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W m m M A ^ k 2A Thursday, February 21,1985 Daily Nexus Jean-Luc Ponty Departing from Perfection

Jean-Luc Ponty started his recent concert with a bit of dramatic suspense. As the curtains opened last Wednesday night he stood with no violin, but instead playing keyboards. It wasn’t until he picked up his unusually shaped electric violin that I felt completely involved in his music. There was satisfaction in seeing Ponty perform after hearing what I always thought was possibly a violin but was never quite sure in many cases. Being able to see Ponty playing his violin gave a sense of the inventiveness and originality of his music. Armed also with a full backup band, Ponty • was very successful in presenting music that seemed to be 8 much less effective on his latest albums. j: The difference between Ponty’s performance of the title track “Open Mind” the night of the concert as opposed to • the recording was that there were people playing the 2 drums, bass and guitar instead of computers. I’m not sure | that Ponty understands that it is the lack of continuity, the • nature to vary the music each time it is played and the Jean -Lu c Ponty■ ability to make mistakes that make “live” performances so valuable. Ponty did not fully understand this when he did “Computer Incantation for World Peace” off of one of his latest albums and “Individual Choice”, where he un­ fortunately was accompanied by only his computer. The contrast between this and earlier pieces with his band was obvious. This encounter with automation was only temporary that night, unlike his latest album, and soon Ponty was back 3 with all of the real artistry and the “limitations” of the rest I of the band. Bass player Keith Jones was, for me, the most | satisfying of the band. Jones didn’t hesistate to put bits of to this, I enjoyed Ponty’s musical fusion with its fragments “ his own style into Ponty’s music. In fact, it was these in- of jazz and rock music. Jean-Luc Ponty, alone, has given a g dividual instances of originality that made this concert so whole new light for instrumentals that have not yet found £ enjoyable since much of Ponty’s music, past and present, their place in jazz and rock music. g has a tendency toward very repetitive patterns. Once used — Paul Michael Chavez Casey Scheuerell

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683-6644 A pubic *rvw of The M y Ntxus. Thursday, February 21,198S Daily Nexus 3A UB40: Bristling Horns & Roots Rockin'

whether you had the proper “papers” or not. How much fun can you have at a concert when a Gestapo man is posted every five feet in the aisle? “Hey,” the fire marshall says, “It’s for your own good.” Thanks fire marshall, you’re such a card. What? Oh yes, the concert! Just about the whole of the Geffery Morgan L.P. was performed that night. The curtain rose with “Riddle Me” and “As Always You Were Wrong Again,” the same songs which open that album. From the start, something was wrong with the sound mix. The music came through extra loud and clear but the vocals sounded as though they came from an oatmeal bowl — real goopy-like. The audience didn’t mind that much. We were movin’ to the groovin’ as best we could, enjoying the spectacle of UB40’s eight members plus two on horns rockin’ in a roots style. The band’s long-time record producer Ray Falconer controlled the sound board and did some excellent live dub mixing, but — — — — —— A li Cam pbell o f UB40. he couldn’t get the right handle on those Arlington Some have taken the notion that UB40 should change acoustics. UB40’s sax player Robin Travers did his usual flourishing their name. I’ve heard suggestions like UB Fraud Squad Another album receiving heavy attention was Labour of lead and with a nod the Horns From Above descended and MPR (Massive Payroll) from those who think UB40, Love. Brothers Ali and Robin Campbell, who front the band again. It was loud. which cleverly springs from a British unemployment on vocals and guitars, sang gorgeous harmony on songs like In a weird fit, UB40 opened their encore with a song they benefits form, hardly suits the band these days. Their “Sweet Sensation” and Bob Marley’s “Keep On Moving” as hadn’t even learned yet. After cutting the band off, Ali told recent affectation for tame love songs and wider popular well as the obvious “Red Red Wine” and “Cherry Oh the audience, “We’re jammin’! ” Pretty funny guy,Jiuh? appeal is going strong, but that just means they’d rather be Baby,” Norman Hassan, who usually hangs around the Here are some UB40 projects to look forward to in the rich and in love than be starving musicians. Their latest percussion and the horns, took center stage to sing a future: Madness and UB40 will be teaming up to do another release, Geffery Morgan, shows they’re still a bunch of rousing “Johnny Too Bad.” Astro, the toaster in the band, single to benefit the famine in Africa. Also they will be disenchanted Brits and they are doing some good things did his jamming raps to “Red Red Wine” and other songs releasing a dub compilation album this summer which will with all their money. Anyhow, the content isn’t the best like “D.U.B.” from Geffery Morgan, and “Madam feature tracks from Labour of Love and reggae toasters thing about UB40; the fact is they’ve always played some of Medusa,” a tirade about Margaret Thatcher from UB40’s from Birmingham, their hometown. Also, their videos will the most danceable reggae music around. first album, Signing Off. Yes, the vocals were heard. Un­ all soon be available. Their concert last Friday night at the Arlington, though derstanding them was like trying to dance in the aisles. The Untouchables from Los Angeles opened the concert. beset with some bothersome details, was very upbeat. For A song bristling with horniness, they performed “Present They seem to be leaning more toward reggae these days but one thing it was impossible to dance properly. Thanks to the Arms” not only with their five resident horn players, but we won’t know for sure until their next album comes out. fire marshall of Santa Barbara and a new security squad, also the three horn players from the opening band The They played well enough for the audience to demand an everyone was forced to remain in the square foot of floor Untouchables. (Count ’em. Eight horns in a ll!) The blast of extra tune which we got. These guys are on their way up so space assigned on their ticket. Getting to the front of the brass playing the first six notes of the song descended like watch for ’em. — Hugh Haggerty auditorium was like trying to cross the Berlin Wall — 16 tons of sound on the tingling audience. Ali sang his part,

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A p u b lic s a n ie « of £*) Tha International Youth Exchanga n i THE DAILY NEXUS. 4A Thursday, February 21,1985 Daily Next “ Pop Art »or Sprung from nowhere comes music with refinement, grace and fluidity. Granada lawyers or what our parents wanted us to Hills’ Pop Art, fronted by the Steinhart be. So this is what we became.” But the brothers, Dave, Jeff and Rich, is like water anarchic suggestions of this music are on vinyl. Compared exhaustively to the likes greatly subdued and pacified; awash in of REM, Let’s Active and Prefab Sprout, I refershing vocal purity, powerful but not am much more inclined to acknowledge the overwhelming rhythm and emotional differences between Pop Art and others in contact with instrumentation. But for all this musical genre. this Verbose description, Pop Art is pretty Of the six cuts on Pop Arts’ self-titled E P , softcore and well, they like it that way. it is not as though the differences are so These guys make beautiful music. And they striking because the music itself isn’t want you to listen. It’s not hard. Pop Art is especially striking. Their music lacks the delicately textured, plaintive and com­ subliminal effect that makes, say, a group fortable. Ah, but not necessarily com­ like REM so appealing. But Pop Art is direct forting. and emotionally honest and that is Command Performance satisfying. As the lyrical covertness of REM Your chance to experience their melodic, * 270 Storke Rd. / K-Mart Ctr. / Open til 8 PM / Sun. 12-5 * attracts, it is the vulnerability of the music urban discontent firsthand comes this of Pop Art which is endearing, asking for Friday when Pop Art plays P at’s Grass understanding and empathy as Dave Shack in Goleta. Opening the show will be Steinhart’s voice wails, angst-filled. locals, The Stingrays. This Goleta-based Although lyrically immature at moments, quartet has recently gained statewide at­ the naivete which crops up occassionally tention after playing San Francisco’s hardly inhibits the sentiments expressed. As Mabuhay Gardens, regular engagements at a matter of fact, it is somehow com­ Madame Wong’s East and West in Los plimentary. Angeles and other shows throughout the Coerced into classifying his music, Dave state. Their 1984 debut single, “Justice,” Steinhart somewhat reluctantly describes airs regularly on KCSB and Santa Bar­ his sound as “middle class pop.” No, this is bara’s KKOO. The Stingrays will get the not the Yuptones. It is music about urban floor shaking so drop by the Shack on the dissatisfaction, disillusionment with cor­ 22nd, dance a little, catch Pop Art, and porate existence and its debatable benefits. listen, really listen, to something you might (Naturally, a little romance is interspersed not have heard before. amid all this.) Steinhart says, “None of us — Angela Whiting Bo Diddley to Peform ------— at the Chili Factory Due to an unfortunate oversight, the last Saturday, Feb. 23, 8 p.m. Mark it down. paragraphs of Joan McGuire’s article on The great Bo Diddley is coming to town. Masimi Teraoka were omitted from the Blues musician extraordinaire, precursor of Feb. 14 issue of A & E. We offer our influential white blues (nusicians (the apologies to Joan and to our readers. Her Stones, the Animals, et al), Diddley will be closing statements should have read as appearing at the Real Texas Chili Factory follows: with the Cash McCall band. You can be assured Diddley will have his trademark, a Sadly enough, Masami has never shown square guitar which flashes his name while his erotica in his native country. He ex­ his guitar moans, wails and wrenches your plained that Japanese law forbids the insides. showing of nudity. Published erotic works This summer I saw the man in Los are censored by an application of silver Angeles with members of the Blasters and spray paint. Masami mourned, “You don’t X. The local boys stepped back as Bo took get the very important part. It’s terrible. ” - control and rocked out long past midnight. But the CAF’s exhibit is uncensored. The Bo Diddley is an original American show ends March 3. Don’t miss this unique bluesman, and if you’re debating about exhibition! The CAF is located at 7-West De whether you want to see Jerry Lee and La Guerra, across from Picadilly Square. Ricky, come experience the mastery of the — Joan McGuire real thing, Bo Diddley. PENDANTS EVERY WOMAN WANTS AT LEAST ONE.

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r n m m n m m \ m m m i n s w w w SHOW YOUR 'A Sunday In The Country*:... Visual Masterpiece STUDENTI.D things and dozes off when being spoken to, while no one has RECEIVE the heart to wake him up and point out his problems. 10% OFF Ladmiral’s settled yet stodgy daily routine is unhurried, ALL MENU ITEMS self-paced and leisurely, and thus the stride of the film. The camera lulls, pauses to gaze and contemplate, and moves Phone: 6831 Hollister on deliberately. Ladmiral’s son Gonzague (Michele Aumonp) brings his 968- K-MART wife and two boys to visit the estate, and the well- 2290 CENTER established routine unfolds to reveal their affirmed yet somewhat uncomfortable relationship. Gonzague now answers to his wife’s less exotic name for him (Edouard) and, by giving up the ambition to follow in his father’s Sabine Azema and Louis Ducreux share a creative footsteps by becoming an anonymous LETTERS A SCIENCE businessman, has betrayed him. While the old man revels dance in ‘A Sunday In The Country. ’ in the children’s rebellious and exploratory nature, Gon­ STUDENTS The question of the artist’s vision and what it is that zague^condemns it. His wife is devoutly religious and also separates it from “reality” is approached by Bernard serves as an oppressing force in the face of free will. The Tavernier in his latest fiim, A Sunday in the Country. dejected, regretful guilt of Gonzague and the disapointment TOMORROW Tavernier pursues the aesthetic aspect through his stun­ of Ladmiral are the quiet yet continously present an­ is the last day ning cinematic essays of the lavish, breathtaking scenery tagonists of the film. to change grading options of tum-of-the-century France, a certain country home and It is Irene, played by a flighty Sabine Azema, who brings the daily routine of its inhabitants. The screenplay, written the greatest joy and . rejection to her aging father. She QUESTIONS???? by Bernard and Colo Tavernier, illustrates the characters appears without warning and leaves suddenly; radiating Iphone Academic Hotline 961-2038 amidst their everyday routines, primarily that of Monsieur absolute freedom and the surrender to emotion and whim. Ladmiral, an aging, perhaps disillusioned painter who She is beautiful, unpredictable and careless, the real joie de found his conservative ideals being challenged by artistic vivre of her father’s accomplishements. Irene also serves upstarts such as Renoir, Monet and Degas. Currently out in to bring elements of modernization and progress to greener pastures he continues to paint in between naps, Ladmiral’s otherwise timeless estate with her new car and squabbles with his housekeeper, and the anticipated fantastic tales. She seems to be the only one who can take Sunday visits of his son and daughter. him away from his countryside domain at least for a while. It is indeed the stunning visuals that give A Sunday in the While Gonzague visits out of tradition and obligation, Irene A College Degree Country its significance. The film is not so much concerned goes where she wants out of desire; her visits are from the and no plans? with the telling of a story as it is with its presentation. heart. A Sunday in the Country does not obligate itself to any Scenes take on painterly qualities on screen; the shot of a Become a porcelain plate laid out on the white linen of an afternoon action-packed storyline that might distract from the human picnic, the intentionally out-of-focus pans across the lush element. The characters are allowed to be themselves, in Lawyer's Assistant landscape and close-ups of often artistically depicted their natural habitat, in their own unhurried time. By the subjects for still lifes fabricate a good deal of the film. The end of the day we fully understand the family; so much The UNIVERSITY OF SAN DIEGO, in cooperation with the camera’s concern for the beauty of such objects, their more can be revealed over a quiet remark, a subtle glance, National Center for Paralegal Training, offers an intensive textural and chromatic attributes, is similar to that of the and unnoticed gestures than any crisis might invoke. 14 or 36 week LAWYER’S ASSISTANT PROGRAM. This artist’s viewpoint, in particular to the Impressionist’s at the Tavernier enchances the atmosphere of the country Program will enable you to put your education to work as turn of the century, the date of the story. There is no with a conscious soundtrack that depicts every clink of fine a skilled member of the legal team. denying that the location has a postcard-perfect beauty; porcelain, among otherwise forsaken sounds, that serve to promote the calm and peace of a country day in autumn. • Specialties offered In the following fields: even the most inept photographer could not go wrong here. Generalist (Evenings only) Estates, Trusts & Wills Yet it takes the extraordinary camera work of Bruno de The film is not only a visual work of art, but in every Litigation Corporations & Real Estate Keyver to fully understand and capture the vision of such aspect A Sunday in the Country succeeds as a beautiful • ABA Approved artists and incorporate it into a feature film. One wonders compassionate story. It is a romantic and engaging trip • Internship how someone could live there and not be a painter. through time to a place where beauty is commonplace but • Employment Assistance Louis Ducreux is magnificent as Monsieur Ladmiral, never taken for granted. It is currently being shown at the For a free brochure about this career opportunity call portraying the elderly artist with a subtle, somewhat Victoria Street Theater in downtown Santa Barbara. (619) 260-4579 or mail the coupon below to: humorous dignity. He is the typical old man that loses — Shirley Tatum University of 6an Die^p Room 318, Serra Hall Lawyer's Assistant Program San Diego, CA 92110 UCSB The Opening of 'Alfred the Great Nam e. Address. Alfred the Great, written Alfred Weber’s return home by Israel Horowitz and in search of his brother’s .S ta te . -2ip_ directed by Richard Homan murderer. His inquiry leads Summer Day 1985 Phone. will open the dramatic arts him to Margaret, a high- June 3 - August 30 department’s winter season school sweetheart, and her Fall Day 1985 Spring Day 1986 September 9 — December 13 February 3 — May 16 tonight at 8 p.m. in the Studio husband Will. Old loves Fall Evening 1985 Spring Evening 1986 theater. Additional per­ rekindle, jealousies emerge September 26 — June 19,1986 February 25 — November 18 formances will be Feb. 22 - and an incestuous The University of San Diego does not discriminate on the basis of relationship is revealed. race, sex, color, religion, age, national origin, ancestry, or handicap 23, and Feb. 27 - March 2. in its policies and programs. There is no late seating in the Studio theater. Ticket information is This tragi-comedy is set in available from the Arts and contemporary Massachuse­ Lectures box office or by tts and centers around calling 961-3535.

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"ANIM ATION""^ FESTIVAL plus = 'Ludwig': Bavarian Bizzare & The Aura Of Myth Special RAY BRADBURY Sci Fi [ Whoever is sitting in the Isla Vista Theater next Tuesday first annoying, becomes fitting in a strange way. Though, Feature at 7:30 p.m. is in for a bizarre trip to Bavaria. Brought to sometimes Vaudevillian, the film is at other times som­ \ QUEST you courtesy of Arts & Lectures’ New German Cinema, berly ironic and sad. When Ludwig hears of Wagner’s N “Ludwig: Requiem for a Virgin King,” by German film­ death, the screen behind him shows a sepia-tinted film of S Award Winning Animation shorts include: C lo s e d M o b - N dsys. Machine Story. Ballot Hobotiqa«, aad maker Hans-Juergen Syberberg, offers everything from, modern tourists tromping through one of his castles, their S assay mors! international intrigue to Hitler doing the Tango. instamatic cameras snapping. * W HEN: FrL, Fob. 21, at S,8,10.12 The film, made in 1972, is a surrealistic portrait of the S “last” Bavarian king. He is the one who built those Ludwig, because it is so outlandish, is more powerful than s W H E R E : l. V . T b o o to r s $2.50 STU D EN T • $3 G EN ER AL Disneylandish castles that look so ethereal in travel a conventional “historical drama.” Ludwig’s advisers posters. Most of the scenes take place in front of huge seem to plot against a doomed, mythic, elf instead of an projections of painted scenery, as Ludwig alternately everyday mortal. The king rises from the dead three times strikes theatrical poses, insults his treacherous advisers, or within the movie’s 140 minutes. He takes solitary sleigh meditates on the music of Richard Wagner. With the use of rides at midnight through the snow, appearing at his awed larger than life sets, serial-like vignettes, and subject’s houses for drinks of water. anachronistic recordings of The Shadow, The Lone Ranger, Finally,“Ludwig: Requiem for a Virgin King," defies and Superman, Director Syberberg said his “aim is to stereotypes. It becomes a musical dream, a weird jux­ recover the aura of myth.” Indeed, for most of the film, the taposition of foreign and familiar elements. It does not Composer Richard Wagner is portrayed by a woman. pretend to be real life, but instead creates an extraordinary Wagner’s music is used throughout the film with powerful life of its own. And that King, he even yodels. effect. The film screens Feb. 26 only, at 7:30 p.m. in Isla Vista Syberberg worked with Brecht in Berlin, and Brechtian Theater 1, and tickets are available at the door or at the dramatic theory works well in the film. The actors move Arts & Lectures ticket office. and speak in a removed, .exaggerated manner that, while at — Paolo Campiglio #> Infectious Irish Folk Invades Campbell Hall #>

What does one say about the Chieftans? What can one do angelic tenor voice glided expertly and smoothly over the but add to the kudos and huzzahs of their critics, or marvel complex embellishments of “The Flower of Sweet at the list of their collective and solo endeavors? What can Straban.” Derek Bell moved from harp to piano to hammer one add to their claim of having performed for the world’s dulcimer to piano to harp with agility, rhythm and finesse. largest live audience — and the Pope — that hasn’t already Each of the Chieftans is a truly gifted musician and per­ been said? former. One can tell that they have been playing together Not much. One can only hope to educate a handful of for. 20 years, for as an ensemble they deliver as clean and people on what is widely known by many, but missed by polished a performance as one could wish. Yet for alL the many more. The Chieftans count among their admirers the brilliance of their stardom, the Chieftans are still able to likes of Mike Oldfield, Art Garfunkel, Don Henley and Dan share with their audience their warmth, their humanity, Fogelberg. They have recorded with them all. They have and their wonderful sense of decidely Irish humor. also performed with Eric Clapton, Jam es Galway, Jackson Browne and Van Morrison. Recently, they even opened for As if all of the preceding were not enough, Tueday night’s the Rolling Stones. fans were graced with a double dose of surprises. One, a Obviously these guys have quite a following, a following very talented string player from a Chinese folk orchestra, which grows with every album they cut and with every Chan Chi Twan, assisted the Chieftans in an unusual concert they perform. Tuesday (Feb. 12) night’s concert arrangement of a Chinese folk tune — a living “souvenier” was a sellout, packed mostly with devoted, veteran from the Chieftans’ recent tour and filmmaking venture in Chieftan fans. And what is it about the Chieftans, you ask, China. The other, Michael Flatley, is the World Champion that has such wide appeal? What do they play? Irish Step Dancer (not to mention an accomplished flutist Would you believe, Irish folk music? and a Golden Gloves Champion Boxer). It is difficult to The minute they began to play, I could hardly sit still — a describe Irish step-dancing, other than to say that it situation which made it rather difficult for me to take notes. resembles a cross between tap and ballet, is done in rhythm (The program was announced from the stage.) Theirs is an to the music, and can apparently only be done (or watched) exceedingly infectious music. I felt its rhythm coursing for three minutes at a time at the risk of exhausting the through my veins — and to my knowledge I haven’t a drop dancer (and the audience). About the only negative of Irish blood in me. criticism I will offer about the entire evening is that we Martin Fay’s fiddle simply sang on the theme from the didn’t get to see enough of Michael Flatley — and that not Canadian film, “The Grey Fox.” Matt Molloy’s flute enough of Santa Barbara got to learn about the Chieftans playing took everyone’s breath away over “McFadden’s firsthand. Handsome Daughter.” Percussionist Kevin Conneff’s

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RICK NELSON JERRY LEE LEWIS SAT.FEB.23 800PM Duo to illnos* • Jerry Lee Lewis will not be performing. Cajun Fiddler DOUG KERSHAW will perform with Rick Nelson

_ Developing (r Printing of 110. 126. disc f t 136 Color Print Film ARLINGTON THEATRE TICKETS $15.00 TICKETS ON SALE WED. FEB. 6 Refunds available at point of purchase z,i Alternative Tickets available at me Arllnqton Theater Bat Office. JotoouEaMoinlnqlayMuElc In Ista Vista. C h e a p Thrtlb in Santa M a ria Sa n LubObtapo. Atascadero A lornpoc. M c o p y s h o p jallhouse f?ecctds in Ventura. M cCabe's M lrIc In Santa Raul A OJal. Ntandenbeto AfB - r a n d Rift Hueneme N aval Base • i 6540 PARDALL ISLA VISTA 968 1055 FOR INFORMATION 963-4408 Thursday, February 21,1985 7 A Daily Nexus Kurt Comes Of Age ¡ ¡ j j g ^ METROPOLITAN THEATRES CORPORATION SANTA BARBARA A clear indication of a ARLINGTON Live ARLINGTON good movie is a feeling n CENTER experienced by the viewer of 1317 State Street Stage Entertainment personal involvement with 966-9382 the characters, a feeling that 2/22-The Kinks will eventually become an 2/23 - Jerry Lee Lewis/ obsession if the movie Douglas-Harrison Ford good Ricky Nelson doesn’t end. Sitting in a guy toughness. crowded theater late Friday In a scene where Malcolm evening, I realized I had u realizes the killer has kid­ G r a n a d a ti Upstairs Dow nstairs Upstairs 1216 State Street begun to care about these naped Christine, he fran­ 6:46.8:10,10:15 5:00.7:30,10:00 *:46.7:00.9:15 people. Malcolm and Chris tically races to the school 963-8740 meant the entire world to where she works. Russell’s i EDDIE MURPHY Harrison me. Ford acting was very ex­ is on vacation Orion pictures new release Kurt traordinary, he revealed the is The Mean Season is a BIEVERLYJHILLS John and ** • i urgency of die moment with Book. notably realistic portrayl of Mariel touching concern for his news reporting and the killer. The police don’t have girlfriend. WITNESS® 182 extent to which a reporter much to go on, and there’s Mariel Hemingway was can become involved in a not a damn thing anybody decent as Malcolm’s level­ 7 :0 0 .9 :4 6 story. Kurt Russell is can do until Alan (psycho headed girlfriend. Borsos The ultimale in sigS 5:46. Malcolm Anderson, a killer) calls Malcolm to tell very cleverly kept her role to and sound. Now 8:00, TMOIHY SEAN re recorded in new 10:15 reporter for the Miami him about the next murder. a minimum, which nicely HUTTON distal stereo Journal who is sent to cover Trapped in this horrible allowed the audience to an execution-style murder predicament, Malcolm accept her. In Personal Best (cW^Smp* on the coast of sunny cannot take off to Colorado, and Star 80, we see too much « THE FALCON & Florida. even though his relationship Mariel. Borsos shows us just # 2 §)1940WALT DISNEY I Convinced he is burnt out with Christine is disin­ the right amount. PRODUCTIONS THE SNOWMAN on news reporting at the tegrating. His nerves are The movie has many IN D O LB Y ST E R E O Malcolm and F lE S T A 4 Jo u rn a l, shot, and Malcolm is tired of twists to it, including a very 916 State Street girlfriend Christine (Mariel being in the middle, so he suspenseful ending. One 963-0781 Hemingway) are moving to refuses to write any more scene shows Malcolm in a THE BREAKFAST' Colorado, but he goes ahead about the murders. In an trailer park meeting with the CLUB, IT to cover this one last story. attempt to keep the news killer. However, he doesn’t They | Big mistake, Malcolm. The revolving around him, Alan realize the identity of this murderer calls Malcolm at broke All he kidnaps Chris, and Malcolm stranger until it is too late. 5:30. the paper and begins telling is trapped again. Joe Pantoliano, who plays the 7:46, needed him about the murders he Philip Borsos does a was a Malcolm’s photographer, is rules. 10:00 will commit. Malcolm marvelous job of directing a welcome diversion to the lucky becomes a liason between this drama. His expertise is seriousness of the film. break. ithe killer and the public, exhibited in a incredible Appearing in chic Maimi bis murderer wishes only scene filmed in the clothing, he photographs . be recognized, and the mosquito-infested overgro­ everything, everything that IH'! to do it is have Malcolm wn swamp land of the is, except the killer himself. 2044 Alameda Padre Serra Near Santa Barbara Mission fnite about his phone con- Everglades where the killer A very fine attempt by the verA ions with a psychotic has taken Christine. Kurt actors and director, The 'AmadeuS idlfrall« think the Talking Russell has come a long way Mean Season is an out­ Daily ‘!..A stunning motion picture!’ Heads wt ote a song about it. since his Disney films, and standing film with insight 8:00 pm -B o b Thomas, Associated Press The 'jhttne calls, as do the proves his fine acting into the reporting world, AN ORION PICTURES RELEASE ^continue; and abilities. He is very con- offering the viewer a notably becomes in- vining as Malcolm, realistic slice of real life. olved with the possessing that Michael — Valerie DeLapp 4 CENTURIES ANDRES SEGOVIA OF GUITAR Arlington Center - Tues., March 12th - 8:00 PM Twice as nice! Tickets- Arlington Ticket Agency 963-4408

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Nancy Drew and The Clues at Pub Tonight Campbell Hall was graced and began Jiis first cross­ Edie Robertson handling with the presence of the rare country American tour in lead vocals, keyboards, and performance of Jean-Luc clubs and colleges. In the trumpet. Ponty, a musician whose past nine years, Ponty has After appearing locally for exciting and personal blend produced 11 albums, which the past year playing cover of jazz and rock music has all express and reveal his tunes, they took a brief revolutionalized the music true musical talent. His hiatus to put together some world. His use of the electric recent album entitled “Open original material including violin, synthesizer, piano Mind” recorded in Los Metropolis, You and Me, and rhythm computer sent Angeles and New York Pictures of You, Finish the electric chills up and down features Jean-Luc Ponty Story, and I Don’t Want to the walls of Campbell Hall playing nearly all the in­ Fall in Love. The band is Thursday night. Ponty struments himself. For a excited about writing new played favorite times such as special addition, Ponty is material, but insists the real ‘‘Individual Choice,” joined by Chick Corea and joy is in performing. “Modern Time Blues”- and George Benson on the tune This dramatic band puts “Open Mind,” a cut from his “Modern Time Blues.” on an exciting show as they latest album. give their material Jean-Luc Ponty, who has Undoubtedly, Wednesday aggressive and sometimes played with such greats as evening was special to many humorous readings. Lead Elton John, Chick Corea and Jean-Luc Ponty admirers singer Edie Robertson, George Benson first began because his music does formerly of the Generics, is his career at the age of 13. provide a sense of drama noted for her captivating By the time Ponty was 15, he and originality provided by energy and electric stage had entered the Con­ no other performers of his presence. “My goal is to servatoire National quality. Although many entertain, dramatically and Supérieur de Musique in “fusion” acts have and will imaginatively. I want to put Paris. Graduating at 17, with continue to come and go, across energy,” Edie the highest award, he began Jean-Luc Ponty is truely a remarks. playing at concerts where he timeless and enduring developed a personal and performer whose music has Nancy Drew and the Clues revolutionary style on the touched the lives of many. was originally formed as an violin that made a After all, that is what makes all-female band. After the tremendous impact on the Jean-Luc Ponty such a recent departure of their jazz scene. In 1975 Ponty phenomenal musician and guitarist, the band asked signed with Atlantic records, performer. Rick Dasher to fill the spot. The role reversal of being the only male in a female group doesn’t bother him. “I don’t think of them as female musicians, but as very Steve Tibbets talented musicians who I enjoy playing music with. To Perform Sunday It’s a unique experience for me.” := Steve Tibbets was born in soprano run. After building ■ Rick also1 doubles as Madison, Wisconsin in 1954. to an exuberant climax that guitarist/vocalist for the His father, a union nears the breaking point, he Surging Monkey Preps, who organizer, played folk guitar supplants it with a plaintive By Toni Graphia unfolds at the UCen Pub at interaction. The band will open the show at 8:15 at .meetings and rallies, and acoustic guitar passage that Put down your textbooks 9:30 p.m. features Cheryl Walter on pm. this is where Tibbets was initiates the next trip... Only and come experience the Nancy Drew and the Clues bass, Susan “S.K.” Don’t miss Nancy Drew first exposed to music. Jade Warrior has managed latest in musical motives entertain with a unique Skywalker on keyboards and and the Clues tonight for an Tibbets’ efforts at to make music that is this and instrumental intrigue as blend of high energy dance guitar, Cheryl Post on drums evening of high energy promoting his own record blisteringly electric while the Nancy Drew mystery music and playful audience Rick Dasher on guitar, and entertainment. had paid off, and he wàs able still maintaining the pristine to assemble his own 8-track purity of acoustic folk and r 1 studio; here, he composed, international musics.” performed, engineered, produced, mixed, designed, Tibbets describes his work Attention UCSB Students supervised the pressing, as folk music: “I am an distributed and promoted his untrained musician and ‘a The A.S. Program Board will be able to give you an application second album, Yr, which has folk’ as well. In fact, I would and an overview of the board and the sold over 10,000 copies to even call rock folk music. begin taking applications to fill the date. Of Yr, downbeat wrote More than any individual positions of the A.S. Program Board positions on the board. in its 5-star review, “ ...a artists, sounds in general are beginning Feb. 25, 1985 and will Interviews will be held during the guitar freak’s dream. my biggest influence. The Tibbets overdubs acoustic sound of the guitar, just the accept them through Mar. 15, 1985. first week of Spring Quarter. Come and electric instruments in a noises get me excited about All those interested in becoming and be a part of the A.S. Program Hendrixian mindscape of making music. The way a Board. For further information call production wizardry, often guitar feels when I play it...” part of the A.S. Program Board combining up to 20 guitars on Steven Tibbets performs please come up to the UCen room 961-3536, or come up and talk to one track. He layers the Sunday, February 24, 8 pm, 3167 during those dates and we will Clinton Stockton. sound into breathtaking at the Pub. Tickets are $5 guitar choirs and intricate UCSB students, $6 general. superstructures. His solos Headless Household will are twisting, singing jour­ open. Tickets are available neys that evolve with the at the A.S. Ticket Office, sense of spiritual awakening Morninglory Music and the you’d hear in a Coltrane Arlington Ticket Agency. Last Comedy Night ; Of The Quarter

Who brings you dances in the Pub on Thursdays? Who brings you happy hour entertainment on Fridays in the Pub? That's right — the same people who bring you comedy on every other Tuesday of the month! Your A.S. Program Board! Next Tuesday, February 26, is our LAST Comedy Night for Winter Quarter. The year's going fast but still don't miss this night of laughs. Ellis Levinson and Dennis Wolfberg on Tuesday at 8:30 in the Pub. Special M.C., the Amateur Comedy Night's winner — Bryan Dorfler will be there.