Activities Listed on 1955-56 Calendar the 1955-56 Master Calendar 17-Football, USC, Los Angeles L6-17-Play, Bryan Hall Aud

Total Page:16

File Type:pdf, Size:1020Kb

Activities Listed on 1955-56 Calendar the 1955-56 Master Calendar 17-Football, USC, Los Angeles L6-17-Play, Bryan Hall Aud "dVd811 wsc 'ld30 SNOI1ISlnOJV Vol. LXI Pullman, Wash., Thursday, May 19, 1955 Number 106 Latest Polio Roundup Opera Workshop this weekend (May 20 and 21) will present two operas; one of Furl:'her' Sf:udy 0f V a cc ·Ine Which is "The Old Maid and the Thief." Taking the leading roles are Carolyn Young and Robert Bratton. (WSC Photo). '~, Opera Workshop Set Slat:ed; Ike Backs Hobby WASHINGTON. (JP)-A new de- called "another look-see at this a federal inspection team which r..::.m lay in further releases of Salk whole very confused picture." has completed a visit to Wyeth . , g polio vaccine was disclosed Wed- The disclosure came when a Laboratories, Inc., at Mal'ietta, Mor DOU ble Prog nesday night pending what a Pu- reporter asked why there had Pa. The WSC Opera Workshop White plays Miss Pinkerton, and blic Health Service spokesman been no report on the findings of "There will be no further re- Under the direction of Margaret Robert Bratton will sing the role leases of vaccine from any man- bavis will produce two operas of Bob. Piano accompaniment ufacturer for several days," a this week on Friday and Satur- will be performed by Ellen Fran- spokesman said. He added the day evenings at 8 in Bryan zen, assisted by Jane Anderson. situation did not affect the 7,4 Arabs ~xpected· to Add 850,000 cubic centimeters of vac- lIall Auditorium. These will be "Dido and Aeneas" will feature CHan-Carlo Menotti's "Old Maid Patricia Franklin as Dido, Wal- cine produced by two other labo- ratories and approved for use in and the Thief" and "Dido and ter Miller as Aeneas, Frances the nationwide immunization Eickhoff as Belinda, and Patric- Aeneas" by Henry Purcell. progr-am, Much of this has al- ia Hall, Sharal Runyon, and Menotti's work is one of the ~xcitement to Horse Show ready been used and what is left first of a now sizeable series of and Marjorie Hamilton as the is still approved for use. three witches. by Barbara Risley oPeras which has brought him "They have now developed great renown as one of the lead- Others in the cast are: Patty Arabian horses are expected to hit the WSC Open Horse those and now they are going to ing lights in American opera. Payne, Marjorie Noblitt, and show May, 27-29with more force this year than ever before. review them," the spokesman lIis latest work, "The Saint of Burle Burkher. For the Purcell According to Rod Reuting, assistant manager of the sixth said. "They are going at refined Bleecker Street" has just been opera a small group of string methods." players will perform under the annual event, the entries, which now total over' 270, weigh aWarded a Pulitzer prize. "The No Announcement Old Maid and the Thief" was direction of Kemble stout. The heaviest on Arabs. composed on a commission from choreography has been done by These colorful little horses coast for quality, according to Later Dr. Leonard A. Scheele, the National Broadcasting com- Pattsy Widman. have long been a favorite with the, national judge Col. Koes- surgeon general of the .Publrc Pany in 1938 and was first pro- the .Pullman crowd, and appar- tel'. The WSC event' held classes Health ~rvice, confirmed that Tickets for these performanc- for all age groups of the breed, "there WIll b~ no further an- duced as an opera for radio. es are on sale at the Student ently, exhibitors are taking ad- Staged Many Times vantage of their popularity. Last and, were filled to overflowing. nouncement w.Ith res.p~ct to ~he Bookstore and the Corner Drug Many breeders and fanciers release of poliomyelitds vaccine It has since been played many year the Arabian entries equaled Store, and the price is seventy- brought in five or more of their for the next several days." ~imes as a stage production and five cents. those in the top shows on the I ore It lends itself very well to such prize winners, stated that the . Seve~t~-seven. out of !l1 than treatment. It is interesting to competition was the keenest and fl~e million ch~ldren inoculated fairest they had met. With the vaccme ha~e sub~e4 note, that, unlike many opera quentlv come down With polio. , composers, Mr. Menotti has con- . One of ~ost applauded classes Five of the cases involved the Sistently written his own libret- IS the Native C;ostume class for Wyeth product, the Public Health ti, thus giving his operas a cer- purebred Arabians. They en~er Service said, two of them having tain expressive unity not alway's the. arena at a full gallop, WIth been confirmed Wednesday found in the works of others. both rider and horse garbed in Salk Comments • "Dido and Aeneas" is often authentic Arab wear. It is gen- In Pittsburgh, Dr. Jonas Salk, Considered, though not quite ac- e~'~IlY one of the fastest and ex- developer of the vaccine, told a. CUrately historically, the first citing events on the program. group of scientists that cases of E;nglish opera. It is certain, Spills of horses and riders are polio reported after injections of however, that it is. the first to not uncommon, and the flying the vaccine are "clearly cornet- attain a lasting place in the ac- capes and trappings make for (Continued on page 2) tive repertory. Henry Purcell much confusion. stands as perhaps the greatest List Characteristics tnaster of early English music, The Arabians are known for having been active in the latter large and expressive eyes, spir- Fraternities Robbed Portion of the seventeenth cen- ited dispositions, and flashy tUry. "Dido and Aeneas". was markings. They are usually first performed in 1689, but to brown. Contrary to popular be- Late Tuesday Night tbe best of information, was not lief, they are very rarely black. Produced again until 1895, since The Pullman City Police re- Which time its position in, the Purebred Arabs are judged on ported that sometime Tuesday repertory has remained firm. It their type, according to a set night or early Wednesday morn- deals with the ancient tale of standard; on their manners; ing, the Kappa Sigma and Theta. aeneas in Carthage .. "Hello Day" has been set for tomorrow (May 20), ac- way of traveling;· and general Chi fraternities were robbed ot' Cast Listed cording to members of Junior PanheIlen- quality. approximately $120. The cast for "The Old Maid ic who are staging the affair. Making final arrangements are: . Judging this year's show are As yet, there are no leads to and the Thief" is: Miss Todd Sharon Specht, Barbara Marzano, Mary Ann Murphy, Margin the prominent horsemen L. V. the identity of the culprit. He ap- SUng by Sandra Miner, Laetitia Hulong , Janet Wright (on floor) ,Pat AngelI and Alayne Dye. Tirrell, Ward W. Wells, and parently obtained the m 0 n e y Sung by Carolyn Young, Shirley (WSC Photo). Richard F. Johnson. from the residents' wallets. Activities Listed on 1955-56 Calendar The 1955-56 Master Calendar 17-Football, USC, Los Angeles l6-17-Play, Bryan Hall Aud. man 24-Mid-Semester Grades Due has been released by the Activi- 17-22-IFC Rush ese Auction 14-Jr. Panhellenic Luncheon for 24~Military Ball ties board, Activities center, and 18-Convocation for New stu- 29-Football, College of Pacific, All Pledges on Campus ,27-28-Independent Caucus the Office of Information. The dents stockton, California 14-8ophomore Tolo 28-31-8tate FFA Conference (T) , student events listed have been 19-22-0rientation Days November,> 1955 20-21-Play, Bryan Hall Aud. 31-Apr. 8-Spring Vacation '1' approved by the Activities Board 19- YMCA All Frosh Picnic and 27-29~losed Weekend A '1 1956 30-Feb. 4-Final Exams prt , .Upon the requests of the organ- Mixer 2-3-Class Elections 1-8-Spring Vacation 4-Barber Shop Quartet Contest Izattons involved. 20- YMCA International Student February, 1956 9-Classes Meet Reception 4-5-Play, Bryan Hall Auditor- This calendar lacks full listing 6-Final Grades Due 18-The Music Makers' (T) 22-24-Registration in All Depart- ium of dates of student meetings and 6-8-Orientation Days 18-21-Play, Bryan Hall Arena ments (until noon) . 4-Rally (T) Social events, Lecture-Artist Ser- 9-10-Registration in All Depart- 21-Little International ies, Community Concerts, and de- 24-Football, University of Kan- 5-Homecoming Footb~ll, Ore- ments 25-26-ASSCW Elections Partmental conferences, These sas, Lawrence gon, Pullman 10-Merry-Go-Round Dance 28--High School Visitation (T) dates will be placed on the Mas- 24-Registration Ball 5-Homecoming Dance ll-Freshman Class Dance ter Calendar as quickly as they 26~lasses Meet ll-Rally (T) May, 1956 are registered through the pr~p- 28-A WS Big-Little Sister Party 12-Football, San Jose State, 13-Classes Begin 3-5-Play, Speech and Music D~ er offices. Event dates which are 30-Rally (T) Pullman 17-Musicians' Ball partment . still tentative are marked with 30-Oct. I-Dads' Weekend I3-Jazz At The CUB 19-College Band Concert 4-6-Mothers' Weekend "T." All other dates are consid- October, 1955 19-Football, UniverSity of Wash- 22-25-Play, Bryan Hall Arena 5-Elijah presented by College ington, Seattle 24-25-Basketball, Stanford, Pull- Choir Chorus and Orchestra ered permanent. I-Dads' Day Football, U.C.L.A., . Announcement of the date of 19-Hawaiian Luau man 7-13-8enior Week Pullman ' 25-ASSCW Carnival 10-Senior Convocation the stuQent-event requests on the 7-9-AWS Fall Retreat 20-American Music Concert 2,3-27-Thanksgiving Vacation 27-March 4-International Festi- 12-Senior Ball Mastel' Calendar indicates the 8-Football, University of Cali- date only has been approved.
Recommended publications
  • Drake Plays 1927-2021.Xls
    Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Humor, Characterization, Plot: the Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels
    Humor, Characterization, Plot: The Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katrina M. Peterson, M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Clare Simmons, Adviser Leslie Tannenbaum Jill Galvan ABSTRACT Many late eighteenth- and nineteenth-century British novels utilize laughter as a social corrective, but this same laughter hides other messages about women‘s roles. As the genre‘s popularity widened, writers used novels to express opinions that would be eschewed in other, more established and serious genres. My dissertation argues that humor contributes to narrative meaning; as readers laugh at ―minor‖ characters, their laughter discourages specific behaviors, yet it also masks characters‘ important functions within narrative structure. Each chapter examines one type of humor—irony, parody, satire, and wit—along with a secondary female archetype: the matriarch, the old maid, the monster, and the mentor. Traditionally, the importance of laughter has been minimized, and the role of minor characters understudied. My project seeks to redress this imbalance through focusing on humor, secondary characterization, and plot. Chapter One, ―Irony and The Role of the Matriarch,‖ explores the humorous characterizations of Lady Maclaughlan and Miss Jenkyns within Susan Ferrier‘s Marriage (1818) and Elizabeth Gaskell‘s Cranford (1853). These novels share the following remarkable similarities: 1) they use characterization to unify unusually- structured novels; 2) they focus on humorous figures whose contributions to plot are masked by irony; 3) their matriarchal characters are absent for large portions of the stories; and 4) despite their absences, these figures‘ matriarchal power carries strong feminist implications.
    [Show full text]
  • APR–MAY 2018 SEASON 51, ISSUE 7 EAP Full-Page Template.Indd 1 3/15/18 3:21 PM My Legacy
    SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY APR–MAY 2018 SEASON 51, ISSUE 7 EAP full-page template.indd 1 3/15/18 3:21 PM My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Vartan Shahijanian Private Wealth Advisor [email protected] 415-705-7258 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2018 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 12/12/17 9:50 AM April 2018 Volume 16, No. 7 Business, meet box office. Encore connects your business to arts patrons wherever they are. Paul Heppner Publisher To learn what Encore can do for your business, Susan Peterson visit encoremediagroup.com. Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director MAKE YOUR SUMMER Amelia Heppner, Marilyn Kallins, EPIC Terri Reed 2018
    [Show full text]
  • Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given  1965 the Subject Was Roses by Frank D
    The Pulitzer Prizes Drama Winners The First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No award given 1965 The Subject Was Roses by Frank D. Gilroy 1964 No award given 1963 No award given 1962 How to Succeed in Business Without Really Trying by Loesser and Burrows 1961 All the Way Home by Tad Mosel 1960 Fiorello! by Weidman, Abbott, Bock, and Harnick 1959 J.B. by Archibald MacLeish 1958 Look Homeward, Angel by Ketti Frings 1957 Long Day’s Journey Into Night by Eugene O’Neill 1956 The Diary of Anne Frank by Albert Hackett and Frances Goodrich 1955 Cat on a Hot Tin Roof by Tennessee Williams 1954 The Teahouse of the August Moon by John Patrick 1953 Picnic by William Inge 1952 The Shrike by Joseph Kramm 1951 No award given 1950 South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan 1949 Death of a Salesman by Arthur Miller 1948 A Streetcar Named Desire by Tennessee Williams 1947 No award given 1946 State of the Union by Russel Crouse and Howard Lindsay 1945 Harvey by Mary Coyle Chase 1944 No award given 1943 The Skin of Our Teeth by Thornton Wilder 1942 No award given 1941 There Shall Be No Night by Robert E. Sherwood 1940 The Time of Your Life by William Saroyan 1939 Abe Lincoln in Illinois by Robert E. Sherwood 1938 Our Town by Thornton Wilder 1937 You Can’t Take It With You by Moss Hart and George S. Kaufman 1936 Idiot’s Delight by Robert E. Sherwood 1935 The Old Maid by Zoë Akins 1934 Men in White by Sidney Kingsley 1933 Both Your Houses by Maxwell Anderson 1932 Of Thee I Sing by George S.
    [Show full text]
  • Lehigh Preserve Institutional Repository
    Lehigh Preserve Institutional Repository Love and marriage in works of Edith Wharton. Andrews, Marjorie Elizabeth 1978 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. LOVE AN$ MARRIAGE IN WORKS OF EDITH WHARTON by Marjorie Elizabeth Andrews A Thesis Presented to the Graduate Committee of Lehigh University in Candidacy for the Degree of Master of Arts in English Lehigh University 1978 ProQuest Number: EP76551 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest EP76551 Published by ProQuest LLC (2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The thesis is accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. 1 Mjuj Kit Cdate] Professor in Charge Chairman, Department of Ehglish ii TABLE OF COHTEHTS £2fi« Chapter 1 2 Chapter 2 19 Chapter 3 ^9 Chapter U 73 iii The conflict between personal desires and social obligations is a dominant theme in the works of Edith Wharton, recurring in her works as the oppression of the protagonist by a society that ia inferior to him.
    [Show full text]
  • Author Title of Play Title of Book Call Number Play Anderson
    Author Title_of_Play Title_of_Book Call_Number Play Anderson , Maxwell Winterset Scenes for Student PS 625 .C6 Volume III Actors Laurents, Arthur Home of the Brave The Best Plays of PN 6112 .B45 1945-1946 The Deluge on Noah’s The Development of PR 1245 .B43 Play Anonymous Flood English Drama Abe Kobo Friends Contemporary PL 782 .E1 C6 2005 Play Japanese Literature Abe, Kobo The Man Who Turned Plays in One Act PN 6112 .P58 1991 Play Into a Stick Abe, Kobo (tr. Donald The Man Who Turned Plays in One Act PN 6112 .P58 1991 Play King) into a Stick Ackland, Rodney Strange Orchestra Scenes for Student PS 625 .C6 Volume III Play Actors Addison, Joseph Cato Representative PR 1245 .T3 Play English Plays Aeschylus Agamemnon Masterpieces of the PN 6112 .A44 1974 Play Drama Aiken, George L. Uncle Tom’s Cabin Best Plays of the PS 625 .G3 Play Early American Theatre: From the Beginning to 1916 Aiken, George L. Uncle Tom’s Cabin Best American Plays PS 634 .B4 Play Akins, Zoe The Old Maid Scenes for Student PS 625 .C6 Volume II Play Actors Albee , Edward Finding the Sun Plays in One Act PN 6112 .P58 1991 Play Albee, Edward Finding the Sun Plays in One Act PN 6112 .P58 1991 Play Albee, Edward The Sandbox Reading Literature: PN 6014 .S315 1968 Play Stories, Plays and Poems Albee , Edward Tiny Alice Best American Plays PS 634 .B4 Play Vol. 6 Alfred, William Hogan’s Goat Best American Plays PS 634 .B4 Play Vol. 6 Allright, Hardie All the Living Scenes for Student PS 625 .C6 Volume IV Play Actors Alvarez, Lynne On Sundays Plays in One Act PN 6112 .P58 1991 Play Alvarez, Lynne On Sundays Plays in One Act PN 6112 .P58 1991 Play Anderson, George K.
    [Show full text]
  • Apndx B Seasons
    • Appendix B • A Chronology of University Theatre Seasons 1961-2007 1961-62 A Cup of Trembling, by Elizabeth Barryhill Fall Quarter The Robe, book by Lloyd C. Douglas Adapted by John McGreevey March 10, 11 The Curious Savage, by John Patrick May 25, 26 1962-63 Christ in the Concrete City, by P.W. Turner and Everyman, Anonymous November 30 - December 1 Cry, The Beloved Country, by Alan Paton March 8, 9 A Midsummer Night’s Dream, by William Shakespeare May 24, 25 1963-64 The Lark, by Jean Anouilh November 21, 22, 23 The Miracle Worker, by William Gibson March 12, 13, 14 Only An Orphan Girl, by Hennings Nelms May 22, 23, 28, 29, 30 1964-65 The Merchant of Venice, by William Shakespeare November 19, 20, 21 OPERA: Dido and Anenas, by Henry Purcell February 28, 29 Many Moons, by James Thurder, Adapted by Charlotte Chorpenning May 8, 9 1965-66 The Skin of Our Teeth, by Thorton Wilder November 18, 19, 20, 23 The Glass Menagerie, by Tennessee Williams March 3, 5, 10, 11, 12 1966-67 A Midsummer Night’s Dream, by William Shakespeare November 17, 18, 19, 21, 22 Puss in Boots by Rowena Bennett (touring children’s play) December ONE ACT PLAYS: February 16, 17, 18 The Bald Soprano, by Eugene Ionesco The Happy Journey, by Thorton Wilder It Should Happen to a Dog, by Wolf Mankoweitz Brand, by Henrik Ibsen March 7, 8, 9, 10, 11 The Fantasticks, by Tom Jones and Harvey Schmidt May 19, 20, 24, 27 1967-68 A Company of Wayward Saints, by George Herman November 15, 16, 17, 18 St.
    [Show full text]
  • Spinsters, Old Maids, and Cat Ladies: a Case Study in Containment Strategies
    SPINSTERS, OLD MAIDS, AND CAT LADIES: A CASE STUDY IN CONTAINMENT STRATEGIES Katherine Sullivan Barak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Committee: Ellen Berry, Advisor Vikki Krane Graduate Faculty Representative Sarah Smith Rainey Marilyn Motz © 2014 Katherine Sullivan Barak All Rights Reserved iii ABSTRACT Ellen Berry, Advisor Using Michel Foucault’s notion of “containment strategies,” this dissertation argues that representations of the crazy cat lady, the reprehensible animal hoarder, the proud spinster, and the unproductive old maid negatively frame independent, single women as models of failed White womanhood. These characters must be contained because they intrinsically transgress social norms, query gender roles, and challenge the limitations of mediated womanhood. In order to explore the role of representation, this dissertation provides a suggestive history of the ways spinsters and old maids evolved into their current iteration, the cat lady. The research begins by tracing cultural representations of cats and women from 2000 BCE through the early modern period. After this retrospective, the research focuses on two particular points of cultural anxiety connected to changing gender roles: the turn of the 20th and 21st centuries. During the former, the media characterized spinsters and old maids as selfish, proud, unnatural, unproductive, and childish in newspapers, magazines, and pamphlets. Rather than focusing exclusively on the negative coverage, this dissertation deeply analyzes three transgressive novels, Agnes Grey, An Old-Fashioned Girl, and Lolly Willowes: Or the Loving Huntsman, to contextualize the ways positive representations of spinsters and old maids could threaten patriarchal society.
    [Show full text]
  • 2021 In-Person & Live-Streamed the Island of Tulipatan the Fantasticks Cinderella
    SEAGLE FESTIVAL 2021 In-Person & Live-Streamed The Island of Tulipatan Offenbach The Fantasticks Schmidt/Jones Cinderella (Cendrillon) Massenet Opera Scenes La Bohème Puccini The Old Maid & The Thief Menotti Harmony - World Premiere Carl/Banks Broadway Revue seaglefestival.org BRINGING MUSIC TO THE ADIRONDACKS SINCE 1915 The Beechwood Group of Wells Fargo Advisors is proud to support Seagle Festival Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Festival There will be no intermissions for all 2021 productions. Notes from the Directors 1 Seagle Festival Guild 3 Patrons are required to wear face coverings at all times while Seagle Festival Board of Directors 4 indoors. Please refrain from congregating indoors. Once in the History of Seagle Festival 7 theater, please move directly to your assigned seat and remain 2020-2021 Seagle Festival Donors 8-11 seated until the end of the performance. Donor Opportunities 12 The Seagle Festival Hybrid Gala 3 Restrooms are located in the Shames Rehearsal Studio. Handicapped accessible restroom is at the rear of the theater. The Productions The Island of Tulipatan 13 So that all our patrons may enjoy the performance, please turn The Fantasticks 14 all cellphones to the silent or off positions.
    [Show full text]
  • Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected]
    Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Adjunct Professor, The Pennsylvania State University, State College, PA School of Theatre, 2020-present Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019.
    [Show full text]
  • The Pulitzer Prize and Women: an Investigation Into Three Decades of Winning Plays by Female Dramatists (1981-2009)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 The Pulitzer Prize and Women: An Investigation into Three Decades of Winning Plays by Female Dramatists (1981-2009) Kathleen Potts Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1098 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Pulitzer Prize and Women: An Investigation into Three Decades of Winning Plays by Female Dramatists (1981-2009) by Kathleen Potts A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 ii ©2015 KATHLEEN POTTS All Rights Reserved iii This manuscript has been read and accepted by the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. February 4, 2015 ______________________________ Date Chair of Examining Committee David Savran Distinguished Professor February 4, 2015 ______________________________ Date Executive Officer Jean Graham-Jones Professor ______________________________ Marvin Carlson Distinguished Professor ______________________________ Jean Graham-Jones Professor ______________________________ ______________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract The Pulitzer Prize and Women: An Investigation into Three Decades of Winning Plays by Female Dramatists (1981-2009) by Kathleen Potts Advisor: Distinguished Professor David Savran Dramas by women had won the Pulitzer Prize six times in the years spanning from 1921 to 1958, followed by an unexplained absence of female winners from 1959 to 1980.
    [Show full text]