Spring 2021 Faculty Resource Guide
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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Bud Fisher—Pioneer Dean of the Comic Artists
Syracuse University SURFACE The Courier Libraries Winter 1979 Bud Fisher—Pioneer Dean of the Comic Artists Ray Thompson Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the American Popular Culture Commons Recommended Citation Thompson, Ray. "Bud Fisher—Pioneer Dean of the Comic Artists." The Courier 16.3 and 16.4 (1979): 23-36. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ISSN 0011-0418 ARCHIMEDES RUSSELL, 1840 - 1915 from Memorial History ofSyracuse, New York, From Its Settlement to the Present Time, by Dwight H. Bruce, Published in Syracuse, New York, by H.P. Smith, 1891. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES Volume XVI, Numbers 3 and 4, Winter 1979 Table of Contents Winter 1979 Page Archimedes Russell and Nineteenth-Century Syracuse 3 by Evamaria Hardin Bud Fisher-Pioneer Dean of the Comic Artists 23 by Ray Thompson News of the Library and Library Associates 37 Bud Fisher - Pioneer Dean of the Comic Artists by Ray Thompson The George Arents Research Library for Special Collections at Syracuse University has an extensive collection of original drawings by American cartoonists. Among the most famous of these are Bud Fisher's "Mutt and Jeff." Harry Conway (Bud) Fisher had the distinction of producing the coun try's first successful daily comic strip. Comics had been appearing in the press of America ever since the introduction of Richard F. -
Les Reprints Made in U.S
Pas d'équivoques pour BD/VF chez Glénat qui s'intitule elle-même la BD de papa. La série les reprints des Rip Kirby d'Alex Raymond constitue une excellente initiation au bon vieux roman poli- made in U.S. cier de derrière les fagots pour adolescents en quête de suspense. Malheureusement le format des vignettes la rend difficile à lire alors que la par Claude-Anne Parmegiani, parution en album broché permet un prix de la Joie par les livres vente abordable pour un public jeune. Chez Futuropolis, la présentation soignée de la col- Ils s'appellent Pim, Pam, Poum, Terry, Po- lection « Copyright » la destine aux pères et aux peye, Illico, Blondie ou bien Flash Gordon, Rip grands frères. Dommage que le format en lon- Kirby, Mandrake, Superman, Prince Valiant... gueur et l'épais cartonnage ne facilitent pas la Ils sont tantôt petits, moches, rigolos et dé- manipulation des trois volumes de Popeye (Se- brouillards, tantôt grands, beaux, forts et invin- gar) ou de Superman (Siegel et Shuster), qui cibles. Ils sont tous supers ! mais ce sont quand plairaient dès douze ans sous une forme plus même les copains d'enfance de nos parents. populaire et à un prix plus abordable. Car à cet Alors pourquoi cette brusque nostalgie de l'âge âge-là, on lit et on relit « ses » BD jusqu'à les d'or de la BD américaine chez les éditeurs ? savoir par cœur, et pour ça pas d'autre moyen Pierre Horay avait déjà ouvert la voie en réé- que les acheter ; on peut pas compter sur les ditant depuis une dizaine d'années les classi- parents pour vous les offrir ! Quand ils les ques de la BD dont le chef-d'œuvre de Windsor aiment, ils les gardent pour eux, sinon ils trou- Me Cay : Little Nemo. -
Comunicado De Novedadesnoviembre 2012
TM & © DC Comics COMUNICADO DE NOVEDADES NOVIEMBRE 2012 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos Comienza... lA NOCHE de los búhos El Tribunal de los Búhos decidió abandonar las sombras del anonimato no solo para derrotar al Hombre Murciélago, sino también para reclamar un dominio sobre la ciudad que dicen merecer. Para ello, orquestaron un ataque a la Mansión Wayne, mientras un auténtico ejército de Garras se desplegaba por las calles BATMAN núm. 7 de Gotham, con la intención de terminar con la vida de hasta 40 individuos que, • Guion: Judd Winick, Gail Simone, Peter J. Tomasi con su liderazgo y personalidad, dan • Dibujo: Ardian Syaf, Lee Garbett, Marcus To, Andy Clarke forma a la ciudad. Una amenaza que • Edición original: Batwing núm. 9, Batgirl núm. 9, Batman and Robin núm. 9 USA - DC requerirá la intervención de los más Comics cercanos colaboradores del Caballero • Periodicidad: Mensual Oscuro. • Formato: Grapa, 64 págs. Color. 168x257 mm. • PVP: 4,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 6 2 8 8 1 1 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos El prólogo a la saga más aclamada lA NOCHE de los búhos El misterioso Saiko tiene como objetivo matar a Dick Grayson, a quien acusa de ser “el asesino más fiero de Gotham”. El villano ha liquidado ya a C.C. Haly, el dueño del circo que vio crecer a Dick antes de que se convirtiera en Robin y NIGHTWING núm. 2 donde sus padres murieron. Siguiendo una pista que le proporcionó Haly junto • Guion: Kyle Higgins a las escrituras del circo, Nightwing ha • Dibujo: Eddy Barrows, Eduardo Pansica, Geraldo Borges encontrado un antiguo y enigmático • Edición original: Nightwing núms. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Includes Rarities from the STAN LEE ARCHIVES!
THE UNIVERSE Interviews with and mementos from “THE MAN” who changed comics and pop culture Includes rarities from THE STAN LEE ARCHIVES! edited by Danny Fingeroth and Roy Thomas CONTENTS About the material that makes up THE STAN LEE UNIVERSE Some of this book’s contents originally appeared in TwoMorrows’ Write Now! #18 and Alter Ego #74, as well as various other sources. This material has been redesigned and much of it is accompanied by different illustrations than when it first appeared. Some material is from Roy Thomas’s personal archives. Some was created especially for this book. Approximately one-third of the material in the SLU was found by Danny Fingeroth in June 2010 at the Stan Lee Collection (aka “ The Stan Lee Archives ”) of the American Heritage Center at the University of Wyoming in Laramie, and is material that has rarely, if ever, been seen by the general public. The transcriptions—done especially for this book—of audiotapes of 1960s radio programs featuring Stan with other notable personalities, should be of special interest to fans and scholars alike. INTRODUCTION A COMEBACK FOR COMIC BOOKS by Danny Fingeroth and Roy Thomas, editors ..................................5 1966 MidWest Magazine article by Roger Ebert ............71 CUB SCOUTS STRIP RATES EAGLE AWARD LEGEND MEETS LEGEND 1957 interview with Stan Lee and Joe Maneely, Stan interviewed in 1969 by Jud Hurd of from Editor & Publisher magazine, by James L. Collings ................7 Cartoonist PROfiles magazine ............................................................77 -
Eastern Progress Eastern Progress 1965-1966
Eastern Progress Eastern Progress 1965-1966 Eastern Kentucky University Year 1966 Eastern Progress - 22 Apr 1966 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1965-66/26 5«9a NEW CAMPUS HISTORIC GRIPE HAZARD SESSION PAGE 2 PAGE 6 €(XSt€R OQRZSS 'Setting The Pace In ^4 Progressive Era' Friday, April 22, 1966 '» 43rd Year No. 26 Student Publication of Eastern Kentucky University. Richmond (Effective July I) Al Capp Demonstrates Junior-Senior Prom Highlights Wit And Intelligence Crowning Of King, Queen Tonight BARBARA DONNKIX the planning of the dance. This The music at the prom will By Frank Louden guards nnd want to run the in- be provided by Peter Palmer :.tituticn at Berkley they do!" Progress Staff Writer Junior committee Is in cnarge of Program Staff Writer scenery, chaperons, publicity, Voices and Orchestra. The Question: What do you think One of the highlights of the and the coronation of the King group consists of featured male Al Capp. renowned cartoonist- of student opinion? Eastern school year, the Junior- and Queen at the dance. soloist, Clay Randel, a four satirist and creative'artist, de- Answer: "I think students Senior Prom, will take place to- The committee consists of member vocal group, and a monstrated his keen wit and in- should have opinions on whit night in the Student Union Bill McDowell, Clara Black- twelve member orchestra. They telligence Tuesday night before they know most a'oout ---hubcaps Cafeteria. The dance will be- burn, Jerry Mitchell, Phil will play from 9 until 1. a capacity crowd in Hiram and puberty." gin at 9 p.m. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
September 2007 Caa News
NEWSLETTER OF THE COLLEGE ART ASSOCIATION VOLUME 32 NUMBER 5 SEPTEMBER 2007 CAA NEWS Cultural Heritage in Iraq SEPTEMBER 2007 CAA NEWS 2 CONTENTS FEATURES 3 Donny George Is Dallas–Fort Worth Convocation Speaker FEATURES 4 Cultural Heritage in Iraq: A Conversation with Donny George 7 Exhibitions in Dallas and Fort Worth: Kimbell Art Museum 8 Assessment in Art History 13 Art-History Survey and Art- Appreciation Courses 13 Lucy Oakley Appointed caa.reviews Editor-in-Chief 17 The Bookshelf NEW IN THE NEWS 18 Closing of CAA Department Christopher Howard 19 National Career-Development Workshops for Artists FROM THE CAA NEWS EDITOR 19 MFA and PhD Fellowships Christopher Howard is editor of CAA News. 21 Mentors Needed for Career Fair 22 Participating in Mentoring Sessions With this issue, CAA begins the not-so-long road to the next 22 Projectionists and Room Monitors Needed Annual Conference, held February 20–23, 2008, in Dallas and 24 Exhibit Your Work at the Dallas–Fort Fort Worth, Texas. The annual Conference Registration and Worth Conference Information booklet, to be mailed to you later this month, 24 Annual Conference Update contains full registration details, information on special tours, workshops, and events at area museums, Career Fair instruc- CURRENTS tions, and much more. This publication, as well as additional 26 Publications updates, will be posted to http://conference.collegeart.org/ 27 Advocacy Update 2008 in early October. Be sure to bookmark that webpage! 27 Capwiz E-Advocacy This and forthcoming issues of CAA News will also con- tain crucial conference information. On the next page, we 28 CAA News announce Donny George as our Convocation speaker. -
Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
#23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade.