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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Nuovi Film in Biblioteca 2021
Nuovi film in biblioteca aggiornato a gennaio 2021 120 battiti al minuto / regia di Robin Campillo; Francia, 2017; interpreti: Nahuel Pérez Biscyart, Adéle Haenel...[et al.]. N. inv. 74120 VIDEO.A 120BAM CAMPR DVD 8 / regia di Gus Van Sant … e altri, Francia, 2008; interpreti: Abderrahmane Sissako, Jan Kounen, Wim Wenders, Mira Nair, Jane Campion, Gael Garcia Bernal, Gaspar Noe. N. inv. 75033 VIDEO.A VAN SANT 8 DVD 2 A casa tutti bene / regia di Gabriele Muccino; Italia, 2018; interpreti: Stefano Accorsi, Carolina Crescentini, Pierfrancesco Favino, Claudia Gerini, Massimo Ghini, Sabrina Impacciatore, ... [et al.]. N. inv. 73835 VIDEO.A A CTB MUCCG DVD ACAB: All Cops Are Bastards / regia di Stefano Sollima; Italia/Francia 2011; interpreti: Pierfrancesco Favino, Filippo Nigro, Marco Giallini, Andrea Sartoretti, Domenico Diele. N. inv. 74907 VIDEO.A ACA SOLLS DVD American Beauty : ...guarda da vicino / regia di Sam Mendes; Stati Uniti, 1999; interpreti: Kevin Spacey, Annette Bening, Thora Birch, Allison Janney, Peter Gallagher, Mena Suvari, Wes Bentley, Chris Cooper. N. inv. 74900 VIDEO.A AMEB MENDS DVD VM 14anni L’ amore è più freddo della morte / regia di Rainer Werner Fassbinder; Germania, 1969; interpreti: Ulli Lommel, Hanna Schygulla, Rainer Werner Fassbinder, Hans Hirschmuller. N. inv. 74859 VIDEO.A FASSBINDER AMOEPF DVD Un amore su misura / regia di Renato Pozzetto; Italia, 2006; interpreti: Renato Pozzetto, Camilla Sjodberg, Anna Stante ... [et al.]. N. inv. 74248 VIDEO.A AMOSM POZZR DVD Amori che non sanno stare al mondo / regia di Francesca Comencini; Italia, 2017; interpreti: Lucia Mascino, Thomas Trabacchi, Carlotta Natoli, Camilla Semino Favro, Valentina Belle N. inv. -
Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas Mcguire, Siena College
Man In A Hat: Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas McGuire, Siena College [email protected] Volume 8. 1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.235 | http://cinej.pitt.edu Abstract This article attempts a definition at what constitutes “character acting” in mainstream cinema in the United States and argues that throughout the peak of his film career—roughly, 1957 through 1976--Martin Balsam refined the definition of male character acting in American film, a parameter previously established by such skilled practitioners as Eugene Pallette and Claude Rains. Balsam did this through his ability to portray what can be termed “a man in a hat” portrayals: tartly humorous, reliable, and sometimes authoritative supporting characters, usually wearing a chapeau. This is clearly seen in such performances as the private investigator in Alfred Hitchcock’s Psycho (1960) and most interestingly, a partner in an unusual subway hijacking in Joseph Sargent’s The Taking of Pelham One, Two, Three (1974). Keywords: Character acting, male, in film, United States; Martin Balsam; Academy Award for Best Performance by a Supporting Actor; Claude Rains; Alfred Hitchcock; 20th Century film acting. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Man In A Hat: Martin Balsam1 and the Refining Of Male Character Acting in American Films, 1957-1976 John Thomas McGuire "I'll tell you; I still don't feel whatever change you're supposed to feel when your name goes up above the title. -
Hdnet Movies February 2012 Program Highlights
February 2012 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times HDNet Movies Sneak Previews – Experience exclusive broadcasts of new films before they hit theaters and DVD Tim and Eric’s Billion Dollar Movie Premieres Wednesday, 29th at 8:30pm followed by encore presentations at 10:15pm and 12:00am An all new feature film from the twisted minds of cult comedy heroes Tim Heidecker and Eric Wareheim ("Tim and Eric Awesome Show, Great Job")! Tim and Eric are given a billion dollars to make a movie, but squander every dime... and the sinister Schlaaang corporation is pissed. Their lives at stake, the guys skip town in search of a way to pay the money back. When they happen upon a chance to rehabilitate a bankrupt mall full of vagrants, bizarre stores and a man-eating wolf that stalks the food court, they see dollar signs-a billion of them. Featuring cameos from Awesome Show regulars and some of the biggest names in comedy today! SPOTLIGHT FEATURES – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times Demolition Man – premieres Saturday, February 11th at 7:00pm Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock. Directed by Marco Brambilla Heat – premieres Thursday, February 9th at 8:00pm Starring Al Pacino, Robert De Niro, Val Kilmer, Jon Voight. Directed by Michael Mann Mr. Brooks – premieres Thursday, February 2nd at 9:05pm Starring Kevin Costner, Demi Moore, Dane Cook, William Hurt. -
Hollywood Stars and Their Army Service from the Spanish American
James E. Wise, Paul W. Wilderson. Stars in Khaki: Movie Actors in the Army and Air Services. Annapolis: Naval Institute Press, 2000. xi + 244 pp. $24.95, cloth, ISBN 978-1-55750-958-1. Reviewed by Charles C. Kolb Published on H-PCAACA (November, 2000) Hollywood Stars and their Army Service from In Stars in Blue we learned about Wayne the Spanish American War to Vietnam Morris, Douglas Fairbanks, Jr., Henry Fonda, This splendid book is the third and fnal vol‐ Humphrey Bogart, Paul Newman, Aldo Ray, ume in historian-biographer Wise's trilogy and it Ernest Borgnine, Robert Montgomery, Cesar makes a ftting companion to its two illustrious Romero, and dozens of other flm stars. With the predecessors. In 1997 Wise and his co-author Ann sequel, Stars in the Corps , we discovered the con‐ Rehill wrote Stars in Blue: Movie Actors in Ameri‐ tributions made by more than 30 motion picture ca's Sea Services in which flm actors who served stars including Sterling Hayden, Tyrone Power, in the U.S. Navy, Naval Reserve, Coast Guard, or Steve McQueen, Lee Marvin, Gene Hackman, Coast Guard Reserve from 1920 through the Kore‐ George C. Scott, Harvey Keitel, Brian Dennehy, an War are profiled. Wise and Rehill also au‐ Hugh O'Brien, Ed McMahon, and Dale Dye. As in thored Stars in the Corps: Movie Actors in the these two volumes, the emphasis in Stars in Khaki United States Marines (1999) which covers the is on World War II. Many of the men who served same period but emphasizes Marines in the Pacif‐ in the U.S. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
P6attended an P20 Shakespeare Event Flagging Off and Co Has Attracted the Swiss Week a Huge Audience in at Grand Hyatt Doha and Elsewhere on Monday
Community Community More than Restaurant 300 guests chain P6attended an P20 Shakespeare event flagging off and Co has attracted the Swiss Week a huge audience in at Grand Hyatt Doha and elsewhere on Monday. in a short span. Wednesday, May 4, 2016 Rajab 27, 1437 AH DOHA 28°C—42°C TODAY LIFESTYLE/HOROSCOPE 13 PUZZLES 14 & 15 Shine on Celebrity DJ and producer Juan Pestana is excited to sign up COVER with DNA Records in what he STORY sees as a fillip to the growing musical fare in Qatar. P4-5 2 GULF TIMES Wednesday, May 4, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.34am Shorooq (sunrise) 4.56am Zuhr (noon) 11.31am Asr (afternoon) 2.59pm Maghreb (sunset) 6.08pm Isha (night) 7.38pm USEFUL NUMBERS Synchronicity SYNOPSIS: A physicist who invents a a machine that can fold space-time, and GENRE: Mystery, Sci-Fi time machine must travel back to the past ruthless corporate tycoon Klaus Meisner CAST: Chad Mcknight, Brianne to uncover the truth about his creation will stop at nothing to get it. Davis, Aj Bowen and the woman who is trying to steal it. DIRECTION: Jacob Gentry Daring physicist Jim Beale has invented THEATRES: Royal Plaza, The Mall Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Ooredoo Telephone Assistance 111 Local Directory 180 International Calls Enquires 150 Time 141, 140 Doha International Airport 40106666 Labor Department 44508111, 44406537 Medical Commission 44679111 Mowasalat Taxi 44588888 Qatar Airways 44496000 Weather Forecast 44656590 Hamad Medical Corporation 44392222 44393333 Qatar General Electricity and Water Corporation 44845555 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Qatar University 44033333 te Unqu uo ot I Am Wrath attacked by thugs in a parking garage. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
Reflections on the Glass Menagerie
Reflections on the Glass Menagerie Recalling his sister Rose’s hobby of collecting small glass articles during her youth in St. Louis, Tennessee Williams stated that these glass figures “By poetic association came to represent, in [his] memory, all the softest emotions that belong to the recollection of things past. They stood for all the small and tender things that relieve the austere pattern of life and make it endurable to the sensitive.” On another occasion, he wrote that the glass animals came symbolized the “fragile, delicate ties that must be broken, that you inevitably break, when you try to fulfill yourself.” The Glass Menagerie opened at the Civic Theatre in Chicago on December 26, 1944, and in Williams’ words “it was an event which terminated one part of my life and began another about as different in all external circumstances as could well be imagined. I was snatched out of virtual oblivion and thrust into sudden prominence, and from the precarious tenancy of furnished rooms about the country I was removed to a suite in a first-class Manhattan hotel.” This success, however, was to be forever haunted by what he had left behind. 1. Tennessee Williams Photograph by Ian Deen [undated] 2003.0147 Rehearsals for The Glass Menagerie in Chicago did not go well, and as late as December 24, Williams was making changes to the dialogue. Initial public interest in the play was minimal, and the day after it opened, the producers were considering closing it down. The play may very well have closed had it not been for two Chicago reviewers: Ashton Stevens of the Chicago Herald American and Claudia Cassidy of the Chicago Daily Tribune. -
Death of a Salesman Thomas Mitchell As Willy Loman and Arthur Kennedy As Biff CLASSIC Directed by Elia Kazan (New York, 1950) DRAMA
Arthur Miller Death of a Salesman Thomas Mitchell as Willy Loman and Arthur Kennedy as Biff CLASSIC Directed by Elia Kazan (New York, 1950) DRAMA NA199712D Kermit Bloomgarden and Walter Fried present Elia Kazan’s production of Death of a Salesman CAST Willy Loman Thomas Mitchell Biff Arthur Kennedy Linda Mildred Dunnock Charley Howard Smith Uncle Ben Thomas Chalmers Happy Cameron Mitchell Howard Wagner Alan Hewitt Bernard Don Keefer Stanley Tom Pedi The Woman Winifred Cushing Miss Forsythe Constance Ford Letta Hope Cameron Jenny Ann Driscoll Director Elia Kazan – All Members of the Original Cast Production 2 The action of the play takes place in Willy Loman’s house – its bedrooms, kitchen, basement, backyard – and in various offices and places he visits in New York City and Boston. Act 1: Willy and Linda’s bedroom – the boys’ bedroom – the kitchen – the backyard in the past – a Boston hotel as remembered by Willy – the backyard in the past – the kitchen – the backyard in Willy’s imagination – the kitchen – Willy and Linda’s bedroom Act 2: The kitchen – Howard Wagner’s office – the backyard in Willy’s imagination – Charley’s office – a small restaurant – a scene in Willy’s mind – the small restaurant – a Boston hotel as remembered by Willy – the small restaurant – the kitchen – the garden – the kitchen – the cemetery 3 Act 1 1 ‘Willy!’ 4:27 2 ‘Hey Biff, Biff wake up, I think Pop’s back...’ 4:50 3 ‘Just wanna be careful with those girls, Biff...’ 4:35 4 ‘Hello dear!’ 4:33 5 ‘Why didn’t I go to Alaska with my brother Ben that time?’ 6:40 6 ‘Was rich.