The Hilltop 9-29-2000
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Westside Connection, Bangin' at the Party (Intro: Mack 10) Yeah, Uh-Huh
Westside Connection, Bangin' At The Party (Intro: Mack 10) Yeah, uh-huh.. Yeah this what we gon do: We gon fall through the hood Scoop up the lil' homies, and hit the motherfuckin party, bang - out Dig what I'm saying? we gon let them niggaz get they walk on We gon get our ride on, and leave with a couple of bitches and rep this Dub S thang to the fullest westside..like that (Chorus: Skoop) When the music is bumpin, and the homies give it somethin' All the hoes is comin' and you KNOW they all fuckin' Got the henny in glass, big puffin' on somethin and the niggaz outside, and these bitches wanna fight then them niggaz pulled up, and they deuces all wired and you know we banged out, when the homies come around One times always turning it up.. 'cause we bangin' at the party! (Verse 1: Ice Cube, WC, Mack 10) (Ice Cube) We come through on that 22 shoe In that SL500 chappell hill light blue.. In cal-aye, we hit the Vallet You ain't got it like that, park in the all-ey, nigga (WC) Get in line while we, spit the line for ya Get inside where we, gettin' high (Ice Cube) On the danceflo' with a, big behind Nigga don't get mad cause your dick ain't mind (Together) So when you see the westside up in V.I.P Don't bring your ass up there and try to be Ali (Mack 10) I'll beat your ass back down, just to be on TV (Together) We know bad publicity'll sell another cd (Dub C) Fuck with that (Ice Cube: fuck with this..) and I fuck with the crys' (Ice Cube: Only fuck with the dough)..Never fuck with you marks (Mack 10) and if your just getting in, motherfucker you 'tarded 'cause we Bangin at the Party! (Chorus: Skoop) When the music is bumpin, and the homies give it somethin' All the hoes is comin' and you KNOW they all fuckin' Got the henny in glass, big puffin' on somethin and the niggaz outside, and these bitches wanna fight then them niggaz pulled up, and they deuces all wired and you know we banged out, when the homies come around One times always turning it up. -
Cal Grant to Be Expand
C A LIFORNI A S T A TE UNIVERSIT Y , FULLERTON INSIDE Women’s soc- 3 n NEWS: Court TV adds real-life drama cer loses 1- to daytime viewers’ lives 0 in overtime 5 n DETOUR: Exorcist makes crowds against Cal State squirm with previously unseen footage Northridge and newly digitally mastered sound —see Sports page 7 VOLUME 71, I SSUE 13 THURSDAY S EPTEM B ER 28, 2000 Cal Grant to be expand- nLEGISLATION: CSU semester’s 27,323.” Blackburn said that several thousands officials don’t expect of those students attend Mission Viejo campus or are high school students who any drastic surges in take a few college courses. “More people will be accepting enrollment despite the Financial Aid packages since there’s change going to be more grants than loans,” he said. BY MAGDA LISZEWSka Charles B. Reed, chancellor of CSU, Daily Titan Staff Writer said in a memorandum to CSU presi- dents that the Cal Grant Entitlement Program will help significantly lower the The recent expansion of the Cal Grant amount of student loan indebtedness for program will accommodate all finan- incoming freshmen and community col- cially needy students but it is not expect- lege transfer students. ed to significantly influence Cal State Blackburn focuses his attention on the Fullerton enrollment. influence Cal Grant will have on gradu- Under the new legislation, signed by ation rates. Gov. Gray Davis on Sept. 11, students “I’m more interested in what this who meet CSU admissions requirements scholarship program will do to the gradu- and Cal Grant eligibility requirements ation rate rather than the enrollment rate,” will receive money starting fall 2001. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
THUG LIFE Is Back
THUG LIFE is Back Written by Robert ID501 Friday, 03 December 2004 08:58 - Mack 10, an official model for Thuglife clothing, inc. We all remember the pictures of hip hop’s greatest rap icon Tupac Shakur with his T H U G L I F E hat, and other clothing. Well they are finally back on the web and stronger than ever. After some brief down time ThugLifeClothing is back on line. And the new site has many features that will keep the ‘thugz’ interested. An on line catalog filled with everything from Tee’s to Jersey’s to hat’s; if ya want T H U G L I F E clothing come get it. Many artist ‘rep’ for T H U G L I F E clothing but the one you will see most of on the site is ThugLifeClothing model Mack Dime. Part of the west coast group ‘Westside Connection’ Mack Dime has earned the right as a west coast veteran MC. His style and flair make him a great ‘Up Front’ man for ThugLifeClothing. When you think ‘thug life’ Mack would be one who comes to mind; so it only makes good sense he is there. Not only successful as a member of Westside Connection; Mack Dime also enjoys a solo career that is built on a solid ever growing fan base. Known not only in the circles of underground hip-hop, Mack Dime has become a major playa in the west coast rap scene. Being confident in himself makes Mack Dime a perfect ‘model’ for the clothing line, which to shows it’s confidence and its awareness to what is going on in the hip-hop community with this revamped web site. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
The Hilltop 10-13-2000
Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 10-13-2000 The iH lltop 10-13-2000 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 10-13-2000" (2000). The Hilltop: 2000 - 2010. 7. https://dh.howard.edu/hilltop_0010/7 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • The Nation''s Largest Black Student Newspaper VOLUME 84, NO. 7 Friday, October 13, 2000 http://hilltop.howard.edu Farrakhan Library, iLab Pushes for Stronger Slated to Open Families 24 Hours Sunday By CHRISTOPHER WINDHAM By IRA PORTER rations to open the lab and library on Campus Editor Managnig Editor the new schedule, i'!immons said the need to protest had been averted. Nation of Islam leader Minster The iLab and Undergraduate "I think President Swygert and I Louis Farrakhan, said the black fam Library will begin operating on a 24 share the same vision, and that is to ily "is- in a deep crisis on all fronts," hour schedule Sunday, University have 24 hour library and computer in his officials announced earlier this week. facilities," he said. "I don't think any address President H. Patrick Swygert one is losnig. I think everyone wins." Wednes approved a pilot program earlier this The task force will use the next day to stu- week to open the facilities around the two months to gauge the frequency 1 dents and clock for the remainder of the semes of student usage of the facilities, commu ter, Interim Associate Provost Dr. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Baby Driver Soundtrack Download Zip Mediafire Download Various Artists - Baby Driver (Music from the Motion Picture) (2017) Album
baby driver soundtrack download zip mediafire Download Various Artists - Baby Driver (Music from the Motion Picture) (2017) Album. 1. Bellbottoms 2. Easy 3. Debora 4. Debra 5. Bongolia 6. Baby Let Me Take You (In My Arms) 7. Early in the Morning 8. The Edge 9. Nowhere To Run 10. Tequila 11. When Something Is Wrong With My Baby 12. Harlem Shuffle 13. Every Little Bit Hurts 14. Intermission 15. Hocus Pocus 16. Radar Love 17. Never, Never Gonna Give Ya Up 18. Know How 19. Brighton Rock 20. Easy 21. Baby Driver 22. "Was He Slow?" 23. Egyptian Reggae 24. Chase Me (feat. Run The Jewels & Big Boi) 25. Smokey Joe's La La 26. Let's Go Away For Awhile 27. B-A- B-Y 28. Kashmere 29. Unsquare Dance 30. Neat Neat Neat. Producto Ilícito. A1 Grandmaster Melle Mel and The Furious Five -- Beat Street A2 The System -- Baptise The Beat A3 Jenny Burton and Patrick Jude -- Strangers In A Strange World (Love Theme From Beat Street) A4 Afrika Bambaataa and Soulsonic Force Feat. Shango -- Frantic Situation (Frantic Mix) B1 Juicy -- Beat Street Strut B2 Debbie D; Lisa Counts; Sharon Green -- Us Girls B3 Cindy Mizelle -- This Could Be The Night B4 Arthur Baker -- Breaker's Revenge B5 Rubeñ Blades -- Tu Cariño-Carmen's Theme. Beat Street (Original Motion Picture Soundtrack) - Volume 2 (1984) (320kbps) BoyZ N The Hood (Soundtrack) (1991) (320 kbps) 01. Ice Cube - How to Survive in South Central 02. Tevin Campbell - Just ask me to 03. Yo-Yo - Mama Don't Take No Mess 04. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1997 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1997 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. 4th Disciple(2) - "Silent Weapons For Quiet Wars"- Killarmy-/ + "Heavy Mental"- Killah Priest-/Troy Mike Dean(3) - "Picture This"- Do Or Die-/ The Legendary Traxster + "The Untouchable"- Scarface-/ + Hightower Bob Power 4th Disciple "My Homies"- Scarface-/ Brian Ackley(1) - "Christmas Live"- Mannheim Steamroller-/ John Dee(1) - "Dig Your Own Hole"-The Chemical BrothersVSteve Dub Tim Holmes John Dee Oliver Adams(1) - "Our Little Secret"- Lords Of AcidVPeer Rave Michael Denten(1) - "An Eye For An Eye"- RBL Posse-/ The Enhancer Chuck Ainlay(1) - "Blue Clear Sky"-George StraitVSteve Tillisch Ian Devaney(1) - "Lisa Stansfield"-Lisa StansfieldVAidan McGovern Peter Mokran John Alagia(1) - "Live At Red Rocks 8.15.95"-Dave Matthews BandVDan Healy Jeff Thomas Nick Didia(2) - "Blue Sky On Mars"-Matthew Sweet-/ + "Yield"- Pearl JamVBrendan O'Brien Ken Allardyce(l) - "Nimrod"- Green Day-/ Brian Dobbs(2) - "Eight Arms To Hold You"- Veruca Salt-/ + "Reload"- Metallica-/Randy Staub Mike Carlos Alvarez(1) - "Tango'-Julio Iglesias-/ Fraser Slamm Andrews(1) - "Turn The Radio Off"- Reel Big Fish-/ Kevin Globerman Tony Dofat(1) - "Waterbed Hev"- Heavy D.-/ Kenneth Lewis Jamie Staub Greg Archilla(2) - "Disciplined Breakdown"- Collective Soul-/ + "Yourself Or Someone Like You"- Jimmy Dougias(3) - "Ginuwine...The Bachelor"- Ginuwine-/ + "Supa Dupa Fly"-Missy 'Misdemeanor1 Matchbox 20-/Jeff Tomei Matthew Serletic Elliott-/ Timbaland + "Welcome To Our World"-Timbaland & Mag-oo-/ Dave Aron(1) - "Last Man Standing"- MC Eiht-/DJ Muggs Alan Douglas(1) - "Pilgrim"-Eric Clapton-/ "Ben 0. -
2009.10月月月hiphop,R&B 621 曲
2009.10 月月月月月月月月HIPHOP,R&B 621 曲曲曲、曲、、、1.6 日日日、日、、、4.63 GB 名名名名名名 アアアアアアアアアアアアアア アアアアアアアアアア BPM Outta Control (133 Bpm) Baby Bash Feat. Pitbull Funkymix 127 Sweet Dreams (128 Bpm) Beyonce Funkymix 127 Wasted (77 Bpm) Gucci Mane Feat. Oj Da Juiceman Funkymix 127 Whatcha Say (Part 1) (72 Bpm) Jason Derulo Funkymix 127 Whatcha Say (Part 2) (138 Bpm) Jason Derulo Funkymix 127 Run This Town (85 Bpm) Jay Z Feat. Rihanna And Kanye West Funkymix 127 Now Im That Bitch (Xxx) (123 Bpm) Livvi Franc Feat. Pitbull Funkymix 127 Now Im That Chick (123 Bpm) Livvi Franc Feat. Pitbull Funkymix 127 Trickn (138 Bpm) Mullage Funkymix 127 Number 1 (138 Bpm) R. Kelly Feat. Keri Hilson Funkymix 127 He Aint Wit Me Now (108 Bpm) Rich Girl Funkymix 127 Shake My (125 Bpm) Three 6 Mafia Feat. Kalenna Funkymix 127 Forever (79 Bpm) Drake Ft Kanye' West, Lil' Wayne & Eminem Funkymix 128 Drop it Low (88 Bpm) Ester Dean & Chris Brown Funkymix 128 Get Involved (122 Bpm) Ginuwine Ft Timbaland & Missy Elliott Funkymix 128 Replay (91 Bpm) I-Yaz Funkymix 128 Digital Girl (107 Bpm) Jamie Foxx Ft Drake & the-Dream Funkymix 128 Empire State of Mind (87 Bpm) Jay-Z Ft Alicia Keys Funkymix 128 Give it All U Got (125 Bpm) Lil' Jon Ft Kee Funkymix 128 LOL :) (78 Bpm) Trey Songz Ft Gucci Mane & Soulja Boy Funkymix 128 5 Star (77 Bpm) Yo Gotti Funkymix 128 Written On Her 125bpm Birdman Ft Jay Sean Future Heat Vol 9 Meet Me Halfway [PB Remix] 132bpm Black Eyed Peas Future Heat Vol 9 Unusual You 124bpm Britney Spears Future Heat Vol 9 Switch 120bpm Ciara Future Heat Vol 9 On To You 124bpm -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
Download Mack 10 the Rescipe Album Mack 10
download mack 10 the rescipe album Mack 10. Dedrick Rolison, (born August 9, 1971), better known by his stage name Mack 10 is an American rapper and actor. He was a member of hip hop trio Westside Connection, along with Ice Cube and WC. When the West Coast first rose atop the rap industry in the mid-'90s, Mack 10 emerged as one of the coast's most promising talents alongside his longtime associate Ice Cube. The two Los Angeles rappers co-wrote "Foe Life," Mack 10's 1995 breakthrough hit, and united a year later with WC to form the trio Westside Connection, a West Coast gangsta rap supergroup. The Westside Connection album became a sizable hit, rocketing to number two on the Billboard album chart and boasting the anthemic "Bow Down." Mack 10 continued his affiliation with Ice Cube on each successive album while at the same time launching a label of his own, Hoo Bangin' Records. As the '90s came to a close, the rapper's popularity dipped a bit, and he signed with leading Dirty South label Cash Money Records in 2001, where his career underwent some unlikely twists. Born Dedrick D'Mon Rolison in 1971, Mack 10 perpetually represented Inglewood, California throughout his career, the Los Angeles neighborhood he called home. His professional rap career began in 1995 when he signed with Priority, the premier label for West Coast rap at the time, and released his self-titled album. The West Coast gangsta movement was peaking around this time, and Mack 10 capitalized on the trend with "Foe Life," a song he wrote with Ice Cube, one of the West Coast's reigning talents.