Services Face 'Drastic Cuts' in Brown Budget
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A University Microfilms International
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Chadwick Papers Volume 25 (Pdf)
•J<etlon wlll '"'"' tho tiMitlOMI@ Sparkplug, repeating the story in 1 politics: 4 Letter To ! II "When the race:> ran tha~ day, ELECTING APRESIDEMT Sparkplug ran the other wa,y." : There is a growing sentiment. 18 The Editor against this lnadeqna.te, and weak representation ot the 33th Ward and I sincerely hoPe that you '\ill Dear Editor: lend the power or yow· qUill to the Allow me to tliank you for your rnd that we in the secL!on '\\ill se timely and trenchant editorial on cure what we so sorelv need. a Party one Clarence Blackl:iurn- tbe m:m representative in the Council of thP. who so prodigiously misrepresents City Fathers wllo will have a kindly the 38th Ward. and the Sixth Dls· heart. lor the children. and a sense Split trict, in Counc1l. ot responsibility toward the men I would ruith your kind oerrnfs and the women of the district he Helped sion) amend your timely word, bv represents. stating that any denial of remarks. H. J. W. Wilson used by Blackburn In Council. and reported by the newspapers, Is not ... taken seriously by t.11ooe who arc In familiar with its legislative •·ccord. For those of your readel's who are f\•Jt Ne-..~ ,/1•/•1.,7 not familiar with the Spartan prnc 1912. tice concerning children, let me state briefiy that t.he ideal o! that KENWORTHY AGAIN com1try was: the buildlnP: of a race !t'I.:.SON. of strong men and women-and In ON PARK COMMISSION th{l attainment of this aim, t.be liE Democrats with Wood· children who w·ere weak. -
University of Cincinnati News Record. Wednesday, May 28, 1969. Vol. LVI
~\C~Nl'~,\ fUC\ Uniye+:9'ity of Cinoinnati h •• ' J , ,-'t N'E"W'-S ·~.RE'~C-ORD Pub lis ned Tu e sd ay s andFridays during the Ac a d em ic Year l'xcept :IS scheduled, ...1.50, , ~ .. ,~ I_OJ Cincinnati. Ohio, Wednesday, May 28, 1969 No. 51 ~19 _ '\9" Vol. 56 ~ . Painter Talks '-On Disorders, Board Petitions- Court To Eliminate Comments OnUBA Demands Names Of Individuals From Order The Board further, on the disorder marked virtually every Mark Painter- stated that he does Editor's Note: by Jim Lipovsky suggestion of the Student Senate other large university in the land. not support the United Black The following statement .uias and others, has decided to Now, therefore, in light of Association's demands that are formally approved by a recent activities, the Board of In the wake of recent disorders unanimousuote of the tic Board underscore the applicability of the on the UC' campus, Student Body concerned with teacher hiring and Order to all persons on campus by . Directors votes as follows: firing because he opposes the , of Directors at a special meeting 1) As the legal governing and President Mark Painter offered his held' last Sunday morning. May petitioning the Court to eliminate opinions on several of the issues placement of 'faculty review or individual names and groups from policy-making body of" the veto powers in the' hands of any 26. The statement was submitted University, the Board of Directors facing the University. by the Board-Administration the Or'd er , since a)' these Speaking to the News Record, student organization. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Mcgill: Movement Was. 'Anti-Intellectual'
McGill: Movement Was. 'Anti-Intellectual' by John H. Taylor the oppressed and of trying to improve the condition of humanity " Edltor-In-chlef According to McGill, in the wake of the development of a counter Cu lture universities relaxed course requirements to accommodate the A former UC San Diego chancellor has labeled the "counter-culture" radicals, because "many faculty members were tremendously Im of the 1960s and early 1970s an "anti-intellectual" movement com pressed with the romanticism of the counter-culture kids They copied prising young people who "in the end .. .couldn't feed themselves." the style; they copied the speech, and they copied the clothing " In an interview published in the San Diego Union Sunday, Columbia This loosening of requirements, he said, brought on pass/ fail grading University President William McGill, chancellor here during the most and other " non-competitive" grading plans that were popular only violent period of student activism, said campus radicals have been until it was discovered that students who took advantage of these plans replaced by students whose protection against society is "some " could not b'e placed in professional or graduate schools " A a result. commitment to some special kind of professional work ." He said these he said, students have stopped attacking grading systems students of the 19705 "saw the dismal state of the counter-culture and McGill said that during the counter-culture period, radical t acher rejected it." who really " didn't want to teach " came onto the scene, but left schools In the same interview, McGill said he was strongly opposed to labor when the public attention was no longer focused on them. -
Aynsley Dunbar Retaliation
AYNSLEY DUNBAR RETALIATION Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced that group's A Hard Road album, though with a somewhat more downbeat tone. The similarities were hardly coincidental, as the band's founder and leader, drummer Aynsley Dunbar, had been in the Bluesbreakers lineup that recorded the A Hard Road LP. Too, bassist Alex Dmochowski would go on to play with Mayall in the 1970s, and guitarist Jon Morshead was friendly with fellow axeman Peter Green (also in the Bluesbreakers' A Hard Road lineup), whom he had replaced in Shotgun Express. Though he was only 21 when he formed the Aynsley Dunbar Retaliation, the drummer had already played with several bands of note in both his native Liverpool and London. Stints in several Merseybeat groups had culminated in his joining the Mojos, and Dunbar played on a couple of singles by the group, though these were cut after their British chart hits. Shortly after leaving the Mojos, he did his stint with the Bluesbreakers, after which he played for a few months in the Jeff Beck Group, also appearing on their 1967 single "Tallyman"/"Rock My Plimsoul." Wanting to lead his own band, in mid-1967 he formed the Aynsley Dunbar Retaliation, joined by Morshead, who'd previously been in the Moments (with a pre-Small Faces Steve Marriott), Shotgun Express, and Johnny Kidd & the Pirates; singer/guitarist/keyboardist Victor Brox, who worked for a while with British blues godfather Alexis Korner; and bassist Keith Tillman. -
Steve Smith Biography 2020 Steve Smith's Drumming, While Always
Steve Smith Biography 2020 Steve Smith's drumming, while always decidedly modern, can best be described as a style that embodies the history of U.S. music. Originally drawn to the drums by hearing marching bands in parades as a child in his native Massachusetts, Smith began studying the drums at age nine, in 1963. After high school, Smith studied in Boston at the Berklee College of Music from 1972-76, where he had private lessons with both Gary Chaffee and Alan Dawson. His original love of rudimental parade band drumming is evident in his intricate solos. Likewise, his command of jazz, from New Orleans music, swing, big band, bebop, avant-garde to fusion, plus his rock drumming sensibilities and knowledge of rhythms from India allow him to push the boundaries of all styles to new heights. In 1976, Smith began his association with jazz-fusion by joining violinist Jean-Luc Ponty's group and recording the 1977 landmark fusion album Enigmatic Ocean. It was while touring with rocker Ronnie Montrose a year later that Smith was asked to join the popular rock band Journey which brought his playing to the attention of a rock audience. With Journey, Smith toured the world and recorded numerous successful albums including the immensely popular Escape (which includes the ubiquitous hit song “Don’t Stop Believin’”) and Frontiers, both of which garnered the band many Top 40 hits. Journey’s albums have sold in excess of 75 million copies worldwide to date. In 1985 Smith left Journey to pursue his original passion, jazz, and to continue his developing career as a session player, bandleader and educator. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland -
Guitarone Magazine
THE DEAD SET OUT ON SUMMER GETAWAY TOUR The Dead are coming together for their first Summer tour since Jerry Garcia's passing and will be joined on various dates of the tour by legendary musicians Bob Dylan, Willie Nelson, Steve Winwood, and celebrated Grateful Dead songwriter Robert Hunter. The Dead are kicking off the first leg of their Summer Getaway Tour at the sold-out Bonnaroo Festival in Tennessee on June 15 and will continue touring through early July. Steve Winwood will join the band from June 17-25, and Willie Nelson & Family will join the tour from June 27 through July 4; Nelson's final performance with The Dead will take place at his spectacular 4th of July picnic in Austin, TX. Tickets are on sale at dead.net as well as at Ticketmaster . The second leg of the Summer Getaway Tour will be co-headlined by the incomparable Bob Dylan, who will play prior to and sit in with The Dead. This pairing has not taken place since The Dead and Bob Dylan, along with his band, collaborated on a sold-out stadium tour in 1987. The second leg of the Summer Getaway Tour will be from July 29 through August 10. (Complete tour schedules follow.) The Dead are made up of Grateful Dead members Mickey Hart (percussion, drums, vocals), Bill Kreutzmann (drums), Phil Lesh (bass, vocals) and Bob Weir (guitar, vocals), whom are joined by keyboardists Jeff Chimenti and Rob Barraco, and lead guitarist Jimmy Herring. Also joining The Dead for the first time, injecting a soulful female voice, is Grammy-nominated singer Joan Osborne. -
December 1983
Cover Photo by Ebet Roberts FEATURES CARL PALMER Despite his many years in the business, Carl Palmer has managed to remain enthusiastic and innovative in his approach to music. Here, he discusses such topics as the differences between being a member of Asia and being the drummer with Emerson, Lake & Palmer, and his approach to drum solos. b y R i c k M a t t i n g l y 8 Photo by Ebet Roberts SIMON KIRKE e t R o b e r t s First coming to prominence with the group Free, and then moving on to Bad Company, Simon Kirke has established himself as one of those drummers who has been a role model for other drummers. He talks about his background, his drumming, and his current P h o t o b y E b activities. by Simon Goodwin 14 ANTHONY J.CIRONE A percussionist with the San Francisco Symphony, a teacher at San Jose State College, and a composer of percussion music, Cirone discusses his classical training at Juilliard, his teaching methods, careers in music today, and his personal philosophy for leading a well-integrated and diverse life-style. by Rick Mattingly 18 DRUM COMPUTERS A Comparative Look by Bob Saydlowski, Jr. 24 r e g T o l a n d d n a l o T g e r J.R. MITCHELL Creative Survival P h o t o b y G G y b o t o h P by Scott K. Fish 28 STRICTLY TECHNIQUE PORTRAITS COLUMNS Focus on Bass Drum Kwaku Dadey 94 by Paul R. -
"San Francisco Rock Icon Auction"
Proudly Presents "SAN FRANCISCO ROCK ICON AUCTION" AUCTION PREVIEW: APRIL 17th - 22nd AUCTION GOES LIVE: APRIL 23rd - 30th On behalf of the entire Backstage Auctions Crew we would like to welcome you to the "SAN FRANCISCO ROCK ICON AUCTION". Months of hard work and dedication went into putting together a very unique auction featuring one-of-a-kind memorabilia spanning over 35 years of rock 'n roll history. Backstage Auctions would like to take the opportunity to thank our consignors who contributed their personal treasures to complete this amazing collection of memorabilia for this auction; Herbie Herbert (Santana, Steve Miller, Journey, Europe), Steve Parish (Grateful Dead, Jerry Garcia), Bill Thompson (Jefferson Airplane, Jefferson Starship, Starship, Hot Tuna), Mark Sandoval (Ross Valory, Kevin Chalfant, George Tickner, Sy Klopps) and musicians Michael Shrieve (Santana, Rolling Stones, Pete Townshend, Steve Winwood) and Ross Valory (Journey, Frumious Bandersnatch, Steve Miller, Sy Klopps). To read more about our consignors please see our website for their bios and photos. We know you're excited and jumping at the bit to dive in, but before doing so, please take 2 minutes to read the "Helpful Hints and Suggestions" section below. It will greatly assist you in navigating through all the auction lots and hopefully address some of the questions you might already have. In all, thank you for visiting Backstage Auctions and your interest in the "SAN FRANCISCO ROCK ICON AUCTION". An auction like this is not likely to happen again anytime soon, so be sure to take advantage of this fantastic opportunity to pick up a piece of music history.