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John Harbison's Songs for Baritone: a Performer's Guide
John Harbison‘s Songs for Baritone: A Performer‘s Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Peter C. Keates B.M.A., University of Oklahoma, 2004 M.M., University of Cincinnati, CCM, 2006 Abstract This document is a performance guide for Words from Paterson and Flashes and Illuminations, John Harbison‘s song cycles for baritone. It confronts the issues of text interpretation and musical style one must address in order to give the most informed performance of these songs. It provides a synthesis of information about the poems and readings of the poetry Harbison set to music, offers insight into Harbison‘s interpretations of the text, and demonstrates how Harbison‘s atonal style and unique compositional techniques provide a successful musical setting for the chosen texts. The guide also discusses performance issues based on personal experience as well as the experience of the composer and other performers. The poetic style of William Carlos Williams, Michael Fried, Czeslaw Milosz, Elizabeth Bishop, and Eugenio Montale are examined. A transcription of an interview with John Harbison is also included. Table of Contents Introduction .......................................................................................................................................... 1 I. Paterson ............................................................................................................................................... -
Lee Phillip Bell with the Lifetime the with Bell Phillip Lee Co-Creator Drama Aey of Cademy Bell: Phillip Lee Worker
The National Academy of Television Arts & Sciences presents daytime at nighttime friday, june 15, 2007 Broadcast live on from the Kodak Theatre in Los angeles. Official Partners of the 34th Annual Daytime Entertainment Emmy® Awards The national academy of Television arts & Sciences 111 West 57th Street, Suite 600 new york, ny 10019 • 212.586.8424 • www.emmyonline.tv a messaGe frOm THe PreSidenT COnTents S On behalf of our Chairman Herb Granath and all our Trustees, I ContentsOutstanding Game Show Host 4 would like to congratulate our nominees for their exceptional Outstanding Supporting actress 4 work. The National Academy in a drama Series of Television Arts & Sciences is ward proud to take a leadership role in Outstanding Supporting actor 6 a recognizing pioneers of our past, in a drama Series ® the best of our present, and the next generation of our creative Outstanding Talk Show Host 6 and technical talent. The 34th Annual Daytime Entertainment Outstanding Performer in a Emmy Awards salute all these communities of our prominent Children’s Series 8 mmy membership. e Outstanding younger actress 8 It is with special pleasure that we recognize the legacy of Mike in a drama Series T Douglas and the Bell family, in addition to the extraordinary and continuing achievements of our colleague Jim Lipton. Outstanding younger actor 10 The quality of their contributions is mirrored in that of all our in a drama Series nominees being recognized tonight. In order to make the ceremony possible, we are grateful to our telecast partner CBS, Outstanding Lead actress 10 our colleagues at the Academy of Television Arts & Sciences, in a drama Series and to all our sponsors for making the 34th Annual Daytime Entertainment Emmy Awards a memorable event. -
Teaching Guide
Teaching guide: Area of study 2 (Popular music) Study piece Little Shop of Horrors (1982) off-Broadway version – the following three tracks: • Prologue/Little Shop of Horrors (overture) • Mushnik and Son • Feed Me. Please note we are unable to reproduce sections of the score and the song lyrics due to copyright restrictions. Contextual information Little Shop of Horrors first appeared as a low budget film in 1960: The story involves a plant which feeds on human blood and tissue. The main characters include: • Mushnik – the owner of the florist shop, who treats his staff badly • Seymour and Audrey – florist shop assistants • Orin – Audrey’s abusive dentist boyfriend • Chiffon, Crystal and Ronnette – a trio of street urchins who comment on the action as the story progresses • Audrey II – the plant. The version on which this guide is written for is the off-Broadway 1982 production. An off-Broadway production is one in a professional theatre venue in New York City with a seated audience capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than ‘off-off’ Broadway theatres, which seat fewer than 100: Some shows that premiere off-Broadway are subsequently produced on Broadway. A Broadway production takes place in a professional theatre with a seated audience capacity of more than 500 seats. After the 1982 production, there have been subsequent productions worldwide of Little Shop of Horrors and the musical was also made into a 1986 film, directed by Frank Oz. The music for this 1982 off-Broadway production of Little Shop of Horrors was composed by Alan Menken (b.1949). -
AN INTRODUCTORY GRAMMAR of OLD ENGLISH Medieval and Renaissance Texts and Studies
AN INTRODUCTORY GRAMMAR OF OLD ENGLISH MEDievaL AND Renaissance Texts anD STUDies VOLUME 463 MRTS TEXTS FOR TEACHING VOLUme 8 An Introductory Grammar of Old English with an Anthology of Readings by R. D. Fulk Tempe, Arizona 2014 © Copyright 2020 R. D. Fulk This book was originally published in 2014 by the Arizona Center for Medieval and Renaissance Studies at Arizona State University, Tempe Arizona. When the book went out of print, the press kindly allowed the copyright to revert to the author, so that this corrected reprint could be made freely available as an Open Access book. TABLE OF CONTENTS PREFACE viii ABBREVIATIONS ix WORKS CITED xi I. GRAMMAR INTRODUCTION (§§1–8) 3 CHAP. I (§§9–24) Phonology and Orthography 8 CHAP. II (§§25–31) Grammatical Gender • Case Functions • Masculine a-Stems • Anglo-Frisian Brightening and Restoration of a 16 CHAP. III (§§32–8) Neuter a-Stems • Uses of Demonstratives • Dual-Case Prepositions • Strong and Weak Verbs • First and Second Person Pronouns 21 CHAP. IV (§§39–45) ō-Stems • Third Person and Reflexive Pronouns • Verbal Rection • Subjunctive Mood 26 CHAP. V (§§46–53) Weak Nouns • Tense and Aspect • Forms of bēon 31 CHAP. VI (§§54–8) Strong and Weak Adjectives • Infinitives 35 CHAP. VII (§§59–66) Numerals • Demonstrative þēs • Breaking • Final Fricatives • Degemination • Impersonal Verbs 40 CHAP. VIII (§§67–72) West Germanic Consonant Gemination and Loss of j • wa-, wō-, ja-, and jō-Stem Nouns • Dipthongization by Initial Palatal Consonants 44 CHAP. IX (§§73–8) Proto-Germanic e before i and j • Front Mutation • hwā • Verb-Second Syntax 48 CHAP. -
Embodiment in Middle English Lyric
Beste of bon and blod: Embodiment in Middle English Lyric Sarah Kathryn Moore A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Míċeál Vaughan, Chair Colette Moore Carolyn Allen Program Authorized to Offer Degree: English © Copyright 2015 Sarah Kathryn Moore ii University of Washington Abstract Beste of bon and blod: Embodiment in Middle English Lyric Sarah Kathryn Moore Chair of the Supervisory Committee: Professor Míċeál Vaughan English This dissertation argues that Middle English lyric is uniquely successful at connecting readers and hearers with our own bodies and with the bodies of medieval textual subjects. This effect occurs on the levels of content, form, and tone, although my emphasis is primarily on the formal components through which the connection is achieved, and my evidence is drawn largely from formal analysis of the songs. The methods through which the lyrics connect us with our bodies are sophisticated and include especially the carefully managed use of the linguistic category of deixis; nuanced, intentional portrayal and evocation of affect, or physically demonstrated emotion; and implicit and explicit reference (via form and content respectively) to the ways in which lyrics were literally embodied by medieval subjects through danced performance. I argue that Middle English lyrics construct and maintain the “I” of an uttering subject while also reinforcing an embodied sense of self in the text’s reader or hearer. The corpus of surviving lyrics uniquely demonstrates how language, subjectivity, the body, and poetic form are related, speaking to the profound utility of verse (both in the medieval period and today) in constructing a sense of self and in relating to and empathizing with others. -
GRAMMAR TIME for Law Students
И. Н. Айнутдинова GRAMMAR TIME for law students with short comments, training exercises, tests and much more Под общей редакцией доктора педагогических наук И.Н. Айнутдиновой Учебное пособие по английскому языку для студентов юридических факультетов вузов часть IV Институт международных отношений, истории и востоковедения/ Отделение Высшая школа иностранных языков и перевода/ Кафедра иностранных языков для социально-гуманитарного направления КФУ Рецензенты: доктор педагогических наук, профессор Э.Р. Хайруллина кандидат педагогических наук, доцент Г.А. Арсланова Айнутдинова И.Н. GRAMMAR TIME for law students (with short comments, training exercises, tests and much more): учеб. пособие по английскому языку для студентов юридических факультетов вузов: в 4 ч./ И.Н. Айнутдинова: под общ. ред. И.Н. Айнутдиновой. – Казань, Изд-во Казан. университета, 2016 – 288 с. GRAMMAR TIME for law students (часть IV) является продолжением серии пособий по грамматике английского языка, состоящей из 4-х частей, для студентов юридических факультетов высшей профессиональной школы. Пособие по грамматике английского языка содержит нормативные разделы грамматики, необходимые для развития навыков и умений по дисциплине «Иностранный язык» для неязыковых вузов; содержит краткие теоретические материалы (комментарии и инструкции), комплекс упражнений для аудиторной и самостоятельной (автономной) работы, а также дополнительные разделы по развитию коммуникативных навыков владения иностранным языком в соответствии с образовательными стандартами, установленными для неязыковых -
Store 'N' Play MP3 PLAYER
Store ‘n’ Play MP3 PLAYER USER MANUAL VM205 English SD/MMC Regulatory Information: Declaration of Conformity Model VM-205 This device complies with part 15 of FCC rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. FCC Notice: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio and television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: -Reorient or relocate the receiving antenna. -Increase the separation between the equipment and receiver. -Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. -Consult the dealer or an experienced radio/ TV technician for help. CE Notice: If the product suddenly has no response or power off, it may be caused by electrostatic discharge. If this circumstance, please follow the procedures below for recovery: - Switch off the unit, if the unit has no response. -
Résumé Générique Fiction Seconde Chance
FICTION SECONDE CHANCE RÉSUMÉ Série day-time 180x22' Alice Lerois, 35 ans, est une mère au foyer épanouie quand Mathieu, son mari, la quitte au bout de quinze ans de mariage et la laisse seule avec leurs deux enfants, Natacha (17 ans et 9 mois) et Hadrien (presque 17 ans). Alice, qui n'a jamais travaillé de sa vie, est alors contrainte de trouver au plus vite un emploi. Comment Alice réussira-t-elle à se faire une place dans le monde du travail ? Comment parviendra-t-elle à mener de front sa vie professionnelle et sa vie de famille sans sacrifier l'une à l'autre ? Enfin, Alice saura-t-elle se reconstruire affectivement et trouver le grand amour ? C'est ce que raconteront les 180 épisodes de Seconde Chance, le feuilleton quotidien dont Alice Lerois est l'héroïne ! GÉNÉRIQUE Production : Alma Productions avec la participation de TF1 Réalisation : Michel Hassan et Pierre Leix-Cote Scénarii et dialogues : Laure Doyonnax et Yves Ramonet Un concept et des personnages développés par : Nathalie Abdelnour, Elsa Marpeau, Mathieu Missoffe , Elodie Namer Avec : Caroline Veyt (Alice Lerois), Isabelle Vitari (Laetitia), Sébastien Courivaud (Marc), Alexandre Thibault (Mathieu, son ex-mari), Jonathan Demurger (Hadrien, son fils), Lilly-Fleur Pointeaux (Natacha, sa fille), Julien Guéris (Luigi), Stéphanie Pasterkamp (Lucie), Charlie Dupont (Vincent)... FICTION UN VRAI PAPA NOËL RÉSUMÉ Unitaire 90' Strasbourg, fin décembre, les chalets du marché de Noël scintillent de guirlandes et d'étoiles. Non loin de là, les enfants, accompagnés de leurs parents, s'agglutinent devant les vitrines des magasins de jouets ; parmi eux, Clémentine et son fils Julien déambulent, lorsque le petit garçon se fige : sortant d'un café, un, deux, trois… pères Noël… Alors qu'il s'interroge, "lequel est le vrai ?", juché sur son traîneau, un quatrième père Noël plein d'entrain l'interpelle : il est le "vrai" père Noël et il attend sa liste. -
Grammar in Metaphor: a Construction Grammar Account of Metaphoric Language
UC Berkeley Dissertations, Department of Linguistics Title Grammar in Metaphor: A Construction Grammar Account of Metaphoric Language Permalink https://escholarship.org/uc/item/9d9222f9 Author Sullivan, Karen Publication Date 2007 eScholarship.org Powered by the California Digital Library University of California Grammar in Metaphor: A Construction Grammar Account of Metaphoric Language by Karen Sorensen Sullivan B.A. (University of Oregon) 2001 M.A. (University of California, Berkeley) 2004 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Eve Sweetser, Chair Professor Gary Holland Professor George Lakoff Professor John Lindow Professor Richard Rhodes Fall 2007 Grammar in Metaphor: A Construction Grammar Account of Metaphoric Language © 2007 by Karen Sorensen Sullivan Abstract Grammar in Metaphor: A Construction Grammar Account of Metaphoric Language by Karen Sorensen Sullivan Doctor of Philosophy in Linguistics University of California, Berkeley Professor Eve Sweetser, Chair Over the past few decades, the conceptual metaphor revolution inspired by Lakoff and Johnson (1980) has offered considerable insight into the conceptual structure of metaphor. However, interest in the conceptual characteristics of metaphor has sometimes overshadowed the question of how metaphor surfaces in language. This dissertation tackles the issue of metaphoric language by identifying how specific linguistic resources – from grammatical constructions to poetic devices – are employed to convey the conceptual structure of metaphor. The dissertation focuses on the role of grammatical constructions in metaphoric language. In metaphoric phrases that can be understood out of context, such as bright idea, the dissertation argues that words in particular constructional slots indicate the source domain of a conceptual metaphor (i.e. -
Read Varges Money Talks Epub For
Sean Bridges first appeared on March 20, 2001, [5]. Alex arrived in Genoa City to work on an important case for Newman Enterprises and the firm's boss Victor Newman was immediately impressed by the way she was doing business. She was working together with Neil Winters and the attraction between them was high even though they were constantly fighting. Olivia Winters helped Alex win the case however, the two were never friends because Olivia was constantly afraid of losing Neil to Alex. portrayed by Christopher Douglas. He would later become a prominent boyfriend of both Phyllis Summers and Jill Abbott. In July 2001, it was announced that Douglas had been let go from the role, and that it would be recast. [6]. List of The Young and the Restless characters (2000s). He later became the fiancé of Olivia Winters after being involved with her sister, Drucilla. He was portrayed by Ben Watkins. [27]. Anita was portrayed by Mitzi Kapture, and Frederick by John Martin. They were last seen on February 22, +91-22-25116741 2005. [25]. Ralph Hunnicutt first appeared on December 7, 2001, as the ex-husband of [email protected] Amanda Browning, [19]. Prior to her debut, the character was only known as "Erin". [2]. —Douglas on his firing from the soap opera (2001). Portrayed by Angelo Tiffe (2001– 02) Daniel Quinn (2002). To keep Wesley out of his way of getting back with Dru, Neil asked Dru's sister, Olivia, to keep Wesley busy. Wesley started to realize the extent of Dru's feelings for Neil by the end of the year when she changed her mind about spending the holidays with Wesley in Paris. -
“Cbs Daytime #1 for 30 Years” Exhibit to Debut at the Paley Center for Media in Beverly Hills
“CBS DAYTIME #1 FOR 30 YEARS” EXHIBIT TO DEBUT AT THE PALEY CENTER FOR MEDIA IN BEVERLY HILLS Exhibit to Feature Sets and Costumes from Daytime Shows Including the “Big Wheel” from The Price Is Right New Exhibit is Part of CBS Daytime’s Year-Long Celebration BEVERLY HILLS, CA - October 10, 2016 – The Paley Center for Media is excited to announce that the new exhibit, CBS Daytime #1 for 30 Years, will make its debut at the Paley Center on October 12, 2016. The exhibit, created by CBS Daytime to commemorate 30 years of the Network’s daytime programming being rated #1, will feature sets, props, and costumes from Let’s Make a Deal, The Price Is Right, The Young and the Restless, The Bold and the Beautiful, and The Talk. In addition, the Paley Center will host four consecutive weeks of panel events featuring the talent and creative teams from the CBS Daytime lineup. Visitors to the exhibit will have the rare chance to immerse themselves in the world of CBS Daytime, viewing sets, costumes, and props from their favorite shows, as well as engaging in special interactives. Included in the exhibit: the “Big Wheel” from The Price Is Right; the “Car Pong” game and the Zonko, Zurtle, and Zonkey mascot costumes from Let’s Make a Deal; a replica of Victor Newman’s office and the Chancellor Park set from The Young and the Restless; the fashion runway from the opening credits of The Bold and the Beautiful, in addition to five memorable wedding dresses and wardrobe from international location shoots; the original host table from The Talk and the costumes each host wore for the 2015’s Daytime Emmy-winning episode “Rocktober Halloween Spectacular.” “The Paley Center is thrilled to host the debut of this incredible exhibit,” said Maureen J. -
DRAMA PERFORMER PRE-NOMINATIONS ANNOUNCED for the 44Th ANNUAL DAYTIME EMMY® AWARDS
DRAMA PERFORMER PRE-NOMINATIONS ANNOUNCED FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS New York – January 25, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the Drama Performer Pre-Nominations for the 44th Annual Daytime Emmy® Awards. The process used to determine those chosen as Pre-Nominated performers follows: An online judging ballot containing all entrants in each of four performer categories (Lead Actor and Actress and Supporting Actor and Actress) was sent to all registered, eligible peer judges. The ballot contained a randomized order of performers in each category, regardless of their show affiliation. Judges were required to view clips online containing the work of each performer entry before selecting their top 10 performer choices in each category. Ballots were submitted directly to Lutz & Carr, Inc., an independent accounting firm, who tabulated the results. The candidates below who received the highest number of votes now advance to the blue ribbon screening round, scheduled to begin on February 20, 2017, which will determine both nominees and recipients. Please note that this release also contains the names of the entrants for the Younger Actor and Actress categories, who will proceed directly to the Blue Ribbon Round. Nominations will be announced on Wednesday, March 22, 2017, live on “The Talk” on CBS. Pre-nominated performers in alphabetical order in six categories follow below: 2 OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Kristian Alfonso, as Hope Williams Brady Days of Our Lives, NBC