Moore School Moves Up, Moves
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November 5Th 2001
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-5-2001 November 5th 2001 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 5th 2001" (2001). Coyote Chronicle (1984-). 504. https://scholarworks.lib.csusb.edu/coyote-chronicle/504 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A&E A&E A&E A&E A&E A&E A&E A&eH The Scene The Scene The Scene The Scene Multi-Cultural Multi-Cultural Multi-Cultural A Funny Thing Halloween on campus, Happened on the coverage, contest Inked skin- The Way to the Theater results and more... Tattoo Culture ON PAGE 11 ON PAGE 5 ON PAGE 7 November 5, 2001 Serving the Students of CSUSB for 35 Years Volume 35, Issue 6 The dead return: ElEMadeLosMuertos By Joe Flores Special to the Chronicle Di'a de Los Muertos was an event on Thursday, November 1. It was sponsored and put together by the Cross Cultural Center, the Foreign Language Department, and Lambda Theta Phi. All three organizations and departments went through a lot of trouble and work to make the Student Ahibassa event a success. Of course, it was a success, with a turnout to search for new applicants of at least 150 people. The event started at 10am By Mathew Taylor with a lecture by speaker -y r,AmbassadorsSociety (SAS) , Miguel Mora. -
Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
SOUTHERN AVENUE Southern Avenue March 2016
SOUTHERN AVENUE Southern Avenue March 2016 If Memphis music is a genre, this is it. One part virtuosic blues guitar, one part powerhouse gospel vocals. Season with soul, jazz, and of course – a whole lot of rock’n’roll. This is Southern Avenue, and they’re serving up a sampling with their debut EP this spring. The band takes its name from a Memphis street that runs from the eastern-most part of the city limits all the way to Soulsville. It’s a fitting moniker for this diverse four-piece: two sisters whose musi- cal education came from the Church (Tierinii and TK Jackson), a jazz bassist (Daniel McKee) and an Israeli-born guitarist who grew up a student of the blues (Ori Naftaly). Southern Avenue’s self-titled EP – which the band will indepen- dently release first to local fans in February, followed by a na- February 1, 2016 tional release in the spring – is a “true debut,” says lead guitarist Lead single “What Did I Do?” Naftaly. Indeed, these five songs provide a glimpse of Southern Full EP out this spring Avenue’s range and an introduction to the band’s point of view. They take on a diverse mix of styles with ease, an indication of the myriad sounds that may be to come. From the swinging rock and soul of lead single “What Did I Do” to the blissed-out, jam-band feel of “Wild Flower” to the traditional blues on “80 Miles From Memphis,” at the center of it all is the electric interplay between Naftaly’s guitar and the rich gospel vo- cal of Tierinii Jackson. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Rick Roberts Windmills Mp3, Flac, Wma
Rick Roberts Windmills mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Windmills Country: US Released: 1972 Style: Folk Rock, Country Rock, Pop Rock MP3 version RAR size: 1827 mb FLAC version RAR size: 1858 mb WMA version RAR size: 1523 mb Rating: 4.8 Votes: 500 Other Formats: AA DTS MMF TTA VQF DXD FLAC Tracklist Hide Credits Deliver Me A1 Bass – Randy MeisnerChorus – Bernie Leadon, Don Henley, Randy Meisner, Rick 4:51 RobertsGuitar – Bernie Leadon Davy McVie A2 3:45 Vocals [Harmony] – Don Henley In My Own Small Way A3 2:57 Banjo, Vocals [Harmony] – Bernie LeadonBass – Randy Meisner A4 Sail Away 7:17 Two Lovely Women B1 4:39 Electric Guitar [Rhythm] – Rick RobertsGuitar – Marc Benno In A Dream B2 4:12 Bass – Randy MeisnerVocals [Harmony] – David Crosby Drunk And Dirty B3 Bass – Chris HillmanDrums – Dallas TaylorElectric Guitar – Al PerkinsGuitar – Marc 3:42 BennoVocals [Harmony] – Jackson Browne Pick Me Up On Your Way Down B4 2:53 Vocals [Harmony] – Mother HenWritten-By – Harlan Howard B5 Jenny's Blues 3:46 Credits Art Direction – Roland Young Bass – Lee Sklar* Drums – Don Henley Engineer [Recording] – John Haeny, Kent Nebergall, Richie Moore* Engineer [Remix] – David Anderle Fiddle – Byron Berline Organ – Mike Utley* Percussion – Joe Lala Photography – Bob Jenkins Piano – Mother Hen Producer – David Anderle Steel Guitar [Pedal] – Al Perkins Vocals, Acoustic Guitar – Rick Roberts Notes ℗ 1972 A&M Records, Inc. First issue brown label. Recorded at Sunset Sound Studios, Los Angeles This album is dedicated to MICHELLE WOOD Barcode -
Luther Dickinson and Sisters of the Strawberry Moon Solstice
Luther Dickinson and Sisters of the Strawberry Moon Solstice “Most of the work was in getting the spark lit,” Luther Dickinson says of assembling the all-star cast for his extraordinary new project, Luther Dickinson and Sisters of the Strawberry Moon. “It was sort of like throwing a party. Once you manage to get everybody together, you can just step back and let it all happen.” Like any good party, Luther Dickinson and Sisters of the Strawberry Moon’s debut album, Solstice, comes complete with a great soundtrack and an impeccable guest list, one that boasts Amy Helm, Birds of Chicago, Amy LaVere, and Shardé Thomas among others. And like any good host, Dickinson manages to put the spotlight on his friends here, taking a step back from the microphone in order to focus his efforts behind the scenes and flex his considerable muscles as both a producer and a guitarist. The result is an album that stands apart in Dickinson’s extensive catalog, a collection that brings together some of the most captivating female voices in modern American roots music and filters each of their distinctive personalities through a singular vision of artistic community and musical exploration. “The whole idea of this album was to introduce a bunch of friends and get them to collaborate with each other,” says Dickinson. “I wanted to let the chemistry flow, to create an environment where everyone’s flavors naturally blended together and each artist could just be themselves. I think you can feel that freedom in the music.” Freedom has long been Dickinson’s sonic signature, both on the stage and in the studio. -
The Black Crowes Warpaint Live Mp3, Flac, Wma
The Black Crowes Warpaint Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Warpaint Live Country: UK, Europe & US Released: 2016 Style: Southern Rock, Blues Rock, Hard Rock MP3 version RAR size: 1520 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1486 mb Rating: 4.5 Votes: 602 Other Formats: TTA AU MOD DXD VOX AC3 MP3 Tracklist Hide Credits A1 Goodbye Daughters of the Revolution 5:03 A2 Walk Believer Walk 4:55 A3 Oh Josephine 7:59 B1 Evergreen 4:21 B2 Wee Who See The Deep 7:35 B3 Locust Street 4:14 C1 Movin' On Down the Line 7:58 C2 Wounded Bird 4:39 God's Got It D1 4:26 Written-By – Reverend Charlie Jackson D2 There's Gold in Them Hills 5:04 D3 Whoa Mule 6:53 Poor Elijah – Tribute To Johnson E1 5:52 Written-By – Delaney Bramlett, Jim Ford, Leon Russell E2 Darling of the Underground Press 4:25 E3 Bad Luck Blue Eyes Goodbye 7:56 Don't Know Why F1 5:17 Written-By – Bonnie Bramlett, Eric Clapton Torn And Frayed F2 5:16 Written-By – Jagger-Richards Hey Grandma F3 4:13 Written-By – Don Stevenson, Jerry Miller Companies, etc. Phonographic Copyright (p) – Silver Arrow Records, Inc. Copyright (c) – Eagle Rock Entertainment Ltd. Credits Backing Vocals – Mona Lisa Young Bass, Vocals – Charity White Design [LP Packaging] – Peter Tsakiris Design [Original Packaging] – Stuart Green Drums, Percussion – Steve Gorman Engineer [FOH] – Scott Scherban Engineer [Monitor] – Drew Consalvo Executive Producer – Geoff Kempin, Terry Shand Guitar – Luther Dickinson Guitar, Vocals – Rich Robinson Keyboards – Adam MacDougall Lighting Director – Chris Kuroda Management – Amy Finkle, Pete Angelus Producer [Supervising] – Mike Carden , Sean McEneely Technician [Drum/Keyboard] – Nick Forchione Technician [SL Guitar] – Elwood Francis Technician [SR Guitar/Bass] – Randy Stinson Tour Manager [Assistant] – Adam "Cutlets" Richards Vocals, Harmonica, Guitar – Chris Robinson Written-By – Chris Robinson (tracks: A1-A3, B1-B3, C1-C2, D2-D3, E2-E3), Rich Robinson (tracks: A1-A3, B1-B3, C1-C2, D2-D3, E2-E3) Notes Includes digital download. -
Rock3 Rock News & Music R
Black Crowes Release DVD Cabin Fever Recorded Live - Rock3 Rock News & Music R... Page 1 of 3 Rock3 Rock News & Music Reviews > Content > Rock Music News User Name User Name Remember Me? Black Crowes Release DVD Cabin Fever Recorded Live Password Log in Home Reviews Interviews Forums Contact Media Submit News Search Register Notices Welcome to Rock3Music, I've noticed you're not logged in. If you've yet to register why not do so now, it's free! Signing up lets you participate in discussions, submit and comment on reviews or post news about your band or your favourite artists Rock Music News Rock music news from the world of Rock where you can find the latest news and discussions. (Moderated) LinkBack Story Tools Display Modes Browse News Submit Your News View Alphabetically Popular News Black Crowes Release DVD Cabin Fever Recorded Live Published by Rock3 02-12-2009 More on This Artist Black Crowes Release DVD Cabin Fever Recorded Live Published by Black Crowes Appaloosa video from the Cabin Fever DVD Rock3 Administrator Join Date: May 2006 Posts: 2,919 THE BLACK CROWES released the Cabin Fever DVD on November 23rd, 2009 on their own Silver Arrow label. The DVD includes footage of the magical recording sessions that ultimately became their critically acclaimed CD, Before the Frost…Until the Freeze, which was released on 31st August this year. The innovative technique of inviting fans into the studio to become part of the recording process was a rare experience and wisely, the band filmed the sessions. Before the Frost…Until the Freeze was recorded over a series of five nights in front of an intimate studio audience at Levon Helm Studios in Woodstock, NY. -
Mundealan2011-12-08Transcript.Pdf (1.076Mb)
Oral History Interview of Alan Munde Interviewed by: Andy Wilkinson December 8, 2011 Wimberley, Texas Part of the: Crossroads of Music Archive Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Copyright and Usage Information: An oral history release form was signed by Alan Munde on December 8, 2011. This transfers all rights of this interview to the Southwest Collection/Special Collections Library, Texas Tech University. This oral history transcript is protected by U.S. copyright law. By viewing this document, the researcher agrees to abide by the fair use standards of U.S. Copyright Law (1976) and its amendments. This interview may be used for educational and other non-commercial purposes only. Any reproduction or transmission of this protected item beyond fair use requires the written and explicit permission of the Southwest Collection. Please contact Southwest Collection Reference staff for further information. Preferred Citation for this Document: Munde, Alan Oral History Interview, December 8, 2011. Interview by Andy Wilkinson, Online Transcription, Southwest Collection/Special Collections Library. URL of PDF, date accessed. The Southwest Collection/Special Collections Library houses almost 6000 oral history interviews dating back to the late 1940s. The historians who conduct these interviews seek to uncover the personal narratives of individuals living on the South Plains and beyond. These interviews should be considered a primary source document that does not implicate the final verified narrative of any event. These are recollections dependent upon an individual’s memory and experiences. The views expressed in these interviews are those only of the people speaking and do not reflect the views of the Southwest Collection or Texas Tech University.