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Модест Мусоргский

Картинки c выставки

Modest Mussorgsky

Pictures at an Exhibition

All 700 known arrangements and 1177 recordings thereof

Updated May 30, 2021

Arrangement

Arranger(s)*, Year of Arrangement, (Movements Arranged)

  • Performer(s)
  • Label & No.
  • Format Mvts Recording Date

*score in IKVA archive #=Live recording #live performance

Movement codes

1. 2. 3. 4. 5. 6. 7. 8.
Promenade I Gnomus Promenade II The Old Castle Promenade III Tuileries: Children Quarreling at Play Bydlo
9. Ballet of Unhatched Chicks 10. Samuel Goldenberg and Schmuyle 11. Promenade V 12. The Market Place at Limoges 13. Catacombs 14. Lingua Mortua

15. Hut on Fowl’s Legs (Baba-Yaga)

  • 16. The Great Gate of Kiev
  • Promenade IV

Accordion

Nikola Djoric, <2019

  • 1. Djoric, Nikola
  • Signum Classics 0301193BC
  • CD
  • 2019?.VIII.27-29

2011.II

Alexander Sevastian(?) <2011 (2,9)

2. Sevastian, Alexander 3. Shostak, Mikhail

  • Analekta AN 2 9929
  • CD

Mikhail Shostak(?) <2012 (11,12)

  • Private
  • CD 11,12
  • ca. 2012

Maria Vlasova(?), <2009

  • Art Classics ART-185
  • 4. Vlasova, Maria
  • CD
  • 2009.XI

Accordion Duo

James Crabb & Geir Draugsvoll, <1996

EMI CDZ 7243 5 69705 2 6 Private
5. Crabb, James/Draugsvoll, Geir 6. Crabb, James/Draugsvoll, Geir
CD CDR
1996.VIII 2002.I.27

Georg Espitalier*, <1995 (1,3,7, 8, 9, 11, 12, 13)

(No known recordings)

Dominik Kwiecien, <2013 (4)

7. Kwiecien, Dominik/Delgiusto, Dean 8. Shozu, Keiichiro/Satoshi Kitamura

  • Private
  • DVDR

CD
2013.V.8 2016

Keiichiro Shozu, <2016

Disc Classica DCJA 21037

Accordion Trio

Heikki Jokiaho, <2002

  • 9. Trio Fratres
  • Alba ABCD 188
  • CD
  • 2002.X.14-15

2021.V.1

Accordion, Violin, Saxophone, & Double Bass

Dermot Dunne

  • 10. Dunne, Dermot/Nick Roth/Mia Cooper/Malachy Robinson Private
  • DVDR

Premiere @ Sligo International Chamber Music Festival 2021

Accordion Orchestra

Rudolf Würthner, <1954 (1, 4, 7, 9, 11, 12, 16)

  • 11. Würthner, Rudolf/GOAW
  • Pathe 33 ST 1005
  • LP
  • ca. 1954

ca. 1974 2011.XII

Alto Flute & Orchestra

Luciano Michelini, <1974, (4)

  • 12. Michelini, Luciano/Gazzeloni, Severino/RoPO Ricordi SMRL 6146
  • LP 4

DVDR

Balalaika & Bayan

Unknown arranger (9)

  • 13. Ensemble Scherzo
  • Private

Balalaika, Domra, Accordion & Bass Balalaika

Unknown arranger (9)

14. Mushtakoff, Sergey, Svetlana Stolyarova,

  • Alexey Lavrentyev, Andrey Tatarinets
  • IKVA CD 061
  • CDR 9
  • ca. 2008

Band

G. Aeby, (16)

  • 15. Balissat, Jean/CMOEVF
  • VDE 30-130
  • LP 16

DVDR

J. Anaya, <2012

  • 16. Asensio, Enrique Garcia/BSMM
  • Private
  • ca. 2012

Den Arend

(No known recordings)

David Aydellot, 2006

(No known recordings)

Baldwin, <1998 (16)

  • 17. Anonymous Conductor/H.M. Royal MarinesDelta Music Ltd. MC 7153
  • CT

CD ca. 1998 1997

Andrew Balent*, <1997 (16)

  • Mark 265-MCD
  • 18. Ericksen, Boyd/MRJHSB

Steve Barnett*, <2000 (1, 16)

(No known recordings)

Roland Barrett & Alan Keown*, <1997 (16)

(No known recordings)

Brad Bennett & Kurt Gartner*, (16)

(No known recordings)

Jean Bernard*, 2009 (1, 15, 16)

(No known recordings)

Jay Bocook*. (1, 15, 16)

Delta DRS 82M-102 Jenson Publications JP-1700
19. Roselieb, Art/DGSMB 20. Unknown performers
LP LP
1982 ca. 1981

Roger Boutry, <1970

Deesse DDLX 135

Omagatoki OMCC-1002 (NEEDED) Corelia F 91780 (NEEDED)

Sacrambow OVSL-00019
21. Boutry, Roger/CMGRP 22. Boutry, Roger/CMGRP 23. Boutry, Roger/CMGRP 24. Boutry, Roger/CMGRP

  • LP
  • ca. 1970

  • (live)
  • CD?

CD

  • CD
  • 1995.10.29

John Boyd*, 1983

(see also under Slatkin in orchestral versions)

25. Boyd, John/ISUSWE 26. Boyd, John/IASB 27. Boyd, John/PV 28. Johnson, Barry/LUSB 29. Pratt, Stephen/IUWE
30. Rhea, Timothy/TAMSB
Brain BOCD 7507 Mark MCD-2109 ELF ELFCD 1003 Mark TMEA97 MCD-2 IKVA CD 004

  • CD 16
  • 1996.I-IV

1996.III.10 1998.VIII.30 1997 2007.X.3 1999
CD 16 CD CD CDR

  • CD 16
  • Mark 2955-MCD

? Boyd (15, 16)

  • Mark MC-1474
  • 31. Jones, Mary/1st Marine Band
  • LP
  • ca. 1978

This is not a movement from the complete Boyd orchestration above, nor is it even an arrangement by John Boyd. It seems to be a stand-alone work for marching band, beginning with a snippet of "Baba-Yaga," followed by a non-Pictures theme of Mussorgsky, and concludes with a highly-abbreviated version of the "Great Gate of Kiev." The whole arrangement lasts less than two minutes.

S. Broughall, <2005 (16)

  • IKVA CD 158
  • 32. Williams, James/MCMB
  • CD
  • 2005.IV.24

Duane Carroll

(no known recordings)

Larry Clark. <2001 (1, 16)

  • 33. Unknown performers
  • Private
  • CDR
  • <2014

Scott Cooper, <2012 (16)

34. Cooper, Scott/LHUCB 35. Unknown performers

  • Private
  • DVDR

LP 16
2012.V.16 ca. 1985

John Cotter (16)

Jenson Publications JP-6000

James Curnow* <1985, (1, 4,7, 9,15,16)

  • Jenson Publications JP-6500
  • 36. Unknown performers

37. Brown, Brian/GWMS8GSB
LP 1, 9, 15, 16 ca. 1985

  • CDR 1, 7, 9, 15-16 ca. 2010
  • IKVA DVD 087

Chip De Stefano*, 1996 (1, 15, 16)

  • 38. Peterson, Steve/NUMB
  • IKVA CD 025
  • CDR
  • ca. 2009

Jay Dawson*, <1986, (16)

39. Unknown performers

Arrangers’ Publishing Company APC 103 LP 16

ca. 1987

Dale Eymann, <1965, (16 )

40. Anonymous Conductor/CJHSB 41. Anonymous Conductor/CGB 42. Christiansen, Leif/CoCCB 43. Jacober/DHSMF 44. Savold, Mayo/ACBM 45. Smith, Harold/GHSB
Custom Fidelity CF-1380 Bandboy BB 9
LP CD LP LP LP LP
1965 <2000 ca. 1960 1968.II.18 ca. 1970 1963
Century 18164 Private WFC-775 Melody Recording AC 70B Private P4RM-6914

R. Flores, <2006

46. Alcaide, Juan Bernat/OCSC 47. Fujisaki, Shigeru/SGHSBD

  • IKVA DVD 071
  • DVDR

DVD
2006,IV

Shigero Yoshihisa Fujisaki

PALS PADVD-0501 (NEEDED)

1997.I.18

Lisa Galvin & Kim Burdett, (15)

(No known recordings)

Maurice Gardener, (16)

(No known recordings: Abridged arr. in B-Flat)

Kurt Gartner, (16)

(No known recordings)

Jacob Greenberg* (16)

  • 48. Computer realization
  • Private
  • CDR
  • <2017

This, of all the arrangements of PAE on this entire list, has to be the worst, most incompetent arrangement of them all.

Christoph Günzel, 2002

(No known recordings)

L. C. Harnsberger*, (16)

(No known recordings)
Note: Great Gate is the final section of an arrangement called Mussorgsky!, the first part of which is devoted to Night on Bald Mountain.

Kenneth Henderson (16)

  • WFB Productions 881-3
  • 49. Heller, David/PVJB
  • LP 16
  • 1973.V.11,16

Mark Hindsley*, 1959

Genuin GEN 13260 Kosei Publishing Company KOCD-3565 Brain BOCD-7 303 Mark 3241-MCD University of Illinois Record no. 47 Delta DRS 74 131 United Sound USR 9676 Mark 2005 TMEA

Crown CRCI-35021 (NEEDED)

Private
50. Clamor, Thomas/BSJSB 51. Fennell, Frederick/TKWO 52. Fennell, Frederick/TKWO 53. Haller, Tom/DASASB 54. Hindsley, Mark/UICB 55. Hindsley, Robert/HFHSB 56. Mullins, Joe Barry/USMSWE 57. Sedatole, Kevin/BUWE 58. Shindo, Jun/CBJASDF 59. Williamson, John/CMU
CD CD CD CD 15, 16 LP LP LP CD CD
2012.III.26-30 1989.X.23-24 1993.IX.5-6 1999 ca. 1963 ca. 1974 1976.II.7 2005.II.9-12

  • CDR
  • 2010

Mark Hindsley/David Slonaker, <1983 (16)

60. Winslow, Robert/NTSUSWE 61. Hiroshi, Hoshina/EK

  • Educational Recording Services ERS830217 LP
  • 1983.II.11

2004?

Hoshima Hiroshi, <2004

  • PALS PTDVD-0710 (NEEDED)
  • DVD

Elgar Howarth, <2018

62. Harper, Philip/Cory Band 63. Ishizuya, Harunori/NHS

  • Doyen DOY CD371
  • CD 15,16
  • 2017.I.7-9

Harunori Ishizuya, <2008, (1,4,15,16)

  • Brain Music BOD-3080
  • DVD

LP
2008 1977
(Note that the last three movements arranged are all abridged)

L. Kevin Kastens, <1977, (16)

  • Smith-Walbridge Originals 30684
  • 64. Smith, Gary/UIBB

Geert van Keulen, 1992

(no known recordings of the complete work: see Slatkin)

Joseph Kreines*, 2006

  • Private
  • 65. Cox, Rhett/TCHSWE
  • CDR
  • 2007.V.2

Paul Lavender*, <2012

66. Colburn, Michael/USMB 67. Sedatole, Kevin/MSUWS

  • United States Marine Band USMB CD-29 CD
  • 2013.V.6-10

  • 2013.XII
  • Mark 50864-MCD
  • CD

Erik Leidzen*, 1941

Note that for some inexplicable (the original key of E-flat is band-friendly) reason, the Great Gate of Kiev is transposed to D-flat in this arrangement, which was made for the Goldman Band
68. Begian, Harry/ISYMSCB 69. Bencriscutto, Frank/UMCBE 70. Cavanagh, George/UAHWE 71. Dalby, Max/HSHSB
Crusade Enterprises LP-S 217-02 Ampria Productions 5-5302 Silver Crest ATL 77-5 Century 24524 Conductor Records 9372 Mark MC 14012 Silver Crest NJ21675 (NEEDED) Silver Crest LFE 82475 Coronet XCTV 97523 Private Luther College Concert Band LCCB-5 Private SWFC-1001 Vanguard VSD-2124 Century 16395 Musicmasters MMCD 410 Mark MW94MCD-7 Recorded Publications Z 88362 Hoe PDB-119

Federal Works Agency Program No. 22 16” LP 15, 16

  • LP 16
  • 1973

ca. 1964 1977 1966 1973
LP 15, 16 LP 13-16 LP 15, 16 LP 15, 16 LP 16
72. Fried, Floyd/SJHB 73. Hansen, Richard/HHSCB 74. Hunsberger, Donald/NJAWE 75. Lewis, Fred/FHSCB 76. McGinnis, Donald/OSUCB 77. Muffley, Ned/USNB
1979-80

  • 1975
  • LP 16

  • LP 16
  • 1975.VI.4

1964.III.13 ca. 1960 ca. 1949 1974.V.17 ca. 1962 1963
LP 15, 16 CD 78 16` LP 15,16 LP 16 LP 16 CD 16 CD 15, 16 LP 1,6,7,15,16 1974
78. Noble, Weston/LCCB 79. Reimer, L. R./YCHSCB 80. Revelli, William/UMSB 81. Revelli, William/ANHSB 82. Rutterford, P. J./BHMRM 83. Shelburne, L. Bryan/USAB 84. Schlacks, William/KHSCB 85. Schoepper, Albert/USMB 86. Simmons, Harwood/NYCSB 87. Simon, David/AAASSFB 88. Sutherland, Ronald/CHSWE 89. Thompson, David/BMT 90. Tirey, Gary/OCSoW
1990.I.18-19 1994

LP 1,6,7,9,12-16 ca. 1963
1941 1976 1995.V 1996.IX.8 1971
Crest Custom SUS32076 Mark Custom 2167-8-MCD Bandleader BNA 5130 United Sound USR 3401 Century V1110
LP CD 15,16 CD 16 LP 15, 16 LP 16 LP 15, 16
91. Van Bodegraven, Paul/NMACB 92. Williams, Edgar/FSUMCGB
1960

  • 1966
  • Century 25312

Timothy Loest (1, 7,16)

(No known recordings)

Jim Mahaffey & Carl Major*, (1, 16)

(No known recordings)

David Maker, <1966 (16)

(No known recordings: The existence of this arrangement is only known from a blog posting, and has not been confirmed. It may have been recorded on a 1966 LP for the University of Connecticut Marching Band, conducted by Allan Gillespie.)

Malato, <2010

93. Galduf, Manuel/AMEBPL 94. Anonymous performers

  • IKVA DVD 072
  • CDR

LP ca. 2010 ca. 1984

Bill Moffitt, (16)

Columbia Pictures Publications 1984
(Note: This recording is filed under Mike Story)

Akira Nishikata, <1995 (1, 2, 4, 9, 12, 15, 16)

  • 95. Tazawa, Haruo/HCHSWB
  • Kosei KOCD-4557
  • CD1,2,4,9,12,15,16 1995.VII.25

Larry Odom*, (1993)

(No known recordings: I have score only to 16. This arrangement made for the US Air Force Band.)

Kirk O’Riordan*, 2011?

96. O’Riordan, Kirk/LCCB

  • Private
  • CD
  • 2012.V.5

ca. 1987

Eric Osterling*, 16

  • Jenson Publications CB22JE18A87EZ
  • 97. Unknown performers
  • LP excpt

Merlin Patterson* (2007-8)

Mark 50306 MCD IKVA CD 122
98. Ikegami, Masato/SGCMBTWE 99. Junkin, Jerry/DWS
CD 1-3,9,15,16 2012.XII

  • CD
  • 2011.V

James Ployhar*, (1, 16)

(No known recordings)

Gerald R. Prescott*, (16)

(No known recordings: Abridged arr. in E-Flat)

Jim Prime and Thom Hannum*, <1997 (1, 15, 16)

(No known recordings)

Mikhail Protsenko*, (1,16)

  • Brain-Olympus MVSR 044
  • 100. Nonaka, Toyokazu/GSDFCB
  • CD
  • ca. 2005

Austin Ralphson, (16)

(No known recordings)

Luis G. Ramos, 2011 (15)

  • IKVA CD 154
  • 101. Ramos, Luis (synthesized version)
  • CD
  • 2011

Patrick Roszell*, <2018 (1, 15, 16)

(No known recordings)

Paul Sana, <2009 (16)

  • 102. Nowak, Michel/HMA
  • IKVA DVD 098
  • DVDR

CD
2009.V.1

Erik Saras, <2013)

  • Mark 50554-MCD
  • 103. Thompson, Mallory/AS5ASB
  • 2013.II.16

T. Schmid*,<2011 (1)

(No known recordings)

Robert W. Smith*,<2012 (1, 4)

(No known recordings)

Gerald Sebesky*,<1978 (1, 16)

(No known recordings)

José Schyns, <2011

  • IKVA DVD 125
  • 104. Satoh, Muneo/ISWO
  • DVDR
  • 2011.IX?

Elias Seppälä

  • Hamina Tattoo RTA 1
  • 105. Seppälä, Elias/JCBFDF
  • LP
  • ca. 1990

Carl Simpson*

  • 106. Bell, John Raymond/SIUE
  • Mark 5389-MCD
  • CD
  • 2004.II.17-20

1992.VI

Philip Sparke, 1981 (15, 16)

  • Polyphonic QPRL 053D
  • 107. Watson, James/Black Dyke Mills Band
  • CD 15, 16

Donald W. Stauffer*, <1995, (2, 3, 5, 8, 10)

(No known recordings)

Michael Story*, (1,15, 16)

108. Anonymous performers 109. Anonymous performers

  • Columbia Pictures Publications 1984
  • LP 1
  • ca. 1984

ca. 2004

Kurt Sturzenegger*, (1)

(no known recordings)

Michael Sweeney*, (1, 15, 16)

  • Hal Leonard 63007853
  • CD 1, 15, 16

Tohru Takahashi*, <1999

Private De Haske DHR 11.006-3 Mark 7215-MCD
110. Coppo, Stefano/AMCPT 111. Roost, Jan van der/SBLC 112. Roost, Jan van der/NUAWO 113. Makoto, Yamasaki/AWE
CD CD
2011.IX.9 ca. 1999
CD1,4,6-7,10-13,15-16 2007.VI.10 CD

Private Edition (NEEDED)

2005.I.30

Andreas N. Tarkmann, <1993

  • 114. Bläsersolisten der Deutschen Kammerphilharmonie Deutsche Schallplatten DS 1004-2 CD
  • 1993.V

Les Taylor, <1987 (16)

115. Anonymous performers 116. Toshiyuki, Itikawa/FSWE 117. Kotsuka, And/CUBD 118. Neuen, Don/AETB

  • Belwin Mills MC-20880
  • LP
  • ca. 1987

1997.V.3 2005

Itikawa Toshiyuki, <1997

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    The current Great Gate of Kiev built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock Nieweg Chart Pictures at an Exhibition; Картинки c выставки; Kartinki s vystavki; Tableaux d'une Exposition By Modeste Mussorgsky A Guide to Editions Up Date 2018 Clinton F. Nieweg 1. Orchestra editions 2. String Orchestra editions 3. Wind Ensemble/Band editions 4. Chamber Ensemble editions 5. Other non-orchestral arrangements 6. Keyboard editions 7. Sites, Links and Documentation about the 'Pictures' 8. Reference Sources 9. Publishers and Agents In this chart the composer’s name is spelled as cataloged by the publishers. They use Модест Мусоргский, Moussorgski, Musorgskii, Musorgskij, Musorgsky, Mussorgskij, or Mussorgsky. He was inspired to compose Pictures at an Exhibition quickly, completing the piano score in three weeks 2–22 June 1874. Movement Codes 1. Promenade I 2. Gnomus 3. Promenade II 4. The Old Castle 5. Promenade III 6. Tuileries: Children Quarreling at Play 7. Bydło 8. Promenade IV 9. Ballet of Unhatched Chicks 10. Samuel Goldenberg and Schmuÿle 11. Promenade V 12. The Market Place at Limoges - Le Marché 13. Catacombæ (Sepulcrum Romanum) 14. Cum Mortuis in Lingua Mortua 15. Hut on Fowl’s Legs (Baba-Yaga) 16. The Great Gate of Kiev Recordings: For information about recordings of all 606 known arrangements and 1041 recordings (as of August 2015), see the chart by David DeBoor Canfield, President, International Kartinki s vystavki Association. www.daviddeboorcanfield.org Click on Exhibition. Click on Arrangements. For the August 2018 update of 1112 recordings see Canfield in Sites, Links and Documentation about the 'Pictures' below.
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959

    1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959

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  • Decca Discography

    Decca Discography

    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
  • Emmett Berry

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    1 The TRUMPET of EMMETT BERRY Solographer: Jan Evensmo Last updated: July 18, 2019 2 Born: Macon, Georgia, July 23, 1915 Died: June 22, 1993 Introduction: Emmett Berry was an excellent swing trumpeter but possibly suffered by being overshadowed by the charismatic Roy Eldridge with a related style. It was quite obvious that he should be a candidate for a solography on internet! Early history: Raised in Cleveland, Ohio; began ‘gigging’ with local bands, then joined J. Frank Terry’s Chicago Nightingales in Toledo, Ohio (1932), left Terry in Albany, New York, in 1933and ‘gigged’ mainly in that area during the following three years. Joined Fletcher Henderson in late 1936, and remained until Fletcher disbanded in June 1939. With Horace Henderson until October 1940, briefly with Earl Hines, then with Teddy Wilson’s sextet from May 1941 until July 1942, then joined Raymond Scott at C.B.S. With Lionel Hampton from spring of 1943, week with Teddy Wilson in August 1943, briefly with Don Redman and Benny Carter, then again rejomed Teddy Wilson c. November 1943. With John Kirby Sextet from summer 1944 until January 1945, Eddie Heywood, February until October 1945, then joined Count Basie. Left Basie in 1950. (ref. John Chilton). Message: I met Emmett Berry’s daughter Christina at the National Jazz Museum of Harlem a few years ago, seeking information about her father. I promised her a solography, it has taken some time, but here it is. Hopefully you are happy with this tribute to your father, Christina! 3 EMMETT BERRY SOLOGRAPHY FLETCHER HENDERSON & HIS ORCHESTRA NYC.
  • Buddy Rich Both Sides Mp3, Flac, Wma

    Buddy Rich Both Sides Mp3, Flac, Wma

    Buddy Rich Both Sides mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Both Sides Country: Europe Released: 1976 MP3 version RAR size: 1235 mb FLAC version RAR size: 1548 mb WMA version RAR size: 1186 mb Rating: 4.7 Votes: 738 Other Formats: AUD WAV MMF ASF MIDI MP2 AAC Tracklist Hide Credits Quiet Riot A1 2:49 Arranged By – Ed Finkle*Written-By – D. Robertson* Dateless Brown A2 3:14 Arranged By – Ed Finkle*Written-By – B. Rich*, E. Finkel* Desperate Desmond A3 3:00 Arranged By – Billy Moore Jr*Written-By – B. Moore, Jr.* Oop Bop Sh'Bam A4 2:54 Arranged By – Johnny MandelWritten-By – D. Gillespie* Song Of The Islands A5 4:09 Arranged By – Ernie WilkinsWritten-By – C. E. King* Yardbird Suite A6 3:09 Arranged By – Ernie WilkinsWritten-By – C. Parker* Clap Hands, Here Comes Charlie A7 3:02 Arranged By – Ernie WilkinsWritten-By – McDonald*, Rose*, Meyer* From The Sticks B1 4:42 Arranged By – Ernie WilkinsWritten-By – B. Rich* Sweets Tooth B2 4:01 Arranged By – Ernie WilkinsWritten-By – B. Rich*, E. Wilkins* Richcraft B3 3:06 Arranged By – Ernie WilkinsWritten-By – B. Rich*, E. Wilkins* I Want A Litle Girl B4 4:17 Arranged By – Ernie WilkinsWritten-By – Moll*, Mencher* Indiana B5 3:38 Arranged By – Ernie WilkinsWritten-By – McDonald*, Hanley* Sleep C1 3:15 Arranged By – Gigi GryceWritten-By – Lebieg* Limehouse Blues C2 3:43 Arranged By – Gigi GryceWritten-By – Furber*, Braham* Yesterdays C3 5:39 Arranged By – Gigi GryceWritten-By – Kern*, Harbach* Toot, Toot, Tootsie, Goodbye C4 3:50 Arranged By – Gigi GryceWritten-By – Russo*, Erdman*, Kahn*, Fiorito* Figure Eights C5 4:26 Arranged By – Gigi GryceWritten-By – B.
  • CV Niklas Goldbach Niklas Goldbach, Born 1973 in Witten, Germany, Lives

    CV Niklas Goldbach Niklas Goldbach, Born 1973 in Witten, Germany, Lives

    CV Niklas Goldbach Niklas Goldbach, born 1973 in Witten, Germany, lives and works in Berlin. After studying Sociology at Bielefeld University and “Photography and Video” at the Unversity of Applied Sciences Bielefeld, he was awarded with the “Meisterschüler” degree at the University of the Arts Berlin in 2006. In 2005 he received the Fulbright Grant New York and majored in the MFA program of Hunter College, New York City. In his videos, photographies and installations Goldbach is involved in the relation between architecture and necropolitics in their modernist traditions and postmodern manifestations. Established between reality and fiction, Goldbach’ dissects architectural elements that serve both as backdrops and catalysts of (neo)liberal and (neo)colonial subject construction to create ambiguous perceptions of man-made environments through the lens of a globally expanding interconnectivity of these sites. In his earlier film works, his often duplicated protagonists have colonized epic stages of modern architectural complexes, postmodern urban environments or alleged paradises defying civilisation, all finding their commonality as places oscillating between utopia and dystopia. Niklas Goldbach received several scholarships (among others Stiftung Kunstfonds Bonn 2010, Arbeitsstipendium Bildende Kunst des Berliner Senats 2013, Projektförderung des Berliner Senats 2014, Dresdener Stipendium für Fotografie 2016, Villa Aurora Los Angeles 2017, Recherchstipendium des Berliner Senats 2021) and presented his works in numerous solo shows, group exhibitions, and festivals in venues such as the Berlinale, International Short Film Festival Oberhausen , Museum der Moderne Salzburg, Galerie im Taxispalais Innsbruck, Museo Reina Sofia Madrid, Mori-Art Museum Tokyo, Shanghai 21st Century Minsheng Art Museum, National Taiwan Museum of Fine Arts, Cornerhouse Manchester, Barbican Arts Center London, S.M.A.K.
  • Eg Phd, Mphil, Dclinpsychol

    Eg Phd, Mphil, Dclinpsychol

    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Secret Gardeners: An Ethnography of Improvised Music in Berlin (2012-13) Tom Arthurs PhD Music The University of Edinburgh 2015 Abstract This thesis addresses the aesthetics, ideologies and practicalities of contemporary European Improvised Music-making - this term referring to the tradition that emerged from 1960s American jazz and free jazz, and that remains, arguably, one of today's most misunderstood and under-represented musical genres. Using a multidisciplinary approach drawing on Grounded Theory, Ethnography and Social Network Analysis, and bounded by Berlin's cosmopolitan local scene of 2012-13, I define Improvised Music as a field of differing-yet-interconnected practices, and show how musicians and listeners conceived of and differentiated between these sub-styles, as well as how they discovered and learned to appreciate such a hidden, ‘difficult’ and idiosyncratic artform.

  • Eesti Kontserdi Aastaraamat 2011 SISUKORD

    Eesti Kontserdi aastaraamat 2011 SISUKORD Toomas Velmet 3 Svea Ideon-Marks 5 Tuuli Metsoja 8 Neeme Punder 13 Festival NYYD 18 Eesti Rahvusmeeskoor 24 Hortus Musicus 25 Kontserdiosakond 26 Maakonnad 27 Vanemuise kontserdimaja 28 Pärnu kontserdimaja 30 Jõhvi kontserdimaja 31 Finantstegevus 32 Eesti Kontserdi kontsertide loetelu 37 Esiettekanded 53 Eesti heliloojate teosed 54 Suurvormide ettekanded 59 Kontserdid välismaal Eesti Kontserdi töötajate nimekiri 61 Eesti Kontserdi loomenõukogu 64 Eesti Kontserdi toetajad ja koostööpartnerid 65 2 aastaraamat 2011 Mis juhtuks, kui ühel päeval saab teatavaks, et riigietendusasutus Eesti Kontsert on uksed sulgenud ja kontserte enam ei korralda? Kultuurivõõrad, ja neid on ootamatult palju, ei märkaks mitte midagi ja ülejäänud lohutaks ennast fraasiga, et loodus tühja kohta ei salli. 2011. aasta veebruaris sai Eesti Kontsert 70-aastaseks ning kuu lõpus avas oma esimese kontserdipaiga välismaal – 20. veebruaril toimus suurejooneline avatseremoonia vastvalminud Peterburi Jaani kirikus. Kalendriaasta lõpuks olid selles suurepärases kontserdipaigas ennast näidanud Peterburi nõudlikule publikule kõik vastava võimekusega Eesti muusikakollektiivid ja huvipakkuvad solistid. Samuti on käivitatud projekt Baltic Concert Express, mis viib Neevalinna Baltimaade muusikalisi koostööprojekte. Jaani kirik Peterburis Dekabristide tänaval on muljetavaldav ehitis ja pole kaugel aeg, kui tal on hea renomee haruldase akustikaga kammersaalina. Kodus töötavad juba aastaid Tallinna, Tartu, Pärnu ja Jõhvi suurepärased kontserdimajad ja neis pakutav valik nii maailmanimesid kui ka eesti artiste on olnud muljetavaldav ka möödunud üldisele kriisiaastatele vaatamata. Eelpool nimetatud lavadele on lisandunud u 2000 kohaga “suveooperiteater” Kuressaares ning kui soomlased kohe ja efektiivselt ei reageeri, kolib ooper Savonlinnast Kuressaarde varem kui Savonlinnal teine aastasada käivitub. Viimati Kuressaare ooperit külastanud maailma esitenor José Cura (1962) on selle trendi esimene märk.