The Grizzly, February 19, 1991
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Daily Egyptian, August 01, 1989
Southern Illinois University Carbondale OpenSIUC August 1989 Daily Egyptian 1989 8-1-1989 The aiD ly Egyptian, August 01, 1989 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_August1989 Volume 75, Issue 182 Recommended Citation , . "The aiD ly Egyptian, August 01, 1989." (Aug 1989). This Article is brought to you for free and open access by the Daily Egyptian 1989 at OpenSIUC. It has been accepted for inclusion in August 1989 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily Egyptian Southern Illinois University at Carbondale Tuesday, August 1, 1989, Vol. 75, No. !82, 12 P":!I.'S Bush condemns murder of Higgins WASHINGTON (uP!) - napping of Hezbollah leader President Bush, outraged by Sheikh Abdul Karim Obad. the "brutal murder" of an Tbe group released a American Marine held hostage Higgins' wife not sure hanged man is husband videotape in Lebanon showing in Lebanoo, cut short a cross WASHINGTON (UPI> - myself." the day frcllll a private a man they said was Higgins country trip Monday and id Mrs. Higgins is a majo!- in banging from a gallows. of Defense Dep.vtment room, returned to the White House ir~if~l cl :;8E: the MariDe Carps. along with expert.s on , At the White House, Bush - for urgent meetings with key Higgins watched a videotape In a statement issued by Lebanon. speaking "on behaH of the advisers. from Lebanon showing a family attorney (;regory She IEIt the Pentagon for American people" - ex- "There is no way I can hanged man Monday, but Craig, she appealed to the her suburban V~-ginia borne propei'sy express the outrage said she was unable to captors of hostages in at mid-afternoon after r::t ~~~t!i'::~! v::; that I feel," Bush said as he determine whether it was LebaOOll "to put an end to viewing the videotape from· Colonel Higgins." But be arrived on the south lawn. -
CLIFFS of DOVER As Recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson
CLIFFS OF DOVER As recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson A Intro Free Time C DR P 8vaP P P 1 g 4 P V V V V V V V P V V V R V V V V V V V V V I 4 z u V z V P V V V W 3 Gtr I 1 1/2 Full M Full[[[[ Full 15 (15)M (15) 15 12 14 12 M 12 M 12 15 14 12 14 15 T 15 12 15 (15) 15 12 12 15 15 15 12 A 14 (14) B 0 P P 8va 3 V eV 4 g R R V V V V V 5 V V V V V V V P V V V P V V V V V V V V V V V V V I 4 V V 3 3 V 3 3 Full Full 12 M M 5 7 6 5 T 15 15 12 15 12 15 12 5 8 8 5 5 7 5 3 14 14 (14) 14 (14) (14) 12 7 7 4 4 2 A O 14 5 B P P P P P 3 3 V P V V V V 6 g P V V V V V V 4 V V 3 z j 4 V V V z I 4 V V V V V V V V 4 4 V V V V V V V 1/4 Full M M 7 8 10 8 T 8 (8) 5 7 8 10 10 12 4 2 O A 5 2 5 2 2 7 9 B 5 5 2 5 2 3 5 5 3 0 P sl. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Leia a Matéria Completa Aqui
Eric Johnson Comentário e Transcrição Kleber K. Shima Rapidinha 1 Cliffs Of Dover / do álbum Ah Via Musicom (1990) 026 - 035 Esta música abriu as portas para FMs, chegando a ganhar um Grammy. ponto. Somente as notas da segunda que Eric Jonhson se tornasse conhe- Nesse trecho, podemos notar duas téc- corda vão mudando e a nota G, que cido no mundo inteiro. Cliffs Of nicas distintas: pedal point e string está na primeira e na terceira corda, Dover foi uma das primeiras músi- skipping. No pedal point uma nota sem- permanece fixa. String skipping é a cas instrumentais a emplacar nas pre permanece fixa em determinado técnica de salto de cordas. F. 0 1 F. 0 1 Rapidinha 2 SRV / do álbum Venus Isle (1996) 000 - 014 Este tema feito em homenagem a sexta corda (compassos 1 e 5) e slides é a forma como ele deve ser executa- Stevie Ray Vaughan. Possui vários em intervalos quartais sobre duas cor- do, pois Johnson é obcecado pela per- elementos hendrixianos, que tam- das (compasso 6). Repare na beleza feição timbrística e interpretativa, bém faziam parte do estilo de do acorde Asus2 no final do compas- explorando todas as nuances e deta- Vaughan, como o uso do polegar na so 6. O que torna esse exemplo difícil lhes possíveis. F. 0 2 F. 0 2 F. 0 3 F. 0 3 Juliana Mozart Fotos: 8 - Guitar Class - Junho 2003 Rapidinha 3 Manhattan / do álbum enus Isle (1996) 001 - 019 Este é um dos temas mais mar- tocar notas oitavadas. Note que polegar (como Wes) e no compasso 2 cantes de Johnson, que possui uma Johnson vai alternando três técnicas usa a palhetada híbrida (com melodia que gruda na cabeça. -
Catalogmusic873 919.Pdf
INDEX 874 INDEX TITLE PAGE NO. TITLE PAGE NO. TITLE PAGE NO. A Acoustic Guitar Solo Fingerstyle Basics ..........707, 761 Afro-Cuban Slap Bass Lines............................693, 812 Acoustic Guitar Tab White Pages ....................394, 792 Aguilera, Christina – Stripped ..................................73 Aaberg, Philip – Piano Solos....................................72 Acoustic Instrumentalists – Guitar One Air Supply – Best of .................................................73 Above All – 15 Classic Praise Songs...............422, 535 Presents.....................................................394, 798 Aladdin – Big-Note Piano.......................................571 Above All – 50 EZ Inspirational Favorites...............422 INDEX Acoustic Piano Ballads...................................395, 545 Aladdin – Music Manuscript Paper ........................854 Above All Else, Your Name Be Praised!...................500 Acoustic Rock – Fingerstyle Guitar.........................395 Aladdin – P/V/G .....................................................271 Abrams, Daniel – Put Your Hands on the Acoustic Rock – Guitar Play-Along Volume 18.......789 Aladdin – Piano Fun! .............................................297 Piano and Play!..................................................848 Acoustic Rock – Guitar Recorded Versions............395 Aladdin – Recorder Fun!........................................294 Accompaniment Basics – Acoustic Guitar ......707, 741 Acoustic Rock – Guitar Technique Series.......733, 742 Aladdin – Xylotone -
Eric Johnson
ERIC JOHNSON The guitar has been very good to Eric Johnson, earning him international renown as a player, composer, recording artist and live entertainer as well as an ever-growing audience of admirers. And Eric Johnson has been very good to the guitar, spotlighting its myriad melodic, sonic and lyrical splendors, paying homage to its heroes and innovators, collaborating and playing with many of its finest contemporary talents, and fostering its continuing vibrancy as a primarily instrumental genre in popular music. “He's an extraordinary guitar player accessible to ordinary music fans,” notes the Memphis Commercial Appeal. That’s because Eric Johnson plays music and not just the guitar. He is also a gifted player of the piano (his first instrument) as well as songwriter, singer and song interpreter. Or more succinctly, Eric Johnson is a diverse, versatile and fully realized musical creator who plays guitar like no one else The pivotal event in Johnson's rise to becoming, as Guitar Player says, “one of the most respected guitarists on the planet," was his million-selling, now-classic 1990 album Ah Via Musicom (which loosely translates as "communicating through music"). It was his second release, following Tones, his 1986 major label debut. Musicom yielded three Top 10 singles – "Cliffs of Dover," which has become Johnson's signature song and won a Best Rock Instrumental Grammy, and "Trademark" and "Righteous." It made him the first artist to ever score three Top 10 instrumentals. Now, 28 years later, he revisits that landmark recording with a 2018 tour on which he will play the album – hailed as a "masterwork" in Amazon.com's review – in its entirety. -
Edición Impresa
tutiPlán Páginas 18 a 21 LLEGAN LOS Tom quiere CHICOS DEL matar a HILTLER HIGH SCHOOL HoyseestrenaValkiria,la película musical. El Tívoli acoge protagonizada por Cruise que cuenta la historia a los 32 bailarines del montaje de la resistencia en la Alemania nazi que triunfa en cine y televisión. Barcelona padece el doble de obras en El primer diario que no se vende la calle que en verano Divendres 30 GENER DEL 2009. ANY IX. NÚMERO 2080 Hay incidencias en 84 puntos de la ciudad, con45cortesdetráficoy38restricciones. La mayoría son trabajos de infraestructuras, como metro y AVE. Afectan sobre todo Tots els districtes barcelonins tindran una narcosala per als toxicòmans a Sant Andreu, Sants-Montjuïc y Eixample. Mañana varía el servicio de Cercanías. 2 L’Ajuntament torna a impulsar l’expansió dels centres per tota la ciutat després de les protestes inicials. 4 El fiscal pide 11 años de cárcel para el Larevista yerno de los Tous por matar a un ladrón Lo acusa de homicidio, con abuso de superiori- dad, por dispararle al querer evitar un robo. 6 Els importadors de cotxes sí que seran presents al proper Saló de l’Automòbil Són 35 marques, entre elles BMW, Toyota o Fiat. Els fabricants nacionals mantenen que no hi aniran. 2 «A BENICIO LE DARÍA UN GOYA ¿Qué significa Y UN SOBE» esta señal de tráfico? Entrevista con Carmen Machi, Si no se acuerda, forma parte del 96% de con- presentadora de la gala,este domingo. 18 ductores españoles que hoy no aprobaría el Síguela en directo en... teórico. Lo dice un estudio que confirma que no hay casi diferencias entre hombres y muje- 20minutos.es res en sus conocimientos al volante. -
Montana Kaimin, March 31, 1993 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-31-1993 Montana Kaimin, March 31, 1993 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, March 31, 1993" (1993). Montana Kaimin, 1898-present. 8569. https://scholarworks.umt.edu/studentnewspaper/8569 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. r Officials African-American studies flounders Program to be temporarily cancelled when Doss retires the money in the liberal said he hopes that no one will Nancy Borgmann, director condemn By Tricia Greaves studies program and use it to lose interest in the African- of the affirmative action for the Kaimin teach students for next year,” American studies program, program, agrees with When retiring professor James Flightner, dean of the but he feels that by waiting, Flightner. Ulysses S. Doss walks out of college of arts and sciences, “students can be assured of “The loss of one of only two of clinic the Liberal Arts Building on said. getting a professor who is African-American faculty is May 15, it may be at least a qualified. -
(Pdf) Download
March eBluesletter www.CharlotteBluesSociety.org Issue 2018 Volume 03 What a great beginning to a new year for Charlotte Blues Society.Whew! I'm exhausted just thinking about it. The month of February was packed with some pretty amazing artists; from one of our favorites Davy Knowles,to Heather Gillis, who BLEW THE ROOM AWAY on our Blues Sunday Feb.11(she is returning to Charlotte this summer to play the Whitewater Center August 4, and YES, of course we will be there) Doyle Bramhall II, Marc Broussard, and then Eric Johnson came to town and wrapped the month up in style with his Ah Via Musicom Tour. They all signed our raffle guitar too. March kicks of with John Oates, Tab Benoit and then our Blues Sunday March 4th will knock your socks off with Blues Deluxe Band from Columbia, SC, followed by:....wait.....wait... an OPEN BLUES JAM.at 9:30pm. Yup, you asked for it, you got it. Join us at The Rabbit Hole Sunday March 4. Doors open at 7, Blues Deluxe begins at 8pm. FREE to members with valid card, only $5 to non-members and those without cards. Oh, and please remember to bring a non-perishable food item to donate to Loaves & Fishes too. We are going to be taking the donations for distribution on March 7. We want a BIG March to feed those at-risk kids and families in our area. 1 Can? I Can! Blues for Food folks. More good music in store this month, with Jorma Kaukonen of Hot Tuna fame, Bob Margolin & The New Familiars,The Nick Moss Band and more Quick reminder: if you are a member of the Blues Foundation, make sure you go to the website right now and vote for the artists nominated for the Blues Music Awards. -
Percussion Catalog
PERCUSSION CATALOG 2 DRUMSET – INSTRUCTION AND TECHNIQUE 2 VIDEOS AND DVDS 7 BOOKS 11 PETER MAGADINI 11 FAST TRACK DRUMS 14 PLAY DRUMS TODAY! 17 DRUMSET – PERFORMANCE 17 VIDEOS AND DVDS 20 TRANSCRIPTIONS 23 TRANSCRIBED SCROES 29 GIG GUIDES 30 SNARE DRUM 33 MALLETS 36 TIMPANI 38 HAND PERCUSSION 40 ELECTRONIC PERCUSSION 41 SUPPLEMENTARY MATERIALS 43 SOLOS & ENSEMBLES 46 REFERENCE 51 CLASSROOM RESOURCES 53 HOW TO ORDER 54 ORDER FORM 1-800-637-2852 www.musicdispatch.com Prices, contents, and availability subject to change without notice. 2 DRUMSET – INSTRUCTION & TECHNIQUE VIDEOS AND DVDS BASIC BRAZILIAN AFRO-CUBAN COORDINATION GENERAL INSTRUCTION RHYTHMS FOR DRUMSET ACCELERATE WHEN MUSIC WORKS DVD featuring Maria Martinez YOUR DRUMMING SERIES Hal Leonard EXERCISES AND TIPS TO MAKE YOU featuring Ricardo Monzón In this exciting video from Hal BETTER – FASTER Berklee Press Leonard, respected percussionist, by Larry Finn Learn how to play and practice clinician and educator Maria Rittor Music the classic rhythms of the Afro- Martinez reveals her revolutionary studies for Brazilian drumset Covers everything from hand Cuban tradition with Berklee coordination. She covers: bossa technique to some pretty advanced professor Ricardo Monzón. Monzón demonstrates the nova, samba, partido alto and baiao styles; beats such as grooves and fills. The grooves patterns and instruments that form the beating heart of 4/4 Bossa Nova, 2/2 Samba, plus 3/4 and 7/4 examples of include funk, rock, hip-hop, the Afro-Cuban tradition, on clave, conga, timbale, both; and rhythmic phrases and studies including shuffles, and Latin. The main message in this video is bongo and guiro. -
Copyright by Craig Dwight Hillis 2011
Copyright by Craig Dwight Hillis 2011 The Dissertation Committee for Craig Dwight Hillis Certifies that this is the approved version of the following dissertation: The Austin Music Scene in the 1970s: Songs and Songwriters Committee: __________________________________ Mark C. Smith, Supervisor __________________________________ Douglas E. Foley __________________________________ Karl H. Miller __________________________________ Kevin Mooney __________________________________ Jeffery L. Meikle __________________________________ William M. Stott The Austin Music Scene in the 1970s: Songs and Songwriters by Craig Dwight Hillis, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas At Austin August, 2011 Dedication In memory of David Norman Hillis ~ Brother Valerie Ann Hillis ~ Mother Dwight Norman Hillis ~ Father Acknowledgements This project began roughly twenty years ago when I visited the American Studies Department to inquire about their graduate program. I'd been rooting around the History Department where, at age forty-one and only twenty years behind schedule, I'd finished my undergraduate degree. I had the academic bug and I wanted to move on to graduate school. Professor David Montejano was kind enough to let me sit in on one of his graduate courses to allow me to get a feel for what graduate work involved. As the seminar wound down, he suggested that I check out the AMS program on the third floor of Garrison Hall. I looked through the courses the department had been offering over the last few semesters and after noticing subjects like film history, jazz, a large collection of topics in popular culture, and seminars dealing with drugs, alcohol, and the beat generation, I knew I'd found a new home.