2017—11 November Program Guide
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Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Bo Diddley to Peform ------— at the Chili Factory Due to an Unfortunate Oversight, the Last Saturday, Feb
'«£'SS’£X'i«55>*S>?? ?f»& V •V ftv ,<> *^e<?v ^ o|b | ^A*^, °il^ li*i«l;|| Ju'.iitv S J w S S i k # I w 5 % \ S S f e M l m & ig m \ •ft;6' S ^ e * K&@£sfcrfg££ \ * e >te ’ «&«K t£& b 'V l J k 0 m $ L '^ fs ; ig $ it i > 9 4 3 &&&&aV ^''^ j r a g ^ S « * * » * ° * t* % y < e ^ V \ e V ^ w s ^ F T s m \ l i S ^ ^ H ® 0 $ ^ m S m m U S S U M “Okay, what is it! lean see th a t loo your face again»99 —mi ■! v^r— \\ ✓ / e W m m M A ^ k 2A Thursday, February 21,1985 Daily Nexus Jean-Luc Ponty Departing from Perfection Jean-Luc Ponty started his recent concert with a bit of dramatic suspense. As the curtains opened last Wednesday night he stood with no violin, but instead playing keyboards. It wasn’t until he picked up his unusually shaped electric violin that I felt completely involved in his music. There was satisfaction in seeing Ponty perform after hearing what I always thought was possibly a violin but was never quite sure in many cases. Being able to see Ponty playing his violin gave a sense of the inventiveness and originality of his music. Armed also with a full backup band, Ponty • was very successful in presenting music that seemed to be 8 much less effective on his latest albums. j: The difference between Ponty’s performance of the title track “Open Mind” the night of the concert as opposed to • the recording was that there were people playing the 2 drums, bass and guitar instead of computers. -
The BBB Featuring Bernie Dresel – Live and Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title)
The BBB Featuring Bernie Dresel – Live And Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title) Date: Tuesday, April 19, 2016 Arrive By 7:00 PM, Sound Check 8:00 PM NO Admission Fee Or Cover Charge Joe’s Great American Bar & Grill, Burbank, California Bernie Dresel’ s jazz orchestra, The BBB, is without question one of Los Angeles’ most exciting large jazz ensembles, if not on the planet. The BBB provides potent testimony to the sheer exhilaration of big band jazz...a combination of intense swing and fiery soloing, as well as tight ensemble playing. The BBB is comprised of sixteen seasoned pros on the LA studio scene. Populated by LA’s finest players, The BBB takes the big band tradition into the new millennium with a contemporary, highly original sound featuring the witty, intricate, and hard‐ swinging compositions of established and up‐and‐coming composers and arrangers. And like those other famous road bands such as Buddy Rich’s, Count Basie’s, Woody Herman’s, Stan Kenton’s, Thad Jones/Mel Lewis’, the music and delivery of The BBB’s music is nothing less than astonishing when experienced live. The sound has a contemporary, dynamic and hard swinging energy with a focused edge to it that is like no other jazz orchestra, though reminiscent of Buddy Rich’s ensembles. The band make‐up is unique in that there is no piano but jazz/rockin’ guitar instead, in addition to four trumpets, four trombones, five saxophones and upright acoustic bass and drums. When people hear Bernie’s BBB, the first thing that hits them is its energy and intensity. -
*Ss01/R1317* Mississippi Legislature Regular Session
MISSISSIPPI LEGISLATURE REGULAR SESSION 2004 By: Senator(s) Thomas, Jordan To: Rules SENATE CONCURRENT RESOLUTION NO. 578 1 A CONCURRENT RESOLUTION COMMENDING THE CAREER OF MUSIC 2 HERITAGE PIONEER REVEREND ARNOLD DWIGHT "GATEMOUTH" MOORE. 3 WHEREAS, one of Mississippi's foremost music heritage 4 pioneers, by anybody's standards, is Reverend Arnold Dwight 5 "Gatemouth" Moore, Pastor of the Lintonia A.M.E. Church in Yazoo 6 City, Mississippi; and 7 WHEREAS, born November 8, 1915, in Topeka, Kansas, Arnold 8 Dwight Moore, nicknamed "Gatemouth" because of his loud singing 9 and speaking voice, traveled to Memphis, Tennessee in the early 10 1930s. He attended elementary school at the old Kortrecht 11 Intermediate School and graduated from Booker T. Washington High 12 School under the principalship of the great Educator Blair T. Hunt 13 in 1938, along with Judge Benjamin Hooks, now Chairman of the 14 National Association for the Advancement of Colored People and 15 soon to be Director of the Civil Rights Museum; and 16 WHEREAS, as a boy growing up on the world's famous Beale 17 Street, he was influenced by the black culture and heritage that 18 made up the street and the music that was a result of the 19 day-to-day existence of the individuals that lived there. This 20 true son of Beale Street, and the student of the Blues, was a 21 vocalist at the Elk's "Beale Street Blues Game," better known as 22 The Blues Bowl, under the leadership of Lt. George W. Lee. 23 Gatemouth became Exalted Ruler of the Elk's I.B.B.O.P. -
Was Ist Der FRH? HHTW001 FRH 001 - Was Ist Der FRH? HHTW001
FRH 001 - Was ist der FRH? HHTW001 FRH 001 - Was ist der FRH? HHTW001 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 HELLO STRANGER (BARBARA LEWIS) ATLANTIC 2148 1963 03 HELLO STRANGER (BARBARA LEWIS) 1963- 1 3 - - 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) UA 715 1964 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) 1964- 78 78 - - C 07 ON BROADWAY (DRIFTERS) ATLANTIC 2182 1963 07 ON BROADWAY (DRIFTERS) 1963- 7 9 - - D 08 STAND BY ME (N) (SPYDER TURNER) MGM 13617 1967 08 STAND BY ME (N) (SPYDER TURNER) 1967- 3 12 - - 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) CAPITOL 3205 1955 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) 1955- - - - - - 11 CRAZY CRAZY PARTY (CUES) PREP 104 1957 11 CRAZY CRAZY PARTY (CUES) 1957- - - - - L 13 TIPPETY TOP (RAYS) CHESS 1613 1956 13 TIPPETY TOP (RAYS) 1956- - - - - a 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER CLASS 228 1958 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER) 1958- - - - - y 17 WHEN I FOUND YOU (JERRY REED) CAPITOL 3429 1956 17 WHEN I FOUND YOU (JERRY REED) 1956- - - - - o 18 THREE ALLEY CATS (ROY HALL) DECCA 30060 1956 18 THREE ALLEY CATS (ROY HALL) 1956- - - - - u 20 TEENAGE QUEEN (LONNIE BARRON) SAGE 45-230 1956 20 TEENAGE QUEEN (LONNIE BARRON) 1956- - - - - t 21 SAY YEAH (SAMMY SALVO) RCA 47-7097 1958 21 SAY YEAH (SAMMY SALVO) 1958- - - - - 23 DEEP SEA BALL (CLYDE MC PHATTER) ATLANTIC 2060 1958 23 DEEP SEA BALL (CLYDE MC PHATTER) 1958- - - - - - 24 SHE LOVES TO ROCK (FLAIRS) ABC-PARAM. -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
Azzschool at C ALIFORNI a J a Z Z CON SERVATORY
the azzschool at C ALIFORNI A J A Z Z CON SERVATORY 2019 FALL CATALOG CLASSES • WORKSHOPS • CONCERTS “The California Jazz Conservatory Contents is an exceptional institution, fostering the next generation of artists and educators, INTRODUCTION ADULT VOCAL CLASSES (continued) many on the cutting edge, CJC Concert Series 2 Composition 28 performing, composing, The California Jazz Conservatory 4 Young Singers 28 teaching and touring The Jazzschool at CJC 6 Vocal Mentor Program 29 throughout the world.” ADULT VOCAL WORKSHOPS Dr. Jeff Denson ADULT PERFORMANCE ENSEMBLES Dean of Instruction, CJC Vocal Workshops 30 Jazz 8 Funk 12 Brazilian 12 YOUNG MUSICIANS PROGRAM World 13 Introduction 35 Latin 13 Program Requirements 35 Blues 13 Placement and Audition Requirements 36 ADULT INSTRUMENTAL CLASSES Large Performance Ensembles 37 Small Performance Ensembles 40 Piano and Keyboards 14 Voice 41 Guitar 17 Bass 1 9 Drums and Percussion 20 WORKSHOPS Saxophone 20 For all instruments and voice 4 2 THEORY, IMPROVISATION AND INFORMATION COMPOSITION CLASSES Monterey Jazz Festival Partnership Theory 21 for Excellence in Jazz Improvisation 21 Performance and Education 38 Composition 21 Jazzschool Faculty 53 Board and Staff 60 ADULT VOCAL CLASSES Instructions and Technique and Musicianship 22 Application Form 62 Performance 23 Map 63 Ensemble Singing 26 Support 64 Blues 27 Latin 27 IMPORTANT INFORMATION Dr. Jeff Denson is just • Fall Performance Series takes place 12/9 – 12/15. one of the reasons the California Jazz Conservatory Many opportunities fill early, so sign up now! Visit cjc.edu for current information, as schedules are subject to change. For the latest news from CJC, sign up for succeeds in transforming In a Musician, Out an Artist! our monthly mailed Postcard Calendar and our E-Newsletter at cjc.edu! musicians into artists. -
Blues Society's Monthly Jams Return
November 2001 Web edition ©2001 D.C. Blues Society NOV. 4- Monthly Jam at Taliano’s Some of the jamming in Takoma Park, Maryland on NOV. 18 - Monthly Acoustic Jam at Taliano’s October 21. Photo © Ron Weinstock NOV. 25 Open Member Meeting at HR 57 hotline (202) 828-3028 Blues Society’s Monthly homepage- http://www.dcblues.org Archie Edwards CD Release Show Jams Return The Archie Edwards Blues Heritage Foundation cel- We had a huge turnout at the October jam (no ebrates the release of Archie Edwards’ Toronto Ses- doubt in part to the Takoma Park Street Festival sions on NorthernBlues Music. The CD release party crowd, but mainly due to the loyal following the jam will take place 8 PM, Friday November 2 at the Market 5 has had for years). The money we collected for the Gallery in Eastern Market, 7th and North Carolina Ave. donation box will go towards victims of the Sep. 11 SE, Washington DC. The Market 5 Gallery is 2 blocks attacks. I want to thank Wally Adams for helping me from the Eastern Market Metro stop. emcee, Takoma Crossing (Steve and Lisa O’Brien) The late Archie Edwards was a local blues treasure and for lending their pa and drums, and Taliano’s for once one of those who helped found the D.C. Blues Society. The again hosting the jam – it’s nice to be back! Barbershop he owned and operated on Bunker Hill Road in Northeast Washington was where Archie could often be found, Performers at the regular October jam included if he was not on the road, playing the blues, playing music and David Jackson, Dave Galloway, Steve Levine, Heater cutting hair.