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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
That Persistently Funky Drummer
That Persistently Funky Drummer o say that well known drummer Zoro is a man with a vision is an understatement. TTo relegate his sizeable talents to just R&B drumming is a mistake. Zoro is more than just a musician who has been voted six times as the “#1 R&B Drummer” in Modern Drummer and Drum! magazines reader’s polls. He was also voted “Best Educator” for his drumming books and also “Best Clinician” for the hundreds of workshops he has taught. He is a motivational speaker as well as a guy who has been called to exhort the brethren now in church pulpits. Quite a lot going on for a guy whose unique name came from the guys in the band New Edition teasing him about the funky looking hat he always wore. Currently Zoro drums with Lenny Kravitz and Frankie Valli (quite a wide berth of styles just between those two artists alone) and he has played with Phillip Bailey, Jody Watley and Bobby Brown (among others) in his busy career. I’ve known Zoro for years now and what I like about him is his commitment level... first to the Lord and then to persistently following who he believes he is supposed to be. He is a one man dynamo... and yes he really is one funky drummer. 8 Christian Musician: You certainly have says, “faith is the substance of things hoped Undoubtedly, God’s favor was on my life and a lot to offer musically. You get to express for, the evidence of things not seen.” I simply through his grace my name and reputation yourself in a lot of different situations/styles. -
A Case Study of Kurt Donald Cobain
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) A CASE STUDY OF KURT DONALD COBAIN By Candice Belinda Pieterse Submitted in partial fulfilment of the requirements for the degree Magister Artium in Counselling Psychology in the Faculty of Health Sciences at the Nelson Mandela Metropolitan University December 2009 Supervisor: Prof. J.G. Howcroft Co-Supervisor: Dr. L. Stroud i DECLARATION BY THE STUDENT I, Candice Belinda Pieterse, Student Number 204009308, for the qualification Magister Artium in Counselling Psychology, hereby declares that: In accordance with the Rule G4.6.3, the above-mentioned treatise is my own work and has not previously been submitted for assessment to another University or for another qualification. Signature: …………………………………. Date: …………………………………. ii ACKNOWLEDGEMENTS There are several individuals that I would like to acknowledge and thank for all their support, encouragement and guidance whilst completing the study: Professor Howcroft and Doctor Stroud, as supervisors of the study, for all their help, guidance and support. As I was in Bloemfontein, they were still available to meet all my needs and concerns, and contribute to the quality of the study. My parents and Michelle Wilmot for all their support, encouragement and financial help, allowing me to further my academic career and allowing me to meet all my needs regarding the completion of the study. The participants and friends who were willing to take time out of their schedules and contribute to the nature of this study. Konesh Pillay, my friend and colleague, for her continuous support and liaison regarding the completion of this study. -
Dennis Chambers
Dennis Chambers Senior Vice President 300 Santana Row, Fifth Floor San Jose, CA 95128 T 408-615-3429 F 408-615-3444 [email protected] | www.ctbt.com License # 00475577 Professional Expertise Dennis Chambers is a pillar of Silicon Valley commercial real estate brokerage. Over the last 36 years he has brokered over 27 million square feet of leases, received the Outstanding Industrial Real Estate Award eight times, and was inducted into the Brokers Hall of Fame in 1981. Dennis has been a Partner of the firm since joining CPS (now Cassidy Turley) in 1981. Prior to this, Dennis worked at Coldwell Banker from 1974 to 1981. Total Square Footage Leased: 27,811,261 Total Square Footage Sold: 5,343,512 Total Acreage Sold: 3,428.08 Total Value of Transactions: $4,250,894,038 Clients Served Atari Bank of America Bausch & Lomb Bedford Property Investors Boston Properties Cargill Cigna Cisco Systems Cooper Companies Data Quest DiNapoli Properties Echelon Gibson-Speno Gore & Associates Hitachi Data Systems Hunter/Storm Koll Co. Lincoln Property Lockheed Martin Memorex MetLife Mozart Development Olympus America Orchard Properties Prudential Revo, Inc. RREEF USA SanDisk South Bay Development Sun Microsystems* Symmetricom Tokyo Electron America Unisys Wyse Communications *Consultant Major Transactions Atari Expansions, 3,195,000 square feet Leased Cisco Systems, In Excess of 3,000,000 square feet Leased Cisco Systems, 1,167.41 acres Sold Cisco Systems, 75+ Major Facilities and Sales Offices Leased throughout North America Wyse Communications, 450,000 -
Human Bullets : a Soldier's Story of Port Arthur
UNIVERSITY OF CALIFORNIA, SAN DIEGO 3 1822016070989 mmm\ mi f U VERS TV OF CALIF, L 31822016070989 Central University Library University of California, San Diego Note: This item is subject to recall after two weeks Date Due 1 5 I9S4 JAN 6 1994 Cl 39 (1/91) UCSDLib. 385 Wash'n St. Boston HUMAN BULLETS HUMAN BULLETS A SOLDIER'S STORY OF PORT ARTHUR BY TADAYOSHI SAKURAI LIEUTENANT I. J. A. WITH AN INTRODUCTION BY COUNT OKUMA TRANSLATED BY EDITED BY MASUJIRO HONDA ALICE MABEL BACON BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY COPYRIGHT 1907 BY HOUGHTON, MIFFLIN AND COMPANY ALL RIGHTS RESERVED Published October iqarj CONTENTS EDITOR'S PREFACE vu INTRODUCTION BY COUNT OKUMA ix AUTHOR'S PREFACE xiii I. MOBILIZATION 3 II. OUR DEPARTURE 14 III. THE VOYAGE 22 IV. A DANGEROUS LANDING 27 V. THE VALUE OF PORT ARTHUR . 37 VI. THE BATTLE OF NANSHAN 42 VII. NANSHAN AFTER THE BATTLE 52 VIII. DIGGING AND SCOUTING 63 IX. THE FIRST CAPTIVES 70 X. OUR FIRST BATTLE AT WAITU-SHAN 77 XI. THE OCCUPATION OF KENZAN 84 XII. COUNTER-ATTACKS ON KENZAN 89 XIII. ON THE DEFENSIVE 100 XIV. LIFE IN CAMP no XV. SOME BRAVE MEN AND THEIR MEMORIAL 118 XVI. THE BATTLE OF TAIPO-SHAN 126 XVII. THE OCCUPATION OF TAIPO-SHAN 137 v XVIII. THE FIELD AFTER THE BATTLE 147 XIX. THE FIRST AID STATION 158 XX. FOLLOWING UP THE VICTORY 166 XXI. THE STORMING OF TAKU-SHAN 174 XXII. SUN FLAG ON TAKU-SHAN 184 XXIII. PROMOTION AND FAREWELLS 194 XXIV. THE BEGINNING OF THE GENERAL ASSAULT 204 XXV. -
You're Invited to Play Your Part!
ONLINE JAZZ PARTY & FUNDRAISER SPONSOR PACKAGES You’re Invited to Play your Part! The Nashville Jazz Workshop (NJW) is a nonprofit organization dedicated to enriching people’s lives through jazz education and performance. For 20 years the NJW has delivered world class performances and music education to Nashville audiences and jazz fans around the country and the world. 2020 has been a challenging year for cultural institutions everywhere as they seek to fulfill their missions and remain financially viable. Fortunately, the internet has enabled the NJW to continue serving audiences and students – over 20,000 people have subscribed to the NJW’s YouTube channel to view live and archived performances and hundreds have enrolled in virtual classes since social distancing restrictions began in March. Jazzmania is the NJW’s annual jazz party and fundraiser. As a live event it has been “the jazz party of the year” and one of the city’s most engaging and fun charity events. As with other charity events, the event is moving online this year as a virtual event. On October 24, 2020 the Workshop will host Jazzmania as an online jazz party and evening of world class jazz performances. We will share our love of jazz, celebrate the Workshop’s 20th anniversary and ask our devoted fans to open their hearts and wallets to support the Workshop. The streaming event will also be targeted to a global audience, to build awareness of the NJW and engagement with jazz fans around the world. Proceeds from the event will support the NJW’s Music Education, Performance Series and Community Outreach. -
CLIFFS of DOVER As Recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson
CLIFFS OF DOVER As recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson A Intro Free Time C DR P 8vaP P P 1 g 4 P V V V V V V V P V V V R V V V V V V V V V I 4 z u V z V P V V V W 3 Gtr I 1 1/2 Full M Full[[[[ Full 15 (15)M (15) 15 12 14 12 M 12 M 12 15 14 12 14 15 T 15 12 15 (15) 15 12 12 15 15 15 12 A 14 (14) B 0 P P 8va 3 V eV 4 g R R V V V V V 5 V V V V V V V P V V V P V V V V V V V V V V V V V I 4 V V 3 3 V 3 3 Full Full 12 M M 5 7 6 5 T 15 15 12 15 12 15 12 5 8 8 5 5 7 5 3 14 14 (14) 14 (14) (14) 12 7 7 4 4 2 A O 14 5 B P P P P P 3 3 V P V V V V 6 g P V V V V V V 4 V V 3 z j 4 V V V z I 4 V V V V V V V V 4 4 V V V V V V V 1/4 Full M M 7 8 10 8 T 8 (8) 5 7 8 10 10 12 4 2 O A 5 2 5 2 2 7 9 B 5 5 2 5 2 3 5 5 3 0 P sl. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment.