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Byzantine Coadjutor Archbishop Installed at Cathedral Reflection
Byzantine coadjutor archbishop installed at Cathedral By REBECCA C. M ERTZ I'm com ing back to m y home in Pennsylvania, Before a congregation of some 1800 persons. m arked another milestone in the history of the PITTSBURGH - In am elaborate ceremony where I have so many friends and where I've Archbishop Dolinay, 66, was welcomed into his faith of Byzantine Catholics. Tuesday at St. Paul Cathedral, Byzantine Bishop spent so m uch of m y life," Archbishop Dolinay position w ith the traditional gifts of hospitality, "Today we extend our heartfelt congratula Thom as V. Dolinay of the Van Nuys, Calif., said at the close of the cerem ony. bread, salt and the key. tions to Bishop Dolinay," Archbishop Kocisko Diocese was installed as coadjutor archbishop of As coadjutor. Archbishop Dolinay will have the The papal "bulla" appointing Archbishop said, "as we chart the course of the archdiocese the Byzantine Metropolitan Archdiocese of Pitt right of succession to Archbishop Kocisko. The Dolinay was read, and Archbishop Kocisko through the next m illenium .” sburgh. with Archbishop Stephen J. Kocisko, new archbishop, a native of Uniontown, was or recited the prayer of installation, and led A r During the liturgy that followed the installa the present leader of the Pittsburgh Archdiocese, dained to the episcopate in 1976. Before serving chbishop Dolinay to the throne. tion ceremony, Bishop Daniel Kucera, OSB, a officiating. in California, he was first auxiliary bishop of the In his welcom ing serm on. Archbishop Kocisko form er classmate of Archbishop Dolinay's at St. “I'm overjoyed in this appointment because Passaic, N .J. -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Bo Diddley to Peform ------— at the Chili Factory Due to an Unfortunate Oversight, the Last Saturday, Feb
'«£'SS’£X'i«55>*S>?? ?f»& V •V ftv ,<> *^e<?v ^ o|b | ^A*^, °il^ li*i«l;|| Ju'.iitv S J w S S i k # I w 5 % \ S S f e M l m & ig m \ •ft;6' S ^ e * K&@£sfcrfg££ \ * e >te ’ «&«K t£& b 'V l J k 0 m $ L '^ fs ; ig $ it i > 9 4 3 &&&&aV ^''^ j r a g ^ S « * * » * ° * t* % y < e ^ V \ e V ^ w s ^ F T s m \ l i S ^ ^ H ® 0 $ ^ m S m m U S S U M “Okay, what is it! lean see th a t loo your face again»99 —mi ■! v^r— \\ ✓ / e W m m M A ^ k 2A Thursday, February 21,1985 Daily Nexus Jean-Luc Ponty Departing from Perfection Jean-Luc Ponty started his recent concert with a bit of dramatic suspense. As the curtains opened last Wednesday night he stood with no violin, but instead playing keyboards. It wasn’t until he picked up his unusually shaped electric violin that I felt completely involved in his music. There was satisfaction in seeing Ponty perform after hearing what I always thought was possibly a violin but was never quite sure in many cases. Being able to see Ponty playing his violin gave a sense of the inventiveness and originality of his music. Armed also with a full backup band, Ponty • was very successful in presenting music that seemed to be 8 much less effective on his latest albums. j: The difference between Ponty’s performance of the title track “Open Mind” the night of the concert as opposed to • the recording was that there were people playing the 2 drums, bass and guitar instead of computers. -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
Vatican Secret Diplomacy This Page Intentionally Left Blank Charles R
vatican secret diplomacy This page intentionally left blank charles r. gallagher, s.j. Vatican Secret Diplomacy joseph p. hurley and pope pius xii yale university press new haven & london Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Copyright © 2008 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala and Scala Sans by Duke & Company, Devon, Pennsylvania. Printed in the United States of America by Sheridan Books, Ann Arbor, Michigan. Library of Congress Cataloging-in-Publication Data Gallagher, Charles R., 1965– Vatican secret diplomacy : Joseph P. Hurley and Pope Pius XII / Charles R. Gallagher. p. cm. Includes bibliographical references and index. ISBN 978-0-300-12134-6 (cloth : alk. paper) 1. Hurley, Joseph P. 2. Pius XII, Pope, 1876–1958. 3. World War, 1939–1945— Religious aspects—Catholic Church. 4. Catholic Church—Foreign relations. I. Title. BX4705.H873G35 2008 282.092—dc22 [B] 2007043743 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Com- mittee on Production Guidelines for Book Longevity of the Council on Library Resources. 10 9 8 7 6 5 4 3 2 1 To my father and in loving memory of my mother This page intentionally left blank contents Acknowledgments ix Introduction 1 1 A Priest in the Family 8 2 Diplomatic Observer: India and Japan, 1927–1934 29 3 Silencing Charlie: The Rev. -
2010:Frntpgs 2004.Qxd 6/21/2010 4:57 PM Page Ai
frntpgs_2010:frntpgs_2004.qxd 6/21/2010 4:57 PM Page Ai Archdiocese of Indianapolis The Church in Central and Southern Indiana ✜ Secretariats, Vicariates, Agencies, Offices, Departments, and Programs ✜ Archbishop Edward T. O’Meara Catholic Center 1400 N. Meridian Street, Indianapolis, IN 46202-2367 P.O. Box 1410, Indianapolis, IN 46206-1410 317-236-1400 1-800-382-9836 Web site: www.archindy.org ROOM NO. TELEPHONE NO. A Promise to Keep (APTK) (Catholic Center) ................................314 317-236-1478 Accounting Services, Offices of (Catholic Center) ........................209 317-236-1410 Adult Day Services .............................................................................. 317-466-0015 4609 N. Capitol Ave., Indianapolis, IN 46208 Archbishop, Office of (Catholic Center)..........................................319 317-236-1403 Archdiocesan Directory and Yearbook (Catholic Center) ..............207 317-236-1587 Archives (Xavier Building)......................................................3rd Floor 317-236-1429 Birthline Crisis Hotline.......................................................................... 317-635-4808 Building Commission, Archdiocesan (Catholic Center)..................104 317-236-1452 Campaign for Human Development, Catholic The (Catholic Center) ..................................................................319 317-236-1571 Catholic Charities and Family Ministries, Secretariat for (Catholic Center)..................................................319 317-236-7325 Catholic Charities Bloomington -
Pope Protests Expulsion of Archbishop by Haiti
THE VOICE HOI Blseayn* Blvd., Miami 3», tim. Return Pottage Guaranteed VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL II, NO. 37 Price $5 a year ... 15 cents a copy DEC. 2, 1960 Pope Protests Expulsion Of Archbishop By Haiti The Holy See has deplored Prince as he sat in his study purple sash and carried only the unjust and disrespectful by six uniformed gendarmes the passport and an airways treatment given to Archbishop and six members of the secret ticket to Paris which"had been Francois Poirier of Port au police. He was placed immedi- handed to him. ately aboard a plane for Mi- Prince by the Haitian govern- The 56-year-old prelate was ami with no personal effects ment when it expelled him met at the Miami International from Haiti on Thanksgiving Day and no money. Airport by Bishop Coleman F. last week. He wore his white robe with (Continued on Page 13) The Vatican expressed its grief in a telegram sent to the Archbishop in the name of Pope John XXIII by Dom- enico Cardinal Tardini, Vati- can Secretary of State. The wire was sent to Archbishop Poirier in his native France to which he returned after first landing in Miami on his forced flight into exile. The telegram said Pope John "is deeply grieved by the vio- lation of the holy rights of the BANISHED FROM HAITI, Archbishop Francois erck Wass, assistant chancellor, after forced Church." It expressed the Poirier is met at Miami's International Airport flight from Port au Prince. -
John Lee Hooker 1991.Pdf
PERFORMERS John Lee Hooker BY JOHN M I L W A R D H E BLUES ACCORDING TO John Lee Hooker is a propulsive drone of a guitar tuned to open G, a foot stomping out a beat that wouldn’t know how to quit, and a bear of a voice that knows its way around the woods. He plays big-city, big-beat blues born in the Mississippi Delta. Blame it on the boogie, and you’re blaming it on John Lee Hooker. Without the music of John Lee Hooker, Jim Morrison two dozen labels, creating one of the most confusing wouldn’t have known of crawling kingsnakes, and George discographies in blues history. Hooker employed such Thorogood wouldn’t have ordered up “One Bourbon, One pseudonyms as Texas Slim, Birmingham Sam, Delta John, Scotch, One Beer.” Van Morrison would not have influenced John Lee Booker, and Boogie Man. Most of his rhythm & generations of rock singers by personalizing the idiosyncratic blues hits appeared on Vee jay Records, including “Crawlin’ emotional landscape of Hooker’s fevered blues. Kingsnake,” "No Shoes,” and “Boom Boom”—John Lee’s sole Hooker inspired these and countless other boogie chil entry on the pop singles chart, in 1962. dren with blues that don’t In the late ’50s, Hooker adhere to a strict 12-bar T H E BLUES ALONE found a whole new audience structure, but move in re Detroit businessman Bernard Besman (in partnership with club owner Lee among the white fans of the sponse to the singer’s singu Sensation) issued John Lee Hooker’s first records in 1948 on the Sensation la folk revival. -
Il Cardinale Pietro Gasparri Segretario Di Stato (1914–1930)
Lorenzo Botrugno Gasparri ed i rapporti con il Regno Unito nel pontificato di Pio XI Spunti per la ricerca a partire dalle sessioni della Congregazione degli Affari Ecclesiastici Straordinari Abstract Through unpublished documentary sources – the minutes of the meetings of the Sacred Congregation of Extraordinary Ecclesiastical Affairs – the essay aims to illustrate Pietro Gasparri’s privileged perspective over anglo-vatican relations. While mainly focused on his period as Cardinal Secretary of State of Pius XI (1922–1930), some hints will also be given to his tenure of office during the pontificate of Benedict XV, as well as to Consalvi’s and Rampolla’s influence on his way of perceiving British matters. Gasparri’s role and at titude will be analysed with particular reference to the negotiations on the appointments of Apostolic Delegates in the British Empire (1926) and the conflict between Church and State in Malta (1928–1932). 1 Introduzione Nel giudizio storiografico la persona e l’opera del Gasparri sono state associate, da sempre, a quella corrente della diplomazia pontificia che si richiama al realismo ed alla flessibilità nella ricerca di intese con gli Stati 1: è dal 1932 che Ernesto Vercesi ne percepì la figura allineata a quella di due suoi predecessori al vertice della Segreteria di Stato, i cardinali Ercole Consalvi e Mariano Rampolla del Tindaro, ognuno dei quali rappresentava natu 1 Tale fu, ad esempio, la percezione di Giovanni Spadolini: “Gasparri era, e restava in ogni atto della sua vita, il grand commis della Chiesa, il grande diplomatico spregiudicato e scettico, armato con tutti i ferri del mestiere ma capace di tutte le duttilità e di tutte le astuzie, pur di servire un fine che egli giudicava essenziale”. -
The Rite of Sodomy
The Rite of Sodomy volume iii i Books by Randy Engel Sex Education—The Final Plague The McHugh Chronicles— Who Betrayed the Prolife Movement? ii The Rite of Sodomy Homosexuality and the Roman Catholic Church volume iii AmChurch and the Homosexual Revolution Randy Engel NEW ENGEL PUBLISHING Export, Pennsylvania iii Copyright © 2012 by Randy Engel All rights reserved Printed in the United States of America For information about permission to reproduce selections from this book, write to Permissions, New Engel Publishing, Box 356, Export, PA 15632 Library of Congress Control Number 2010916845 Includes complete index ISBN 978-0-9778601-7-3 NEW ENGEL PUBLISHING Box 356 Export, PA 15632 www.newengelpublishing.com iv Dedication To Monsignor Charles T. Moss 1930–2006 Beloved Pastor of St. Roch’s Parish Forever Our Lady’s Champion v vi INTRODUCTION Contents AmChurch and the Homosexual Revolution ............................................. 507 X AmChurch—Posing a Historic Framework .................... 509 1 Bishop Carroll and the Roots of the American Church .... 509 2 The Rise of Traditionalism ................................. 516 3 The Americanist Revolution Quietly Simmers ............ 519 4 Americanism in the Age of Gibbons ........................ 525 5 Pope Leo XIII—The Iron Fist in the Velvet Glove ......... 529 6 Pope Saint Pius X Attacks Modernism ..................... 534 7 Modernism Not Dead— Just Resting ...................... 538 XI The Bishops’ Bureaucracy and the Homosexual Revolution ... 549 1 National Catholic War Council—A Crack in the Dam ...... 549 2 Transition From Warfare to Welfare ........................ 551 3 Vatican II and the Shaping of AmChurch ................ 561 4 The Politics of the New Progressivism .................... 563 5 The Homosexual Colonization of the NCCB/USCC ....... -
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OTIS CLAY BIO Born February 11, 1942 in Waxhaw, Miss., Otis Clay grew up in a thoroughly sanctiFied environment. “LiKe most traditional blacK Families, Church was a big part oF my liFe not just the religious aspect but the social, it was the center oF our community. As Kids we imitated what we saw and heard in the church, that was how the singing thing started.” Gospel would remain Otis’ primary Focus after arriving in Chicago during the mid-‘50s, He joined the Golden Jubilaires, then hooKed up with Charles Bridges’ Famous Blue Jay Singers in 1960. “Here we are singing acappella, and we’re singing in elementary schools, high schools, hotels and colleges and things liKe that,” says Clay. “We were Known as variety singers, or we were billed as (perForming) ‘Old Negro Spirituals and Plantation Melodies.” “AFter the Blue Jays, it was the Holy Wonders. AFter the Holy Wonders, then it was the Pilgrim Harmonizers. AFter the Pilgrim Harmonizers was the Gospel Songbirds, which was a very important group that I was in at that time. And From the Gospel Songbirds, I went to the Sensational Nightingales.” Even as he sang spirituals, Clay cut an unissued R&B session For Columbia with producer Carl Davis. The One-derFul Records deal came about after I leFt Columbia. Cash McCall (Maurice Dollison) who I was in several Gospel groups with, was signed to One-derFul! and he introduced me to the label. It was cool because it was a hip independant label, located on South Michigan Avenue in the heart oF Record Row.