grado Concentración y transnacionalización en las industrias culturales Surgimiento y consolidación de los conglomerados transnacionales de medios. Fernando Andrés Krakowiak Director: Guillermo Mastrini Noviembre 2003 fkrakowiak @yahoo.com.ar 1 “-No señor -decía Polanco indignado-, jamás entenderé que insulten así a los burgueses. Si te fijás bien, son los auténticos ciudadanos del mundo. ¿Cómo que no? Un burgués venezolano, uno español, uno francés y uno de Arabia Saudita están mucho más unidos que un comunista chino, uno peruano y uno ruso. Estos serán todo lo comunistas que quieras, pero el más acérrimo nacionalismo los separa para siempre. En cambio los burgueses tienen una sola patria que es la burguesía, y dentro de ella la distribución de los muebles es idéntica: aquí la guita, aquí la religión, allí la moral sexual, más allá la camisa a rayas. No les falta más que hablar en latín para mantener viva esa universalidad tan añorada que según parece había en la Edad Media, pero ahora con las máquinas de traducir, McLuhan y el inglés en veinte lecciones pronto no va a haber problemas, pibe”. Julio Cortázar, Ecuménicos sine die Último Round 2 INDICE 1. INTRODUCCIÓN.................................................................................................... 4 2. MARCO TEÓRICO-METODOLÓGICO.................................................................. 6 3. UN MUNDO “DESREGULADO” PARA UN CAPITAL TRANSNACIONALIZADO………………………………………………………………... 9 3.1. Auge y caída de Bretton Woods. 3.2. La solución neoclásica. 4. EL PAPEL DE LOS MEDIOS EN EL ENTRAMADO FINANCIERO..................... 17 4.1. Las finanzas en la era de la mundialización. 4.2. Camino a la “sociedad de la información”.
    [Show full text]
  • From Aural Places to Visual Spaces: the Latin/O and General Music Industries
    FROM AURAL PLACES TO VISUAL SPACES: THE LATIN/O AND GENERAL MUSIC INDUSTRIES A Dissertation by CHRISTOPHER JOSEPH WESTGATE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Major Subject: Communication From Aural Places to Visual Spaces: The Latin/o and General Music Industries Copyright 2011 Christopher Joseph Westgate FROM AURAL PLACES TO VISUAL SPACES: THE LATIN/O AND GENERAL MUSIC INDUSTRIES A Dissertation by CHRISTOPHER JOSEPH WESTGATE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Eric W. Rothenbuhler Committee Members, Antonio La Pastina Patrick Burkart Leroy Dorsey Juan Galdo Head of Department, Richard Street August 2011 Major Subject: Communication iii ABSTRACT From Aural Places to Visual Spaces: The Latin/o and General Music Industries. (August 2011) Christopher Joseph Westgate, B.S., Cornell University; M.A., Columbia University Chair of Advisory Committee: Dr. Eric W. Rothenbuhler This manuscript tells the stories of the Latin/o and general music industries in the United States from 1898 to 2000. It argues that performers transformed the local identities of aural industries based in place and melody into global industries of visual identities designed for space and celebrity. Both the Latin/o and general music industries shifted back and forth along a local-sound-to-global-sight spectrum more than once, from sounds of music rooted in specific places to sights of musicians uprooted across universal spaces between 1898 and 2000.
    [Show full text]
  • The Latin Academy of Recording Arts & Sciences, Inc
    1 THE LATIN ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 17th Annual Latin GRAMMY® Awards For recordings released during the Eligibility Year July 1, 2015 through June 30, 2016 General Field Category 1 Record Of The Year Grabación del Año Gravação do Ano Award to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist. Premio al Artista(s), Productor(es) del Álbum, Ingeniero(s) de Grabación, Ingenieros de Mezcla y Masterizadores si es(son) otro(s) diferente(s) al artista. Prêmio ao(s) Artista(s), Produtor(es) do Álbum, Engenheiro(s) de Gravação Mixagem e Masterização, se outro que não o próprio Artista. • Cuestión De Esperar Pepe Aguilar Pepe Aguilar, Francis Durán, Mauricio Durán & Yamil Rezc, record producers; Norberto Islas, recording engineer; Sacha Triujeque, mixer; Tom Baker, mastering engineer [Equinoccio Records] • Se Puede Amar Pablo Alborán Pablo Alborán, record producer; Oscar Clavel, recording engineer; Oscar Clavel, mixer; Oscar Clavel, mastering engineer [Warner Music Spain] • Me Faltarás Andrea Bocelli David Foster, Humberto Gatica & Tony Renis, record producers; Humberto Gatica, Pierpaolo Guerrini & Martin Nessi, recording engineers; Humberto Gatica & Martin Nessi, mixers; Vlado Meller, mastering engineer [Sugar Music/Universal Music Latino] • Si Volveré Buika Buika & Martin Terefe, record producers; Oskar Winberg, recording engineer; Eduardo De La Paz, mixer; Geoff Pesche, mastering engineer Track from: Vivir Sin Miedo [Warner Music
    [Show full text]
  • Billboard Magazine and on Billboard.Com
    10.12.2013 billboard.com billboard.biz YOUTUBE 3.0 Are They Paying Enough? SONG RECOGNITION GOES LIVE New Tech From Gracenote, Shazam REMEMBERING POLLY ANTHONY MANAGING THE LEGACY OF REGIONAL MEXICAN'S BIGGEST STAR UK £5.50 WorldMags.net ANOTHER AMAZING MUSIC FESTIVAL, ANOTHER 2 MILLION+ WATCHED ON TV MUSIC & FOOD FESTIV THANK YOU: ZAC BROWN BAND JASON MRAZ JOHN FOGERTY KENNY ROGERS GRACE POTTER AND THE NOCTURNALS DAWES EDWARD SHARPE & THE MAGNETIC ZEROS WILLIE NELSON & FAMILY ELI YOUNG BAND THE HEAD AND THE HEART WARREN HAYNES KACEY MUSGRAVES TROMBONE SHORTY & ORLEANS AVENUE BLACKBERRY SMOKE BROTHERS ROAD THE STELLAS FEATURING LENNON AND MAISY THE WOOD BROTHERS NIKO MOON DUGAS AJ GHENT BAND CLARE BOWEN CLAY COOK JOHN DRISKELL HOPKINS & THE MOSIER BROTHERS BAND LEVI LOWREY COY BOWLES AND THE FELLOWSHIP SPECIAL THANKS TO: ROAR MUSIC IS BACK ON TV WorldMags.netaxs WorldMags.net THIS WEEK Volume 125 No. 39 FEATURES 20 Jenni Rivera 26 YouTube 32 Top producers 37 Mexican Music Awards TOPLINE 4 Lawmaker looks GEAR to establish new performance right for broadcast P. 19 “The chord radio. 9 My Day Dennis Ashley, ICM C i progression that :1 Partners became ‘Wake 10 The Deal Beats Electronics gets Me Up!’ was the cash boost from Carlyle Group. f rst thing that 12 Think Tank On the Road, happened. Every Business Matters, Sound & Vision experience I ever 14 Questions Answered had that came out Emilio Romano, well didn’t feel Telemundo Media BACKBEAT labored over.” 16 Parties Global Citizen Festival, Advertising Week, MIKE BET Hip Hop Awards 18 Places EINZIGER Amsterdam 19 Play Mike Einziger Mike Einziger photographed QUESTIONS ANSWERED FEATURE at his studio in MUSIC Los Angeles.
    [Show full text]