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DONIZETTI 2 Cds Lucrezia Borgia Theodossiou • De Biasio • Iori • Palacios Orchestra and Chorus of the Bergamo Musica Festival Gaetano Donizetti

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DONIZETTI 2 Cds Lucrezia Borgia Theodossiou • De Biasio • Iori • Palacios Orchestra and Chorus of the Bergamo Musica Festival Gaetano Donizetti 660257-58bk Lucrezia:570034bk Hasse 4/11/09 9:24 PM Page 12 DONIZETTI 2 CDs Lucrezia Borgia Theodossiou • De Biasio • Iori • Palacios Orchestra and Chorus of the Bergamo Musica Festival Gaetano Donizetti Photo © Studio UV Gianfranco Rota Tiziano Severini C M Y K 8.660257-58 12 660257-58bk Lucrezia:570034bk Hasse 4/11/09 9:24 PM Page 2 Gaetano Luca Dall’Amico Luca Dall’Amico was born in 1978 in Vicenza, where he studied, before vocal training with Sherman Lowe. He made his début in 2003 in Carmen at the Verona Arena, with DONIZETTI appearances as the Bonze in Madama Butterfly and Figaro in Le nozze di Figaro. His (1797–1848) career continued with appearances in 2004 at the Pesaro Rossini Opera Festival, and the following year in Seoul and at La Fenice in Venice, touring with the latter company to China Lucrezia Borgia and in 2007 appearing in Death in Venice and Il barbiere di Siviglia. His career has brought appearances in opera houses throughout Italy and in Spain, with a successful series of Melodramma in a Prologue and Two Acts concert performances. He won third prize in the Adami Corradetti Competition. Libretto by Felice Romani Lucrezia Borgia . Dimitra Theodossiou Gennaro . Roberto De Biasio Don Alfonso, Duke of Ferrara . Enrico Giuseppe Iori Maffio Orsini . Nidia Palacios Tiziano Severini Rustighello . Luigi Albani Born in Rome, Tiziano Severini studied violin, composition and conducting there at the Santa Cecilia Conservatorio, continuing his training with Pina Carmirelli, Arthur Grumiaux, Gubetta . Giuseppe Di Paola Corrado Romano in Geneva, Salvatore Accardo at the Siena Accademia Chigiana, and with Astolfo . Mauro Corna Franc Ferrara. He made his début in Milan in 1982 in an As.Li.Co. production of Jeppo Liverotto . Livio Scarpellini Pergolesi’s Il Flaminio, followed by appointment as artistic director of the Treviso Teatro Comunale and principal conductor of the Veneto Philharmonic Orchestra. He went on to Oloferno Vitellozzo . Giovanni Manfrin conduct leading symphony orchestras and performances in major Italian theatres, including Apostolo Gazella . Luca Dall’Amico La Scala, Milan, La Fenice in Venice and San Carlo in Naples, appearing at distinguished Ascanio Petrucci . Dario Giorgelè festivals and as a conductor throughout Europe, the Americas, Russia and Japan. He was appointed Musical Director of the Orchestra Sinfonica del Friuli Venezia Giulia in 2004. Orchestra and Chorus of the His award-winning recordings include a video of La Bohème from San Francisco with Bergamo Musica Festival Gaetano Donizetti Pavarotti, Mirella Freni and Nicolai Ghiaurov, and releases of Anna Bolena, I Lombardi, Vaccai’s Giulietta e Romeo, Smareglia’s Nozze Istriane, Mayr’s Ginevra di Scozia and Conductor: Tiziano Severini Wolf-Ferrari’s Il Segreto di Susanna. Bergamo Musica Festival Orchestra and Chorus Specially formed in 2006 to participate in the Autumn Bergamo Donizetti Opera season, the Bergamo Musica Festival Orchestra and Chorus is made up in large part of both members of staff and the best students of the Istituto Musicale bergamasco. 8.660257-58 2 11 8.660257-58 660257-58bk Lucrezia:570034bk Hasse 4/11/09 9:24 PM Page 10 Nidia Palacios CD 1 55:56 CD 2 76:45 The Italian-Argentinean mezzo-soprano Nidia Palacios was born in Buenos Aires where 1 Prelude 2:03 Act I, Scene 1 she attended the Music Academy Carlos Lopez Buchardo and later the Academy of Teatro Prologue 1 Tutto eseguisti? (Alfonso, Rustighello, An Usher) 1:40 Colón. She later studied at the Music Academy in Karlsruhe with Maria Venuti. She made her début in Argentina singing the traditional Mozart and Rossini repertory. A winner in 2 Bella Venezia (Gazella, Petrucci, Orsini, 2 Così turbata? (Alfonso, Lucrezia, Gennaro) 4:22 the 1989 Nuevas Voces Liricas competition, she made her European début in Prague. She Liverotto, Vitellozzo, Chorus, Gennaro) 2:42 3 Soli noi siamo (Alfonso, Lucrezia) 5:13 has since appeared in most of the important theatres and with the leading orchestras of 3 Nella fatal di Rimini (Orsini, Liverotto, 4 Oh! a te bada, a te stesso pon mente (Lucrezia, Europe. In 1993 she became a resident artist at the Kassel Staatstheater, with a series of Vitellozzo, Chorus) 4:26 Alfonso) 3:13 leading rôles, and invitations to sing also in Wiesbaden, Stuttgart, Staatsoper Munich, 4 Senti. La danza invitaci (Chorus, Orsini, 5 Trafitto tosto ei sia (Alfonso, Lucrezia, Gennaro) 4:16 Nuremberg, Mannheim, Dresden, and Cologne. In May 1995 she made her début as Petrucci, Liverotto, Vitellozzo, Gazella) 2:58 6 Guai se ti sfugge un moto (Alfonso, Lucrezia, Carmen at the Bolshoy Opera in Minsk, singing the same rôle one month later in Hamburg 5 Tranquillo ei posa (Lucrezia, Gubetta) 5:00 to great acclaim. In 1997 she won the Concorso Internazionale Giuseppe di Stefano in Gennaro) 2:31 Trapani and was cast to sing Cenerentola and Adalgisa in Norma. She was a resident 6 Com’è bello! quale incanto (Lucrezia, Alfonso, 7 Or via: mesciamo! (Alfonso, Gennaro, Lucrezia) 4:36 Rustighello) 3:03 artist at the Frankfurt Opera from 2000 until 2005, where she was heard in such rôles as Act II 7 Mentre geme il cor sommerso (Lucrezia) 3:26 Dorabella, Poppea, Fenena, Hänsel, Ariodante and Angelina. Her career has brought 8 Rischiarata è la finestra (Chorus, Rustighello) 4:41 performances throughout Europe and as far afield as Japan. 8 Ciel! … Che vegg’io? (Lucrezia, Gennaro) 2:50 9 Sei tu? … Son io (Gennaro, Orsini, Chorus, 9 Di pescator ignobile (Gennaro, Lucrezia) 3:45 Mauro Corna Rustighello) 3:12 0 Mauro Corna, born in Chiari in 1975, studied in Milan and Piacenza, with further study Ama tua madre, e tenero (Lucrezia, Gennaro) 3:21 0 Onde a lei ti mostri grato (Orsini, Gennaro) 3:29 in Umbria. He is now continuing his training with the soprano Luisa Maragliano and the ! Gente appressa. Io ti lascio (Lucrezia, Gennaro, ! Sia qual vuolsi il tuo destino (Gennaro, Orsini, tenor Enzo Consuma. He has been successful in a number of competitions and for two Orsini, Liverotto, Vitellozzo, Petrucci, Gazella, Rustighello, Chorus) 2:55 Chorus) 1:28 consecutive years has participated in the Dordrecht Belcanto Festival, where he has sung @ Stolti! Ei corre alla Negoni (Rustighello, Chorus) 1:59 the rôles of Masetto and the Commendatore in Mozart’s Don Giovanni and Ombrino and @ Maffio Orsini, signora, son io (Orsini, Vitellozzo, # Viva il Madera! Viva! Viva! (Liverotto, Tiburzio in the first modern performances of Righini’s Don Giovanni, recorded for Liverotto, Petrucci, Lucrezia, Gennaro, Gazella, Vitellozzo, Gazella, Petrucci, Orsini) 3:09 Bongiovanni. His repertoire ranges from Mozart to Rossini, Bellini, Verdi and Puccini, and Chorus) 5:33 $ Ebbri son già (Gubetta, Gennaro, Orsini, Chorus, in 2005 he made his début in Attila in Busseto. He has sung in Gianni Schicchi in Jesi and Act I, Scene 1 La forza del destino in Piacenza, and made his début as the Commendatore at the Verona Liverotto, Vitellozzo, Petrucci, Gazella) 2:29 # Del veneto corteggio lo ravvisasti? (Alfonso, Filarmonico and in Reggio Emilia. Other appearances include Nabucco in Bologna and % Pace, pace per ora! (Liverotto, Vitellozzo, Orsini, Rustighello, Chorus) 2:43 Savonlinna, Anna Bolena in Bergamo and Tokyo, Il Duca d’Alba at the Montpellier Gennaro, Gubetta, Petrucci, Gazella, Festival and Cazzaniga’s Don Giovanni in Montpellier. $ Vieni: la mia vendetta (Alfonso, Rustighello) 1:51 A Cupbearer) 1:39 % Qualunque sia l’evento (Alfonso, Rustighello) 3:03 ^ Il segreto per esser felici (Orsini, Gazella, Livio Scarpellini ^ Addio, Gennaro (Orsini, Liverotto, Vitellozzo, Liverotto, Petrucci, Vitellozzo, A Voice within, Born in Bergamo, Livio Scarpellini studied the piano at the Bergamo Istituto Santa Cecilia Petrucci, Gazella, Gennaro, Gubetta) 3:02 Chorus, Gennaro) 4:00 and with Franco Federici in Parma. A light tenor, he prefers rôles such as those of Nemorino & Qui che fai? (Rustighello, Astolfo, Chorus) 1:30 & La gioia de’ profani (Chorus, Orsini, Gennaro, (L’elisir d’amore), Count Almaviva (Il barbiere di Siviglia), Ernesto (Don Pasquale) and Liverotto, Vitellozzo, Petrucci, Gazella, Lucrezia) 4:11 Beppe (Rita). He has worked with a number of important choral ensembles, including * Non far motto, parti, sgombra (Chorus, those of La Scala, Milan, the Teatro Regio of Parma, RAI in Milan and RTSI in Lugano Rustighello, Astolfo) 3:07 * Tu pur qui? non sei fuggito? (Lucrezia, Gennaro) 4:04 and has appeared with the Bergamo Music Festival Opera Ensemble in tours of Hungary, ( M’odi, ah m’odi … io non t’imploro (Lucrezia, Rumania, Luxemburg and Sweden and in concerts in the province of Bergamo. His concert Gennaro) 4:51 career has included collaboration in performances of Mayr’s Lamentations of Jeremiah, ) Ah! … Madre se ognor lontano (Gennaro, Mozart’s Requiem, Bach’s St Matthew Passion and Rossini’s Petite Messe Solennelle. He Lucrezia, Alfonso, Chorus) 4:17 works with early music ensembles, including the quartet Soli Deo Gloria. ¡ Era desso il figlio mio (Lucrezia, Chorus) 5:52 8.660257-58 10 3 8.660257-58 660257-58bk Lucrezia:570034bk Hasse 4/11/09 9:24 PM Page 4 Gaetano Donizetti (1797–1848) Dimitra Theodossiou Lucrezia Borgia The Greek soprano Dimitra Theodossiou came to international attention as Odabella in Attila in Bologna and Parma. She sang Lina in Stiffelio in Lisbon and Trieste, Norma in There can be few figures who have come down in history cried “they insist upon seeing you; they are striding over Verona, Catania, Tokyo and Macerata, Giselda in I Lombardi in Florence, Anna Bolena with such a bad reputation as the real Lucrezia Borgia. the orchestra and forcing their way on to the stage; you in Naples, Munich and Bergamo, Elvira in Ernani in Madrid, Leonora in Il trovatore and Her name is synonymous with intrigue and poisoning and must appear or they will break everything they lay hands Lucrezia in I due Foscari at La Scala under Muti, Desdemona in Otello in Venice, Elisabetta it is easy to see why her life story has appealed to writers upon”.
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