Glasshouse Musos All Reports
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2021 Catalog
2021 NEW PRODUCTS G-Power Flip and Punch Spin Bait Designed by Aaron Martens, Walleye anglers across the Midwest have become Gamakatsu has developed the dependent upon the spin style hooks for walleye rigs. new G-Power Heavy Cover Flip The Spin Bait hook can be rigged behind spinner & Punch Hook. A step up from blades, prop blades or used the G-Finesse Heavy Cover alone with just a simple Hook, for serious flipping and bead in front of them. It’s punching with heavy fluorocarbon and braid. The TGW (Tournament unique design incorporates Grade Wire) hook, paired with its welded eye, make this the strongest Gamakatsu swivels that is Heavy Cover hook in Gamakatsu’s G-Series lineup. Ideal for larger baits independent of the hook, giving the hook more freedom to spin while and weights, punching through grass mats and flipping into heavy reducing line twist. The Spin Bait hook features Nano Smooth Coat for timber. G-Power Flip and Punch ideally matches to all types of cover stealth presentations and unsurpassed hook penetration and the bait and able to withstand extreme conditions. Page 26 keeper barbs on the shank hold live and plastic baits on more securely. Page 48 G-Power Stinger Trailer Hook The new G-Power Stinger Trailer Hook Superline Offset Round Bend brilliance comes from Gamakatsu’s famous Gamakatsu’s Superline Offset Round B10S series of fly hooks and the expertise Bend is designed with a heavier of Professional Bass angler Aaron Martens. Superline wire best suited for heavy The Stinger Trailer has a strategically braided and fluorocarbon lines. -
Songs by Artist
Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Weight and Lifestyle Inventory (Wali)
WEIGHT AND LIFESTYLE INVENTORY (Bariatric Surgery Version) © 2015 Thomas A. Wadden, Ph.D. and Gary D. Foster, Ph.D. 1 The Weight and Lifestyle Inventory (WALI) is designed to obtain information about your weight and dieting histories, your eating and exercise habits, and your relationships with family and friends. Please complete the questionnaire carefully and make your best guess when unsure of the answer. You will have an opportunity to review your answers with a member of our professional staff. Please allow 30-60 minutes to complete this questionnaire. Your answers will help us better identify problem areas and plan your treatment accordingly. The information you provide will become part of your medical record at Penn Medicine and may be shared with members of our treatment team. Thank you for taking the time to complete this questionnaire. SECTION A: IDENTIFYING INFORMATION ______________________________________________________________________________ 1 Name _________________________ __________ _______lbs. ________ft. ______inches 2 Date of Birth 3 Age 4 Weight 5 Height ______________________________________________________________________________ 6 Address ____________________ ________________________ ______________________/_______ yrs. 7 Phone: Cell 8 Phone: Home 9 Occupation/# of yrs. at job __________________________ 10 Today’s Date 11 Highest year of school completed: (Check one.) □ 6 □ 7 □ 8 □ 9 □ 10 □ 11 □ 12 □ 13 □ 14 □ 15 □ 16 □ Masters □ Doctorate Middle School High School College 12 Race (Check all that apply): □ American Indian □ Asian □ African American/Black □ Pacific Islander □White □ Other: ______________ 13 Are you Latino, Hispanic, or of Spanish origin? □ Yes □ No SECTION B: WEIGHT HISTORY 1. At what age were you first overweight by 10 lbs. or more? _______ yrs. old 2. What has been your highest weight after age 21? _______ lbs. -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
Before Using Scale Weight Measurement Only Personal Data
Congratulations on purchasing this Bluetooth® The scale will now switch to Age setting mode. After a few seconds, the LCD will show your body weight, body fat percentage, • Skin temperature can have an influence also. Measuring body fat in warm, humid Bone mass – what is it? Before Using Scale body water percentage, BMI, bone mass and muscle mass percentage for several weather when skin is moist will yield a different result than if skin is cold and dry. Bone is a living, growing tissue. During youth, your body makes new bone tissue connected Weight Watchers Scales by Conair™ Age will flash. Press the UP or DOWN button to choose the seconds, and then turn off automatically. • As with weight, when your goal is to change body composition, it is better to track faster than it breaks down older bone. In young adulthood, bone mass is at its peak; Precautions for Use Body Analysis Monitor! age (10 to 100). Pressing and holding the UP or DOWN button trends over time than to use individual daily results. after that, bone loss starts to outpace bone growth, and bone mass decreases. CAUTION! Use of this device by persons with any electrical implant such will advance numbers quickly. Press the SET button to confirm • Results may not be accurate for persons under the age of 16, or persons with an But it’s a long and very slow process that can be slowed down even more through It is designed to work with the free Weight Watchers Scales by as a heart pacemaker, or by pregnant women, is not recommended. -
Roadside Safety Design and Devices International Workshop
TRANSPORTATION RESEARCH Number E-C172 February 2013 Roadside Safety Design and Devices International Workshop July 17, 2012 Milan, Italy TRANSPORTATION RESEARCH BOARD 2013 EXECUTIVE COMMITTEE OFFICERS Chair: Deborah H. Butler, Executive Vice President, Planning, and CIO, Norfolk Southern Corporation, Norfolk, Virginia Vice Chair: Kirk T. Steudle, Director, Michigan Department of Transportation, Lansing Division Chair for NRC Oversight: Susan Hanson, Distinguished University Professor Emerita, School of Geography, Clark University, Worcester, Massachusetts Executive Director: Robert E. Skinner, Jr., Transportation Research Board TRANSPORTATION RESEARCH BOARD 2012–2013 TECHNICAL ACTIVITIES COUNCIL Chair: Katherine F. Turnbull, Executive Associate Director, Texas A&M Transportation Institute, Texas A&M University System, College Station Technical Activities Director: Mark R. Norman, Transportation Research Board Paul Carlson, Research Engineer, Texas A&M Transportation Institute, Texas A&M University System, College Station, Operations and Maintenance Group Chair Thomas J. Kazmierowski, Manager, Materials Engineering and Research Office, Ontario Ministry of Transportation, Toronto, Canada, Design and Construction Group Chair Ronald R. Knipling, Principal, safetyforthelonghaul.com, Arlington, Virginia, System Users Group Chair Mark S. Kross, Consultant, Jefferson City, Missouri, Planning and Environment Group Chair Joung Ho Lee, Associate Director for Finance and Business Development, American Association of State Highway and Transportation -
"A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Arts, Social Sciences & Humanities 2014 "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Sarah Taylor Royal Melbourne Institute of Technology Colin Arrowsmith Royal Melbourne Institute of Technology, [email protected] Nicole T. Cook University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/sspapers Part of the Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Taylor, Sarah; Arrowsmith, Colin; and Cook, Nicole T., ""A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes" (2014). Faculty of Social Sciences - Papers. 3071. https://ro.uow.edu.au/sspapers/3071 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Abstract This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig listings (comprising dates, locations, and performer names), and how this historical geodatabase offers insight into the changing dynamics of performers and venue locations. The major findings from the analyses using the developed historical geodatabase are that neither city showed a decline in live music performance or performer numbers, but Melbourne increased at a greater rate than Sydney. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
BASIC BODY COMPOSITION SCALE GET STARTED: Greatergoods.Com
BASIC BODY COMPOSITION SCALE GET STARTED: greatergoods.com/0391 CUSTOMER SUPPORT Email: [email protected] Phone: (866) 991-8494 Website: greatergoods.com Table of Contents Important Safety Notes 2 Introduction 3 Scale Description 4 Physical Features Measuring Units Setting the Measuring Unit Display Things To Know Before Using Your Scale 5 Measuring Auto-On Auto-Detection Press-Awake User Setup 6 Reading Your Results 7 For Best Results Typical Results 8 Body fat Water weight Muscle mass Bone density Troubleshooting 9 Cleaning, Maintenance, and Disposal 10 Technical Specifications 11 Manufacturer’s Warranty 13 1 Important Safety Notes Warnings • Never use, or allow others to use this unit in combination with the following medical electronic devices: • Medical electronic implants such as pacemakers • Electronic life support systems such as an artificial heart/lung • Portable electronic medical devices such as an electrocardiograph • This scale passes a harmless and unnoticeable electrical current through your body when taking a measurement. This electrical current is not felt while using the scale. This unit may cause the above mentioned medical devices to malfunction. • This product is not intended for use by pregnant women. • This product is not intended for use by infants, toddlers, and children under 10 years of age. • Do not step on the edge of the scale while getting on or off, otherwise it may tip. • Do not jump on scale. • Protect scale from hard knocks, temperature fluctuations and heat sources that are too close (e.g. Stoves, heating units). • Do not drop scale or drop any objects on it as this may damage the sensors. -
PLAYLIST 900 Songs, 2.3 Days, 7.90 GB
Page 1 of 17 MAIN PLAYLIST 900 songs, 2.3 days, 7.90 GB Name Time Album Artist 1 Waterloo 2:43 101 Hits - Are We There Yet?! - CD4 Abba 2 Hello 3:57 ADELE 3 They Should Be Ringing (Single Edit) 3:28 Adore 4 The Memory Reel 3:24 LEAVES Advrb 5 You Look Good In Blue 2:18 triple j Unearthed Al Parkinson 6 Closer 3:55 Alana Wilkinson Alana Wilkinson 7 Good For You 3:37 Good For You Alana Wilkinson 8 fixture picture 4:07 Designer Aldous Harding 9 Good Conversation 3:16 The Turning Wheel Alex Hallahan 10 Don't Be So Hard On Yourself 4:18 Alex Lahey 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 Easy Exit Station 3:01 Watching Angels Mend Alex Lloyd 13 January 3:03 Ali Barter 14 I Feel Better But I Don't Feel Good 3:32 Alice Skye 15 Push 3:14 Alta 16 Remember That Sunday 2:37 Alton Ellis 17 Keep My Cool (with intro) 3:01 Aluka 18 Moana Lisa 3:44 I Woke Up This Morning After a Dream Amaringo 19 Sacred 4:44 Amaringo 20 I Got You 2:58 Love Monster Amy Shark 21 All Loved Up 3:30 Love Monster Amy Shark 22 Sisyphus 4:07 Andrew Bird 23 The Beloved - with intro 5:57 Carved Upon the Air Anecdote 24 The Sea - with intro 4:25 Carved Upon the Air Anecdote 25 No Secrets 4:18 101 Aussie Hits [CD2] The Angels 26 Pasta 4:38 Salt Angie McMahon 27 Missing Me 3:17 Salt Angie McMahon 28 Ring My Bell 3:17 Gold_Sensational 70's_ [Disc 1] Anita Ward 29 Nobody Knows Us - with intro 4:44 Nobody Knows Us Anna Cordell 30 You - with intro 5:41 Nobody Knows Us Anna Cordell 31 Train In Vain 4:44 Medusa Annie Lennox 32 Pale Bue Dot 3:04 Stay Fresh Annual -
Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes
GSR_3 Geospatial Science Research 3. School of Mathematical and Geospatial Science, RMIT University December 2014 “A band on every corner”: Using historical GIS to describe changes in the Sydney and Melbourne live music scenes Sarah Taylor1, Colin Arrowsmith1 and Nicole Cook2 1School of Mathematical and Geospatial Science, RMIT University, Australia 2Department of Resource Management and Geography, The University of Melbourne, Australia Email: [email protected] Key words: Historical GIS; historical geodatabase; live music; Melbourne; Sydney Abstract This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig listings (comprising dates, locations, and performer names), and how this historical geodatabase offers insight into the changing dynamics of performers and venue locations. The major findings from the analyses using the developed historical geodatabase are that neither city showed a decline in live music performance or performer numbers, but Melbourne increased at a greater rate than Sydney. Further, the spatial concentration within Melbourne has been far greater than that for Sydney. While Melbourne has expanded numerically but shrunk spatially, Sydney has experienced a geographic dispersion of performances throughout the study period. Introduction This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig (concert) listings comprising dates, locations, and performer names. It then presents descriptive statistics and thematic maps derived from this historical geodatabase, demonstrating how this offers insight into the changing dynamics of live music performers and venue locations.