MUTT and JEFF by BUD FISHER

Total Page:16

File Type:pdf, Size:1020Kb

MUTT and JEFF by BUD FISHER COMIC COMIC SECTION SECTION JVoodbridge, New Jersey, Friday, * June 20, 1930 G€06fcAPHV A fciVGfc IS A LAfcGG OF WATGfc YOU CAN'T AT*\\J€fc. A CHANN6L A BOAT • (AM 1$LANT>- c-^ MUTT AND JEFF Mister Mutt Becomes Very Thrifty By BUD FISHER I TRltD TO SC TOt-t> N\e YOU HAD \X UMTIU ttte OUT. WHAT'S IT'S A SAVJINGTO 60WNA RAIS6 rwe A MOT A COAT! IMSTCAD OF UWT - X x (Toor SO SOOM.' CO^A£ OW", ^ CAW S FiGufeeti IT TUJO Mites I'LL we Aft THt%€€. CefOTS WORTH COST HeM CAM SAM€ TWO C£<\/rS SMART. IF TrtG CLOCtC 15M%T X -IVMMK THE SCNSG KAS Gowe TO FROM k\CAT HAS <3OW€ CLOCK >W THE HOOS€ I MVGHT i 'WATCH -we TO TO THE FOR MGt TH£S£ AJW'T FA.LS€ So SH€ F£LL EAT BETVJttH THE NEBBS Junior Succumbs to Feminine Charm By SOL HESS -TOO HCfr *iow- FEEL v*C"r~rEP NOJM& FELLOvV/ YOU LL A COLO 51TTIVJS FQOMT OF THAT i OU6UT TO TA\KE TMO&E EMPTY WATER eOTTLES TO THE DRUGSTORE AvJD <3E.T TWE AWO I'LL 6IVE (TTOVOU YOUR NO, IT'S 1 WOULD TOO HOT 1 \MMENJ IT MEVER PR ACT ICe AMD I Kl BUSY REST1K1& WOULD NJ I'D HAVE RIGHT KJCTOJ PLAN* FOR ME.l 6LAR3 OR NE.OC IF 1 TD AMD 1 VJOULONT LET ME I D\DWT LOOK AMD CLEAK1 COME OKi( MOT TODAV 1OO ; WOULD WOO I'M TOO ISM'T IT KTT TMOLK5H? TO TAKE OATH1KJS LIK.E TO HAVE TUE SOTTLES TERRISLV IM 5O TIRED BACK1, COOK AT TIRED X AM PULL- •/ THAT5 FlKlE. — IT VOU? WOW - THESE FEELS 9O GOOD CAKJ HAROLW WOMEN CA.KJ VOU DO coov- NOU S'MATTER POP? Get In Out of the Rain By C. M. PAYNE , Ittt-kf Ml lr>4teM*. la*.. !*•«• Mirk *«« U I PM. 90.) TOONERVILLE FOLKS *? FONTAINE FOX •, TOONERVILLE FOLKS Goat Getting Fontaine Fox IM«—fc^ Fo.it.iM r«i. Triilf Mirk Bri I' S Pa Ofl ) Cm' B-min Riphu RrwrvrJ ct. >!DEAR!I CAN'T RUN AFTER THE AHEAD, KATRlNH/i! THROW ** THEV DON'T CAU-V CAR AND THE SKIPPER'S SO DEAF ALONGSIDE THE CAR TO THEE POWPOWER.FUI. - KATRlNKA HING DO IT DON'T DO A 9»T OF GOOD ATTRACT HIS ATTENTION SO TOR NOTHING, DO THEY ! TO SHOUT AT HIM . ~X CAN MAKE HIM WAIT FOR / c HW. DIDN'T SEEM TO PAY P * THERE'S NOT MUCH DANGER OF HER BIT OF ATTENTION TO HITTING THE^ CAR BECAUSE SHE. THROWS THAT •, T^HROW SOMETHING IT WAV OUT TO ONE SIDE \* OMIGOSH! OFF THE **XT'S A GOOD THING SHE *O!BOV! THIS WAS RAILS AND HEADED THROW »T WAY OUT TO LUCKY!JUST FOR THAT |,, ONE SIDE PONP J ONE FOOT WE CAN KEEP OUR MOUTHS SHUT ABOUT THIS} THE GOAT'S GONNA BE THE 0OAT f* The News of All The Township Three Sections PRICE THREE GENTS VOI,. XIT, No. 15 WOODBRIDCK, N. J., FRIDAY, JUNK 20, 19S0 Small Boys Damage Dogs Kill Twenty Pets Police Capture Two Barron Avenue Home Barron Avenue Girl In Prospect Street Twenty lives were lost in an at- CHILD'S SKULL CRUSHED Another ruse of juvenile vandal- sm came fii th<> attention of the po- Gets Sargent Degree tack Saturday in Prospect street. Looting Wrecked Boat icu on Wednesday when Mrs. B. The lives were those of rabbits own- W. Hnagland reported that cxtcns-lMiss Jane A. Dunigan Award- ed by George Clam, and the whole- ve damage had been dune in the Officer Meyer Larson Arrests Pair At Do^k With Stolen Prop- xithl'oom in her house at 509 Barron ed Diploma at Boston U. sale slaughter was laid to dogs be- BY WHEH^OF TRUCK erty In Their Possession — Boat Looted Was Partly avenue. The policn investigated and Commencement Exercises longing to a Mrs. Tuttle, also of found that the damage had been Prospect street, according to the- po- SevenYear^iOld Colored Boy Of Avenel Instantly Killed This Destroyed By Fire Last Month. ;lone by Kalman Kovacs, 10; Lebar Monday. lice. The owner of the dogs promis- Morning In Rahway Avenue — Driver Held On Kovncs, 13, and Joseph Fitsar, 13, ed to keep them t'ed and agreed to Two men were caught in the act rowboat had been hired from Jack alnil of Park avenue. The parentparentss In the f)7th annuaal CommefTce- *. Manslaughter Charge. ,,r looting a wrecked boat in the'Mitten who lives at Brown's boat were notified and agreed to pay for : ment exercises of Boston University pay for the slaughtered bunnies. which were held on Monday morning ., nd yesterday, according to the house, it is said, and it was also learn- the damage. Dodging from behind a enr that ting the child. The little boy's skull lU ed that the two arrested had stolen at 10:30 in the Boston Arena, 1485 had just passed, Clement ,1, Morse, was crushed to a pulp and death wu lice, and were held in $!>()<> bail I planks and rope from Joseph Turek, seniors were graduated from the ten colored, aged 7 years, dashed across instantaneous. The driver of th» h for * hearing on Thursday, of Sewnrcn. | departments of the university. Prc- St. James P.T.A, In Hahway avenue in Awnel this morn j tructruckk , Fred SSiglei , aged 35 years, of June 20. The men gave their mimes The boat and stolen propeller were ! sident Daniel L. Marsh presented ing about 10 o'clock, and was crush Garrison street, Newark, is being ;IJ: Ernest Wright, 20, of Morgan left in care of Hatten. Larson took Politics In Schools honorary degrees to twelve outstand- wi to death by a truck, the dFiver | held on a technical charge of man road. South Amhny, and Anton s prisoners to headquarters where ing lenders in the fields of arts and Closing Meeting nf which tried in vain to avoid hit- slaughter. Smith, of 109 Broad street. Perth they.were locked up. The 'Johanna' [sciences. Before a capacity audience Chief of Police Patrick J, Mur- Amboy. is the property of the Riley Kennedy Branded By Speaker I of relativea and friends. Dr. G. Brom- phy, Captain James Walsh and a pa- The arrest was tho result of the Company, of 11 Broadway, New I ley Oxnam, B. U. 'lf>. president of New Officers Are Installed — Woodbridge Boy Graduated trolman investigate! the case. The Perth Amboy Man Gives Inln-jDepau- w University, Greeneastle, ccident happened in Rahway avenue alertness of Motorcycle Policeman York, The owners will, be advised of Ind., delivered the Commencement Children Are Guests At at Oberlin College Tuesday Meyer Larson who was riding along the looting. ietween Burnett street and Avenel teresting Talk Before Rotary theme, discussing "The Graduate's Meeting. treet. Tracks left fcy the truck ilill' road and noticed an Ksscx The Kssex coach is the property Three-fold Dilemna." Kenneth French Canfield, son of ci.ach parked near Acker's Heach. It of Wright. It was taken to headquar- Club. heels showed how the driver had The total of 1485 seniors in Mon- The closing meeting of St. James Mrs. M. M. Canfleld, Gil Barron ave- werved to one side in. trying to -itruck Iiursori that it was peculiar ters and the scrap metal was remov- nue, Woodbridfce, who is among the for n car to be parked at that, par- ed from it and placed in the station. "The public school system is, not day's group is an increase of 400 P. T. A. was held in the school au- ivoid the boy. Sigle told the police ticular spot. He investigated and At 5 o'clock yesterday afternoon meeting the full requirements of to- graduates over last years class ot ditorium on Wednesday, evening. It graduates of Oberlin College, receiv- hat he has been driving seventeen p was one of the moat enjoyable meet- ears and never had an accident be-> a quantity of scrap brass in Patrolman Allen McDonnell issued day's need", said John J. Quinn, of j 1079. For the firsfirst time (in the his- ed the bachelor of arts degree at tory of Boston University, degrees ings of the year. The meeting opened ore. The boy did not look in the di- v nir. summonses to Wallace Bell, of 108fi Perth Amboy, in a talk on schools be- " ~ '*" the hand of President Ernest H. ection from whlcn the truck was Further investigation revealed Broadway, Long Branch, and Frank fore the Rotary Club yesterday. "Ed- were granted of Bachelor of Science with a prayer and the singing of the Wilkins on Tuesday, June 17. De- Further "Star Spangled Banner". ornlng. that the car had been left there by M. Nichols, of u:i Jackson street, ucation more along industrial lines in Journalism, and Bachelor of Mu- grees in the college of arts and sic, and diplomas in Physical Educa- Mrs. John F. Ryan presided at the The boy resided with his aunt, I wo men who were out in a rowhoat South River. Bell is the owner of a is needed. New Jersey is 40 per cent sciences were given to 247 and to juid that they were looting the boat racing car which wus being towed tion were awarded to HI seniors in business meeting. Plan% were com- Mrs. Lucy Moore, of Merriline ave- industrial and only 4 per cent agri- 3G in the conservatory of music. ••Johanna" that waa partly destroyed by another car driven by Nicholas.
Recommended publications
  • Bud Fisher—Pioneer Dean of the Comic Artists
    Syracuse University SURFACE The Courier Libraries Winter 1979 Bud Fisher—Pioneer Dean of the Comic Artists Ray Thompson Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the American Popular Culture Commons Recommended Citation Thompson, Ray. "Bud Fisher—Pioneer Dean of the Comic Artists." The Courier 16.3 and 16.4 (1979): 23-36. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ISSN 0011-0418 ARCHIMEDES RUSSELL, 1840 - 1915 from Memorial History ofSyracuse, New York, From Its Settlement to the Present Time, by Dwight H. Bruce, Published in Syracuse, New York, by H.P. Smith, 1891. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES Volume XVI, Numbers 3 and 4, Winter 1979 Table of Contents Winter 1979 Page Archimedes Russell and Nineteenth-Century Syracuse 3 by Evamaria Hardin Bud Fisher-Pioneer Dean of the Comic Artists 23 by Ray Thompson News of the Library and Library Associates 37 Bud Fisher - Pioneer Dean of the Comic Artists by Ray Thompson The George Arents Research Library for Special Collections at Syracuse University has an extensive collection of original drawings by American cartoonists. Among the most famous of these are Bud Fisher's "Mutt and Jeff." Harry Conway (Bud) Fisher had the distinction of producing the coun­ try's first successful daily comic strip. Comics had been appearing in the press of America ever since the introduction of Richard F.
    [Show full text]
  • Popeye Classic Newspaper Vol 1 Preview
    Of Ducks, Mice, and one-eyed Sailors: FROM THE INTRODUCTION BY ANDREW FARAGO: In 1986—for the first time since the Eisenhower administration—King Features Syndicate was in need of a daily Popeye cartoonist. It surprised the comics community that one of the most venerable, most respected newspaper syndicates would entrust their most beloved and most iconic character to a cartoonist whose best known character was a misanthropic, ill-tempered reprobate named Dirty Duck; whose previous credits included a stint at Playboy and freelancing for National Lampoon (where he was a founding contributor); and who was one of the Air Pirates, a group of underground cartoonists whose biggest claim to fame was publishing an unauthorized, adults-only Mickey Mouse parody leading to a decade-long court battle with Disney… …Although it seemed like an unlikely pairing, to those who knew Bobby London and his work, there was no denying his talent or his love and knowledge of classic comic strips. To those who knew Popeye's history, London was the obvious choice. Here was a cartoonist who could capture the freewheeling, chaotic, unpredictable spirit of E. C. Segar’s original Thimble Theatre strips. LibraryofAmericanComics.com • idwpublishing.com The cartoonist with a week’s worth of Popeye dailies on his drawing board, 1992 Photo: Newsweek Photo: IDW PUBLISHING San Diego Popeye created by E. C. Segar THE LIBRARY OF AMERICAN COMICS ISBN: 978-1-61377-874-6 libraryofamericancomics.com First Printing, March 2014 Distributed by Diamond Book Distributors EDITOR AND DESIGNER 1-410-560-7100 Dean Mullaney Published by ASSOCIATE EDITOR IDW Publishing Bruce Canwell a Division of Idea and Design Works, LLC 5080 Santa Fe Street • San Diego, CA 92109 www.idwpublishing.com ART DIRECTOR Lorraine Turner IDW Publishing Ted Adams, Chief Executive Officer/Publisher INTRODUCTION Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr.
    [Show full text]
  • MUTT and JEFF by BUD FISHER
    COMIC MIS SECTION CENTS Woodbridge, New Jersey, Friday, February 14, 1930 ates ilarm Sy§- In side facing the $30,000 I N«T»c« THAT be ?tuck tB r more, and i'k for un- ion to tak* ign like that .urn uut and h* only way vntor of nhn.ild turp :thor for tM it. SUyhif not prevent, )ing through hy voting • i MUTT AND JEFF Well, WeU, WeU!!! By BUD FISHER ttA •^ TB L&T YOVJ STAV HALF AM Houfe, As Union ; - H€ THROWS . For Five '• Make* \ ». 1 rviccs have <. ( years, he- urch. But it revealed at the "Union i last night •n ted at Oak avenue. The the Rev. Dr. iccepted th« go. the purpose i course of i there was no delinita • matter was cr meeting, day evening, nt Church" diiip which ni'rly owned o resides at •oad and the ;o there was ther side of oad tracks, ay mornings n a»a place t id ay after- d Si i Middlesex ave- e road. naled the prop- ad near Middle- 'nion Protestant u house of wor- .•(Mistructed, and jn have con- ring the past ation sent a bn accepted, iiiiuch as the religious so- ii ng among ., technically lien who are i Protestant lmitted into there is no id the Union not accept lies, and ad- tbership, be- ily uonstitut- ant Church Dr. Spurdle on will con- ighly discua- tind it was jrity of Pro- ther Luther- that if the her of these )ti)ve advan- iiiiiiiuiuty as ollack ; Empire Rahway Enlarged >ntin<ied.
    [Show full text]
  • Chisholm Trail Cornerstone Senior Living 513 S Old Besty Rd Keene Tx 76059
    October 2020 CHISHOLM TRAIL CORNERSTONE SENIOR LIVING 513 S OLD BESTY RD KEENE TX 76059 BBBB B BESTY The Big History of Small Toys Few toys can light up a child’s face like a dollhouse, complete with its rooms full of miniature furniture and housewares. This October, Dollhouse and Miniature Month, we look at the evolution of dollhouses from ostentatious displays of wealth to mini classrooms of Celebrating October domestic chores, from children’s toys to adult hobbies. The very first dollhouses, engineered in Germany, Holland, and England in the 17th century, were designed for one audience: adults. These “cabinet houses” were elaborate displays of wealth. Cabinet doors opened to reveal tiny rooms outfitted with priceless little trinkets and objects. In the late 17th century, designs moved away from display and toward pedagogy. Miniature “Nuremberg kitchens” contained tiny pots, brooms, and other domestic tools. Such displays taught girls their domestic duties. These dollhouses even contained miniature people so that girls could also learn how to direct servants. In the 18th century, England saw the creation of “Baby houses,” so-called because they were miniature versions of real-life dwellings. Rather than display expensive trinkets, the houses boasted miniature replicas of all the home’s wares: grandfather clocks, rugs, wallpapers. Today, visitors to the Art Institute of Chicago enjoy similar reproductions in the Thorne Miniature Rooms, tiny models of European and American interiors from the 13th to 17th centuries. Attitudes about childhood and play evolved during the 19th century, and so the importance of toys was elevated, and dollhouses became playthings.
    [Show full text]
  • Archiving Newspaper Comic Strips: the San Francisco Academy of Comic Art Collection
    ARCHIVING NEWSPAPER COMIC STRIPS: THE SAN FRANCISCO ACADEMY OF COMIC ART COLLECTION BY AMY MCCRORY ABSTRACT: This article describes a two-year project at The Ohio State University Cartoon Research Library (CGA)' devoted to processing and describing newspaper comic strips from the collection of the San Francisco Academy of Comic Art (SFACA), a nonprofit corporation founded by Bill Blackbeard in 1968. The SFACA collection is the largest known collection of cartoon art from American newspapers, so preserving its contents and making them accessible to researchers was essential to the study of this art form. Writing the finding aid to the collection required accommodation of Blackbeard's collecting philosophy, observance of the rules of archival description, creation of a descriptive scheme that would meet researchers' needs, and an approach that would fit within the framework of Encoded Archival Description (EAD). Although the challenges of processing the SFACA collection may seem unique to the comic strip format, archivists accustomed to working with more traditional documents will recog- nize shared concerns with original order, points of access, and other archival principles. Introduction In 1997, The Ohio State University Cartoon Research Library purchased the collec- tion of the San Francisco Academy of Comic Art, an institution founded in 1968 and devoted to collecting a variety of popular culture materials, including printed cartoon art. Over a two-year period, the staff of CGA organized materials from the SFACA and assembled a finding aid to the collection. We intended for the finding aid to reflect and expand upon the SFACA's 30-year effort by pulling together the diverse parts of the collection while at the same time giving each part its adequate measure of description.
    [Show full text]
  • New Haven Times
    October 2019 New Haven Times New Haven Assisted Living & Memory Care Spring | 21327 Falvel Rd. | Spring, TX 77388 | PH: 832-580-5317 The Big History of Small Toys Few toys can light up a child’s face like a dollhouse, complete with its rooms full of miniature furniture and housewares. This October, Dollhouse and Miniature Month, we look at the evolution of dollhouses from ostentatious displays of wealth to mini classrooms of Celebrating October domestic chores, from children’s toys to adult hobbies. The very first dollhouses, engineered in Germany, Bat Appreciation Month Holland, and England in the 17th century, were designed for one audience: adults. These “cabinet houses” were elaborate displays of wealth. Cabinet Italian-American Heritage doors opened to reveal tiny rooms outfitted with Month priceless little trinkets and objects. In the late 17th century, designs moved away from display and toward pedagogy. Miniature “Nuremberg kitchens” contained Positive Attitude Month tiny pots, brooms, and other domestic tools. Such displays taught girls their domestic duties. These Mystery Series Week dollhouses even contained miniature people so October 6–12 that girls could also learn how to direct servants. In the 18th century, England saw the creation of World Day of Architecture “Baby houses,” so-called because they were miniature October 7 versions of real-life dwellings. Rather than display expensive trinkets, the houses boasted miniature replicas of all the home’s wares: grandfather clocks, National Chess Day rugs, wallpapers. Today, visitors to the Art Institute October 9 of Chicago enjoy similar reproductions in the Thorne Miniature Rooms, tiny models of European and American interiors from the 13th to 17th centuries.
    [Show full text]
  • LOOK BACK. SEE FURTHER. a Teacher’S Resource Guide for Teaching with Primary Sources
    LOOK BACK. SEE FURTHER. A Teacher’s Resource Guide for Teaching with Primary Sources PICTURES WORTH READING: A Teacher’s Guide to Comics ACKNOWLEDGEMENTS The University of the Arts, established in 1876, is one of the nation’s only universities dedicated solely to educating students in visual arts, performing arts, design, and liberal studies. The University has developed an innovative approach to developing professional artists, designers, and writers. UArts acts as a catalyst for creative professionals to connect, collaborate, and create across disciplines and tradi- tional boundaries. The Professional Institute for Educators + MEd Programs develops innovative and creative educational programming to serve the professional development needs of K-12 teachers through the arts. The Library of Congress is the world’s largest library, offering access to the creative record of the United States —and extensive materials from around the world— both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for Teaching with Primary Sources (TPS) Program at the U.S. federal legislative information at congress.gov; University of the Arts administrative team: Erin Elman, and register creative works of authorship at copyright.gov. Hanna Finchler, Kaitlynd O’Doherty, Sheila Watts www.loc.gov/item/prn-18-068/ Art Direction and Design: GDLOFT The Free Library of Philadelphia advances literacy, guides Special thanks to Alina Josan, Librarian, Art Department, learning, and inspires curiosity. With more than 6 million Free Library of Philadelphia visits to its 54 locations, including the Rosenbach, and millions more online annually, the Free Library is one of Content created and featured in partnership with the Philadelphia’s most widely used educational and cultural TPS program does not indicate an endorsement by institutions.
    [Show full text]
  • KF 100Th 16Pages Webpdf L
    100 YEARS OF KING FEATURES SYNDICATE - PART ONE By Brian Walker I n October 1895, California newspaperman William Randolph put to work drawing single-panel cartoons for the Sunday supple- Hearst purchased the struggling New York Journal, intent on ment. On March 11, 1900, Opper introduced his first newspaper competing with Joseph Pulitzer’s New York World. The following comic feature, Happy Hooligan, which starred an irrepressible year, after installing a new high-speed multi-color press, he acquired Irish hobo with a tin can balanced on his head. the services of Pulitzer’s most popular cartoonist, Richard Outcault. Cartoonists around the country were soon imitating the success- Hearst’s American Humorist, an eight-page color comic supplement ful formula pioneered by Outcault, Dirks and Opper. The unique in the Sunday Journal, featuring Outcault’s Yellow Kid as the star combination of recurring characters, sequential panels, speech attraction, debuted on October 18, 1896. balloons and bright colors eventually came to be known as the At the peak of his popularity in 1896 and 1897, the Yellow “Sunday funnies.” Kid’s toothy grin showed up on hundreds of products, including In New York City, the competition between newspapers buttons, crackers, puzzles and fans. The Yellow Kid dramatically continued to rage and metropolitan papers in other cities soon demonstrated the selling power of a popular comic character. began publishing their own Sunday comic sections. As a result, Following Outcault’s departure from the New York Journal in 1898, the Yellow Kid and his fellow comic characters became national The Katzenjammer Kids by Rudolph Dirks became the anchor of celebrities.
    [Show full text]
  • The Comic Art of Sandy Plunkett — Teacher Packet
    FANTASTIC! The Comic Art of Sandy Plunkett detail: Rocketeer Adventures, vol.2 #1, pg. 2, 2011 !© 2012 The Rocketeer Trust Kennedy Museum of Art FANTASTIC! The Comic Art of Sandy Plunkett January 25 – June 2, 2013 Teacher Packet Sandy Plunkett Sandy Plunkett was born in 1955 in Williamsport, Pennsylvania, to artistically inclined parents. The family moved to Mexico for four years and then to New York City, where Sandy developed an affinity for drawing and a passion for comic books (especially Marvel) at a young age. Partly due to peer pressure, he lost interest in both upon entering junior high. For reasons even he fnds difficult to explain, his passion was rekindled near the end of high school, and the notion of becoming a professional cartoonist was born. Plunkett spent a year of college studying art but ultimately found his interests at odds with what the school had to offer. In the late 1970s, Plunkett found work within the comic industry at Marvel, DC, and Gold Key comics, working on such titles as The Defenders, The Savage Sword of Conan, House of Mystery, The Unknown Soldier, and Boris Karloff Tales of Mystery. After more than a decade working with some of the largest comic book companies, and despite growing up in New York, Plunkett soured on life in the big city as an adult. With the advent of overnight delivery and increasingly efficient modes of communication, Plunkett realized he could continue his career from anywhere he desired. His choice? Athens, and the rolling hills of southeastern Ohio, where he has lived since 1990.
    [Show full text]
  • The Development of the Newspaper Comic Strip in America, 1830-1920
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1989 A Rejection of Order: The Development of the Newspaper Comic Strip in America, 1830-1920 Elsa A. Nystrom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Nystrom, Elsa A., "A Rejection of Order: The Development of the Newspaper Comic Strip in America, 1830-1920" (1989). Dissertations. 3145. https://ecommons.luc.edu/luc_diss/3145 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1989 Elsa A. Nystrom A REJECTION OF ORDER, THE DEVELOPMENT OF THE NEWSPAPER COMIC STRIP IN AMERICA, 1830-1920 by Elsa A. Nystrom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1989 (c) 1989 Elsa A. Nystrom ACKNOWLEDGMENTS Many people have been involved in this lengthy project. I am especially grateful for the help of my committee, particularly the director,Dr. Lewis Erenberg whose constructive criticism spurred me on to greater effort. Dr. Louise Kerr and Dr. Gerald Gutek were also most helpful and supportive. My friends at Judson College, especially Cathy Zange, Lynn Halverstrom and Dennis Reed in the library, and Dick Clossman, my mentor and colleague also provided needed help and support.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, prim bleedthrough, substandard margins, and improper alignm ent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are mi«mg pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g^ maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerogr&phically in this copy. Higher quality 6" 9x" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bed & Howell information Company 300 North Zeet> Road. Ann Ardor Ml 48106-1346 USA 313-761-4700 000.521-0600 CARTOON THEATRICALS FROM 1896 TO 1927: GUS HILL S CARTOON SHOWS FOR THE AMERICAN ROAD THEATRE A DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Mark David Winchester, B.A., M.A.
    [Show full text]
  • Spring 2021 Faculty Resource Guide
    Spring 2021 Faculty Resource Guide This document is provided to KSU faculty as an overview of exhibitions at the Zuckerman Museum of Art. Included: • Museum Educational Goals p 1 • Academic Class Programming p 2 • Spring Exhibitions p 3 o The 9th Art: Frames and Thought Bubbles p 3 o SOAAD Faculty Exhibition p 8 o Lesley Dill, Some Early Visionaries p 9 o Site Installations and Special Projects p 12 • ZMA Protocols to Mitigate Spread of Covid-19 p 16 _____________________________________________________________ Museum Educational Goals In alignment with the museum’s mission, exhibitions presented at the Zuckerman Museum of Art (ZMA) provide an opportunity for broad interdisciplinary conversation and learning. The ZMA’s educational goals are: • Provide exhibitions as vehicles to engage discourse on visual art to decode and comprehend signs, developing a greater capacity for interpretation, reflection, and synthesis of ideas. • Encourage the use of the visual and performing arts in academic scholarship to foster a more interconnected learning community at KSU. • Teach visual analysis, object-based study, and critique. • Support analysis of how artists use their practice to explore global issues. Academic Class Programming The Zuckerman staff is available to customize class visits and tours in accordance with course objectives and upon faculty request. {Please see Changes to Class Tours section at the end of this document for more specific information about our current protocols under Covid-19.} We strive to help students connect more deeply with course content through engagement with art. Pre-Tour Preparation Notes: Prior to visiting an exhibition, we encourage instructors to hold an in-class dialogue to frame the exhibition for students.
    [Show full text]