APR–MAY 2018 SEASON 51, ISSUE 7 EAP Full-Page Template.Indd 1 3/15/18 3:21 PM My Legacy
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NOV–DEC 2016 SEASON 50, ISSUE 3 Untitled-2 1
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY NOV–DEC 2016 SEASON 50, ISSUE 3 “ City National helps keep my financial life in tune.” So much of my life is always shifting; a different city, a different piece of music, a different ensemble. I need people who I can count on to help keep my financial life on course so I can focus on creating and sharing the “adventures” of classical music. City National shares my passion and is instrumental in helping me bring classical music to audiences all over the world. They enjoy being a part of what I do and love. That is the essence of a successful relationship. City National is The way up® for me. Michael Tilson Thomas Conductor, Educator and Composer Hear Michael’s complete story at Findyourwayup.com/Tuned2SF Find your way up.SM Call (866) 618-5242 to speak with a personal banker. 16 City National Bank 16 City National 0 ©2 City National Personal Banking CNB MEMBER FDIC Untitled-2 1 8/10/16 12:13 PM B:8.625” T:8.375” S:7.375” B:11.125” T:10.875” S:9.875” We care for the city that helped you start a new chapter. Our kidney and transplant programs have higher than expected outcomes than any other hospital in the country. When you call this city home, you call CPMC your hospital. cpmc2020.org EAP full-page template.indd 1 10/7/16 4:47 PM 40775 Version:01 09-02-16 hr 40775_SFEncore_BStore 1 SF Ballet-Encore_Bookstore Saved at 09-02-2016 from by Printed At None Job info Approvals Fonts & Images Job 40775 Art Director Fonts Client Sutter Health Copywriter Helvetica Neue LT Std (75 Bold, 45 Light), Media Type Magazine Account Mgr Helvetica Neue (Bold) Live 7.375” x 9.875” Studio Artist Trim 8.375” x 10.875” Proofreader Images Bleed 8.625” x 11.125” Pubs SF Ballet Notes Inks SF Encore Cyan, Magenta, Yellow, Black None November 2016 Volume 15, No. -
Drake Plays 1927-2021.Xls
Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
The Birthday Party at A.C.T. Encore Arts San Francisco
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY THE BIRTHDAY PARTY JAN 2018 SEASON 51, ISSUE 4 BY QUI NGUYEN DIRECTED BY JAIME CASTAÑEDA Vietgone is not your typical how-Mom- met-Dad story. Not unless they hit it off at a refugee camp in Arkansas. But that’s the story of playwright Qui Nguyen’s parents, who fell in love against all odds. Fleeing war-torn Vietnam, Tong and Quang navigate the unfamiliar landscape of 1970s America. As they learn more about the culture of this new land, they ponder what “home” really means. Is home a place, a person, a feeling? Bending genres and breaking rules, Nguyen’s cheeky retelling of his own family story skips through time and “A raucous, immensely moving comedy.” Charles Isherwood, The New York Times BEGINS FEBRUARY 21 A.C.T.’S STRAND THEATER act-sf.org/vietgone | 415.749.2228 “Hip, high-wire theatricality . sultry sexiness . quirky playfulness.” The Seattle Times bounces between borders, cracking Winner of the 2016 Harold and Mimi jokes along the way. Director Jaime Steinberg/American Theatre Critics Castañeda, who’s known Nguyen for Association New Play Award, Vietgone years, calls this play “uniquely Qui— was an off-Broadway hit at Manhattan he takes what seems like a traditional Theatre Club and sold out shows at immigrant story and turns it into this 2016’s Oregon Shakespeare Festival. wild, epic road-trip fantasia with fights This all-new production—complete and music and dancing and sex.” with kick-ass ninja fights and an original rap-inspired score—will burst Set to an original soundtrack that mixes into The Strand this February. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn, Written by Christopher M
BIOGRAPHY CAST IN IRONY: CAVEATS, STYLIZATION, AND INDETERMINACY IN THE BIOGRAPHICAL HISTORY PLAYS OF TOM STOPPARD AND MICHAEL FRAYN by CHRISTOPHER M. SHONKA B.A. Creighton University, 1997 M.F.A. Temple University, 2000 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre 2010 This thesis entitled: Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn, written by Christopher M. Shonka, has been approved for the Department of Theatre Dr. Merrill Lessley Dr. James Symons Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Shonka, Christopher M. (Ph.D. Theatre) Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn Thesis directed by Professor Merrill J. Lessley; Professor James Symons, second reader Abstract This study examines Tom Stoppard and Michael Frayn‘s incorporation of epistemological themes related to the limits of historical knowledge within their recent biography-based plays. The primary works that are analyzed are Stoppard‘s The Invention of Love (1997) and The Coast of Utopia trilogy (2002), and Frayn‘s Copenhagen (1998), Democracy (2003), and Afterlife (2008). In these plays, caveats, or warnings, that illustrate sources of historical indeterminacy are combined with theatrical stylizations that overtly suggest the authors‘ processes of interpretation and revisionism through an ironic distancing. -
THE BECKETT CIRCLE LE CERCLE DE BECKETT O N E W S L E T T E R O F T H E S a M U E L B E C K E T T S O C I E T Y
THE BECKETT CIRCLE LE CERCLE DE BECKETT O N e w s l e t t e r o f t h e S a m u e l B e c k e t t S o c i e t y Beckett. Delaware The Festival’s muse was Beckett’s own muse, Billie Whitelaw. She graced by her presence Celebrates Beckett all parts of the Festival, and, in her retrospec- tive in Mitchell Hall on Friday evening, she The University of Delaware’s Samuel Beckett brought the large audience into close touch Festival, which took place 9-11 October 2003, with Samuel Beckett’s humanity, moods, and was a joint undertaking of the Departments of methods as a director. Accounts of her experi- English, Foreign Languages, and Theatre as ences in performing Play, Not I (accompanied well as the University Library that celebrated by a screening of her film version),Happy Days, the addition to the Library’s Special Collections and a reading from Eh Joe highlighted her pre- of the distinguished private Samuel Beckett sentation. At the core of Whitelaw’s charm is collection of the late Sir Joseph Gold. Aiding her affectation-free, down-to-earth humanity, this effort was a memorable gathering of bear- which underlies her intuitive and poetic feel ers of the Beckett legacy: Billie Whitelaw, Pierre for Beckett’s plays. And yet there was an hyp- Chabert, Ruby Cohn, Martha Fehsenfeld, Lois notic transcendence, not homespunness, when Overbeck, Tom Bishop, Daniel Labeille, Stan she read the text of Eh Joe — such haunting Gontarski, Xerxes Mehta, Lois Oppenheim, music of bitter sadness, at once true and ethe- Jean-Michel Rabaté, and Thomas Cousineau. -
Humor, Characterization, Plot: the Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels
Humor, Characterization, Plot: The Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katrina M. Peterson, M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Clare Simmons, Adviser Leslie Tannenbaum Jill Galvan ABSTRACT Many late eighteenth- and nineteenth-century British novels utilize laughter as a social corrective, but this same laughter hides other messages about women‘s roles. As the genre‘s popularity widened, writers used novels to express opinions that would be eschewed in other, more established and serious genres. My dissertation argues that humor contributes to narrative meaning; as readers laugh at ―minor‖ characters, their laughter discourages specific behaviors, yet it also masks characters‘ important functions within narrative structure. Each chapter examines one type of humor—irony, parody, satire, and wit—along with a secondary female archetype: the matriarch, the old maid, the monster, and the mentor. Traditionally, the importance of laughter has been minimized, and the role of minor characters understudied. My project seeks to redress this imbalance through focusing on humor, secondary characterization, and plot. Chapter One, ―Irony and The Role of the Matriarch,‖ explores the humorous characterizations of Lady Maclaughlan and Miss Jenkyns within Susan Ferrier‘s Marriage (1818) and Elizabeth Gaskell‘s Cranford (1853). These novels share the following remarkable similarities: 1) they use characterization to unify unusually- structured novels; 2) they focus on humorous figures whose contributions to plot are masked by irony; 3) their matriarchal characters are absent for large portions of the stories; and 4) despite their absences, these figures‘ matriarchal power carries strong feminist implications. -
THE BALD SOPRANO” October 23 – November 22, 2009
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com CUTTING BALL THEATER OPENS 10 TH ANNIVERSARY SEASON WITH IONESCO’S ABSURDIST MASTERPIECE “THE BALD SOPRANO” October 23 – November 22, 2009 SAN FRANCISCO (August 30, 2009) – San Francisco’s cutting-edge Cutting Ball Theater opens its 10 th season with Eugène Ionesco’s comic masterpiece THE BALD SOPRANO , in a new translation by Cutting Ball Artistic Director Rob Melrose . This hysterically funny play is the perfect follow up to last season’s hit production of Ionecso’s Victims of Duty , which garnered a Bay Area Critics Circle award for Best Production. Featuring Paige Rogers , David Sinaiko , Caitlyn Louchard , Donell Hill , Derek Fischer , and Anjali Vashi with direction by Rob Melrose , THE BALD SOPRANO plays October 23 through November 22 (Press opening: October 29 ) at the Cutting Ball Theater in residence at Exit on Taylor (277 Taylor Street) in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006 . In THE BALD SOPRANO , Mr. and Mrs. Smith invite Mr. and Mrs. Martin over for a cheerful dinner. Plans for a sedate evening soon give way to hilarious chaos as polite conversation turns to confusion and the two couples engage in an escalating battle of linguistic acrobatics. Simultaneously comic and profound, THE BALD SOPRANO , about which The New York Times recently said, “The play has not aged. One might even suggest that we have caught up with [it],” is a play that breaks all the rules. While trying to learn English, Ionesco noticed the absurdity of the dialogues between the husband and wife in the textbook he was studying - she would inform him that they live in London, that they have three children, that the ceiling is above them and the floor is below them, all things he already knew perfectly well. -
Activities Listed on 1955-56 Calendar the 1955-56 Master Calendar 17-Football, USC, Los Angeles L6-17-Play, Bryan Hall Aud
"dVd811 wsc 'ld30 SNOI1ISlnOJV Vol. LXI Pullman, Wash., Thursday, May 19, 1955 Number 106 Latest Polio Roundup Opera Workshop this weekend (May 20 and 21) will present two operas; one of Furl:'her' Sf:udy 0f V a cc ·Ine Which is "The Old Maid and the Thief." Taking the leading roles are Carolyn Young and Robert Bratton. (WSC Photo). '~, Opera Workshop Set Slat:ed; Ike Backs Hobby WASHINGTON. (JP)-A new de- called "another look-see at this a federal inspection team which r..::.m lay in further releases of Salk whole very confused picture." has completed a visit to Wyeth . , g polio vaccine was disclosed Wed- The disclosure came when a Laboratories, Inc., at Mal'ietta, Mor DOU ble Prog nesday night pending what a Pu- reporter asked why there had Pa. The WSC Opera Workshop White plays Miss Pinkerton, and blic Health Service spokesman been no report on the findings of "There will be no further re- Under the direction of Margaret Robert Bratton will sing the role leases of vaccine from any man- bavis will produce two operas of Bob. Piano accompaniment ufacturer for several days," a this week on Friday and Satur- will be performed by Ellen Fran- spokesman said. He added the day evenings at 8 in Bryan zen, assisted by Jane Anderson. situation did not affect the 7,4 Arabs ~xpected· to Add 850,000 cubic centimeters of vac- lIall Auditorium. These will be "Dido and Aeneas" will feature CHan-Carlo Menotti's "Old Maid Patricia Franklin as Dido, Wal- cine produced by two other labo- ratories and approved for use in and the Thief" and "Dido and ter Miller as Aeneas, Frances the nationwide immunization Eickhoff as Belinda, and Patric- Aeneas" by Henry Purcell. -
Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given 1965 the Subject Was Roses by Frank D
The Pulitzer Prizes Drama Winners The First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No award given 1965 The Subject Was Roses by Frank D. Gilroy 1964 No award given 1963 No award given 1962 How to Succeed in Business Without Really Trying by Loesser and Burrows 1961 All the Way Home by Tad Mosel 1960 Fiorello! by Weidman, Abbott, Bock, and Harnick 1959 J.B. by Archibald MacLeish 1958 Look Homeward, Angel by Ketti Frings 1957 Long Day’s Journey Into Night by Eugene O’Neill 1956 The Diary of Anne Frank by Albert Hackett and Frances Goodrich 1955 Cat on a Hot Tin Roof by Tennessee Williams 1954 The Teahouse of the August Moon by John Patrick 1953 Picnic by William Inge 1952 The Shrike by Joseph Kramm 1951 No award given 1950 South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan 1949 Death of a Salesman by Arthur Miller 1948 A Streetcar Named Desire by Tennessee Williams 1947 No award given 1946 State of the Union by Russel Crouse and Howard Lindsay 1945 Harvey by Mary Coyle Chase 1944 No award given 1943 The Skin of Our Teeth by Thornton Wilder 1942 No award given 1941 There Shall Be No Night by Robert E. Sherwood 1940 The Time of Your Life by William Saroyan 1939 Abe Lincoln in Illinois by Robert E. Sherwood 1938 Our Town by Thornton Wilder 1937 You Can’t Take It With You by Moss Hart and George S. Kaufman 1936 Idiot’s Delight by Robert E. Sherwood 1935 The Old Maid by Zoë Akins 1934 Men in White by Sidney Kingsley 1933 Both Your Houses by Maxwell Anderson 1932 Of Thee I Sing by George S. -
Hamlet at A.C.T. Encore Arts San Francisco
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY SEP–OCT 2017 SEASON 51, ISSUE 1 EXPERIENCE, DEDICATION, RESULTS. Simply the Best! 415.345.3022 | [email protected] www.NinaHatvany.com | License # 01152226 PARTNERED WITH NATALIE, VANESSA AND PAUL HATVANY KITCHEN 3500 Jackson Street,San Francisco 7 BR | 6.5 BA | Spectacular Bay views | Offered at $16,000,000 This magnificent home has spectacular Bay views from every level. It is a stunning example of Bernard Maybeck’s architectural work, with extraordinary entertaining spaces, particularly a Great Room with 20’ ceilings opening into a formal dining room. There is a library and a study as well as 3 family rooms, 2 terraces and multi-car parking in the garage and driveway. The kitchen has been modernized with white cabinets and sleek stainless appliances. A wine cellar and storage area complete the amenities. Fabulous views combined with grand scale and meticulous construction make this special residence a once-in-a-lifetime opportunity for any buyer with an appreciation for superior architecture and design in a coveted Presidio Heights location. 3500Jackson.com 2557-2571 Filbert Street 2830 Buchanan Street 1338 Filbert Street #D 2334 Pine Street San Francisco San Francisco San Francisco San Francisco Offered at $10,000,000 Offered at $6,169,000 Offered at $4,600,000 Offered at $4,500,000 2557-2571Filbert.com 2830BuchananStreet.com 1338Filbert.com 2334Pine.com Natalie Hatvany Kitchen Vanessa Hatvany Kitchen Paul Hatvany Kitchen Broker Associate Sales Associate Broker Associate 415 652 4628 415 407 5668 415 652 7285 [email protected] [email protected] [email protected] License # 01484878 License # 02016667 License # 01928433 EAP full-page template.indd 1 8/7/17 4:17 PM My wealth.