Grammar in Metaphor: a Construction Grammar Account of Metaphoric Language
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Waking up from «Conjecture» As Well As from «Dream»
DOSSIER WAKING UP FROM «CONJECTURE» AS WELL AS FROM «DREAM» A presentation of AIME Text: Bruno Latour GAD Distinguished Lecture, American Anthropology Association meeting, Chicago 21st of November 2013 1 Abstract As every ethnographer knows, in addition to the many blunders every one of us commits in the course of our feldwork, there exist also graver mistakes when we sense a mistaken regime of reality granted to an entity. It is at those moments, usually the most revealing in the course of our inquiries, when we try to repair broken relations by some innovative move to defne the status of the contrasting realities that have been open to misinterpretation. During the last quarter century I have attempted, quite systematically, to increase the number of templates by which the so-called Moderns account for themselves; not, to be sure, in their ofcial representation (they remain staunch adepts of the Object-Subject Operating System and will swear that they are obedient naturalists), but by looking for the many occasions where they express dissatisfaction with such an ofcial view of themselves. What I think I have documented are the protestations by many diferent people that a skewed template is being used to account for the mode of existence of the agencies that are most attached to them. Keywords: method; ontology; modernism; inquiry; physical anthropology; diplomacy «Thus there would be two natures, (the world is made of objects and subjects, period) with the one is the conJecture bewildering number of entities they have never ceased to and the other is the dream» encounter or to generate along their path. -
John Harbison's Songs for Baritone: a Performer's Guide
John Harbison‘s Songs for Baritone: A Performer‘s Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Peter C. Keates B.M.A., University of Oklahoma, 2004 M.M., University of Cincinnati, CCM, 2006 Abstract This document is a performance guide for Words from Paterson and Flashes and Illuminations, John Harbison‘s song cycles for baritone. It confronts the issues of text interpretation and musical style one must address in order to give the most informed performance of these songs. It provides a synthesis of information about the poems and readings of the poetry Harbison set to music, offers insight into Harbison‘s interpretations of the text, and demonstrates how Harbison‘s atonal style and unique compositional techniques provide a successful musical setting for the chosen texts. The guide also discusses performance issues based on personal experience as well as the experience of the composer and other performers. The poetic style of William Carlos Williams, Michael Fried, Czeslaw Milosz, Elizabeth Bishop, and Eugenio Montale are examined. A transcription of an interview with John Harbison is also included. Table of Contents Introduction .......................................................................................................................................... 1 I. Paterson ............................................................................................................................................... -
Mastering the Metaphor
Mastering the Metaphor ACBS World Conference IX Colleen Ehrnstrom, Ph.D. Boulder, Colorado, USA www.actskillsgroup.com Many thanks to Chad Emrick and Carl Baccellieri and the Boulder ACT consultation group for their advice and feedback regarding this workshop. We utter about one metaphor for every 10 to 25 words, or about six metaphors a minute (Geary, 2011). Metaphors are represented in this presentation in both written and visual form. Metaphor: Picture is worth a 1000 words (embedded in computer metaphor) 1. Learn where metaphors fit into the infrastructure of the ACT model 2. Understand the basic science of metaphors 3. Know and apply the guidelines for using metaphors in therapy 4. Watch therapists use metaphors in the therapeutic context 5. Practice using some ACT metaphors in the therapeutic context Mechanistic versus Contextual Metaphor: Bank of a stream– Where does the bank end and the water begin? Functional Contextualism – given the context, what is the function? Metaphor: Google maps v floorplan – do you want to drive there or live there? Suffering is related to language Metaphor: Your words slice through me like knives RFT is the science behind ACT Metaphor: Driving a car without knowing the mechanics of it Pliance (“plys”) – compliance with verbal rules that are socially supported. Plys are typically our first introduction to rules. Examples: Eat 5 servings of fruits and vegetables to stay healthy Wear a coat – it is cold outside Metaphor: Go the extra mile What are your plys about doing ACT in the therapy room?? Plys are more prevalent because they do not require direct experience. -
The Use of Metaphor in Poetry
THE USE OF METAPHOR IN POETRY structure 3.0 - Aims and Objectives 3.1 Introduction 3.2 Traditional definition of metaphor 3.3 Distinction between simile and metaphor 3.3.1 Changein the trditidndunof metaphor 3.3.2 Difference between traditional and modern uses of metaphor 3.4 Simile and metaphor in a chain 3.4.1 Comptex metaphors 3.4.2 Symbd and conceit 3.5 Varieties of metaphor 3.5.1 Contemporary concept ofmetaphor 3.5.2 USe of me!apbor in modern poetry 3.6 imageas metaphor 3.7 Analogical and contextual notions of metaphor 3.8 Summing up 3.9 Activities: aids to answers 3.10 Glossary 3.0 AIMS ANI) OBJECTIVES This Unit discusses the use of metaphor in poetry. After going through it, you wiU learn that metaphor, like simite, is based on comparison between two dissimjlar the; the language we use being metaphoric in origin, some of our expressions have lost their original metaphoric character and have become dead metaphors; the traditional definition of metaphor as shortened simile has become modified in that metaphors.are not &&ed tidm simple logical comparisons; 0 dilethe traditional use ofwetaphor is for bringing out the points of similarity between two things, the mderh use of it is to make it serve as a ceqtral concept of the poem; in many poems the simik and the metaphor are indeed combined as in a chain. This suggests that though a siml is at the root of every metaphor, it is metaphor that - makes the poem vivid and symbolical; if the suggestecf-resemblane of the things compared is far-fetched or arbitrary, the metaphor acquires the character of a symbol or a conceit; * poets no longer consider a wtaphor as a distinct rhetorical element but associate it with other stylistic elements as 'metaphors'; * metaphor has become a condition of poetry and a means for the evocathn of connota~imand assoeiationscentral to the poem; in mdmpoetry,metaphar implies a transaction between contexts and kelps the overt meanings of images toacquire metaphoric significance; and . -
Prior Linguistic Knowledge Matters : the Use of the Partitive Case In
B 111 OULU 2013 B 111 UNIVERSITY OF OULU P.O.B. 7500 FI-90014 UNIVERSITY OF OULU FINLAND ACTA UNIVERSITATIS OULUENSIS ACTA UNIVERSITATIS OULUENSIS ACTA SERIES EDITORS HUMANIORAB Marianne Spoelman ASCIENTIAE RERUM NATURALIUM Marianne Spoelman Senior Assistant Jorma Arhippainen PRIOR LINGUISTIC BHUMANIORA KNOWLEDGE MATTERS University Lecturer Santeri Palviainen CTECHNICA THE USE OF THE PARTITIVE CASE IN FINNISH Docent Hannu Heusala LEARNER LANGUAGE DMEDICA Professor Olli Vuolteenaho ESCIENTIAE RERUM SOCIALIUM University Lecturer Hannu Heikkinen FSCRIPTA ACADEMICA Director Sinikka Eskelinen GOECONOMICA Professor Jari Juga EDITOR IN CHIEF Professor Olli Vuolteenaho PUBLICATIONS EDITOR Publications Editor Kirsti Nurkkala UNIVERSITY OF OULU GRADUATE SCHOOL; UNIVERSITY OF OULU, FACULTY OF HUMANITIES, FINNISH LANGUAGE ISBN 978-952-62-0113-9 (Paperback) ISBN 978-952-62-0114-6 (PDF) ISSN 0355-3205 (Print) ISSN 1796-2218 (Online) ACTA UNIVERSITATIS OULUENSIS B Humaniora 111 MARIANNE SPOELMAN PRIOR LINGUISTIC KNOWLEDGE MATTERS The use of the partitive case in Finnish learner language Academic dissertation to be presented with the assent of the Doctoral Training Committee of Human Sciences of the University of Oulu for public defence in Keckmaninsali (Auditorium HU106), Linnanmaa, on 24 May 2013, at 12 noon UNIVERSITY OF OULU, OULU 2013 Copyright © 2013 Acta Univ. Oul. B 111, 2013 Supervised by Docent Jarmo H. Jantunen Professor Helena Sulkala Reviewed by Professor Tuomas Huumo Associate Professor Scott Jarvis Opponent Associate Professor Scott Jarvis ISBN 978-952-62-0113-9 (Paperback) ISBN 978-952-62-0114-6 (PDF) ISSN 0355-3205 (Printed) ISSN 1796-2218 (Online) Cover Design Raimo Ahonen JUVENES PRINT TAMPERE 2013 Spoelman, Marianne, Prior linguistic knowledge matters: The use of the partitive case in Finnish learner language University of Oulu Graduate School; University of Oulu, Faculty of Humanities, Finnish Language, P.O. -
Teaching Guide
Teaching guide: Area of study 2 (Popular music) Study piece Little Shop of Horrors (1982) off-Broadway version – the following three tracks: • Prologue/Little Shop of Horrors (overture) • Mushnik and Son • Feed Me. Please note we are unable to reproduce sections of the score and the song lyrics due to copyright restrictions. Contextual information Little Shop of Horrors first appeared as a low budget film in 1960: The story involves a plant which feeds on human blood and tissue. The main characters include: • Mushnik – the owner of the florist shop, who treats his staff badly • Seymour and Audrey – florist shop assistants • Orin – Audrey’s abusive dentist boyfriend • Chiffon, Crystal and Ronnette – a trio of street urchins who comment on the action as the story progresses • Audrey II – the plant. The version on which this guide is written for is the off-Broadway 1982 production. An off-Broadway production is one in a professional theatre venue in New York City with a seated audience capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than ‘off-off’ Broadway theatres, which seat fewer than 100: Some shows that premiere off-Broadway are subsequently produced on Broadway. A Broadway production takes place in a professional theatre with a seated audience capacity of more than 500 seats. After the 1982 production, there have been subsequent productions worldwide of Little Shop of Horrors and the musical was also made into a 1986 film, directed by Frank Oz. The music for this 1982 off-Broadway production of Little Shop of Horrors was composed by Alan Menken (b.1949). -
AN INTRODUCTORY GRAMMAR of OLD ENGLISH Medieval and Renaissance Texts and Studies
AN INTRODUCTORY GRAMMAR OF OLD ENGLISH MEDievaL AND Renaissance Texts anD STUDies VOLUME 463 MRTS TEXTS FOR TEACHING VOLUme 8 An Introductory Grammar of Old English with an Anthology of Readings by R. D. Fulk Tempe, Arizona 2014 © Copyright 2020 R. D. Fulk This book was originally published in 2014 by the Arizona Center for Medieval and Renaissance Studies at Arizona State University, Tempe Arizona. When the book went out of print, the press kindly allowed the copyright to revert to the author, so that this corrected reprint could be made freely available as an Open Access book. TABLE OF CONTENTS PREFACE viii ABBREVIATIONS ix WORKS CITED xi I. GRAMMAR INTRODUCTION (§§1–8) 3 CHAP. I (§§9–24) Phonology and Orthography 8 CHAP. II (§§25–31) Grammatical Gender • Case Functions • Masculine a-Stems • Anglo-Frisian Brightening and Restoration of a 16 CHAP. III (§§32–8) Neuter a-Stems • Uses of Demonstratives • Dual-Case Prepositions • Strong and Weak Verbs • First and Second Person Pronouns 21 CHAP. IV (§§39–45) ō-Stems • Third Person and Reflexive Pronouns • Verbal Rection • Subjunctive Mood 26 CHAP. V (§§46–53) Weak Nouns • Tense and Aspect • Forms of bēon 31 CHAP. VI (§§54–8) Strong and Weak Adjectives • Infinitives 35 CHAP. VII (§§59–66) Numerals • Demonstrative þēs • Breaking • Final Fricatives • Degemination • Impersonal Verbs 40 CHAP. VIII (§§67–72) West Germanic Consonant Gemination and Loss of j • wa-, wō-, ja-, and jō-Stem Nouns • Dipthongization by Initial Palatal Consonants 44 CHAP. IX (§§73–8) Proto-Germanic e before i and j • Front Mutation • hwā • Verb-Second Syntax 48 CHAP. -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Workers in the Vineyard
Workers in the Vineyard This parable (Mt 20:1-16) is about several workers who are hired by a land owner, over different periods of time. In the evening, the workers who are hired first expect to be paid more than those hired later. But the owner pays all of the workers equally. Land Owner: Most of the productive land was held by large-scale elite owners. From the First Temple period through the Second, a pronounced shift in the patterns of land tenure took place, shifting from smallholders producing the Mediterranean triad of grain, grapes and olives for subsistence to large estates orientated to large-scale production and export crops. The owner in this parable is one of the wealthy sub-elites who owned large estates and converted the land to viticulture dedicated to the production of export crops. Laborers: The social order consisted of a patron-and-client society of unequal relationships with the estate owners assuming the role of patrons and those who have lost the land becoming their clients. In such a relationship the client’s wellbeing is determined by the closeness of rapport he maintains with the patron. The landless laborers in the parable did not belong to the ambit of such a relationship. They were outside of any assured protection and regular work opportunity and, hence, more vulnerable to be deprived of their basic wages even on rare occasions when they found a work to do. Early workers: The working hours of the Israelites were 12 and was counted from 6:00 A.M. -
The Finnish Noun Phrase
Università Ca’ Foscari di Venezia Facoltà di Lingue e Letterature Straniere Corso di Laurea Specialistica in Scienze del Linguaggio The Finnish Noun Phrase Relatore: Prof.ssa Giuliana Giusti Correlatore: Prof. Guglielmo Cinque Laureanda: Lena Dal Pozzo Matricola: 803546 ANNO ACCADEMICO: 2006/2007 A mia madre Table of contents Acknowledgements ………………………………………………………….…….…… III Abstract ………………………………………………………………………………........ V Abbreviations ……………………………………………………………………………VII 1. Word order in Finnish …………………………………………………………………1 1.1 The order of constituents in the clause …………………………………………...2 1.2 Word order and interpretation .......……………………………………………… 8 1.3 The order of constituents in the Nominal Expression ………………………… 11 1.3.1. Determiners and Possessors …………………………………………………12 1.3.2. Adjectives and other modifiers …………………………………………..… 17 1.3.2.1 Adjectival hierarchy…………………………………………………………23 1.3.2.2 Predicative structures and complements …………………………………26 1.3.3 Relative clauses …………………………………………………………….... 28 1.4 Conclusions ............……………………………………………………………. 30 2. Thematic relations in nominal expressions ……………………………………….. 32 2.1 Observations on Argument Structure ………………………………….……. 32 2.1.1 Result and Event nouns…………………………………………………… 36 2.2 Transitive nouns ………………………………………………………………... 38 2.2.1 Compound nouns ……………….……………………………………... 40 2.2.2 Intransitive nouns derived from transitive verbs …………………… 41 2.3 Passive nouns …………………………………………………………………… 42 2.4 Psychological predicates ……………………………………………………….. 46 2.4.1 Psych verbs ………………………………………………………………. -
Embodiment in Middle English Lyric
Beste of bon and blod: Embodiment in Middle English Lyric Sarah Kathryn Moore A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Míċeál Vaughan, Chair Colette Moore Carolyn Allen Program Authorized to Offer Degree: English © Copyright 2015 Sarah Kathryn Moore ii University of Washington Abstract Beste of bon and blod: Embodiment in Middle English Lyric Sarah Kathryn Moore Chair of the Supervisory Committee: Professor Míċeál Vaughan English This dissertation argues that Middle English lyric is uniquely successful at connecting readers and hearers with our own bodies and with the bodies of medieval textual subjects. This effect occurs on the levels of content, form, and tone, although my emphasis is primarily on the formal components through which the connection is achieved, and my evidence is drawn largely from formal analysis of the songs. The methods through which the lyrics connect us with our bodies are sophisticated and include especially the carefully managed use of the linguistic category of deixis; nuanced, intentional portrayal and evocation of affect, or physically demonstrated emotion; and implicit and explicit reference (via form and content respectively) to the ways in which lyrics were literally embodied by medieval subjects through danced performance. I argue that Middle English lyrics construct and maintain the “I” of an uttering subject while also reinforcing an embodied sense of self in the text’s reader or hearer. The corpus of surviving lyrics uniquely demonstrates how language, subjectivity, the body, and poetic form are related, speaking to the profound utility of verse (both in the medieval period and today) in constructing a sense of self and in relating to and empathizing with others. -
Detecting Novel Metaphor Using Selectional Preference Information
Detecting novel metaphor using selectional preference information Hessel Haagsma and Johannes Bjerva University of Groningen The Netherlands Abstract costs an arm and a leg.’ and the Dutch ‘Dit lesboek kost een rib uit het lijf.’ (lit. ‘This textbook costs a Recent work on metaphor processing often rib from the body.’) to be mapped to the same mean- employs selectional preference information. ing representation, which should not include refer- We present a comparison of different ap- ences to any of the body parts used in the idiomatic proaches to the modelling of selectional pref- erences, based on various ways of generaliz- expressions. ing over corpus frequencies. We evaluate on In this paper, we focus on one area of figurative the VU Amsterdam Metaphor corpus, a broad language processing, namely the detection of novel corpus of metaphor. We find that using only metaphor, and especially the utility of selectional selectional preference information is enough preference features for this task. By doing this, we to outperform an all-metaphor baseline clas- hope to answer a two-fold question: can selectional sification, but that generalization through pre- preference information be used to successfully de- diction or clustering is not beneficial. A pos- tect novel metaphor? And how do generalization sible explanation for this lies in the nature of the evaluation data, and lack of power of se- methods influence the effectiveness of selectional lectional preference information on its own preference information? for non-novel metaphor detection. To bet- ter investigate the role of metaphor type in 2 Background metaphor detection, we suggest a resource with annotation of novel metaphor should be 2.1 Types of metaphor in language created.