Modest Mussorgsky Modest Mussorgsky
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LEIPZIGER Amtsblatt Vom 29.10.2016, Ausgabe 19/2014
29. Oktober 2016 Nummer 19 26. Jahrgang Heimat und Fremde Rückschau und Ausblick Aktiv und entschlossen „euro scene“ spielt vom Die Großwohnsiedlung Seniorenbeirat liefert seit 8. bis 13. November Schönefeld wird 40 – Bilanz 25 Jahren wichtige Impulse Geschichten vom Zuhausesein einer Stadtteilentwicklung für Lebensqualität im Alter Seite 2 Seite 3 Seite 6 Gedenken an die Dokfi lm startet mit einhundert Premieren Pogromnacht „Ungehorsam“ – unter diesem Motto laufen 309 Animations- und Dokumentarfi lme vom 31. Oktober bis 6. November in Leipzig Ein Zeichen gegen antijüdische Politik Volles Programm: Vom sehen sind. Der Länderfo- wollte er setzen: der 17-jährige Jude 31. Oktober bis zum 6. kus Türkei vereint politisch Herschel Grynspan, der am 7. November November können sich aktuelle Dokumentar- und 1938 in der deutschen Botschaft in Paris die interessierten Leipzi- Animationsfi lme, die den den Diplomaten Ernst von Rath nieder- gerinnen und Leipziger offi ziellen Bildern der Regie- schoss. Dieses Attentat war lang ersehnter wieder fast rund um die Uhr rung unabhängige Filme Vorwand der Nationalsozialisten für Filmproduktionen aus aller entgegenstellen wollen. die Reichspogromnacht vom 9. auf den Welt anschauen. 309 Ani- In der Retrospektive 10. November und den Auftakt für eine mations- und Dokumentar- dreht sich alles um den pol- öffentliche und sich brutal verstärkende fi lme stehen auf dem prall nischen Dok-Film, und das Verfolgung der Juden. gefüllten Programm des 59. Jugendprogramm bekennt Leipzig erinnert an die Opfer und Internationalen Leipziger „We are HipHop“. Im Son- lädt am 9. November, 18.30 Uhr, an Festivals für Dokumentar- derprogramm „Der andere die Gedenkstätte Gottschedstraße zur und Animationsfi lm (DOK Blick? Alltag in der DDR“ Kranzniederlegung und Schweigeminute Leipzig). -
Orchestra
Модест Мусоргский Картинки c выставки Modest Mussorgsky Pictures at an Exhibition All 700 known arrangements and 1177 recordings thereof Updated May 30, 2021 Arrangement Arranger(s)*, Year of Arrangement, (Movements Arranged) Performer(s) Label & No. Format Mvts Recording Date *score in IKVA archive #=Live recording #live performance Movement codes 1. Promenade I 9. Ballet of Unhatched Chicks 2. Gnomus 10. Samuel Goldenberg and Schmuyle 3. Promenade II 11. Promenade V 4. The Old Castle 12. The Market Place at Limoges 5. Promenade III 13. Catacombs 6. Tuileries: Children Quarreling at Play 14. Lingua Mortua 7. Bydlo 15. Hut on Fowl’s Legs (Baba-Yaga) 8. Promenade IV 16. The Great Gate of Kiev Accordion Nikola Djoric, <2019 1. Djoric, Nikola Signum Classics 0301193BC CD 2019?.VIII.27-29 Alexander Sevastian(?) <2011 (2,9) 2. Sevastian, Alexander Analekta AN 2 9929 CD 2011.II Mikhail Shostak(?) <2012 (11,12) 3. Shostak, Mikhail Private CD 11,12 ca. 2012 Maria Vlasova(?), <2009 4. Vlasova, Maria Art Classics ART-185 CD 2009.XI Accordion Duo James Crabb & Geir Draugsvoll, <1996 5. Crabb, James/Draugsvoll, Geir EMI CDZ 7243 5 69705 2 6 CD 1996.VIII 6. Crabb, James/Draugsvoll, Geir Private CDR 2002.I.27 Georg Espitalier*, <1995 (1,3,7, 8, 9, 11, 12, 13) (No known recordings) Dominik Kwiecien, <2013 (4) 7. Kwiecien, Dominik/Delgiusto, Dean Private DVDR 2013.V.8 Keiichiro Shozu, <2016 8. Shozu, Keiichiro/ Satoshi Kitamura Disc Classica DCJA 21037 CD 2016 Accordion Trio Heikki Jokiaho, <2002 9. Trio Fratres Alba ABCD 188 CD 2002.X.14-15 Accordion, Violin, Saxophone, & Double Bass Dermot Dunne 10. -
Mitteilungsblatt Brunnenregion 2017 KW17
17 28. APRIL 2017 Kleintierzuchtverein C 425 Epfenbach e.V. Kleintierzuchtverein C 425 Epfenbach e.V. Kleintierzuchtverein C 425 Epfenbach e.V. lädt herzlich ein lädt herzlich ein zum Gockelfest am lädt herzlich ein 1.lädt Mai herzlich 2017ein am von 10:30 Uhr bis 18:00 Uhr zum Gockelfest Gockelfest am am in der Züchterhalle Waldstraße 16, in Epfenbach zum am Für das leibliche1. Wohl Mai istGockelfest gesorgt 2017 und zusätzlich gibt es Nachmittags Kaffee und Kuchen von 10:30 Uhr bis 18:00 Uhr 1. Mai1. Mai 2017 2017 in vonder Züchterhalle 10:30von WaldstraßeUhr 10:30 bis Uhr 18:0016, bis in Epfenbach18:00 Uhr Uhr in der Züchterhalle Waldstraße 16, in Epfenbach Für das leibliche Wohl ist gesorgt und zusätzlich gibt es Nachmittags Kaffee und Kuchen Für das leibliche Wohl ist gesorgt und zusätzlich gibt es nachmittags Kaffee und Kuchen. S. 12 Saisonauftakt am 30. April Maibaumfest auf dem Marktplatz in Waibstadt Wir begrüßen Sie auch 2017 herzlich auf der Sonntag, 30. April 2017, ab 17.30 Uhr Veranstalter Turnverein 1865 Waibstadt e.V. Strecke S. 43 Fahrpläne auf den Rathäusern oder unter www.Krebsbachtal-bahn.de S. 45 Amtsblatt des Gemeindeverwaltungsverbandes Waibstadt · 28. April 2017 · Nr. 17 | 2 Bereitschaftsdienste Veranstaltungskalender Rettungsdienst 112 Allgemeiner Notfalldienst bundesweite Rufnummer 116 117 GRN-Klinik Sinsheim, Alte Waibstadter Straße 2, 74889 Sinsheim Epfenbach Mo., Di., Do., 19.00 - Folgetag 7.00 Uhr, Mi., 13.00 - Do., 7.00 Uhr, Fr., 19.00 bis Mo., 7.00 Uhr durchgehend Feiertage von 19.00 Uhr des Vortages bis 7.00 Uhr des Folgetages 28.04. -
Page 1 (1/31/20) Waltz in E-Flat Major, Op. 19 FRÉDÉRIC CHOPIN
Page 1 (1/31/20) Waltz in E-flat major, Op. 19 FRÉDÉRIC CHOPIN (1810-1849) Composed in 1831. Chopin’s Waltz in E-flat major, Op. 18, his first published specimen of the genre and one of his most beloved, was composed in 1831, when he was living anxiously in Vienna, almost unknown as a composer and only slightly appreciated as a pianist. In 1834, he sold it to the Parisian publisher Pleyel to finance his trip with Ferdinand Hiller to the Lower Rhineland Music Festival at Aachen, where Hiller introduced him to his long-time friend Felix Mendelssohn. The piece was dedicated upon its publication to Mlle. Laura Horsford, one of two sisters Chopin then counted among his aristocratic pupils. (Sister Emma had received the dedication of the Variations on “Je vends des scapulaires” from Hérold’s Ludovic, Op. 12 the year before.) The Waltz in E-flat follows the characteristic Viennese form of a continuous series of sixteen- measure strains filled with both new and repeated melodies that are capped by a vigorous coda. Ballade No. 1 in G minor, Op. 23 FRÉDÉRIC CHOPIN Composed 1831. In the Ballades, “Chopin reaches his full stature as the unapproachable genius of the pianoforte,” according to Arthur Hedley, “a master of rich and subtle harmony and, above all, a poet — one of those whose vision transcends the confines of nation and epoch, and whose mission it is to share with the world some of the beauty that is revealed to them alone.” Though the Ballades came to form a nicely cohesive set unified by their temporal scale, structural fluidity and supranational idiom, Chopin composed them over a period of more than a decade. -
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St. -
Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music. -
Gnomes” from Pictures at an Exhibition
“Gnomes” from Pictures at an Exhibition Modest Mussorgsky Born: March 21, 1839 In addition to his instrumental Died: March 28, 1881 music, Mussorgsky wrote songs, and several operas. His operatic Modest Mussorgsky was born in masterpiece is Boris Godunov, the Russian village of Karevo. about a Russian Tsar who lived His mother gave him his first in the 1500’s. piano lessons, and it was clear early on that Mussorgsky was a Mussorgsky wrote Pictures at very good pianist. an Exhibition to honor his friend Victor Hartman, an artist and Modest went to military architect who died at the age of boarding school, and when he 39. After viewing a memorial graduated, he joined the army exhibition of Hartman’s work, as an officer. Then, Mussorgsky Mussorgsky decided to create his started studying music with own tribute - music depicting ten Russian composer Mily pieces of art in the show. Pictures Balakirev, and left the army to at an Exhibition was originally become a composer. He was written for piano, but there have part of a group of five Russian been many orchestrations of the composers known as “The Five,” piece. The most famous is by or the “Mighty Handful.” Maurice Ravel. Mussorgsky had a hard time The first picture in Mussorgsky’s making a living as a composer, musical exhbition is a sketch especially after his family lost all for a nutcracker shaped like a its money; so he found a gnome. government job, and continued to spend all his spare time composing. Picture This Modest Mussorgsky We can not see the painting of the “Gnomes” Mussorsky saw. -
Musically Russian: Nationalism in the Nineteenth Century Joshua J
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:40 PM - 4:00 PM Musically Russian: Nationalism in the Nineteenth Century Joshua J. Taylor Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons Taylor, Joshua J., "Musically Russian: Nationalism in the Nineteenth Century" (2016). The Research and Scholarship Symposium. 4. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/4 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Musically Russian: Nationalism in the Nineteenth Century What does it mean to be Russian? In the eighteenth and early nineteenth centuries, Russian nobility was engrossed with French culture. According to Dr. Marina Soraka and Dr. Charles Ruud, “Russian nobility [had a] weakness for the fruits of French civilization.”1 When Peter the Great came into power in 1682-1725, he forced Western ideals and culture into the very way of life of the aristocracy. “He wanted to Westernize and modernize all of the Russian government, society, life, and culture… .Countries of the West served as the emperor’s model; but the Russian ruler also tried to adapt a variety of Western institutions to Russian needs and possibilities.”2 However, when Napoleon Bonaparte invaded Russia in 1812, he threw the pro- French aristocracy in Russia into an identity crisis. -
NEWSBREAK News and Developments at Clarion University of Pennsylvania
\fH\ (J CLARION UNIVERSITY NEWSBREAK News and developments at Clarion University of Pennsylvania CLARION NEWSBREAK-January z3, 19a? Taylor Publishes Article Centennial Art Dislay Opens Dr. Richard Taylor, professor of health CUP continues to mark the Centennial Celebration of the State Normal School and physical education, had an article titl at Clarion, with its first exhibit at the Sandford Gallery in 1937. ed, "Racquetball Skills Classes: Organiza The exhibit, titled "Artists in Education: An Exhibition for the Centennial tion and Evaluation", published in "The of Clarion 5tate Normal School", includes work from many of the past and all Physical Educator", the physical educa of the present art faculty during Clarion's previous 100 years. tion journal. The exhibit opened Jan. 20 and continues through Feb. 1. A reception and The article describes a system of special Baroque music presentation will be held on Sunday, Jan. 25, 2-4 p.m. organizing the class to allow students to Gallery hours are 10 a.m.-2 p.m. Monday through Friday and 2-4 p.m. Sunday. experience singles competition without The exhibit is free and open to the public. greatly sacrificing participation. "We are very pleased with the exhibit," said Judy Bond, Sandford Gallery curator. The plan involves separating the class A request earlier in the year for help in finding art work created by former pro into ability levels and allowing them to fessors received an excellent response. play a tournament with one another The result is not only a display of fine artistic work, but an exhibit of following a prearranged bracket. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Sholund Scholarship Concert Chapman Symphony Orchestra
Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 5-5-2002 Sholund Scholarship Concert Chapman Symphony Orchestra Chapman University Choir Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Chapman Symphony Orchestra and Chapman University Choir, "Sholund Scholarship Concert" (2002). Printed Performance Programs (PDF Format). Paper 1067. http://digitalcommons.chapman.edu/music_programs/1067 This Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. 1· l\. r > CJ ..·IAP M....A ···. 1\1l' l..... 1·~ 1··y·1. ..•, ·· f.,,) ('I '.. .....I 'Y . Sc:H<)OL 01; MtJsrc: presents the a C.<Mfl pnn;id(~s.financia[support a1u{assista1z,ce to tlie Scfioo[ of· Music i11 tfie.f(Jll(J·uJinf:J 'U)(1ys: J;"~ <F11-nd1:118 <For .<Master Cliisses ··-"' 4 ·t·... ('"'""'"' "'""). <;" ·1··~1 .. ··1 r·1 1·.. <.......) 1·..1 .. ~r~ ;4nnualSclioo[ of Music ;4·u)ards <l)inner G·-· 1"(' .. ... " ... ]\;,;:,, ... \.)." . .J~~ <l?J;ceptions J )_ 1 .1 Cruest, c·l"'onauctor C7. Al· ,un znus l?f .tne YC~tir J"' T)sfiersf()r .:A1usic <E·vents .S~ <Fundi'ntJ_f(Jr Cfiora[ Q?.Jsers CllAPMAN SYMI>lJ()NY ()R.("'.'.1Il1:S'['RA John Koshak, Music L>irector ctnd (::·onductor ("~ C: 1-IAP MA"N lJ. N . .lVT; , ·1>,,~ c·1 '... l ..... ,.. y··. •... f 1•······1·( ..... ) 1··.... ·1) \. -
The Current Great Gate of Kiev Built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock
The current Great Gate of Kiev built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock Nieweg Chart Pictures at an Exhibition; Картинки c выставки; Kartinki s vystavki; Tableaux d'une Exposition By Modeste Mussorgsky A Guide to Editions Up Date 2018 Clinton F. Nieweg 1. Orchestra editions 2. String Orchestra editions 3. Wind Ensemble/Band editions 4. Chamber Ensemble editions 5. Other non-orchestral arrangements 6. Keyboard editions 7. Sites, Links and Documentation about the 'Pictures' 8. Reference Sources 9. Publishers and Agents In this chart the composer’s name is spelled as cataloged by the publishers. They use Модест Мусоргский, Moussorgski, Musorgskii, Musorgskij, Musorgsky, Mussorgskij, or Mussorgsky. He was inspired to compose Pictures at an Exhibition quickly, completing the piano score in three weeks 2–22 June 1874. Movement Codes 1. Promenade I 2. Gnomus 3. Promenade II 4. The Old Castle 5. Promenade III 6. Tuileries: Children Quarreling at Play 7. Bydło 8. Promenade IV 9. Ballet of Unhatched Chicks 10. Samuel Goldenberg and Schmuÿle 11. Promenade V 12. The Market Place at Limoges - Le Marché 13. Catacombæ (Sepulcrum Romanum) 14. Cum Mortuis in Lingua Mortua 15. Hut on Fowl’s Legs (Baba-Yaga) 16. The Great Gate of Kiev Recordings: For information about recordings of all 606 known arrangements and 1041 recordings (as of August 2015), see the chart by David DeBoor Canfield, President, International Kartinki s vystavki Association. www.daviddeboorcanfield.org Click on Exhibition. Click on Arrangements. For the August 2018 update of 1112 recordings see Canfield in Sites, Links and Documentation about the 'Pictures' below.