Plan for 2021FA Courses

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ASP Home-Based Course Plan for Fall 2021 Field Time Zone 1 or 2（JST） Time Zone 4 or 5（JST） Japanese <Level 1-7> Japanese <Level 1-7> Kanji and Readings <Level 1-6> Kanji and Readings <Level 1-6> Japanese Business Japanese <Advanced Level> Translation (English into Japanese) <Advanced Level> East Asian Literature and Culture in Translation A East Asian Literature and Culture in Translation B Literature Literary Representations of Diverse Eras Religion/Philosophy Shinto A Shinto B History of Modern Japan A History of Modern Japan B History Japanese Cultural History: Ancient and Medieval A Japanese Cultural History: Ancient and Medieval B Fashion in Japan : Art and History of the Kimono and Western Dress Culture Japanese Design: Aesthetics and Visual Culture A Japanese Design: Aesthetics and Visual Culture B Art Japanese Influence on Western Art and Design Japanese Music A Japanese Music B Monsters, Ghosts and the Making of Modern Japan A Monsters, Ghosts and the Making of Modern Japan B Media Studies Geisha, Gangsters and Samurai: Japan in Western Film Japan and Globalization: A Cultural Approach A Japan and Globalization: A Cultural Approach B Documenting Japan: Film and Photography as Cultural Description Gender and Sexuality in Japan A Gender and Sexuality in Japan B Anthropology/ Sexuality and Culture in Japan Culture/ Sociology Inside the Secret World of the Geisha A Inside the Secret World of the Geisha B Cool Japan and Korean wave (Nichiryu and Hallyu) in the World Medicine and Health care in East Asia Tourism in Asian Pacific A Tourism in Asian Pacific B Tyrants, Dictators and Strongmen Globalization, Culture and Identity in East Asia A Globalization, Culture and Identity in East Asia B International Relations Japanese Politics and Public Policy from a Theoretical Perspective International Relations of Asia International History of East Asia A (from the late 19th century to the International History of East Asia B (from the late 19th century to the late late 20th century) 20th century) Economics Cultural and Creative Industries in Japan/East Asia Management Across Cultures Corporate Strategy in East Asia International Negotiation A: International Negotiation B: Resolving Conflict and Closing the Deal Resolving Conflict and Closing the Deal Business Japanese Management: A Global Perspective Marketing Across Cultures Communication Global Business Teams A Global Business Teams B *Please note that the above courses are subject to change..

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The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
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From the Japanese Traditional Edo Culture to Anime and Manga Takuji
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Cool Japan Strategy
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1 the Cool Japan Project and the Globalization of Anime
THE COOL JAPAN PROJECT AND THE GLOBALIZATION OF ANIME AND MANGA IN THE UNITED STATES by Joshua Michael Draper Honors Thesis Appalachian State University Submitted to the Department of Cultural, Gender, and Global Studies and The Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts May, 2015 Approved by: Wei Xie, Ph.D., Thesis Director Alexandra Sterling-Hellenbrand, Ph.D., Second Reader Jeanne Dubino, Ph.D., Department Honors Director Leslie Sargent Jones, Ph.D., Director, The Honors College 1 The Cool Japan Project and the Globalization of Anime and Manga in the United States Abstract: This research paper will primarily discuss the impact that Japanese animation and manga have had on American popular culture and the subsequent cult following they developed. It will discuss what distinguishes Japanese animation from Western animation, how Japanese animation initially gained popularity among American audiences, and how it has subsequently impacted American popular culture. This paper will also focus on the subculture of otaku, a group of people known for their devoted following to Japanese animation and comic books. The purpose of this paper is to discuss the relative popularity of Japanese animation and manga amongst American audiences as an example of globalization impacting the United States from another country. Keywords: anime, manga, soft power, Cool Japan, globalization 2 Introduction During the 1980s and 1990s, Japanese animation and comic books began coming overseas to the United States, where it soon gained popularity amongst a sizeable number of young Americans. Recognizing the economic potential of Japanese popular culture, in 2002, Douglas McGray, writing for Foreign Policy, wrote an article titled “Japan’s Gross National Cool”, highlighting Japan’s potential to be a global “soft power”, or a country that promotes itself through its cultural influence rather than by economic and military force.
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Creating a Cool Japan: Nationalism in 21St Century Japanese Animation and Manga
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KIRSTEN CATHER Department of Asian Studies University of Texas at Austin 120 Inner Campus Dr
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Cool Japan, Creative Industries, and Diversity
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World Forum on Sport and Culture
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The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media
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How National Narratives of Japanese Cuisine Collide with Localized
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Spring 5-18-2018 Currents of Consumption: How National Narratives of Japanese Cuisine Collide with Localized Forms of Sushi in Northern California John Ostermiller University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Asian American Studies Commons, Asian Studies Commons, Critical and Cultural Studies Commons, Digital Humanities Commons, International and Intercultural Communication Commons, International Business Commons, International Relations Commons, Japanese Studies Commons, Mass Communication Commons, Other Arts and Humanities Commons, Sales and Merchandising Commons, Social and Cultural Anthropology Commons, Social Influence and Political Communication Commons, Social Media Commons, and the Tourism and Travel Commons Recommended Citation Ostermiller, John, "Currents of Consumption: How National Narratives of Japanese Cuisine Collide with Localized Forms of Sushi in Northern California" (2018). Master's Projects and Capstones. 728. https://repository.usfca.edu/capstone/728 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator
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An Analysis of Japan's Popular Cultural Tourism
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