DOCSLIB.ORG

June 1923) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
June 1923) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1923 Volume 41, Number 06 (June 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 06 (June 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/702 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE £TVDE mwmc MAGAZINE Price 25 t.ents JUlMlL 1923 $2.00 a Yea Charles M. Schwab, Dr. Frank Crane, Hon. J. M. Davis, Lt. J. P. Sousa, Senator James Couzens o “Music and Labor,” “All About Wedding Music,” “The Perfect Piano Hand,” Eighteen Pieces of New Musi PRESSER’S MUSICAL MAGAZINE is paid up, which im l subscriptions. ; should be addressed tc Summer Suggestions of the sheet only. Con- manuscripts or photographs eithttf wl 5r in transit. Unavailable manuscript L MONTHLY JOURNAL FOR THE MUSICIAN, For Teachers, Students and Music Lovers MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by James Francis Cooke ADVERTISING RATES w Devoting a few leisure hours during vacation to reading sotne helpful booh on n Assistant Editor, Edward Ellsworth Hipsher fol. XLI. No. 6 _JUNE, 19 ' Entered as second-class matter Jan c P. O. at entertaining and instructive musical literature for music lovers Philadelphia, Pa., under the j jf March 3, 1879. Copyright, 1922, by Theodore Presser Ct Great Singers on the „ , _ . r„„. Secrets of the Success of Great Art of Singing y, erinctinnal conferences with renowned Musicians The World of Music ie article by Clara Clemens (Mrs. Ossip fabrilowitseh), in the May Etude. Mr. and ring stations, Mrs. Gabriiowitsch v 1 Publishers. The Stvift & Co in puny Male Chorus, i 1900, instead of 1 eliers’ Asso- I). A. C’lippinger, conductor, closed its sixth ■, those familiar « on these subjects. realized the absurdity of the American composer tal convention season by a concert in Orchestra Hall, Chi- womu‘ 'nave e earncarried Mr. Gabrilo- a Distinguished Service tt of April. cago, with Edward Johnson as guest artist, ni hers is the The chief choral item was Dudley Buck’s can- aae Life Stories of Great C H - By R. A. S Music Study in Germany By Amy Fay gs themSelVeS W,t,, Mistakes and Disputed Points in M Reminiscences of a Musician’s Vacation Abroad By Louis C. Elson Old Fogy, His A ggg||s««a appifS®By J 3 iS-ISi?— Descriptive Analyses of Musical pyrri l F.NT ALBUMS OF PIANO MUSIC Piano Works By Elise F _ I Method By Edward^ Baxter Perj^ f Material for Summer CELEBRATED s, $2.50 FAMOUS Illustr Soundi Price, $1.50 thrVo?te EXHIBITION PIECES MASTER PIECES Anecdotes of Great Musicians so,os in ^4^ —itions Stories of Standard rsum inn -- ftt-Dun. pipcES— - Teaching Pieces By Edward Baxter Perry s'= OF REASONABLY PRICED ALBUMS POPULAR SALON Biography INTERMEDIATE SI popular PIANO PLAYERS’ POPULAR HOME STANDARD PARLI—- STANDARD AMERICAN ALI STANDARD BRILLIANT Aasst 8 Well-known Piano Solos; STANDARD ADVANCED ALBUM. STANDARD STUDENTS' CLASSIC MKf” irr“" IfK wS, and How to Play Them Price, 75c. YOUNG PLAYERS’ ALBUM. 70 P MUSIC LOVERS’ DUET BOOK 2 The Music Life; and How to OPERATIC FOUR HAND ALBUM. STANDARD DUET PLAYERS’ ALE Succeed in It THEODORE PRESSER CO. ESTABLISHED 1883 mmf Music Publishers and Dealers. 1710-1712-1714 Chestnut St., Phila., Pa. JUNE 1923 Page 363 . THE ETUDE AMERICA’S MOST OUTSTANDING PIANO WORK The Original of all the Graded Courses of Piano Studies Earn a Teacher’s Diploma or STANDARD Bachelors Degree in Music GRADED COURSE OF STUDIES In Your Spare Time at Home IN TEN GRADES Compiled by W. S. B. MATHEWS Why don’t you, too, get new ideas to use in your teaching, Price, $1.00 Each Grade make your work a real pleasure and increase your income at the same time? One Hundred Thousand Students Annually are Now Using This Work with Splendid You can use your originality, adapt the lessons of a great artist to your teaching and gain independence. Results. Adopted as a Part of the Curriculum of the Standard Conservatories and Institutions of Learning Throughout the Whole Country Twentieth Anniversary now being celebrated! This is the first and best compilation of studies culled become a household musical word in America, it is but from the works of all of the world’s greatest writers and natural that many other courses, series, etc., should spring Founded in' 1903 and advertisers in the Etude columns since 1908. pedagogues, all selected with extreme care and brought to¬ up from time to time; but in spite of all this, The Standard To Etude readers we have offered sample lessons from our courses—many are using them with success. Graded Course continues to grow both in use and in popu¬ gether in logical and progressive order. Courses endorsed by. the world s greatest musicians such as. larity. No imitation ever equals or supplants the original. This is a work of to-day, not of the past; since, in addi¬ /. J. Paderewski, eminent virtuoso Theodore Leschetizky, Paderewski’s great teacher. Emil Sauer, of the Vienna Conservatory. Although this course is complete in itself, from the tion to the imperishable things of the past, the gems of Walter Damrosch, eminent conductor of the Alexander Guilmant, the world-famous very beginning up to artistic perfection, it may be used also modern thought and inspiration are being added contin¬ New York Symphony Orchestra. French Orgamst. as the basis for the most exhaustive study of piano music; ually, each volume being enlarged for that purpose. The Moritz Moskowski, famous Parisian composer and teacher. since each volume contains carefully prepared lists and active advice and cooperation of many of the world’s great¬ through every.phase of the study of Harmony; Protheroe gives his authoritative directions for expanding and supplementing the work of its No longer is it necessary for the ambitious musical student to incur the expense instruction in Choral Conducting; Frances E. Clark gives the most practical est teachers and players have been, and are being, enlisted respective grade. of leaving home to study at an expensive resident conservatory. By the methods in Public School Music; Frederick J. Bacon, the great ban joist; Samuel in this compilation. University Extension System the masters’ methods are taught in the home oy Siegel, world-renowned mandolinist, and William Foden, famous guitarist, give The Standard Graded Course may well be used as the easily understood lessons sent by mail. their methods for mastering these instruments. It has been said that “Imitation is the sincerest form back-bone of any legitimate method or system of piano The Piano student has the marvelous teacher Sherwood to demonstrate just how More than 200,000 ambitious men and women have gained proficiency in these of flattery.'’ Hence, The Standard Graded Course having he secured his incomparable effects. The Cornetist studies with the master various branches of music by the University Extension Method. And to you we instruction. Weldon; Crampton trains the voice of the singer; Heft shows how to interpret offer the same advantages which were given to them. the soul of music on the Violin; Rosenbecker and Protheroe take the pupil WHAT EACH GRADE DOES GRADE ONE. After learning no GRADE FIVE. The Trill is featured it Send Coupon for Special Limited work. But, best of all. an interesting ad vance is made into polyphonic playing. Bach Handel, Mendelssohn, Schumann, Sain 20th Anniversary Offer to Etude Readers .1 for first grade GRADE EIGHT. Serious technical work Working blindly, Tgroping in the dark, struggling against trained thinkers, is GRADE SEVEN. Develops velocity both classic and modern, leading towards pro’ Be progressive! Many people want success but don’t know hoiv to get it. placing a tremendous handicap upon the person who wants to succeed, but who GRADE TWO. ficiency in concert playing including etudes Most people seeking success are sincere enough in their desires but they lacks definite, certain knowledge of the fundamentals that underlie all music. by Jadassohn, Schytte, Beringer, Grondahl don’t know the way. Henselt, Raff, Moszkowski, together with a THESE VOLUMES and the supplementary material listed in each fugue by Bach. 1 THREE. Enlarges volume for every educational contingency, can be obtained from any music store anywhere for the regular list price and subject to the best professional GRADE NINE. Introducing the Bravurt style, With composers from Bach to Rach Opportunity Can Either UNIVERSITY EXTENSION CONSERVATORY, Dept. B16 discounts, or any or all of the ten volumes or the supplementary material iff represented, and including concer Langley Avenue and 41st Street, Chicago, Illinois. will be sent for examination and comparison to any interested teacher by Seiss, Seeling, Leschetitsky, Hen subject to return, with no cost but that of postage. The volumes are well d Godard. Make or Destroy Please send me catalog, sample lessons and full information regard¬ printed on good paper, strongly and durably bound for hard usage but sold ing course I have marked with an X below. 1 are Bach, Handc at our usual large professional sheet music discount.
Load more

Recommended publications
  • Edvard Grieg As a Challenge to National Musicology Arnulf Mattes, University of Bergen
    The Eclipse Effects of Stardom: Edvard Grieg as a Challenge to National Musicology Arnulf Mattes, University of Bergen ABSTRACT Taking Norwegian musicology as a case study, this article explores scholarly forgetting at the intersection between academic music historiography and public music history. More specifically, it takes the national historiography about Edvard Grieg (1843–1907) as a starting point to explore how national stardom, based on ritualized commemoration, can paradoxically result in scholarly forgetting. In order to establish musicology as an academic discipline, the first generation of Norwegian music scholars had a delicate mission to fulfil. These scholars had to both consolidate Edvard Grieg’s significance as a national artist and legitimize his reputation as an internationally recognized genius. Still, from its beginnings in the 1950s up to the early 1990s, the scope of Norwegian musicology was very much nationally oriented. By making Grieg a star of national culture, there was much less room for more critical approaches to his legacy, going beyond the level of historical anecdote and popular myth. This article examines how this specific style of creating national stardom for Grieg in music historiography has contributed to forgetting processes both within and beyond Grieg studies, that is both in scholarship and in national memory culture. Additionally, it will demonstrate how a more critical historiography of Grieg studies might open up forgotten knowledge and thus ‘interrupt’ the continuous process of recycling and repetition of memories and anecdotes that is central to the Norwegian ‘Grieg cult’. This is a balancing act, since musicology should, on the one hand, observe its contract with the audiences and readers without, on the other, continuously reify Grieg’s stardom in a way which eclipses aspects of the man and his work that are not in compliance with the national myth.
    [Show full text]
  • WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark
    There's Nothing About urne 2 Issue 77 88 Valentines Day In This Issue , , ifit .., -. 1,, -.. .A- -- ir- .. ebim.grfrvd- t ilt In:» GA NSee Page 9 WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark CROSSOVERS TERENCE D'ARBY (COL) JODY WATLEY (MCA) PEBBLES (MCA) O'NEAUCHERRELLE (EPIC) EARPICKS TAYLOR DAYNE (ARISTA) INXS (ATLANTIC) HENRY SUMMER (CBS ASSO) ROBERT PLANT (ATLANTIC) BREAKOUTS JAMES TAYLOR (COL) RICK SPRINGFIELD (RCA) PHANTOM/OPERA (POLY) GM VIETNAM (A&M) WILDCARD TIFFANY (MCA) This one's the lock of the year. See Page 8for details. AC/DC "HEAT SEEKER" Atlantic 7-89136 WHITNEY HOUSTON "BROKEN HEARTS" Arista AS19674 CELLARFUL OF NOISE "SAMANTHA" Epic ZS407731 RAY PARKER JR. "OVER YOU" Geffen 7-28152 MERRY CLAYTON "YES" RCA 6989-7R RAINMAKERS "SMALL CIRCLES" PolyGram 888943-7 ERIA FACHIN "SAVIN' MYSELF" Critique 7-99356 BRUCE SPRINGSTEEN "ONE STEP UP" Columbia 38-07726 BRYAN FERRY "KISS AND TELL" Reprise 7-28117 TIFFANY "SAW" MCA 53285 GEORGIO "BEDROCK" Motown 1927 DAVE WAKELING "SHE'S HAVING A BABY" IRS 53238 BRUCE SPRINGSTEEN 77 "ONE STEP U P38-07726 The new single from "Tunnel Of Love." On Columbia Records, Cassettes and Compact Discs. OC 40999 BRUCE SPRINGSTEEN TUNNB t RafF EXPRESS TOUR Produced by Bruce Sprongsteen, "Cotomb.," :It ore trodernor Jon London, Chuck Plotkin. STARTING LATE FEBRUARY CBS Inc. O 1987 Bruce Sprint, Volume 2 Issue 77 February 15, 1988 $5.00 Headquarters: 15477 Ventura Blvd. 4SINGLES Suite 300 Expose holds off the charge of George Michael, but not for long. Sherman Oaks, CA 91403 Watch out for the heavy hitters as Debbie Gibson, Michael Jackson and Billy Ocean are on fire.
    [Show full text]
  • Mood Music Programs
    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
    [Show full text]
  • Edvard Grieg: Between Two Worlds Edvard Grieg: Between Two Worlds
    EDVARD GRIEG: BETWEEN TWO WORLDS EDVARD GRIEG: BETWEEN TWO WORLDS By REBEKAH JORDAN A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Rebekah Jordan, April, 2003 MASTER OF ARTS (2003) 1vIc1vlaster University (1vIllSic <=riticisIll) HaIllilton, Ontario Title: Edvard Grieg: Between Two Worlds Author: Rebekah Jordan, B. 1vIus (EastIllan School of 1vIllSic) Sllpervisor: Dr. Hllgh Hartwell NUIllber of pages: v, 129 11 ABSTRACT Although Edvard Grieg is recognized primarily as a nationalist composer among a plethora of other nationalist composers, he is much more than that. While the inspiration for much of his music rests in the hills and fjords, the folk tales and legends, and the pastoral settings of his native Norway and his melodic lines and unique harmonies bring to the mind of the listener pictures of that land, to restrict Grieg's music to the realm of nationalism requires one to ignore its international character. In tracing the various transitions in the development of Grieg's compositional style, one can discern the influences of his early training in Bergen, his four years at the Leipzig Conservatory, and his friendship with Norwegian nationalists - all intricately blended with his own harmonic inventiveness -- to produce music which is uniquely Griegian. Though his music and his performances were received with acclaim in the major concert venues of Europe, Grieg continued to pursue international recognition to repudiate the criticism that he was only a composer of Norwegian music. In conclusion, this thesis demonstrates that the international influence of this so-called Norwegian maestro had a profound influence on many other composers and was instrumental in the development of Impressionist harmonies.
    [Show full text]
  • Borghild Holmsens Zweitem Bewerbungsschreiben Um Ein Staatliches Stipendium, Vergeben Vom Kirchen- Und Ausbildungsministeriums (KUD) 1898
    Holmsen, Borghild („Es wird darum gebeten zu berücksichtigen, dass ich no- ch kein Legat oder Stipendium hatte und dass ich, – mit Ausnahme von 3 Studienjahren am Leipziger Konservato- rium meinen Aufenthalt im Ausland allein durch das Un- terrichten in Musik und Sprachen ermöglichen konnte. – Es wäre daher für mich von äußerster Wichtigkeit, ein Jahr ausschließlich meiner Wirksamkeit als Komponis- tin widmen zu können.“) Aus Borghild Holmsens zweitem Bewerbungsschreiben um ein staatliches Stipendium, vergeben vom Kirchen- und Ausbildungsministeriums (KUD) 1898. Zitiert nach Dahm, 1987, S. 118. Profil Borghild Holmsen zählte zu einer Generation komponie- render Frauen, die um die Jahrhundertwende in Norwe- gen selbstbewusst als Komponistin an die Öffentlichkeit trat. Unverheiratet finanzierte sie sich durch eine beacht- liche Konzert- und Kompositionstätigkeit sowie durch die Erteilung von Klavierunterricht. In ihrer zweiten Le- benshälfte war sie darüber hinaus als Musikhistorikerin und Bibliothekarin wirksam. Orte und Länder Die in Kråkstad geborene Borghild Holmsen lebte in der norwegischen Hauptstadt Christiania und spätestens ab 1905 in Bergen, wo sie an der Musikakademie als Klavier- Borghild Holmsen pädagogin arbeitete und ab 1913 die Musiksammlung der Öffentlichen Bibliothek Bergen aufbaute. Ihr Ausbil- Borghild Holmsen dungsweg führte sie an das Leipziger Konservatorium und nach Berlin. Als Pianistin und Komponistin trat sie * 22. Oktober 1865 in Kråkstad (Kommune Ski in nicht nur in Norwegen und Deutschland, sondern auch Akershus), Norwegen in Schweden, Dänemark, England und den USA auf. Für † 4. Dezember 1938 in Bergen, Norwegen ihr Engagement auf dem Gebiet der Musikgeschichte wurde sie auf einem wissenschaftlichen Kongress in Rou- Komponistin, Pianistin, Klavierpädagogin, Journalistin, en als Officier d’Académie ausgezeichnet.
    [Show full text]
  • Greece Brings Its Issues to Davos Dr. Dennis Assanis Speaks with TNH Greek Scent of Culture at Harvard University
    S O C V th ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 10 0 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A wEEKly GREEK-AMERIcAN PUblIcAtION 1915-2015 VOL. 19, ISSUE 954 January 23-29, 2016 c v $1.50 Dr. Dennis G1reece Assanis Brings Speaks Its Issues With TNH to Davos Greek-American Biden Meets Elected President With Tsipras, Of Univ. of Delaware Will Sit Down By Theodore Kalmoukos With Cypriots NEW YORK - A distinguished DAVOS, SWITZERLAND – The academic official, professor and world leaders who have gath - scientist, Dr. Dennis Assanis, has ered at Davos for the World Eco - been unanimously voted by the nomic Forum (WEF) have heap - members of the Board of ing plates of crises and long term Trustees of the University of concerns before then, but two Delaware to be the next Presi - Hellenic issues will are also on dent of one of the nation’s top the menu, which was reflected universities. in a meeting between U.S. Vice Indeed it is a huge part of President Biden Prime Minister the life of the state. The school of Greece Alexis Tsipras. with 23,000 students could be Biden and Tsipras met on Jan - compared to a small town con - uary 20 and according to a White sidering Delaware has 935,000 House statement, “The leaders residents. agreed on the importance of Assanis will assume his du - moving forward as quickly as ties on July 1, 2016 and until possible on Greece’s economic then, he will remain at his cur - reforms, including serious dis - rent job as Provost and Senior EUROKINISSI cussions with creditors on debt Vice-President for Academic Af - U.S.
    [Show full text]
  • Grieg's Influence on Hanka Schjelderup Petzold
    The International Edvard Grieg Society Grieg Conference in Copenhagen 2011 Grieg’s influence on Hanka Schjelderup Petzold Hikari Kobayashi Introduction Hanka Schjelderup Petzold (1862–1937) was the sister of Gerhard Schjelderup, a Norwegian composer and music critic. She arrived in Japan in 1909 to teach the piano and singing at the Tokyo Music School and lived there until her death1. Nurturing prominent Japanese musicians, she performed at concerts and received good reviews. Although she played an important role in the sphere of music in Japan, her achievements have not been researched extensively. The Schjelderup family and Edvard Grieg shared a deep bond. Over a hundred letters were exchanged between Gerhard Schjelderup and Grieg. In addition, Gerhard wrote a biography of Grieg2. Leis Schjelderup, Gerhard’s and Hanka’s sister, painted a portrait of Grieg, and there was a time when Grieg was captivated by her charms. Moreover, Hanka had personal correspondence with Grieg: her two letters to Grieg are preserved at the Bergen Public Library3. Therefore, she may have sensed a strong familiarity with Grieg’s music. Purpose of the presentation This presentation aims to investigate the influence of Grieg on Hanka Schjelderup Petzold and to examine how her music activities influenced the reception of Grieg’s music in Japan. I will focus on her performances of Grieg’s music after she arrived in Japan in 1909. 1 In 1949, the Tokyo Music School became the Faculty of Music at the Tokyo National University of Fine Arts and Music. 2 Gerhard Schjelderup, Edvard Grieg og hans værker [Edvard Grieg and his works], Copenhagen: Gyldendal, 1903.
    [Show full text]
  • Эдвард Григ Edvard Grieg
    эдвард григ НА СОВЕРШЕННЫХ ВЫСОТАХ EDVARD GRIEG EXQUISITE HEIGHTS Выход в 1997 году полнометражного 12-серийного отечествен- The 1997 release of the Russian animated feature film “Neznayka on ного мультфильма «Незнайка на Луне» открыл мир искусства the Moon” (Know-nothing on the Moon) opened up the world of Эдварда Грига, и без того популярного, ещё для одной части рос- Edvard Grieg’s music, already popular, to a new part of the Russian сийской аудитории. Теперь даже совсем маленькие дети иногда public. Now, even small children sometimes ask who wrote the music задают вопрос: кто автор музыки песен из «Незнайки»? Прекрас- to “Neznayka” – the beautiful, catchy songs that became an essential ных, легко запоминающихся мелодий, которые являются неотъ- part of this kind, witty and illuminating tale of fantastic adventures and емлемой частью доброй, остроумной и поучительной сказки о dreams, of growing up and, finally, of nostalgia and the long-awaited фантастических приключениях, о взрослении и мечте, наконец, return home. о ностальгии и долгожданном возвращении домой. Wherever we find ourselves, even for years, «Где б ни были мы даже долгие года, Our hearts still always long for home… Сердцами домой устремляемся всегда», – Thus sings the film’s character Romashka (the Russian word means поёт сказочная жительница Ромашка на мотив григовской «Пес- “daisy”), who dwells in a fairytale land, to the melody of Grieg’s ни Сольвейг». И сердце ноет, и слух пристрастно следит за ме- “Solveig’s Song”, a symbol of waiting and longing, of endless devotion ланхолическими вздохами обманчиво-простой и словно бы за- and eternal love. The hearts aches as we hear the melancholy sighs of ранее знакомой мелодии.
    [Show full text]
  • Cabineta Quarterly of Art and Culture
    A QUARTERLY OF ART AND CULTURE ISSUE 18 FICTIONAL STATES CABINET US $10 CANADA $15 UK £6 inside this issue THERMIDOR 2005 Sasha Archibald • John Bear • Robert Blackson • William Bryk • Sasha Chavchavadze • Mark Dery • Allen Ezell • Charles Green • Invertebrate • Craig Kalpakjian • Peter Lamborn Wilson • David Levi Strauss • Brian McMullen • Glexis Novoa • George Pendle • Elizabeth Pilliod • Patrick Pound • Bonnie and Roger Riga • Lynne Roberts-Goodwin • Tal Schori • Cecilia Sjöholm • Frances Stark • Michael Taussig • Christopher Turner • Jonathan Ward • Christine Wertheim • Tony Wood • Shea Zellweger cabinet Cabinet is a non-profit 501 (c) (3) magazine published by Immaterial Incorporated. 181 Wyckoff Street Contributions to Cabinet are fully tax-deductible. Our survival is dependent on Brooklyn NY 11217 USA such contributions; please consider supporting us at whatever level you can. tel + 1 718 222 8434 Donations of $25 or more will be acknowledged in the next possible issue. Dona- fax + 1 718 222 3700 tions above $250 will be acknowledged for four issues. Checks should be made email [email protected] out to “Cabinet.” Please mark the envelope, “Rub your eyes before opening.” www.cabinetmagazine.org Cabinet wishes to thank the following visionary foundations and individuals Summer 2005, issue 18 for their support of our activities during 2005. Additionally, we will forever be indebted to the extraordinary contribution of the Flora Family Foundation from Editor-in-chief Sina Najafi 1999 to 2004; without their generous support, this publication would not exist. Senior editor Jeffrey Kastner Thanks also to the Andy Warhol Foundation for the Visual Arts for their two-year Editors Jennifer Liese, Christopher Turner grant in 2003-2004.
    [Show full text]
  • Norway – Music and Musical Life
    Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture.
    [Show full text]
  • Music-Week-1993-11-2
    iniMcweek For Everyone in the Business of IViusic 20 NOVEMBER 1993 £2.81 Lewis axes top pybiisliîng duo Chrysalis Music Division boss Steve Rights socaetîes Stuart Slater and Roger WatsonTr^ thëgfôûpVpublishingSlater, président of Chrysalis arm. Music, wereand Watson, told of thewho décision was général last manager,Tuesday. unité to eut costs Mv ;e Steve Lewis, t Chrysali The UK's performing and mechan While Hockman says certain "unique have set up," he says. Slater, who joined Chrysalis Records rights societies have taken their I features" of MCPS and PRS and their substantialThe new venture isi work for both the publishing and record with the announcement that they areasshould such be preserved, as data processing,he adds common légal ilable, h "verycompany, disappointing". describes his departure as and accounting functions and even da^yeS' tofaMe ^mîsmXhnt those "Steve Lewis always had a remit placeSuggesting within that 18 thesemonths, moves he sayscould there take forThe MCPS initiative amounted has beento just welcomed over £8m. by toïgreements, be operated products by a joint and workforce. record- éralis "enormous council for support" such a step. on the PRS gén- leadingmanaging publishers. director Robin Warner Godfrey-Cass Chappell Watson joined Chrysalis i id although the statement sets a The création of the joint venture ears", both because of the savings it will 3en and worked UK as for well the as group hein! ting ber of years - has ■ans de Wit protecting Anglo-American repertoire says, "The group to a certi will function,i of its ho name, locationw company and He adds, "The final pi "Therewho will is runa lot it of are technical still to bedétail finalised.
    [Show full text]
  • Verbotsliste Zum Members Favourite 2011
    Verbotsliste zum Members´ Favourite 2011 (MF 2011) MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2010 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2010 auch nicht erlaubt: alle ESC-Vorentscheidungs-Titel 2010 Interpret Titel Wettbewerb 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Åkerström, C.-S.
    [Show full text]