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P6attended an P20 Shakespeare Event Flagging Off and Co Has Attracted the Swiss Week a Huge Audience in at Grand Hyatt Doha and Elsewhere on Monday
Community Community More than Restaurant 300 guests chain P6attended an P20 Shakespeare event flagging off and Co has attracted the Swiss Week a huge audience in at Grand Hyatt Doha and elsewhere on Monday. in a short span. Wednesday, May 4, 2016 Rajab 27, 1437 AH DOHA 28°C—42°C TODAY LIFESTYLE/HOROSCOPE 13 PUZZLES 14 & 15 Shine on Celebrity DJ and producer Juan Pestana is excited to sign up COVER with DNA Records in what he STORY sees as a fillip to the growing musical fare in Qatar. P4-5 2 GULF TIMES Wednesday, May 4, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.34am Shorooq (sunrise) 4.56am Zuhr (noon) 11.31am Asr (afternoon) 2.59pm Maghreb (sunset) 6.08pm Isha (night) 7.38pm USEFUL NUMBERS Synchronicity SYNOPSIS: A physicist who invents a a machine that can fold space-time, and GENRE: Mystery, Sci-Fi time machine must travel back to the past ruthless corporate tycoon Klaus Meisner CAST: Chad Mcknight, Brianne to uncover the truth about his creation will stop at nothing to get it. Davis, Aj Bowen and the woman who is trying to steal it. DIRECTION: Jacob Gentry Daring physicist Jim Beale has invented THEATRES: Royal Plaza, The Mall Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Ooredoo Telephone Assistance 111 Local Directory 180 International Calls Enquires 150 Time 141, 140 Doha International Airport 40106666 Labor Department 44508111, 44406537 Medical Commission 44679111 Mowasalat Taxi 44588888 Qatar Airways 44496000 Weather Forecast 44656590 Hamad Medical Corporation 44392222 44393333 Qatar General Electricity and Water Corporation 44845555 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Qatar University 44033333 te Unqu uo ot I Am Wrath attacked by thugs in a parking garage. -
View Entire Issue As
A tale of two theaters The Modjeska and Avalon theaters get a second chance. page 23 May 19, 2016 | Vol. 7 No. 14 Freedom fighters Global activists demand we break free from fossil fuels page 8 PHOTO: KRISTIAN BUUS/BREAK FREE 2016 On May 3, young people from Wales stopped an open cast coal mine from operating for the day. The organizers from Reclaim the Power were sending a message that now is the time for a transition to renewable energy and the time to stop fossil fuel projects that make the planet unlivable. 4 UW-Madison addresses 32 One female artist 35 Dive into tropical IPAs racism on preserves another Brewers locally and across the nation campus UW-Madison music are exploring the fruity possibilities Students professor Laura of unique, citrusy hops. demand Schwendinger inclusion forges ahead with and target her new opera racism, 6 GOP’s legislative map about neglected driving goes on trial Baroque painter change at Trial date set in Wisconsin Artemisia the Big 10 over worst partisan gerry- Gentileschi. university. mander in U.S. | May 19, 2016 2 WISCONSINGAZETTE.COM News with a twist WiGWAG By Lisa Neff and Louis Weisberg Partners Action Fund lif says school administration TRUMP 101 leads us to believe that this indi- decided to nix a $2 informed her the ID under her Students at Georgia’s Savannah vidual sprayed a liquid mixture of million attack on Russ class photo was a “typo.” That State University can enroll this hand sanitizer, water, and Tom- Feingold after three Wis- “typo” halted distribution of the summer in a three-credit course cat mice poison on produce,” an consin TV stations refused to air yearbook until the name could be on “The Trump Factor in Ameri- FBI special agent told the Detroit it. -
Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele As a Lens for Viewing Paul Laurence Dunbar's M
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2017 Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy Spencer Kuchle University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the African American Studies Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Performance Studies Commons, and the Television Commons Recommended Citation Kuchle, Spencer, "Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy" (2017). Doctoral Dissertations. 886. https://doi.org/10.7275/9399331.0 https://scholarworks.umass.edu/dissertations_2/886 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy A Dissertation Presented by SPENCER JAMISON PASQUERELLA KUCHLE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2017 W.E.B. Department of Afro-American Studies © Copyright by Spencer Jamison Pasquerella Kuchle 2017 All Rights Reserved Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy A Dissertation Presented By SPENCER JAMISON PASQUERELLA KUCHLE Approved as to style and content by: ___________________________________ Steven C. -
Embargoed Until 8:35Am Pt on July 16, 2015
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and UnBreakaBle Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination. -
Nicholas Monsour Film and Television Editor
NICHOLAS MONSOUR FILM AND TELEVISION EDITOR Features: United Talent Agency | Mike Rubi | [email protected] Television: United Talent Agency | Ryan Tracey | [email protected] [email protected] | 213-453-0845 | www.nicholasmonsour.com FEATURE US • 201 9 Narrative feature, Universal Pictures . Directed by J orda n Peele. ACTION POINT • 2018 Narrative feature, Paramount Pictures . Directed by Tim Kirkby. KEANU • 2016 Narrative feature, New Line Cinema . Directed by Peter Atencio . TELEVISION WHISKEY CAVALIER • 2018 Pilot . Hour long scripted action-comedy series. Directed by Peter Atencio. Produced by Bill Lawrence for Warner Brothers and ABC. COBRA KAI • 2018 4 episodes. 30 min scripted series. Produced by Josh Heald, Jon Hurwitz, Hayden Schlossberg, Sony and Overbrook Entertainment for YouTube Originals. THE LAST O.G. • 201 8 8 episodes. 30 min scripted series. Produced by Jordan Peele and Monkeypaw for TBS. COMRADE DETECTIVE • 2017 3 episodes. 30 min scripted series. Directed by Rhys Thomas. Produced by Channing Tatum and A24 for Amazon. BROCKMIRE • 2017 2 episodes. 30 min scripted series. Directed by Tim Kirkby. Produced by Funny or Die for IFC. JEAN-CLAUDE VAN JOHNSON • 2017 Pilot episode. 30 min scripted. Directed by Peter Atencio. Produced by Scott Free for Amazon. TEACHERS • 2016 3 episodes , season 1. 30 min scripted series. Directed by Payman Benz. Produced by Jay Martel and Ian Roberts for TV Land. KEY & PEELE • 2014 - 2015 11 episodes. 30 min sketch/variety series. Directed by Peter Atencio and Payman Benz. Produced by Jordan peele, Keegan-Michael Key, Jay Martel and Ian Roberts for Comedy Central. DRUNK HISTORY • 2013 - 2014 6 episodes. -
Film and Television Editor
NICHOLAS MONSOUR | FILM AND TELEVISION EDITOR [email protected] | 213-453-0845 | www.nicholasmonsour.com Represented by United Talent Agency | Mike Rubi | [email protected] FEATURES NEXT GOAL WINS • 2020 • Narrative feature, Searchlight Pictures. Directed by Taika Waititi. US • 2019 • Narrative feature, Universal Pictures. Directed by Jordan Peele. ACTION POINT • 2018 • Narrative feature, Paramount Pictures. Directed by Tim Kirkby. KEANU • 2016 • Narrative feature, New Line Cinema. Directed by Peter Atencio. TELEVISION COLIN IN BLACK & WHITE • 2021 3 episodes, season 1. 30 min scripted. Directed by Ava DuVernay, Robert Townsend and Kenny Leon. Produced by Ava DuVernay, Colin Kaepernick, and Array Filmworks for Netflix. THE TWILIGHT ZONE • 2019 2 episodes, season 1. Hour-long scripted. Directed by Simon Kinberg and Richard Shepard. Produced by Jordan Peele, Audrey Chon, Glen Morgan, Win Rosenfeld, Monkeypaw Productions and Genre Films for CBS All Access. WHISKEY CAVALIER • 2018 Pilot episode. Hour-long scripted action-comedy. Directed by Peter Atencio. Produced by Bill Lawrence for Warner Brothers and ABC. COBRA KAI • 2018 4 episodes, season 1. 30 min scripted. Produced by Josh Heald, Jon Hurwitz, Hayden Schlossberg, Sony and Overbrook Entertainment for YouTube Originals. THE LAST O.G. • 2018 8 episodes, season 1. 30 min scripted. Produced by Jordan Peele and Monkeypaw for TBS. COMRADE DETECTIVE • 2017 3 episodes, season 1. 30 min scripted. Directed by Rhys Thomas. Produced by Channing Tatum and A24 for Amazon. BROCKMIRE • 2017 2 episodes, season 1. 30 min scripted. Directed by Tim Kirkby. Produced by Funny or Die for IFC. JEAN-CLAUDE VAN JOHNSON • 2017 Pilot episode. 30 min scripted. -
Nominations F
68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first- timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
EMBARGOED UNTIL 8:35AM PT on JULY 16, 2015 67Th EMMY
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and Unbreakable Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination. -
Melanie Van Der Elsen S4353471/ I Melanie Van Der Elsen S4353471/ Ii Melanie Van Der Elsen S4353471/ Iii
Melanie van der Elsen s4353471/ i Melanie van der Elsen s4353471/ ii Melanie van der Elsen s4353471/ iii ABSTRACT: Racial humor has been a highly popular means for African Americans to address the racial inequality and racism that they have been facing in the United States. This thesis uncovers what makes humor so appealing a tool in the struggle for racial equality and lays bare how racial humor—as used in the works and performances of contemporary African American humorists Kara Walker, Dave Chappelle, and Jordan Peele—can intercede in the negotiation, contestation, and distribution of power to destabilize those conditions that perpetuate racism and sustain social inequality. I focus specifically on the absurdist qualities of Walker’s, Chappelle’s, and Peele’s racial humor as well as on the absurdity of the African American condition, which together comprise the overarching theme of this thesis. Via a close reading analysis of a selection of Walker’s visual art, Chappelle’s sketch comedy, and Peele’s films, I argue that racial humor may possess critical, oppositional, and, above all, pedagogical qualities that may help audiences develop a deeper understanding of the ongoing racialization of American society. I explore these qualities of racial humor via Henry Giroux’s notion of “critical public pedagogy,” which exposes how the racial humor of Walker, Chappelle, and Peele provides for ardent examples of how to critique the social conditions that perpetuate racial inequality in the United States and may stimulate public audiences to act