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I .Concert Theatre Tonight!
FIL™ n r a "WS ■ J O 3 : BOYS îîS*!9â k IWâ S 7A FEATURE 3 A | REVIEW Actors Ricky From the Ricardo's London Logical Stage Heir The Arts and Entertainment Section of the Daily Nexus/For the Week of Oct.25-Nov.2 1989 Syllabus OF NOTE THIS WEEK MUSIC Top 5 This Week at Rockhouse Records: 1. Camper Van Beethoven Key Lime Pie 2. Erasure Wild 3. Jesus & Mary Chain Automatic 4. Kate Bush The Sensual World 5. Aerosmith Pump at The Wherehouse: 1. Rolling Stones Steel Wheels 2. Milli Vanilli Girl You Know It’s True 3. Janet Jackson Rhythm Nation 1814 4. Tears For Fears The Seeds of Love 5. Fine Young Cannibals The Raw and the Cooked FILM Tonight: Mr. Smith Goes To Washington, at Campbell Hall, 8 p.m.; $3/students Saturday: 21st Tournament of Animation, at I.V. Theater, 7,9,11 p.m.; $3 Sunday: King of the Children, at Campbell Hall, 8 p.m.; $3/students □ PERFORMANCE Which, too, Tonight: about. Music/Rally Phranc, as part of Take ■By Doug Arellane Back the Night, Storke Plaza, 7 p.m. ^ ¡§ ta ff Writer Phranc also dgjeys Free She says so on tie title Friday: Music 8th Annual World Music Festi new album, I Enjoy Being A val, at the Multicultural Center, 3 ^ s c r i b e s which is a cover of ah old Ro p.m.; Until Saturday; Free your average lesbian Jewis f ^ a*M ^ Poetry Ana Castillo, at the Women’s and Hammerstein number Yo Center, 12 p.m.; Free ger,” andgpsses it o^yitl for being a lesbian Jewish folks! Saturday:Afusic Udan Asih Gamelan kind of jinchalanceas ifllhe wHS & dance concert, at Campbell Hall, 8 Phranic$8ias a sense of humg p.m.; $10/students, $15/non-students P h ra n y “just your^ average sharp a! her flattop. -
255-Interview.Pfeiffer.Pdf
INTERVIEW Face Michelle Forward Pfeiffer is that rare breed of Hollywood actress who has managed to maintain a level head while balancing fame with family life. Now, as the older-woman seductress in her upcoming filmChéri , she isn’t afraid to act her age — and make it sexy. By Matt Mueller Ever since her initial burst of stardom in the 1980s, coloured cardigan. She is the definition of graceful ageing. Michelle Pfeiffer has been graced with a fitting Thus, it seems fitting that her most significant starring nickname: ‘The Face’. Now, at 50, entering the latest role since 2000’s Hitchcockian thriller What Lies Beneath phase of her illustrious career, she looks as striking — as a retired courtesan in Stephen Frears’ Chéri — is all and luminous as she was at her A-list pinnacle. Those about facing up to encroaching age. The film, based on aqua-blue eyes are still piercing; and her cliff-edge the novel by Colette, is set in the luxurious, decadent cheekbones, flawless skin and pert nose still rank demimonde of 1920s Paris, where glamorous, powerful, among the most sought-after celebrity body parts, wealthy courtesans were the lovers of princes, kings and according to polls of Beverly Hills plastic surgeons. heads of state — and the most influential celebrities of Meeting Pfeiffer in person at the Berlin Film Festival, their day. Pfeiffer’s sensual, mesmerising Lea de Lonval she radiates an impeccably groomed lustre and a embarks on a doomed love affair with Rupert Friend’s birdlike fragility, sporting tortoiseshell glasses and an Chéri, who is 20 years her junior and the dissolute son of open-necked grey silk blouse underneath a charcoal- her old rival (Kathy Bates). -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Audition How Does the 1999 Film Relate to the Issues That Japanese Men and Women Face in Relation to Romantic Pairing?
University of Roskilde Audition How does the 1999 film relate to the issues that Japanese men and women face in relation to romantic pairing? Supervisor: Björn Hakon Lingner Group members: Student number: Anna Klis 62507 Avin Mesbah 61779 Dejan Omerbasic 55201 Mads F. B. Hansen 64518 In-depth project Characters: 148,702 Fall 2018 University of Roskilde Table of content Problem Area ........................................................................................................................................... 7 Problem Formulation .............................................................................................................................. 9 Motivation ............................................................................................................................................... 9 Delimitation ........................................................................................................................................... 10 Method .................................................................................................................................................. 11 Theory .................................................................................................................................................... 12 Literature review ............................................................................................................................... 12 Social Exchange Theory .................................................................................................................... -
Convent Slave Laundries? Magdalen Asylums in Australia
Convent slave laundries? Magdalen asylums in Australia James Franklin* A staple of extreme Protestant propaganda in the first half of the twentieth century was the accusation of ‘convent slave laundries’. Anti-Catholic organs like The Watchman and The Rock regularly alleged extremely harsh conditions in Roman Catholic convent laundries and reported stories of abductions into them and escapes from them.1 In Ireland, the scandal of Magdalen laundries has been the subject of extensive official inquiries.2 Allegations of widespread near-slave conditions and harsh punishments turned out to be substantially true.3 The Irish state has apologized,4 memoirs have been written, compensation paid, a movie made.5 Something similar occurred in England.6 1 ‘Attack on convents’, Argus 21/1/1907, http://trove.nla.gov.au/ndp/del/article/10610696; ‘Abbotsford convent again: another girl abducted’, The Watchman 22/7/1915, http:// trove.nla.gov.au/ndp/del/article/111806210; ‘Protestant Federation: Why it is needed: Charge of slavery in convents’, Maitland Daily Mercury 23/4/1921, http://trove.nla.gov. au/ndp/del/article/123726627; ‘Founder of “The Rock” at U.P.A. rally’, Northern Star 2/4/1947, http://trove.nla.gov.au/ndp/del/article/99154812. 2 Commission to Inquire into Child Abuse (Ireland, 2009), ch. 18, http://www. childabusecommission.ie/rpt/pdfs/CICA-VOL3-18.pdf; Report of the Inter-Departmental Committee to establish the facts of State involvement with the Magdalen Laundries (McAleese Report, 2013), http://www.justice.ie/en/ JELR/Pages/MagdalenRpt2013; summary at http://www.theguardian.com/world/2013/feb/05/magdalene-laundries-ireland-state- guilt 3 J.M. -
Programa De La NASA Saboteando Matt Johnson Saboteatzen
Antolatzaileak / Organizan Babesleak / Patrocinan Laguntzaileak / Colaboran argazkia / fotografía: Pedro Usabiaga ANTZOKI ZAHARRA TEATRO PRINCIPAL Antzoki Zaharreko film guztiak jatorrizko bertsioan proiektatuko dira gaztelerazko azpitituluekin, THE UNSEEN, La Peau sauvage eta UNDER THE SHADOW salbu. Hauek euskarazko azpitituluekin emango dira. Bestetik LOTTE ETA HARRI BITXIEN SEKRETUA euskaraz bikoizturik emango da. / Todas las películas del Teatro Principal se proyectarán en versión original subtitulada en castellano excepto THE UNSEEN, La Peau sauvage y UNDER THE SHADOW, que se subtitularán en euskera, y LOTTE ETA 29 HARRI BITXIEN SEKRETUA, que se exhibirá doblada al euskera. LARUNBATA / SÁBADO 19:45 INAUGURAZIOA / INAUGURACIÓN SHIN GODZILLA Godzilla (1954) lanean Ishiro Legendario monstruo protagonista (Shin Gojira, 2016) Hondaren eskutik debuta de infinidad de títulos, más de 30, Hideaki Anno, Shinji Higuchi egin zuenetik, Godzilla desde su debut de la mano de Ishiro Japonia / Japón. 120 min munstro ospetsua 30 lan baino Honda en Japón bajo el terror del gehiagotan izan da protagonista monstruo (1954), que a lo largo de zinema japoniarrean azken las décadas ha ido apareciendo en el hamarkadetan. Orain berriro cine japonés en diversos momentos, agertu da uztailaren amaieran Godzilla vuelve a resurgir desde su Japonian arrakasta handiz escondite en esta película estrenada estreinatu zen film honekin. comercialmente en Japón con gran Filma Shinji Higuchik –Sinking éxito a finales del pasado mes de of Japan (2006), Attack on julio. El film ha sido digido por Shinji Titan (2015)– eta Hideaki Annok Higuchi –El hundimiento de Japón zuzendu dute. Anno, animazioko (2006), Ataque a los titanes (2015)– zineman espezialista den y Hideaki Anno, director especializado zuzendaria, Evangelion sagaren en cine de animación, responsable de hainbat lanen arduraduna da. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Tribeca Film in Partnership with American Express Presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a Bluel
Tribeca Film in Partnership with American Express presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a blueLight, Fidelite Films, Studio Urania production NEDS Winner – Best Film, Evening Standard British Film Awards Winner – Golden Shell for Best Film, San Sebastian Film Festival Winner – Silver Shell for Best Actor, Conor McCarron San Sebastian Film Festival Winner- Young British Performer of the Year, Conor McCarron London Film Critics’ Circle Awards US Premiere Tribeca Film Festival 2011 Available on VOD Nationwide: April 20-June 23, 2011 May 13, 2011- Los Angeles June 17, 2011 – Miami Available August 23 on DVD PRESS CONTACTS Distributor: Publicity: ID PR Tammie Rosen Dani Weinstein Tribeca Film Sara Serlen 212-941-2003 Sheri Goldberg [email protected] 212-334-0333 375 Greenwich Street [email protected] New York, NY 10013 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS “If you want a NED, I‟ll give you a fucking NED!” Directed by the acclaimed actor/director Peter Mullan (MY NAME IS JOE, THE MAGDALENE SISTERS) NEDS, so called Non-Educated Delinquents, takes place in the gritty, savage and often violent world of 1970‟s Glasgow. On the brink of adolescence, young John McGill is a bright and sensitive boy, eager to learn and full of promise. But, the cards are stacked against him. Most of the adults in his life fail him in one way or another. His father is a drunken violent bully and his teachers – punishing John for the „sins‟ of his older brother, Benny – are down on him from the start. -
THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
"THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes. -
Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
Resources for Teaching Magdalene Laundries.Pdf
RESOURCES FOR TEACHING IRELAND’S MAGDALENE LAUNDRIES JUSTICE FOR MAGDALENES RESEARCH • Justice for Magdalenes Research Website (2014-): http://jfmresearch.com/ • Justice for Magdalenes Website (2008-2013): http://www.magdalenelaundries.com/index.htm • Justice for Magdalenes Research Archive: http://repository.wit.ie/JFMA/ • Adoption Rights Alliance: http://www.adoptionrightsalliance.com/ • Clann Project (JFMR/ARA): http://clannproject.org/ JUSTICE FOR MAGDALENES CAMPAIGN, 2009-2013 • http://jfmresearch.com/home/jfm-political-campaign-2009-2013/ ACADEMIC ARTICLES ON THE JUSTICE FOR MAGDALENES CAMPAIGN • O’Donnell, Katherine. “Academics Becoming Activists: Reflections on Some Ethical Issues of the Justice for Magdalenes Campaign.” Irishness on the Margins: Minority and Dissident Identities, edited by Pilar Villar-Argáiz, Palgrave-Macmillan, 2018, pp. 77-100. • O’Rouke, Maeve and James M. Smith. “Ireland’s Magdalene Laundries: Confronting a History Not Yet in the Past.” A Century of Progress? Irish Women Reflect, edited by Alan Hayes and Máire Meagher, Arlen House, 2016, pp. 107-34. • O’Rourke, Maeve. “The Justice for Magdalenes Campaign.” Implementing International Human Rights: Perspectives from Ireland, edited by S. Egan, Bloomsbury, 2016. • Smith, James. “The Justice for Magdalenes Campaign.” In Plain Sight: Responding to the Ferns, Ryan, Murphy and Cloyne Reports, edited by Carole Holohan, Amnesty International-Ireland, 2011. Pp. 372- 77. ADVOCACY JOURNALISM BY JUSTICE FOR MAGDALENES RESEARCH • http://jfmresearch.com/publications/opinion-editorials/ ADVOCACY LECTURES/TALKS BY JUSTICE FOR MAGDALENE RESEARCH • O’Rourke, Maeve. “Why apologise today for historic abuse?” TEDxUCD, 2015. o https://www.youtube.com/watch?v=OgjH7zCXFok ——. “Ireland’s Magdalene Laundries.” TEDxHolborn, 2014. o https://www.youtube.com/watch?v=xb0d-lOJx9U • Smith, James M. -
Dali Auction Record Smashed! Dali Oil Painting Fetches a Staggering $21.6-Million Plus, As an Anonymous Buyer Triumphs in Frenzied London Bidding War
Vol. 21 No. 2 Mar-Apr 2011 THE COLLECTORS NEWSLETTER © FOR THE DALI AFICIONADO AND SERIOUS COLLECTOR * * * Now In Our 21st Year * * * Dali Auction Record Smashed! Dali oil painting fetches a staggering $21.6-million plus, as an anonymous buyer triumphs in frenzied London bidding war... ali’s Portrait of Paul Eluard set a world record at Sotheby’s auction house in DDLondon February 10 when it was sold for more than $21.6 million. An anonymous bidder paid $21,688,635 (US) for the 1929 masterpiece, the most ever for a Surrealist work at auction, soundly shattering a record set only one day earlier at Christie’s London for a Dali piece at auction when the INSIDE Dali Foundation paid over $6-million for a Dali oil painting (see story on p. 2 of this issue of the SDCN). Dali Foundation Acquires Early Dali The 1929 Surrealist piece portrays French poet PAGE 2 Paul Eluard, a pivotal figure of the movement, and demonstrates many of the key elements that Dali Sculptures at defined the eccentric Spanish artist’s style. It is Auction arguably one of the finest Surrealist portraits. PAGE 3 Dalí and Eluard met in 1929, around the time when the artist was staying in Paris where he assisted Luis Buñuel with filming Un Chien High Exhibit Loans Portrait of Paul Eluard Return Home Andalou. During his stay in Paris, Dalí came in contact with the Surrealists and invited them to visit him in Cadaqués in the summer. Among those PAGE 4-5 who spent the summer with Dalí were Paul Eluard with his wife Gala and their daughter Cécile, as well as Buñuel and René Magritte with his wife.